A

Arden, Jeremy (2006) Bayo's way: for tuba, nine brass instruments and electronics. [Composition]

Arden, Jeremy (2005) Introduction. In: The Schillinger System of Musical Composition (2nd ed.). Clock & Rose Press, Massachusetts, USA, pp. 1-41. ISBN 1593860285

Arden, Jeremy (2006) Keys to the Schillinger System: basic principles & foundations. The Schillinger School of Music Handbooks. Clock & Rose Press, Massachusetts, USA. ISBN 9781593860318

Arden, Jeremy (2007) Star King of Day: for percussion. [Composition]

Armit, Bryan and Oliver, Paul G. ORCID: https://orcid.org/0000-0001-5551-5106 (2019) Crowdfunding and the DIY artist: the effects of web 2.0 on DIY music communities. SSRN electronic journal.

Auricchio, Nino (2017) Natural highs: timbre and chills in electronic dance music. In: Popular Music Studies Today. Systematische Musikwissenschaft. Springer VS, Wiesbaden, Germany, pp. 11-23. ISBN 9783658177409

Auricchio, Nino and Borg, Paul (2016) New modular synthesizers and performance practice. In: SAE 2nd Synthposium, 14 Nov 2016, Melbourne, Australia. (Unpublished)

Auricchio, Nino, Borg, Paul and Whelan, Larry (2016) Cold waves. [Performance]

B

Baker, Gavin (2018) Using a performative approach to textual analysis. In: London Critical 2018, 29 -30 June 2018, London. (Unpublished)

Baker, Gavin (2018) Pausing to (re)frame: using actioning and positive reflection in performative learning and teaching. In: Leap into Action: Critical Performative Pedagogies in Art & Design Education. Peter Lang, USA. (In Press)

Bandoni, Michael and Auricchio, Nino (2015) Funkshone 'The The Yard'. [Audio]

Bandoni, Michael and Auricchio, Nino (2016) Funkshone 'The strut'. [Audio]

Blaze, Patricia (2019) Dr Monique Charles - the after party. [Audio]

Borg, Paul (2016) Abstrk beats. [Audio]

Bourbon, Andrew and McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) The creative negotiation of a trans-national recorded sound: Grupo Lokito as a Congolese-Latin collaboration case study. In: Art of Record Production Conference, 6-8 Nov 2015, Philadelphia, USA. (Unpublished)

Bourbon, Andrew and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) The ecological approach to mixing audio: agency, activity and environment in the process of audio staging. Journal on the Art of Record Production, 11. ISSN 1754-9892

Bourbon, Andrew, Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2015) In modern dress. [Performance] (Unpublished)

Bourbon, Andrew and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2016) Sonic cartoons and semantic audio processing: using invariant properties to create schematic representations of acoustic phenomena. In: 2nd AES Workshop on Intelligent Music Production, 13 September 2016, London, UK.

Brown, Katrina, Irvine, Rosanna and Sayer, Timothy (2014) what remains and is to come. [Composition]

C

Campbell, William, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and van der Linde, Ian (2017) Listener preferences for alternative dynamic-range-compressed audio configurations. Journal of the Audio Engineering Society, 65 (7/8). pp. 540-551. ISSN 1549-4950

Campbell, William, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2010) The effect of dynamic range compression on the psychoacoustic quality and loudness of commercial music. In: Proceedings of the Internoise 2010 Conference, 13-16 June 2010, Lisbon, Portugal.

Campbell, William, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2014) A quantitative evaluation of signal masking in summed and compressed audio. In: Innovation in music. Future Technology Press, Shoreham-by-Sea, UK, 20 - 31. ISBN 9780956151681

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) Creating a rubato layer cake: performing and producing overdubs with expressive timing on a classical recording for 'solo' piano. Journal on the Art of Record Production, 11. ISSN 1754-9892

Capulet, Emilie (2017) Connecting policy to practice: from work-based learning to negotiated curriculum – a case-study. In: UWL Teaching and Learning Conference 2017, 29 June 2017, London, UK. (Unpublished)

Capulet, Emilie (2015) Dementia and music workshops at LCM. In: A4D Best Practice Music Symposium 2015 Musicianship and Access for Early-Stage Dementia - The Way Forward, 17 Apr 2015, London, UK. (Unpublished)

Capulet, Emilie (2020) Henri Tomasi - complete solo piano works. [Audio]

Capulet, Emilie (2021) La musique pour piano d'Henri Tomasi: partitions inédites, travail éditorial et pratiques pianistiques / Henri Tomasi's solo piano music:unpublished manuscripts, editorial work and performance practices. In: Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)

Capulet, Emilie (2021) Le paradigme cinématographique dans la musique pour piano d'Henri Tomasi / The piano music of Henri Tomasi and the cinematic paradigm. In: Colloque International Henri Tomasi, Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)

Capulet, Emilie (2015) Lecture-recital. [Performance]

Capulet, Emilie (2015) Music and dementia workshops: bridging the gap in music education. In: UWL Teaching and Learning Conference 2015, 29 June 2015, London, UK. (Unpublished)

Capulet, Emilie (2019) 'Perspectives on authenticity in the representation of classical music in contemporary fiction'. In: Representing 'Classical Music' in the Twenty-First Century Network Event, 2 Sep 2019, Exeter University.

Capulet, Emilie (2017) Preface to Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. In: Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. Repertoire Explorer. Musikproduction Höflich, Heidelberg, Germany.

Capulet, Emilie (2014) Scholarly preface (in English and German) to the score of Camille Saint-Saëns' Symphony in A (Youth symphony). In: Saint-Saëns, Camille: Symphony in A (Youth symphony). Repertoire & Opera Explorer (1500). Musikproduktion Höflich, Munich, Germany, i-ii.

Capulet, Emilie (2014) Scholarly preface (in English and German) to the score of Gabriel Pierné's Viennoise op. 49bis for orchestra. In: Gabriel Pierné, Viennoise op. 49bis for orchestra. Repertoire & Opera Explorer (1569). Musikproduktion Höflich, Munich, Germany, i-ii. ISBN Publisher number: 1569 MPH, Musikproduktion Höflich

Capulet, Emilie (2013) Through the looking-glass: transmediality in musicalized narratives of the Modernist period. In: Transmediality and Transculturality. Winter Verlag, Heidelberg.

Capulet, Emilie (2021) Watch for the laughs! The music of graphic scores. In: Play for Health Across the Lifespan: Stories from the Seven Ages of Play. Routledge, Abingdon, UK. ISBN 9780367472887

Capulet, Emilie (2019) "Why does music move us: music, health and wellbeing". In: 10th Annual Swindon Trauma Group Conference, 18 Oct 2019, Swindon, UK.

Capulet, Emilie (2021) The art of teaching the piano. In: Online Piano Workshop, 25 April 2021, Nicosia, Cyprus.

Capulet, Emilie (2016) The game of chamber music in dementia music therapy. In: Play in Healthcare for Adults. Routledge, Abingdon, UK, pp. 124-134. ISBN 9781315679846

Capulet, Emilie (2019) The music of Henri Tomasi (1901-1971) and the cinematic paradigm. In: The Music of Henri Tomasi (1901-1971) and the Cinematic Paradigm, 11 July 2019, London.

Capulet, Emilie, Bourbon, Andrew, Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 and Blier-Carruthers, Amy (2015) Creative hyper-production - experiments in classical music and live digital signal processing. In: Royal Musical Association 51st Annual Conference, 09-11 Sep 2015, Birmingham, UK. (Unpublished)

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) The AHRC funded 'Classical Music Hyper-Production & Practice-As-Research' project: shaping the London College of Music's Research Agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) The AHRC funded ‘Classical Music Hyper-Production & Practice-As-Research’ project: shaping the London College Of Music’s research agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Carr, Marcia (2016) 'Learning to learn,' a unique introduction to the Feldenkrais Method of Awareness through Movement created by Garet Newell. In: 'Learning to Learn,' a Unique Introduction to the Feldenkrais Method of Awareness Through Movement Created by Garet Newell, 25-27 Apr 2016, London, UK. (Unpublished)

Carr, Marcia (2016) Making the impossible possible: Feldenkrais and the impact upon the training of the actor/singer at London College of Music. In: 'Making the Impossible Possible': The Feldenkrais Method in Music, Dance, Movement, and Creative Practice, 30 Apr 2016, London, UK. (Unpublished)

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X [COMPOSITION]. [Composition]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X [STUDIO ALBUM]. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) Hhumann X at LSO St Luke's [LIVE ALBUM]. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X at LSO St Luke's, London, UK. [Performance]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2011) 1.60.3600. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) 2045. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2016) 2045: the year man becomes immortal? [Performance]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) C121 W / P V1. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) C121 W / P V2. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) Call Thou Upon My Name Unto Eternity, And It Shall Never Fail. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2012) 'Campos de Oro', Spanish operatic translation of Sting's hit song 'Fields of Gold'. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2011) Creation. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Das Magische Theatre' at Chateau Papillon, St Moritz, Switzerland. [Show/Exhibition]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Dragons V10. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Forgiveness V6. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Gabriel V12. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Hear V4. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2012) Life from Light. [Performance]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2013) Life from Light. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2012) Life from Light. [Composition]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2014) Life from Light. [Performance]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2013) Life from light. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2008) Live from Bush Hall. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2008) The Momo Live Show. [Performance] (Unpublished)

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2008) The Momo Live Show. [Performance] (Unpublished)

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2011) Motherland. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2011) Ob. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2011) Piano Works. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Pulse V7. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Reverberation V16. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Score for '2045: The Year Man Becomes Immortal'. [Composition]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2016) Slaves of Time. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Syria V8. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2007) Unharmed. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2016) Video of the performance of '2045: The Year Man Becomes Immortal' at Cowdray Park on the 9th of July 2016. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2016) Video of the performance of '2045: The Year Man Becomes Immortal?' at St. James's Piccadilly on the 6th of July 2016. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Chen, Pengyou (2017) 2045 - 01 Overture. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Chen, Pengyou (2017) 2045 - 02 Gold. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Chen, Pengyou (2017) 2045 - 03 Slaves of Time. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Duchlevova, Tereza (2019) Hhumann X at LSO St Luke's [VIDEO]. [Video]

Challis, Ben, Kang, Angela, Rimmer, Rachel and Hildred, Mark (2017) Enabling active interaction with music and sound in multisensory environments. EAI Endorsed Transactions on Creative Technologies, 4 (11). e3. ISSN 2409-9708

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Grime Labour. Soundings Journal, 68. ISSN 1362-6620

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2019) Grime and spirit: on a hype! Open Cultural Studies, 3 (1). pp. 107-125. ISSN 2451-3474

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2016) UK hip-hop, grime and the city: the aesthetics and ethics of London's rap scenes. The London Journal: A Review of Metropolitan Society Past and Present, 41 (2). pp. 192-194. ISSN 0305-8034

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Are you grime or part-time?! Reviewing race & ‘realness’ in Britain’s grime scene. In: Rope A Dope 4: Hip-hop Studies Symposium, 27 Jul 2018, Bristol, England. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Are you grime or part-time?! Reviewing race and ‘realness’ in Britain’s grime scene. In: Relating Worlds of Racism: Dehumanisation, Belonging, and the Normativity of European Whiteness. Palgrave Macmillan, Springer, Basingstoke, Hampshire, pp. 299-327. ISBN 9783319789897

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) BBC - BCRC: boy better check! - Broadcasters commitment to researcher credibility. In: The 2nd International Conference of the Interdisciplinary Network for the Study of Subcultures, Popular Music and Social Change: Writing the noise: the politics and history of subcultural music, 6-7 Sep 2018, Reading, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2019) Black Atlantic live performance practice. In: Sound System Outernational 5 - Sounds in the City, 04-07 Apr 2019, Napoli, Italy. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) Corbynism as organism. In: Labour Party Conference and The World Transformed: 'The Corbyn Effect: Two Years On', 23-27 Sep 2017, Brighton, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Corbynism as organism - Grenfell & the Windrush. In: Corbynism : A day making new kinds of Labour politics, 06 Jun 2018, Lewes, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) Generation grime. In: The Corbyn Effect. Lawrence & Wishart Ltd. ISBN 9781912064687

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2016) Grime central! Subterranean ground-in grit engulfing manicured mainstream spaces. In: Blackness in Britain. Routledge Research in Race and Ethnicity. Routledge, Taylor and Francis Group, Oxon, UK, pp. 89-99. ISBN 9781138840638

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) Grime launches a revolution in youth politics. The Conversation.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Grime's gigabytes. In: Guest lecture at the London Metropolitan University, 16 Jan 2018, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) Grime's gigabytes: the digital space connected to place. In: Crossing Borders: Marginality and opportunity in contemporary British urban youth culture, 17 Aug 2017, Cambridge, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) #Grime4Corbyn is here to stay – and it could be the start of something huge. New Statesman, London, UK.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) #GrimeDoctor & #Grime4Corbyn speak! UNSPECIFIED, United Kingdom. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Inside grime. In: Inside Grime: NYU in London, 08 Oct 2018, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Its.a(n.East).Lon.don.thing. Its a London thing. In: Popular Music - Grime: Beyond the borders and into the hinterlands?, 05 Dec 2018, Birmingham, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2019) Reggae remix = grime time: recontextualising cultural aurality through new soundscape. In: 6th Biennial Global Reggae Conference, 13-16 Feb 2019, Kingston, Jamaica. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Reggae remix = grime time: recontextualising cultural aurality through new soundscapes. In: RGS-IBG international conference hosted at Cardiff University, 31 Aug 2018, Cardiff, Wales. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) Reggae remix = grime time: recontextualising cultural aurality through new soundscapes. In: Reggae Research Network, hosted by Liverpool University, 18-19 May 2017, Liverpool, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Retheorising genre: musicological discourse analysis (MDA) through the lens of grime, Afrobeats, UK funky/tribal house and grimy garage. In: Second international symposium on African musics - African music in the Twenty-first century: challenges and directions: University of Ghana, Legon, 09-12 Aug 2018, Ghana. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Straight outta 'nowhere', straight into Nike: grime & the expression of identity. In: Crosstown Traffic 2018. A joint conference (IASPM UK&I, ASARP, Dancecult and ISMMS) at University of Huddersfield, 03-05 Sep 2018, Huddersfield, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) What I know about... bringing grime music to academia. Pride Magazine, United Kingdom.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2016) Wheeel up! Inside grime. In: Kingston University Lectures, 1 Dec 2016, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Where are the women in grime? Precious Online, United Kingdom.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Will the first ladies of grime please stand up? The Voice, London, UK.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2016) Young Thug - devil in a blue dress? GRM Daily, United Kingdom.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2016) The politics of grime. In: Black History Month: The Politics of Grime, 17 Oct 2016, Leeds University Student Union. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) A road less travelled - the grimy windy path. University of Warwick, Warwick, UK.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 and Back, Les (2018) Why music matters for sociology: conversation with Prof. Les Back. UNSPECIFIED. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 and Back, Les (2017) Why music matters for sociology: conversation with Prof. Les Back. UNSPECIFIED. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 and Baker, Daniel (2016) Story lounge: Daniel Baker and Monique Charles. In: WMG Late: Rise Up, 1 Dec 2016, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127, Hammond Perry, Kennetta, Ford, Tanisha C. and Johnson, Azeezat (2018) Locating Black British women in the archive, creating spaces for Black British women in the nation. In: Caribbean Women (Post) Diaspora: African/Caribbean Interconnections: London South Bank University, 12-14 Jul 2018, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127, Lawrence, Tim, Berry, Josephine and Leal, Ernesto (2018) Creativity, collectivity, convergence! New York city party culture 1970-83. UNSPECIFIED. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127, Long, Paulette, Cross, Sandra and Mohamad, Munira (2017) Women on record. In: The Reggae Research Network conference: Reggae Futures Day 2: Bass Culture, 2-3 Nov 2017, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 and Riley, Mykaell (2017) My time: an interview with Mykaell Riley about my PhD on grime. UNSPECIFIED. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127, Sobel, Alex, Anderssen, Li, O’Neill, Martin, Lawrence, Mathew, Stafford, James and Sutcliffe-Braithwaite, Florence (2017) Conference conversations: Alex Sobel, Monique Charles, Li Anderssen, Mathew Lawrence. In: Labour Party Conference, 24-27 Sep 2017, Brighton, UK.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 and Sutcliffe-Braithwaite, Florence (2017) Conference conversations: Monique Charles on Corbyn and grime. Lawrence and Wishart, London, UK.

Chiappinelli, Massinilliano and Osbon, David (2018) Anthems After Prometheus interview. Accademia Musicale Roma Castelli, Rome, Italy.

Coles, Tim, Garcia, Giselle ORCID: https://orcid.org/0000-0002-2715-876X, O'Malley, Evelyn and Turner, Cathy (2022) Experiencing event management during the coronavirus pandemic: a public sector perspective. Frontiers in Sports and Active Living, 3.

Cordeiro, Joao ORCID: https://orcid.org/0000-0002-0161-7139 (2014) FuXi: a fish-driven instrument for real-time music performance. In: Proceeding INTER-FACE: 2nd International Conference on Live Interfaces 2014, 22-23 November 2014, Lisbon, Portugal.

Cubides Gutierrez, Jose Manuel (2023) Developing compositional methods by the integration of popular music creation techniques into the electroacoustic music practice. Doctoral thesis, University of West London.

D

Davey, John (2017) Introduction. In: The Accrington Pals [by Peter Whelan]. Student Editions. Methuen, London, UK. ISBN 9781474285667

De Commarque, Cyril and Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Artificialis' at the Saatchi Gallery, London, UK. [Show/Exhibition]

E

Effy Efthymiou, Effy, Effy Efthymiou, Effy, Effy Efthymiou, Effy and Effy Efthymiou, Effy (2015) Rough Seas. [Arts Related non-text Outputs] (Unpublished)

Efthymios, Efthymios, Efthymios, Efthymios, Efthymios, Efthymios and Efthymios, Efthymios (2021) A Light Went Out. [Arts Related non-text Outputs] (Unpublished)

Efthymiou, Litha (2014) Atalanta's Race. [Arts Related non-text Outputs] (Unpublished)

Efthymiou, Litha (2022) Composing Gestures. In: IMS 2022: 21st Quinquennial Congress of the International Musicological Society, 22-26 August 2022, Athens, Greece. (Unpublished)

Efthymiou, Litha (2017) Devising an opera: Myisi. Contemporary Music Review, 35 (6). pp. 599-611. ISSN 0749-4467

Efthymiou, Litha (2011) Fragments. [Arts Related non-text Outputs] (Unpublished)

Efthymiou, Litha (2014) Looking at Me. [Arts Related non-text Outputs] (Unpublished)

Efthymiou, Litha (2022) Moon Chase. [Arts Related non-text Outputs] (Unpublished)

Efthymiou, Litha (2015) Myisi. [Arts Related non-text Outputs] (Unpublished)

Efthymiou, Litha (2020) Reimagining the Old Hispanic Liturgy. In: Early Music from the East and the West: Reusing the Past Today., 19 October 2020, Nova University of Lisbon, Portugal. (Unpublished)

Efthymiou, Litha (2011) Starless. [Arts Related non-text Outputs] (Unpublished)

Efthymiou, Litha (2022) Synchrony. [Arts Related non-text Outputs] (Unpublished)

Efthymiou, Litha (2023) Through that Twilight Sky. [Arts Related non-text Outputs] (Unpublished)

Efthymiou, Litha (2023) A gestural approach to music composition. In: Music, Body, and Embodiment: New Approaches in Musicology, 8-10 Dec 2023, Italy.

Efthymiou, Litha, Effy Efthymiou, Effy, Effy Efthymiou, Effy and Effy Efthymiou, Effy (2012) Fragments of Sun (. [Arts Related non-text Outputs] (Unpublished)

Efthymiou, Litha, Effy Efthymiou, Effy, Effy Efthymiou, Effy and Effy Efthymiou, Effy (2014) Parting. [Arts Related non-text Outputs] (Unpublished)

Efthymiou, Litha and Hornby, Emma (2020) New music inspired by old Hispanic chant. Context Journal of Music Research (45). pp. 61-73. ISSN 1038-4006

Efthymiou, Litha and Scheuregger, Martin (2021) Audience perception in experiential embodied music theatre: a practice-based case study. Act Zeitschrift für Musik und Performance (10). pp. 1-29.

Efthymiou, Litha and Scheuregger, Martin Scheuregger (2020) Composer-composer collaboration and the difficulty of intradisciplinarity. Airea: Arts and Interdisciplinary Research, 2. pp. 23-35.

Efthymiou, Litha and Taylor, Alan (2024) Enhancing Embodied Music Cognition Through Music Theatre, with Particular Reference to Solo by Michael Pinchbeck and Ollie Smith. In: Following the Score: The Ravel Trilogy. Intellect Discover. Intellect Books, UK, pp. 140-154. ISBN 9781789389333

Efthymiou, Litha (2013) Bustling. [Composition] (Unpublished)

Efthymiou, Litha (2021) Composer-composer collaboration and the difficulty of intradisciplinarity. In: Noise Floor: Experimental Music and Moving Image, 11-12 May 2021, Staffordshire University. (Unpublished)

Efthymiou, Litha (2021) Composing Gestures. In: Framing the Normal: Examining Embodied and Artistic Practices in Musicians’ Movement Repertoire., 3-4 May 2021, Arts Campus DeSingel, Antwerp, Belgium, Antwerp Research Institute for the Arts: University and Royal Conservatoire of Antwerp. (Unpublished)

Efthymiou, Litha (2012) Egg Soldiers. [Composition] (Unpublished)

Efthymiou, Litha (2017) Iberian Refractions. [Composition]

Efthymiou, Litha (2015) Kalyani. [Composition]

Efthymiou, Litha (2016) Let Him Kiss Me With The Kiss of His Mouth. [Composition] (Unpublished)

Efthymiou, Litha (2017) Moments Held. [Composition] (Unpublished)

Efthymiou, Litha (2019) Moon From Earth. [Composition] (Unpublished)

Efthymiou, Litha (2019) Old Hispanic Chant and New Music. In: Music and Disruptive Pasts: Between Popular and the Arcane., 21-22 August 2019, Open University. (Unpublished)

Efthymiou, Litha (2018) Present Shadows. [Composition]

Efthymiou, Litha (2018) Reimagining the Old Hispanic Liturgy. In: Music, Medievalism, and Modernism: Between Old and New., 24-25 May 2018, University of Huddersfield,. (Unpublished)

Efthymiou, Litha (2019) Reimagining the Old Hispanic Liturgy: A gesture based approach to composition. In: ENIM 2019, 14 - 16 Nov 2019, Universidade Nova de Lisboa. (Unpublished)

Efthymiou, Litha (2016) Rituals to Mould Her With. [Composition] (Unpublished)

Efthymiou, Litha (2017) Riversong. [Composition] (Unpublished)

Efthymiou, Litha (2012) States of Ice: Diamond Dust. [Composition]

Efthymiou, Litha (2015) Tread Softly. [Composition]

Efthymiou, Litha (2020) Using the Past: The Middle Ages in the Spotlight. In: Using the Past: The Middle Ages in the Spotlight., 9-12 December 2020, The Monastery of Santa Maria de Vitória, Batalha, Portugal. (Unpublished)

Efthymiou, Litha (2018) Waves. [Composition] (Unpublished)

Efthymiou, Litha and Scheuregger, Martin (2019) I Only Know I Am. [Composition] (Unpublished)

Ewald, Julie and Oliver, Paul G. ORCID: https://orcid.org/0000-0001-5551-5106 (2017) UK copyright and the limits of UK music sampling. Social Sciences Research Network.

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2018) Hip-hop pedagogy as production practice: reverse-engineering the sample-based aesthetic. Journal of Popular Music Education, 2 (3). pp. 45-63. ISSN 2397-6721

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2019) Hip-hop time machine - re-imagining the ‘phonographic’ in sample-based hip-hop record production: research design for contemporary forms of creative audio practice. New Vistas, 4 (2). pp. 22-27. ISSN 2056-967X

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2019) Sample magic: (Conjuring) phonographic ghosts and meta-illusions in contemporary hip-hop production. Popular Music, 39 (1). pp. 33-53. ISSN 0261-1430

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2020) Sonic necessity and compositional invention in #BluesHop: composing the blues for sample-based hip hop. Journal of Popular Music Studies, 32 (3). pp. 99-119. ISSN 1524-2226

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 and Skinner, Glenn (2021) Bass | the wider frontier: low-end stereo placement for headphone listening. Journal On The Art of Record Production, 12. pp. 87-103. ISSN 1754-9892

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2019) Boom bap ex machina: hip-hop aesthetics and the Akai MPC. In: Producing Music. Perspectives on Music Production. Routledge, New York. ISBN 9780415789219

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2021) Making records within records: manufacturing phonographic ‘otherness’ in sample-based Hip Hop production. In: Innovation In Music. Taylor & Francis, Routledge, Focal Press. ISBN 9780367363352

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2020) ‘Past’ masters, present beats: exponential sound staging as sample-based (re)mastering in contemporary hip hop practice. In: Perspectives On Music Production: Mastering in Music. Taylor & Francis/Routledge, Focal Press, Bushey. ISBN 9780367227197

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2019) (Re)engineering the cultural object: sonic pasts in hip-hop’s future. In: Innovation In Music: Performance, Production, Technology and Business. Routledge, New York. ISBN 9781138498211

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2022) Reimagining the ‘phonographic’ in sample-based hip-hop production: making records within records. Doctoral thesis, University of West London.

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2020) Synth sonics as stylistic signifiers in sample-based hip-hop: synthetic aesthetics from ‘old-school’ to trap. In: Synthesisers: Meaning though Sonics. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 36-68. ISBN 9781527550025

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2020) Audio processing. In: The Bloomsbury Handbook of Music Production. Bloomsbury handbooks. Bloomsbury, USA, pp. 1-18. ISBN 9781501334023

F

Francis, Emily (2015) Balulalow. [Audio]

G

Garcia, Giselle ORCID: https://orcid.org/0000-0002-2715-876X (2021) Dramaturgy. Critical Asia Archives, Japan and Taiwan.

Garcia, Giselle ORCID: https://orcid.org/0000-0002-2715-876X (2024) Reconfiguring dramaturgies of place: Local authority event management during the COVID-19 pandemic. In: Adaptation and resilience in the performing arts. Manchester University Press, Manchester. ISBN 9781526172426

Garcia, Giselle ORCID: https://orcid.org/0000-0002-2715-876X (2024) Reflections on the Dramaturgy of a Foreigner. In: Moving Abroad. Palgrave Macmillian, Springer Nature, pp. 161-176. ISBN 9789819727650

Garcia, Giselle ORCID: https://orcid.org/0000-0002-2715-876X (2018) The Walking Dramaturg: An Autoethnographic Methodology for Performance Documentation. Proceedings from the Document Academy, 5 (1). ISSN 2473-215X

Gill, Caroline (2015) Contemporary composers: Francis Pott. Gramophone, 93 (1130). pp. 78-79.

Glover, Martin (2005) Iron Age mass. [Composition]

Glover, Martin (2005) The ridge on the slope: for string quartet. [Composition]

H

Hagan, Daniel (2019) How do the promoters of independent UK music festivals organise and implement events? Doctoral thesis, University of West London.

Hagan, Daniel (2017) Suppose they gave a festival and nobody came. In: Locating Imagination, 5-7 April 2017, Rotterdam, Netherlands. (Unpublished)

Hagan, Daniel (2015) The making of a festival. UNSPECIFIED. (Unpublished)

Haguel, Rotem and Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2024) Listening as Contemplation: A reflexive thematic analysis of listening to modular-based compositions. In: Innovation in Music: Innovation Pathways. Innovation in Music:. Routledge, Abingdon and New York. ISBN 9781032500515 (In Press)

Haguel, Rotem and Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2023) Thoughts on Developing a Contemplative Modular System. In: TBC. Innovation in Music:. Routledge, Abingdon and New York. (Submitted)

Harvard, Paul (2013) Acting the soliloquy song. In: Acting the Soliloquy Song: International Musical Theatre Conference, July 2013, London, UK. (Unpublished)

Harvard, Paul (2013) Acting through song. Nick Hern Books, London. ISBN 9781848422292

Harvard, Paul (2013) Acting through song: a Meisner approach. In: Rose Bruford Symposium, April 2013, London, UK. (Unpublished)

Harvard, Paul (2014) Anne Boleyn. [Performance]

Harvard, Paul (2015) Antigone reloaded. [Performance]

Harvard, Paul (2020) Audition songs for men. The Good Audition Guides. Nick Hern Books, London. ISBN 9781848424562

Harvard, Paul (2020) Audition songs for women. The Good Audition Guides. Nick Hern Books, London. ISBN 9781848424579

Harvard, Paul (2015) Cabaret. [Performance]

Harvard, Paul (2018) Good. [Performance] (Unpublished)

Harvard, Paul (2015) In the land of the digital natives. [Performance]

Harvard, Paul (2014) Into the woods. [Performance]

Harvard, Paul (2014) Lucky stiff. [Performance]

Harvard, Paul (2014) Meisner and musical theatre. In: Meisner and Musical Theatre, August 2014, Taipei, Taiwan. (Unpublished)

Harvard, Paul (2015) Soliloquies and the imagination 1. In: Soliloquies and the Imagination 1, Apr 2015, Barcelona, Spain. (Unpublished)

Harvard, Paul (2015) Soliloquies and the imagination 2. In: Soliloquies and the Imagination 2, Dec 2015, Barcelona, Spain. (Unpublished)

Harvard, Paul (2015) Songs for a new world. [Performance]

Harvard, Paul (2013) The educated voice 2. In: The Educated Voice 2, August 2013, Helsinki, Finland. (Unpublished)

Harvard, Paul (2014) The love epidemic. [Performance]

Henson, David (2019) What do you mean, just speak it? LCME Magazine (4). pp. 4-7.

Henson, David (2022) Are you positioning yourself - insider or outsider? In: Postgraduate Seminar, 5 March 2022, Dublin. (Unpublished)

Henson, David (2016) Auditions: to be or not to be... In: Audition Workshop, 23 Apr 2016, London, UK. (Unpublished)

Henson, David (2021) Can dialogic interaction influence the quality and reality of learning as students prepare for a performance task? In: Postgraduate Conference in Education, 30 Sep 2021, Oxford. (Submitted)

Henson, David (2015) Dracula - direction of a new musical. [Performance] (Submitted)

Henson, David (2016) Jenny Saville (contemporary artist) states that ‘…destruction is fundamental to the process; without it, you never get anywhere interesting. But fundamental to that is knowing what you can excavate from the destruction’ [Cooke: 2012]. A practical workshop concerning the importance of dialogue, interrogation of text and how this creative process can empower a greater collaborative partnership between student and tutor in Higher Education. In: Teaching and Learning Conference 2016, 28th June 2016, University of West London. (Unpublished)

Henson, David (2017) Musical theatre in the 21st century: keeping an open mind. In: LCM Examiners Conference, 11 Feb 2017, Ealing, UK. (Unpublished)

Henson, David (2007) Musical theatre: exploring the world through song. In: Musical Theatre: Exploring the World Through Song. LAMDA, London, pp. 54-95. ISBN 9780955768705

Henson, David (2016) 'Ordinary days' a new musical. [Performance]

Henson, David (2016) Seminar: Unlock the imaginary world of song within the reality of the performance space. In: Move It 2016, 18-20 March 2016, London, UK. (Unpublished)

Henson, David (2016) 'Si canta come si parla'; let's talk: the world of musical theatre. In: Association of Teachers of Singing Conference, 30 Oct 2016, London, UK. (Unpublished)

Henson, David (2016) Teaching creativity within musical theatre: 'a star is born' 8 times a week. In: IASPM UK and Ireland Biennial Conference: Popular Music: Creativity, Practice and Praxis, 08-10 Sep 2016, Brighton, UK. (Unpublished)

Henson, David (2017) When the teaching stops and the learning begins: the importance of dialogue within the learning environment. In: LCM Education Conference, 1 Oct 2017, London. (Submitted)

Henson, David (2016) You're not the star yet!: An audition workshop. In: Audition Workshop, 12 Oct 2016, Manchester, UK. (Unpublished)

Henson, David (2016) The phenomenon of 'interruption' a destructive or positive act of communication within the learning environment. In: UNSPECIFIED, 23 Apr 2016, Oxford, UK. (Unpublished)

Henson, David and Evans, Emma (2015) Pandemonium! The industrial revolution: empowered by the world of water and steam. [Show/Exhibition]

Henson, David and Pickering, Ken (2014) Musical theatre: a workbook. Palgrave Macmillan, London. ISBN 9781137331625

Henson, David and Pickering, Ken (2017) Musical theatre: a workbook for further study. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137605696

Henson, David and Pickering, Kenneth (2018) Myujikeol wokeubuk. (Musical Theatre Workbook). Musical Theatre Workbooks, 1. Theatre and Man Press, Korea, pp. 1-150.

Henson, David, Webber, AL and Rice, T (2021) EVITA the Musical. [Performance]

Henson, David and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2019) Setting the agenda: theorizing popular music education practice. In: The Bloomsbury Handbook of Popular Music Education: Perspectives and Practices. Bloomsbury Academic, London, UK. ISBN 9781350049413

Herd, Neil (2024) 5-Reel Feature EP Neil Bob Herd & The Dirty Little Acoustic Band. [Arts Related non-text Outputs]

Holopainen, Tuomas and Williams, Pip (2015) Endless forms most beautiful. [Audio]

Holopainen, Tuomas and Williams, Pip (2014) Music inspired by the life and times of Scrooge. [Audio]

Howard, John (2003) African toccata. [Composition]

Howard, John (2005) Touched with fire. [Composition]

Howard, John (2002) The splendour falls. [Composition]

J

JackOut (2009) Saturnalia. [Audio]

K

Knight, Lesley Anne (2022) A way with words. The art of negotiation and collaboration in the age of the new woman on broadway as seen through the careers of Anne Caldwell, Dorothy Donnelly and Rida Johnson Young 1906-1928. Doctoral thesis, University of West London.

Kubiak, Agata (2019) Creativity in new music for strings: under which circumstances does creative change occur in different types of performer-composer collaborations. Doctoral thesis, University of West London.

L

Laney, Robin, Samuels, Robert and Capulet, Emilie (2015) Cross entropy as a measure of musical contrast. In: Mathematics and Computation in Music. MCM 2015. Lecture Notes in Computer Science, 9110. Springer, Cham, Switzerland, pp. 193-198. ISBN 9783319206028

Laney, Robin, Samuels, Robert and Capulet, Emilie (2015) Entropy as a measure of musical contrast. In: Fifth Biennial International Conference on Mathematics and Computation in Music (MCM2015), 22-25 June 2015, London, UK. (Unpublished)

Link, Richard and Vogue, Tricity (2016) Heels of glory - the drag action musical. [Performance] (Submitted)

Llewellyn, Gareth and Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2021) Towards 6DOF: 3D Audio for virtual, augmented and mixed realities. In: 3-D Audio. Perspectives on Music Production. Routledge, NYC, USA. ISBN 9781138590069

Lord, Jocelyne Francesca Corinne (2022) The phenomenal rise of periphonic record production: a practice-based, musicological investigation of periphonic recomposition and mix aesthetics for binaural reproduction. Doctoral thesis, University of West London.

M

Maria Rebecca Garcia, Giselle ORCID: https://orcid.org/0000-0002-2715-876X (2023) Border Ecologies. The Center for Sustainable Practices in Arts, London, UK.

Martin, Remy ORCID: https://orcid.org/0009-0001-3473-6249 and Nielsen, Nanette (2024) Enacting Musical Aesthetics: The Embodied Experience of Live Music. Music and Science. ISSN 2059-2043

Matharu, S. S. (2006) Anhad. [Composition]

McBirnie, Andrew (2004) Prayer: for solo oboe. [Composition]

McBirnie, Andrew (2005) Ritornel: for mixed septet. [Composition]

McBirnie, Andrew (2002) The moon by night: for alto flute and piano. [Composition]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Cohesion and fracture - trans-Atlantic groove: musical commonalities in Cuban Son and Congolese Rumba. In: IASPM Biennal Conference, UniCamp, Brazil, 28 Jun - 03 Jul 2015, Unicamp, Brazil. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2016) Congolese and Cuban Music Workshop at Cardiff University. In: Workshop on Congolese and Cuban Music, 12 Feb 2016, Cardiff, UK. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Cuban Big Band Workshop day. In: Workshop day in Cuban Big Band for all Postgraduate and Undergraduate Jazz students., 10 July 2015, London, UK. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2016) Cuban music workshops in Rome. In: Workshop in ritmica cubana, 27 April 2016, Rome, Italy. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Curious Knowledge Weekend, Kings Cross Quarter, London, September 2015 Day of open workshops and performances in Cuban music. In: Curious Knowledge Weekend, Kings Cross, 30 August 2015, London, UK. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Dancing to the same beat. New Vistas, 1 (2). pp. 10-15. ISSN 2056-967X

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Delivering music education in the Saharawi Refugee Camps. Forte Magazine, London College of Music Exams.

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) From Ndombolo to Scooby-Doo: Congolese musicians in the UK re-create home whilst finding their own voice. In: 31st European Seminar in Ethnomusicology, 16-20 Sept 2015, Limerick, Ireland. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2012) GRUPO LOKITO: a practice-based investigation into contemporary links between Congolese and Cuban popular music. Doctoral thesis, School of Oriental and African Studies.

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito at the Rugby World Cup, Olympic Park, Stratford, London. 24,26 Sept 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito live at African Utopia Festival, South Bank Centre, London. 12 September 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito live at Musicport Festival, Whitby, Yorkshire 18 October 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito live at Rhythmtree Festival, Isle of Wight 18 July 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito live at Vamos Festival, Leeds, Yorkshire. 1 August 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito live at West Dean Chili Fiesta, West Sussex. 6 August 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito live at the International Eisteddfod, Llangollen, North Wales. 11 July 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito: a practice as research project into the Congo-Cuba link. [Audio]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2021) Improvising sabor: Cuban dance music in New York by Sue Miller. Ethnomusicology Forum. ISSN 1741-1912

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Interview on "An evening with Rosilio", Radio Progreso, Cuba. UNSPECIFIED. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2016) Isn't it easier to just play? The practicalities of documenting a cross-cultural collaboration: a musician's perspective. In: IMR/BFE/IASPM Study Day: "Researching Music: Interviewing, Ethnography, and Oral History", 06 June 2016, London, UK. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2014) Making music for freedom. Western Sahara Review, 3. pp. 19-21.

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2016) Sarabanda live at Ronnie Scotts Jazz Club. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Teaching Sound Recording in the Saharawi Refugee Camps. UNSPECIFIED. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2016) Transatlantic beats: common ground in Congolese and Cuban dance music. In: British Forum for Ethnomusicology Annual Conference 2016, 14-17 Apr 2016, Chatham, UK. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235, Ndelo, Jose Hendrix and Alegria, Elpidio (2010) Esengo Ya Ko Bina! By Grupo Lokito. [Audio]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 and Pérez Cassola, Sonia (2022) The Cuban Music Room. Screenworks: The peer-reviewed online publication of practic research in screen media. ISSN 2514-3123

McMurtry, Leslie and Sholl, Robert (2021) Shattered! [Audio]

Mead, P. (2005) Horacio Vaggione and the piano: an introduction to his mature piano style. Contemporary Music Review, 24 (4-5). pp. 365-370. ISSN 0749-4467

Mead, P. (2002) George Crumb: the complete piano music. [Audio]

Meynell, Anthony ORCID: https://orcid.org/0000-0003-1302-7563 (2020) From West London to the world, the British Mod phenomenon. In: 15th IASPM UK and Ireland Biennial Conference: London Calling, 19-31 Jun 2020, London.

Meynell, Anthony ORCID: https://orcid.org/0000-0003-1302-7563 (2020) How does vintage equipment fit into a modern working process? In: The Bloomsbury Handbook of Music Production. Bloomsbury handbooks. Bloomsbury, pp. 89-108. ISBN 9781501334023

Meynell, Anthony ORCID: https://orcid.org/0000-0003-1302-7563 (2017) How recording studios used technology to invoke the psychedelic experience: the difference in staging techniques in British and American recordings in the late 1960s. Doctoral thesis, University of West London.

Montano, Ed and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) Production technologies and studio practice in electronic dance music culture: guest editors' introduction. Dancecult, 6 (1). pp. 1-7. ISSN 1947-5403

Moralis, Christos (2019) Live popular Electronic music ‘performable recordings’. Doctoral thesis, Univeristy of West London.

Mycroft, Josh and Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2011) Activity flow in music equalization: the cognitive and creative implications of interface design. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

N

Nash, Jez (2015) Motormouth: "Long way to grandma's". [Audio]

Norton, Charlie, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Pratt, Daniel (2024) A Radiological Adventure: The Sonification of the Apocalypse. In: Innovation in Music: Innovation Pathways. Innovation in Music:. Routledge, Abingdon and New York. ISBN 9781032500515 (In Press)

Norton, Charlie, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Pratt, Daniel (2022) Musical connections and enhanced performance control; a strategy to reduce complexity. In: Innovation in Music conference, 17-19 Jun 2022, Stockholm, Sweden. (Unpublished)

Number, The (2007) The making of quiet things. [Audio]

O

O'Malley, Evelyn, Turner, Cathy and Garcia, Giselle ORCID: https://orcid.org/0000-0002-2715-876X (2023) “Mundane” performance: theatre outdoors and earthly pleasures. Critical Stages.

Oliver, Paul G. ORCID: https://orcid.org/0000-0001-5551-5106 (2010) The DIY artist: issues of sustainability within local music scenes. Management Decision, 48 (9). pp. 1422-1432. ISSN 0025-1747

Oliver, Paul G. ORCID: https://orcid.org/0000-0001-5551-5106, McLean, Rachel and Wainwright, David (2010) The myths of empowerment through information communication technologies: an exploration of the music industries and fan bases. Management Decision, 48 (9). pp. 1365-1377. ISSN 0025-1747

Oliver, Paul G. ORCID: https://orcid.org/0000-0001-5551-5106 (2009) Self-sufficiency and the DIY Artist: managing creative activities within local music scenes by adopting new technologies. VDM Verlag, Germany. ISBN 9783639183252

Oliver, Paul G. ORCID: https://orcid.org/0000-0001-5551-5106 and Clayes, Emma (2014) Issues of using information communication technologies in higher education. In: European Conference of Social Media, 10 - 11 July 2014, Brighton.

Osbon, David (2016) Transmedia intertextuality - Does it work in performance? Follow the Sun as a proof of concept project. International Journal of Music and Performing Arts, 4 (1). pp. 21-24. ISSN 2374-2690

Osbon, David (2018) 5 hommages. [Composition]

Osbon, David (2018) 5 hommages for violin and piano. [Composition]

Osbon, David (2018) Anthems after Prometheus. [Audio]

Osbon, David (2016) Austrian premiere of Cello sonata. [Performance]

Osbon, David (2012) Bodies in motion. [Performance]

Osbon, David (2015) Bone ties. [Composition]

Osbon, David (2016) Cadenza for solo violin and live electronic. [Composition]

Osbon, David (2016) Cello sonata. [Composition] (Unpublished)

Osbon, David (2016) Cello sonata world premiere. [Performance]

Osbon, David (2013) Classic shock. UNSPECIFIED.

Osbon, David (2016) Color Duo final Hemisphaeria performance before CD recording. [Performance]

Osbon, David (2016) Color Duo performance of Hemisphaere Project. [Performance]

Osbon, David (2020) Dearly Ransomed Soul. [Composition]

Osbon, David (2016) Five Hommages by David Osbon. [Performance]

Osbon, David (2013) Grumo Festival 2013. [Performance]

Osbon, David (2015) Half man - half goat. [Composition]

Osbon, David (2016) Hemisphaera project. [Performance]

Osbon, David (2016) Hemisphaere project. [Performance]

Osbon, David (2018) Interview on national public radio (USA). WVIA, Scranton PA, USA.

Osbon, David (2018) Into the sun. [Composition]

Osbon, David (2018) Into the sun... [Composition]

Osbon, David (2018) Liberty. [Composition] (Submitted)

Osbon, David (2020) Liberty for symphony orchestra. [Composition]

Osbon, David (2016) Nelson overture. [Composition]

Osbon, David (2017) Nelson overture. [Performance]

Osbon, David (2016) [Performance in Hungary]. [Performance]

Osbon, David (2016) Performance of 5 hommages. [Performance]

Osbon, David (2016) Performance of Three songs for saxophone and piano. [Performance]

Osbon, David (2010) Piano sonata 3. [Composition]

Osbon, David (2019) Poster from world premiere performance. [Performance]

Osbon, David (2019) Poster of performance in Louisville, Kentucky. [Performance]

Osbon, David (2019) Poster of performance in Valletri, Italy. [Performance]

Osbon, David (2020) The Prometheus Sonata. [Composition]

Osbon, David (2018) Prometheus sonata. [Composition] (In Press)

Osbon, David (2016) Second performance in the Hemisphaera project. [Performance]

Osbon, David (2016) Sonata for cello and piano. [Audio]

Osbon, David (2017) Sonata for cello and piano. [Performance]

Osbon, David (2017) The Spirits of Sabate for wind quintet. [Composition]

Osbon, David (2018) Still waiting for the revolution... [Composition]

Osbon, David (2019) Still waiting for the revolution... for piano trio. [Composition]

Osbon, David (2012) Suite for cello and piano. [Composition]

Osbon, David (2015) Three songs. [Composition]

Osbon, David (2014) Violin concerto. [Composition] (Unpublished)

Osbon, David (2014) Violin concerto. [Audio]

Osbon, David (2011) The spirits of Sabate. [Composition]

Osbon, David and Evans, Alex (2014) From Vox Rosa to Follow the Sun. In: Performing arts, public places. DAKAM, Ankara. ISBN 9786055120979

Osbon, David, Russell, Nino and Broder, Jonathan (2016) Follow the Sun 1st interlude/pause. [Video]

Osbon, David, Russell, Nino and Broder, Jonathan (2016) Follow the Sun interlude/pause 3. [Video]

Osbon, David and Schwarz, Timothy (2016) Electro-acoustic composition workshop and concert. In: Electronic Music Event, 23 May 2016, Vienna, Austria. (Unpublished)

Osbon, David, Schwarz, Timothy and Broder, Jonathan (2016) Views from practice: Follow the Sun. In: College Music Society Conference 2016, 26 Oct 2016, Santa Fe, New Mexico. (Unpublished)

Ottewill, Jim and Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) 10 things we learned about UK grime with Dr Monique Charles. The Institute of Contemporary Music Performance.

P

Parsons, George and Sholl, Robert (2020) James MacMillan studies. Cambridge Composer Studies series. Cambridge University Press, UK. ISBN 9781108492539

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2008) Cutting tracks, making CDs: a comparative study of audio time-correction techniques in the desktop age. Journal on the Art of Record Production (4). ISSN 1754-9892

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2007) Phase experiments in multi-microphone recordings: a practical exploration. Journal of the Art of Record Production (1). ISSN 1754-9892

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Kadel, Oliver (2023) Audio for extended realities: a case-study informed exposition. Convergence: The International Journal of Research Into New Media Technologies. ISSN 1354-8565

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Norton, Charlie and Pratt, Daniel (2024) Performance Mapping and Control; Enhanced Musical Connections and a Strategy to Optimise Flow-State. In: Innovation in Music: Technology and Creativity. Innovation in Music. Routledge, Taylor and Francis, London, UK; New York, USA. ISBN 978–0–367–6 3337–0

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Sholl, Robert (2024) Les Ombres du Fantôme. [Audio]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Sholl, Robert (2024) Les ombres du Fântome: Improvisation, recording, production and the collective imagination in artistic research. In: Royal Musical Association Organ Conference, 6 September 2024, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Sholl, Robert, Norton, Charlie and McCready, Anna (2024) Switched on Messiaen: what affordances might CEMIs offer to deliver an alternative sonic manifestation of the stymied aspirations of the proto-spectralist movement? [Arts Related non-text Outputs]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Sholl, Robert, Visser, Andy and McCready, Anna (2024) Les ombres du Fântome: Improvisation, recording, production and the collective imagination in artistic research. In: Royal Musical Association 150 Conference, 11-13 September 2024, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, Rob and Hepworth-Sawyer, Russell (2019) User-influenced/machine-controlled playback: the variPlay music app format for interactive recorded music. Arts, 8 (3). p. 112. ISSN 2076-0752

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Visser, Andy (2024) Feel the future – Touching Sound. In: Innovation in Music conference, 14-16 Jun 2024, Oslo, Norway. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Visser, Andy (2024) Feel the future – Touching Sound. In: UWL TEDx event, 8 March 2024, London, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Visser, Andy (2024) Toward Haptic Audio in Extended Reality. In: Routledge Handbook of Immersive Arts & Media. Routledge Handooks. Routledge, Abingdon and New York. (In Press)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Wanderley, Marcelo (2023) Feeling the future — haptic audio: editorial. Arts, 12 (4).

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2021) 3-D audio. Perspectives on Music Production. Routledge. ISBN 9781138590069

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2014) Contemporary approaches to programming drums. In: Proceedings of the 137th Audio Engineering Society Convention, 10-13 Oct 2014, Los Angeles, USA. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2011) Creative abuse in time stretching. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2011) Drum and percussion programming. In: Proceedings of the 131st Audio Engineering Society Convention, 13-16 Oct 2011, New York City, USA. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2012) Drum and percussion programming. In: Proceedings of the 132nd Audio Engineering Society Convention, 27-30 April 2012, Budapest, Hungary. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2013) Drum programming. In: Proceedings of the 134th Audio Engineering Society Convention, 3-6 May 2013, Rome, Italy. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2013) Free improv - the hard way. In: Proceedings of the 134th Audio Engineering Society Convention, 4-7 May 2013, Rome, Italy.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2019) A History of music and technology. BBC World Service, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2006) "Killing spillage": an algorithm to reduce microphone spillage and improve phase coherence. In: Proceedings of the 2nd Art of Record Production Conference, 8-10 September 2006, Edinburgh, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2017) Listener preferences for alternative dynamic-range-compressed audio configurations. In: Cambridge Hearing Group, 05 Nov 2017, University of Cambridge, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2015) MTF research network. In: Music Tech Fest, 29 May - 1 June 2015, Umeå, Sweden. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2016) Mixing in the box. In: Mixing Music. Perspectives On Music Production. Routledge, New York, USA, pp. 77-93. ISBN 9781138218734

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2007) "Set phasors to stun": an algorithm to improve phase coherence on transients in multi-microphone recordings. In: Proceedings of the International Congress on Acoustics 2007, 02-07 Sep 2007, Madrid, Spain.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2015) Something Jaggy. [Audio]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2014) Wavefondler — a multi-touch interface for iPad to control audio on a host computer via a visualization of the waveform. In: Innovation in music 2013. Future Technology Press, Shoreham-by-Sea, UK, pp. 67-78. ISBN 978-0-9561516-8-1

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2011) What constitutes innovation in music production? In: Proceedings of the 131st Audio Engineering Society Convention, 21-24 Oct 2011, New York City, USA.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2012) What is the worth of pre-DSP 'traditional' production values in the contemporary manipulation-oriented context? In: Proceedings of the 132nd Audio Engineering Society Convention, 27-30 April 2012, Budapest, Hungary.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2013) The art of drum programming. In: Proceedings of the 135th Audio Engineering Society Convention, 17-20 October 2013, New York City, US. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2015) The drum programming handbook: the complete guide to creating great rythm tracks. Backbeat Books, London, UK. ISBN 9781480392878

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2011) The preset is dead; long live the preset. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2015) A study, exploration and development of the interaction of music production techniques in a contemporary desktop setting. Doctoral thesis, University of West London.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Kadel, Oliver (2019) Immersive audio post-production for 360° video: workflow case studies. In: Audio Engineering Society Conference: 2019 AES International Conference on Immersive and Interactive Audio, 27-29 March 2019, York, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Llewellyn, Gareth (2019) Producing 3-D audio. In: Producing Music. Perspectives on Music Production. Routledge, Taylor and Francis, London & New York. ISBN 9780415789219

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Sholl, Robert, Visser, Andy, Exarchos, Michail and McCready, Anna (2022) ‘In the Torture Chamber’: improvisation, recording, production and the collective imagination in artistic research. In: European Platform for Artistic Research in Music - EPARM 2022, 7-9 April 2022, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) Get inside the music: connecting artists and audiences through interactive apps. In: Audio Engineering Society Convention 145, 17-20 Oct 2018, New York City, US.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) Interactive recorded music: past, present, and future. In: Audio Engineering Society Convention 145, 17-20 Oct 2018, New York City, US.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) Live-market evaluation of interactive music apps. In: IASPM: Crosstown Traffic: Popular Music Theory and Practice, 3-5 Sept 2018, Huddersfield, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2019) Transforming digital music: investigating interactive playback. In: Reimagining & performing data. University of Glasgow, Glasgow, UK, pp. 41-43. ISBN 9781527242937

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) The interactive album app. In: 4th Workshop on Intelligent Music Production, 14 Sept 2018, Huddersfield, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) variPlay record of the day guest blog - BPI innovation hub. Discussion Paper. British Phonographic Industry, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) variPlay: the next generation of interactive music. In: BPI Innovation Hub, 11 Sept 2018, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, E. Rob and Hepworth-Sawyer, Russ (2018) Mastering music for multi-stem and interactive applications. In: AES UK Mastering Conference 2018, 22-23 Sept 2018, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E.Rob (2018) Plan. [Artefact]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, E.Rob and Ofenbach, (band) (2019) Ofenbach variPlay. [Artefact]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, E.Rob and Sariñana, Ximena (2018) Ximena sariñana variPlay. [Artefact]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2017) Get inside the music. [Show/Exhibition]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2015) Interactive digital music: enhancing listener engagement with commercial music. In: Innovation in Music II. KES Transactions on Innovation in Music, 2. Future Technology Press, Shoreham-by-Sea, UK, pp. 193-209. ISBN 9781911108047

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2020) Quanta / Signal / Noise. [Artefact]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2015) An app for interactive music playback. In: Music Tech Fest, 18-21 Sept 2015, Ljubjana, Slovenia. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2015) An app for interactive music playback. In: Music Interaction Design Symposium, 16 Mar 2016, Birmingham, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2016) The interactive album app. In: Music Interaction Design (MiXD) symposium, 16 Mar 2016, Birmingham, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, Rob, Lexer, Sebastian and Webster, Tim (2015) Red Planet EP. Apple Inc..

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Visser, Andy (2022) HAPPIE project: haptic authoring pipeline for the production of immersive experiences. In: Innovation in Music conference, 17-19 Jun 2022, Stockholm, Sweden. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Visser, Andy (2021) HAPPIE: the haptic audio-production pipeline. In: Conference of New Interfaces for Musical Expression, 1-4 June 2021, Shanghai, China. (Submitted)

Paytress, Mark (2006) Break it up: Patti Smith's 'Horses' and the remaking of rock'n'roll. Portrait Books. ISBN 0749951079

Paytress, Mark (2005) I was there: gigs that changed the world. Cassell Illustrated, London, UK. ISBN 9781844035120

Paytress, Mark (2007) The Pink Floyd. EMAP Magazines.

Paytress, Mark (2004) Vicious: the art of dying young. Sanctuary Publishing, London, UK. ISBN 1860745806

Pickering, Kenneth and Henson, David (2021) A teacher's guide to musical theatre. Musical Theatre Guide. Bloomsbury Publishing, Methuen Drama, London. ISBN 9781350213937

Pipe, Liz (2015) Express yourself: expressive gesture and non-verbal communication skills in popular music performance. New Vistas, 1 (2). pp. 34-39. ISSN 2056-967X

Pipe, Liz (2016) Commercialism in Music Education: is creativity at the heart of the art? In: IASPM UK & Ireland Conference 2016: Creativity: Practice and Praxis, 8-10 Sep 2016, Brighton, UK. (Unpublished)

Pipe, Liz (2016) Expressive gesture and non-verbal communication in popular music performance. In: Seventh Conference of the International Society for Gesture Studies: Gesture – Creativity – Multimodality, 18-22 July 2016, Paris, France. (Unpublished)

Pipe, Liz (2016) Expressive gesture and non-verbal communication skills in popular music performance pedagogy. In: Performance Studies Network International Conference, 14-17 July 2016, Bath, UK. (Unpublished)

Pipe, Liz (2019) "I see you baby...": expressive gesture and nonverbal communication in popular music performance education. In: The Bloomsbury Handbook of Popular Music Education: Perspectives and Practices. Bloomsbury Academic, London, UK. ISBN 9781350049413

Pipe, Liz (2018) The role of gesture and non-verbal communication in popular music performance, and its application to curriculum and pedagogy. Doctoral thesis, University of West London.

Pipe, Liz (2015) The use of expressive gesture and non-verbal communication skills in popular music performance pedagogy. In: Research in Popular Music Education: A One-Day Symposium, 23 July 2015, Huddersfield, UK. (Unpublished)

Pipe, Liz (2015) The use of gesture and character in popular music performance. In: 18th Biennial IASPM Conference; Back to the Future: Popular Music and Time, 29 June - 03 July 2015, Campinas, Brazil. (Unpublished)

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2021) Adapting Copla: the interplay of languages in making The Copla Musical. European Journal of Theatre and Performance, 3 (SEPT). pp. 214-255. ISSN 2664-1860

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2015) The Copla Musical: Exploring intercultural exchanges between English and Spanish musical theatre. Acotaciones, 34 (2015). pp. 53-81. ISSN 2444-3948

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2024) Copla: A Spanish Caberet - A personal invitation to discover Copla. SCENE: Global Learning through Theatre and the Arts (1). pp. 20-25.

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2017) El musical del siglo XXI. Fundación Juan March, Ensayos de teatro musical español.

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2024) The Queerness of Copla: musical hope for the Spanish LGBTQ. In: Anthology on Gender and Sexuality in Musical Theatre. Intellect, Chicago, USA, pp. 249-267. ISBN 978-1-78938-619-6

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2024) Reviving Colonial Echoes: Malinche and the Politics of a Modern Musical. Studies in Musical Theatre. (In Press)

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 and Yeni, Naz (2018) In conversation: Alejandro Postigo and Naz Yeni. Book 2.0, 8 (1-2). pp. 85-100. ISSN 2042-8022

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2016) New insights into the notion of interculturalism and hybridity in musical theatre. In: Music on Stage Volume 2. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 96-110. ISBN 9781443896863

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2015) Rediscovering Spanish musical theatre: exploring an intercultural adaptation of Copla. In: Music on Stage. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 184-197. ISBN 9781443876032

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2019) The evolution of musical theatre in Spain throughout the 20th and 21st centuries. In: Reframing the Musical: Race, Culture, and Identity. Red Globe Press, Springer Nature, London, UK, pp. 111-128. ISBN 9781352004397

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2018) A political evolution of Copla. In: Music on Stage Volume III. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 155-171. ISBN 9781527511613

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2015) 'If I were going there, I wouldn't start from here'. New Vistas, 1 (1). pp. 32-36. ISSN 2056-9688

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2008) 'An awkward reverence': composing oneself in the 21st-century Anglican Church. Doctoral thesis, University of West London.

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (1989) Amore Langueo. [Performance]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2020) At First Light. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2009) 'Balulalow' and 'Lament'. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Cantus Maris. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (1999) Christus. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2021) Christus. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2021) Concerto for violin and orchestra. [Composition] (Unpublished)

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2015) Empyrean. [Audio]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Francis Pott: Organ Works. [Audio]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2014) Hands across the darkness. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2000) I sing of a maiden. [Performance]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Improvisation on 'Adeste, Fideles' [O Come, all ye Faithful], for organ. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2018) La Chiesa del Sole. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) La Chiesa del Sole. [Performance]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2018) La Chiesa del Sole. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2016) Laudate dominum. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2016) Laudes. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Laudes. [Performance]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2011) Mass for eight parts. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2006) Meditations and remembrances. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2015) Nigra sum sed Formosa. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Passacaglia. [Composition] (Unpublished)

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Prelude and Fugue on 'Iste Confessor' [= No.1 of 'Three Hymn Tune Fantasias', 2013]. 25'00". [Performance]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2013) Sentinel. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2015) Sonata for viola and piano (30'00"). [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Sonata for viola and piano: published score ISMN 979-0-5706-8205-8. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2021) Surrexit Hodie. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2015) Tenebrae. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2013) There is no rose of such virtue. [Performance]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2018) They that put their trust in the Lord. [Performance] (Unpublished)

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2016) Three hymn tune fantasias for organ solo. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2000) Toccata for organ. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2016) Toccata for piano solo. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2010) Variations on a Burns Air – scherzo finale. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2008) When David heard that Absalom was slain. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2016) An awkward reverence: composing oneself in the twenty-first-century Anglican church. In: Contemporary Music and Spirituality. Routledge, Abingdon, UK, pp. 289-310. ISBN 9781409440581

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2015) A babe is born all of a May. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2007) The cloud of unknowing. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2015) The lost wand. [Performance]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 and Barnes, Philip (2016) 1-hour radio interview recorded on 12 February 2016 containing complete broadcasts of three choral works. Interviewer: Philip Barnes, conductor of the St Louis Chamber Chorus, USA. Radio Station: Radio Arts Foundation of St Louis [RAFSTL]. Series: 'Re-choired Listening.'. [Audio]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 and Barnes, Philip (2016) 'Re-Choired Listening', episode 111. [Audio]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622, Brown, Roger and Mitchell, Kathryn (2012) [Professorial lecture series 2011-2012 - highlights]. [Video] (Unpublished)

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 and Crossman, Samuel (2003) My song is Love Unknown: sacred anthem for soloists, double chorus and organ (17 minutes). [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622, Shakespeare, William, Meynell, Alice, Herrick, Robert, Dickinson, Emily, Flecker, James Elroy and Browning, Elizabeth Barrett (2017) Ardor Amoris. [Composition] (In Press)

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 and Thomas, Edward (2017) Early one morning. [Composition] (In Press)

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 and Thomas, R. S. (2015) 'Word'. [Composition]

Pratt, Daniel and Bourbon, Andrew (2019) Life in between phase: understanding and manipulating microphone relationships with visual tools. In: The 12th Art of Record Production Conference (ARP2017) – Mono: Stereo:Multi, 1-3 Dec 2017, Royal College of Music, Stockholm, Sweden.

Pratt, Daniel, Hoose, Shane and Gordon, Wellington (2019) Transnational flow in cloud-based music production: organisational communication and collaboration between Australia and America. In: The 12th Art of Record Production Conference (ARP2017) – Mono: Stereo:Multi, 1-3 Dec 2017, Royal College of Music, Stockholm, Sweden.

Preater, Andrew ORCID: https://orcid.org/0000-0002-1067-1102, Omar, Davina ORCID: https://orcid.org/0000-0001-9134-1166, Forster, Marc ORCID: https://orcid.org/0000-0002-5942-3169, Tatsi, Eirini, Fernandes, Janice, Garcia, Giselle ORCID: https://orcid.org/0000-0002-2715-876X and Sloan, Cathy (2022) Inclusive reading lists: UWL approach and experience. In: Inclusive reading lists: UWL approach and experience, 9 Dec 2022, London, UK.. (Unpublished)

Proctor, Sam (2014) Crossharbour - Crossharbour. [Audio]

Proctor, Sam (2014) Crossharbour peformance at 2014 Cambridge Folk Festival. [Performance]

Proctor, Sam (2013) Crossharbour performance at Temple Bar Tradfest. [Performance]

R

Ramacciotti, Paolo (2016) Elektron Elohim: a cosmic oratorio for soloists, chamber choir, electric guitars and keyboard synthesisers. Doctoral thesis, University of West London.

Ramshaw, P. (2005) Is music production now a composition process? In: The Art of Record Production Conference, University of Westminster, 17-18 Sep 2005, London, UK. (Unpublished)

Ramshaw, P. (2006) Lost in music: understanding the hermeneutic overlap in musical composition, performance and improvisation. In: 5th International Music Theory Conference: 'Principles of Music Composing: Creative Process'. Lithuanian Academy of Music and Theatre, Vilnius, Lithuania, pp. 138-147. ISBN 9986503639

Ramshaw, P. (2007) Things that are not: an ontology of (de)composition. In: The Proceedings of the 7th International Music Theory Conference, Principles of Musical Composition - Musical Text, 9-11 May 2007, Vilnius, Lithuania.

Rigby, Simon (2015) Band of the Coldstream Guards and LCM Camerata collaborative concert, 2015. [Performance] (Unpublished)

Rigby, Simon (2016) Band of the Coldstream Guards, LCM Camerata, and LCM Chorus Collaborative Concert, 2016. [Performance]

Rigby, Simon (2016) LCM Camerata with players of the English Chamber Orchestra, 2016. [Performance]

Rigby, Simon (2000) Piano Concerto. [Composition] (Unpublished)

Rigby, Simon (2003) Piano Quintet. [Composition] (Unpublished)

Rigby, Simon (2009) Piano Sextet. [Composition] (Unpublished)

Rigby, Simon (2002) Quartet. [Composition] (Unpublished)

Rigby, Simon (2009) Searching for Lambs. [Composition]

Rigby, Simon (2012) Vamping Haydn. [Composition]

Robinson, Paul (2003) Chamber concerto. [Composition]

Robinson, Paul (2002) Eris. [Composition]

Robinson, Paul (2007) La passion de Jeanne d'Arc. [Composition]

Robinson, Paul (2002) A Summa Caelo. [Composition]

Rudnick, Peter (2016) Profile of an innovator: Torbjörn Hultmark. The Brass Herald (64). ISSN 1746-1472

Rudnick, Peter (2015) British premiere of Ongilash by Luis Zubillaga. [Performance]

S

Sayer, Timothy (2013) Dynamic scores: extending the parameter space of live performance. Scene, 1 (2). pp. 247-256. ISSN 2044-3714

Sayer, Timothy (2015) Cognition and improvisation: some implications for live coding. In: First International Conference on Live Coding (ICLC2015), 13-15 July 2015, Leeds.

Sayer, Timothy (2014) Hypnagogia and improvisation: interfacing with reflexive/volitional behaviour. In: INTER-FACE: International Conference on Live Interfaces (ICLI 2014), 19-23 Nov 2014, Lisbon, Portugal.

Sayer, Timothy (2017) Mondrisonic. [Composition]

Sayer, Timothy (2014) Non-thinking music making: a proposed methodology to emancipate improvisation. In: 9th Conference on Interdisciplinary Musicology – CIM14, 03-06 Dec 2014, Staatliches Institut für Musikforschung, Berlin, Germany.

Sayer, Timothy (2019) Using electroencephalography to explore cognitive-cultural networks and ecosystemic performance environments for improvisation. In: Innovation In Music: performance, production, technology and business. Routledge, New York. ISBN 9781138498211

Sayer, Timothy and Irvine, Rosanna (2018) Breath Pieces. [Composition]

Sayer, Timothy, Tetkov, Kordian, Lord, Matthew and Lee, Stewart (2018) Bristol Fashion. [Audio]

Scales, Paula J. (2017) Developing movement skills in performing arts: an investigation to stimulate a more creative, imaginative and sensitive movement skill engagement through a democratically orientated approach. In: UWL Doctoral Students' Conference, 24 May 2017, London, UK. (Unpublished)

Sholl, RP (2023) Messiaen in Context. Cambridge Composers In Context. Cambridge University Press, Cambridge, UK. ISBN 9781108768290

Sholl, Robert (2024) “Artistic practice as Embodied Learning: Reconnecting Pedagogy, Improvisation, and Composition,” Rethinking the Teaching of Music Performance in Higher Level Institutions. In: Rethinking the Teaching of Music Performance in Higher Level Institutions. Open book, Cambridge, UK, pp. 135-164.

Sholl, Robert (2024) Artistic practice as Embodied Learning: Reconnecting Pedagogy, Improvisation, and Composition. In: Teaching Music Performance in Higher Education Exploring the Potential of Artistic Research. Open Book Press, pp. 135-164. ISBN 9781805112754

Sholl, Robert (2021) The Feldenkrais Method in Creative Practice: dance, music, and theatre. Bloomsbury, London. ISBN The Feldenkrais Method in Creative Practice: dance, music, and theatre

Sholl, Robert (2017) The Feldenkrais method. New Vistas, 3 (1). pp. 28-33. ISSN 2056-9688

Sholl, Robert (2019) Feldenkrais’s touch, Ephram’s laughter, Gould’s sensorium: listening and musical practice between thinking and doing. Journal of the Royal Musical Association, 144 (2). pp. 397-428. ISSN 0269-0403

Sholl, Robert (2024) Improvisation. [Arts Related non-text Outputs]

Sholl, Robert (2021) Improvisation - Robert Sholl, Exeter College, University of Oxford. [Performance]

Sholl, Robert (2019) Inscapes of musical listening: sensing/feeling/imagining. Naxos Musicology International.

Sholl, Robert (2020) James Sibley Watson’s The Fall of The House of Usher: Surrealism—improvisation—complementary serendipities. Perspectives of New Music, 58 (1). pp. 23-69. ISSN 0031–6016

Sholl, Robert (2024) Josephin ‘Sâr’ Péladan, Charles Tournemire and apocalyptic mysticism. In: Art, Music, and Mysticism at the Fin de Siècle Seeing and Hearing the Beyond. Routledge. ISBN 9781032145662

Sholl, Robert (2024) “Joséphin ‘Sâr’ Péladan, Charles Tournemire and apocalyptic mysticism,” Art, Music, and Mysticism at the fin-de-siècle: Seeing and Hearing the Beyond, ed. Corrinne Chong and Michelle Foot (New York: Routledge), pp. 62-95. In: Art, Music, and Mysticism at the fin-de-siècle: Seeing and Hearing the Beyond. Routledge Research in Art History. Routledge, New York and London, pp. 62-95. ISBN 1032145668

Sholl, Robert (2007) Making the invisible visible: the theology, culture and practice of Olivier Messiaen's improvisation. Boston University Messiaen Project.

Sholl, Robert (2021) Maria's Dance from Metropolis (1927) dir. Fritz Lang, improvisation by Robert Sholl. [Performance]

Sholl, Robert (2024) Olivier Messiaen: A Critical Biography. Reaktion Press, London. ISBN 9781789148657

Sholl, Robert (2024) Olivier Messiaen: A Critical Biography. Reaktion, London, UK.

Sholl, Robert (2024) Organ improvisation for the unmasking scene for The Phantom of the Opera (1925). [Arts Related non-text Outputs]

Sholl, Robert (2007) Review of Alan Fraser's The craft of piano playing: a new approach to piano technique. Music and Letters, 88 (1). pp. 190-192. ISSN 1477-4631

Sholl, Robert (2024) Robert Sholl Piano Improvisation to The Phantom of the Opera Unmasking Scene. [Composition]

Sholl, Robert (2021) Series of 8 concerts: The Complete Organ Symphonies of Louis Vierne, complete organ works of Maurice Duruflé, organ works of Charles Tournemire with chamber music and songs by Vierne. [Performance]

Sholl, Robert (2012) Thresholds: Rethinking Spirituality through Music. By Marcel Cobussen. Music and Letters, 93 (1). pp. 90-93. ISSN 1477-4631

Sholl, Robert and Ledoux, Caroline (2023) Arrival of Count Orlok from Nosferatu (1922), piano improvisation by Robert Sholl. [Performance]

Sholl, Robert and Ledoux, Caroline (2023) Aurora Australia II - Hommage à Arvo Pärt. [Performance]

Sholl, Robert and Ledoux, Caroline (2023) Ben-Hur: A Tale of the Christ, live improvisation by Robert Sholl with sound effects by Caroline Ledoux. [Performance]

Sholl, Robert and Ledoux, Caroline (2023) Georges Méliès: La Lune à un mètre, also known as The Astronomer’s Dream (1898). [Performance]

Sholl, Robert and Ledoux, Caroline (2023) L'Homme à la tête en caoutchouc (The Man with the Rubber Head). [Performance]

Sholl, Robert and Ledoux, Caroline (2023) Lot in Sodom (1932) dir. James Sibley Watson, piano improvisation by Robert Sholl. [Performance]

Sholl, Robert and Ledoux, Caroline (2023) Mole and Music. [Performance]

Sholl, Robert and Ledoux, Caroline (2023) The Skeleton Dance (Walt Disney, 1929), piano improvisation by Robert Sholl. [Performance]

Sholl, Robert, Ledoux, Caroline and McCready, Anna (2023) "The Furies" from Crime Without Passion (1934), piano improvisation by Robert Sholl. [Performance]

Sholl, Robert, Ledoux, Caroline and McCready, Anna (2023) La Passion de Jeanne d'Arc, end (1928) dir. C.T. Dreyer, piano improvisation by Robert Sholl. [Performance]

Sholl, Robert and Ledoux, Ledoux (2023) Spider vs Spider. [Video]

Sholl, Robert and ledoux, Caroline (2023) Georges Méliès, Un Homme de tête (1898): piano improvisation by Robert Sholl. [Performance]

Sholl, Robert (2020) 150: The complete symphonies of Louis Vierne with major organ works of Charles Tournemire (and chamber music). A series for 150th anniversaries of these composers’ births. Arundel Cathedral. [Show/Exhibition]

Sholl, Robert (2012) Arvo Pärt and spirituality. In: The Cambridge Companion to Arvo Pärt. Cambridge Companions to Music. Cambridge University Press, Cambridge, UK, pp. 140-158. ISBN 9780521279109

Sholl, Robert (2018) Arvo Pärt, passio and spirituality. UNSPECIFIED.

Sholl, Robert (2012) Arvo Pärt: Embodiment – Enchantment – Transcendence. In: Music and the Body Conference, 9-11 March 2012, Hong Kong. (Unpublished)

Sholl, Robert (2018) BBC Prom 10 programme Note: Charles-Marie Widor. BBC, https://www.bbc.co.uk/events/erhn5v. (In Press)

Sholl, Robert (2013) Catholicism and catharsis: the sublime, the apocalyptic and ecstasy in the music of Charles Tournemire and Olivier Messiaen. In: FMCS Conference, 14-16 Feb 2013, New Haven, USA. (Unpublished)

Sholl, Robert (2014) Educating Isaac. In: Educating Isaac, 27 April 2014, BBC Radio on iPlayer.

Sholl, Robert (2018) Exhibiting the phantom: improvisations for an unmasking. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Sholl, Robert (2020) Exquisite violence: imagery, embodiment and transformation in MacMillan. In: James MacMillan Studies. Cambridge University Press, Cambridge, UK, pp. 87-110. ISBN 9781108492539

Sholl, Robert (2021) The Feldenkrais method in creative practice: dance, music and theatre. Bloomsbury. ISBN 9781350158382

Sholl, Robert (2021) Feldenkrais, Freud, Lacan, and Gould: how to love thyself not as thy neighbour. In: The Feldenkrais method in creative practice: dance, music, and theatre. Bloomsbury Methuen, London, UK, pp. 38-54. ISBN 9781350158382

Sholl, Robert (2016) Hospitality and translation in Florentz's work. In: L’œuvre de Jean-Louis Florentz, 28-29 Jan 2016, Lyon, France. (Unpublished)

Sholl, Robert (2014) "How do you like your counterpoint, sir?": music pedagogy beyond therapy. In: EUROMAC 2014, 17-20 Sep 2014, Leuven, Belgium. (Unpublished)

Sholl, Robert (2016) Improvisation to 'The unmasking scene for Rupert Julian's The Phantom of the Opera (1925)'. [Performance]

Sholl, Robert (2016) Improvisation to James Sibley Watson and Melville Webber's 'The Fall of the House of Usher' (1929, silent film). [Performance]

Sholl, Robert (2015) Improvisations to films by James Sibley Watson. [Performance]

Sholl, Robert (2017) International Recital Series: recital at St John's Smith Square, London. [Performance] (Unpublished)

Sholl, Robert (2014) Interviewed for BBC Radio 3 Sunday Feature: Educating Isaac. [Show/Exhibition]

Sholl, Robert (2016) James Sibley Watson’s 'The fall of the house of Usher' (1928): improvisation – images - complementary serendipities. In: UNSPECIFIED. (Unpublished)

Sholl, Robert (2017) James Sibley Watson’s the fall of the house of usher: improvisation – images - complementary serendipities. In: Research Events Royal Academy of Music, 29 September 2017, Royal Academy of Music - Duke's Hall. (Unpublished)

Sholl, Robert (2019) Jean-Louis Florentz and spectralism. In: The Oxford Handbook to Spectralism. Th Oxford Handbooks to Music. Oxford University Press, New York.

Sholl, Robert (2019) Jean-Louis Florentz: Ethiopian music into spectralism. In: Amercian Musicological Society Conference, 30 October - 3 November 2019, Boston, Mass., USA. (Unpublished)

Sholl, Robert (2016) Jean-Louis Florentz: hospitality and spectralism. In: Spectralisms, 15-16 March 2017, Oxford. (Unpublished)

Sholl, Robert (2017) Jean-Louis Florentz: hospitality and spectralism. In: European Musical Analysis Conference, 28 June - 1 July 2017, Strasbourg France. (Unpublished)

Sholl, Robert (2014) Jean-Louis Florentz: spectral musician of an imaginary organ. In: Jean-Louis Florentz: visions d’ailleurs, July 2014, London, UK. (Unpublished)

Sholl, Robert (2015) Lacan, Feldenkrais and Gould: how to love thyself not as thy neighbour. In: Re-Storing Performance Conference, June 2015, Bath, UK. (Unpublished)

Sholl, Robert (2017) Messiaen and Pärt. In: Monastic Musicians Conference, 3 October 2017, Belmont Abbey Hereford. (Unpublished)

Sholl, Robert (2018) Messiaen and surrealism: ethnography and the poetics of excess. In: Surrealism and Music in France, 1924-1952: Interdisciplinary and International Contexts, 8 June 3018, London. (Unpublished)

Sholl, Robert (2008) Messiaen studies. Cambridge University Press, Cambridge, UK. ISBN 9780521839815

Sholl, Robert (2017) Olivier Messaien and Charles Tournemire: the organ as the voice of God. In: RCO Organ Forum 2017 - a celebration of Olivier Messiaen, 28 October 2017, Royal Academy of Music, London. (Unpublished)

Sholl, Robert (2014) Olivier Messiaen and Jean-Louis Florentz: vibrations harmoniques. In: Visions of the Beyond: French organ music around Olivier Messiaen, 29 March 2014, London, UK. (Unpublished)

Sholl, Robert (2010) Olivier Messiaen and the Avant-garde poetics of the Messe de la Pentecôte. In: Messiaen the Theologian. Ashgate, Farnham, UK, pp. 199-222. ISBN 9780754666400

Sholl, Robert (2016) Olivier Messiaen complete organ works 1. [Performance]

Sholl, Robert (2016) Olivier Messiaen complete organ works 2. [Performance]

Sholl, Robert (2016) Olivier Messiaen complete organ works 3. [Performance]

Sholl, Robert (2016) Olivier Messiaen complete organ works 4. [Performance] (Unpublished)

Sholl, Robert (2016) Olivier Messiaen complete organ works 5. [Performance] (Unpublished)

Sholl, Robert (2017) Olivier Messiaen complete organ works 6. [Performance] (Unpublished)

Sholl, Robert (2017) Olivier Messiaen complete organ works 7. [Performance] (Unpublished)

Sholl, Robert (2007) Olivier Messiaen, the avant-garde, and the Messe de la Pentecôte. In: Boston Messiaen Project Conference, Nov 2007, Boston, USA. (Unpublished)

Sholl, Robert (2019) Olivier Messiaen: spectralist. In: The Oxford Handbook to Spectralism. Oxford Music Handbooks. Oxford University Press.

Sholl, Robert (2013) Olivier Messiaen: the organ as the God's mouthpiece. In: Lecture Recital, 28 November 2013, London, UK. (Unpublished)

Sholl, Robert (2017) Pärt and the sound of one-hand clapping. In: Arvo Pärt's White Light: Media, Culture, Politics. Cambridge University Press, Cambridge, UK, pp. 47-73. ISBN 9781107182899

Sholl, Robert (2015) Recital at Westminster Abbey. [Performance]

Sholl, Robert (2017) Recital at the Cathedral of Notre-Dame de Paris. [Performance] (Unpublished)

Sholl, Robert (2011) Rites of passage: Messiaen and Boulez on Le Sacre du Printemps. In: Pierre Boulez in Context, 02-03 Oct 2011, London, UK. (Unpublished)

Sholl, Robert (2016) Searching for the elusive obvious: memory, forgiveness, catharsis, and transcendence in contemporary spiritual music. In: Contemporary Music and Spirituality. Routledge, Abingdon, UK, pp. 229-257. ISBN 9781409440581

Sholl, Robert (2016) Sheridan Tongue’s music for silent witness: new perspectives on Pärtian tintinnabulation. In: Sounding the Sacred, 1-4 May 2016, New York Fordham University Campus. (Unpublished)

Sholl, Robert (2019) Spectral music in Nordic Noir. In: Spectralisms Conference, IRCAM,, 12-14 June 2019, Paris, France. (Unpublished)

Sholl, Robert (2015) Stop it, I like it! Embodiment, masochism and listening for traumatic pleasure. In: Thresholds of Listening: Sound, Technics, Space. Fordham University Press, New York, USA, pp. 152-174. ISBN 9780823264377

Sholl, Robert (2015) Westminster Abbey organ recital 6 December 2015. [Performance] (Unpublished)

Sholl, Robert (2011) The shock of the positive: Olivier Messiaen, St Francis and redemption through modernity. In: Resonant Witness: Conversations between Music and Theology. Eerdmans, Cambridge, UK. ISBN 9780802862778

Sholl, Robert (2018) The unmasking scene: improvisation in context. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Silva, Liane (2024) Authenticity and Authentication in Music for Media. In: 2024 Annual Doctoral Students' Conference, 12 Jul 2024, University of West London, London, UK.

Silva, Liane (2024) The music for those "more human than human": Authenticating consciousness through music in Cyberpunk science fiction. In: Sound On Screen III: Music and Sound in Transmedia Franchises, 3 Jul 2024, Oxford Brookes University, Oxford, UK.

Silva, Liane Gualdim (2024) World-building through world synthesis: The synthesised score of Blade Runner. In: 2024 21st Century Music Practice, 09 Sep 2024, University of West London, London, UK.

Sloan, Cathy (2017) Aestheticizing addiction to generate change. Performance Research, 22 (6). pp. 68-72. ISSN 1352-8165

Sloan, Cathy (2018) Understanding spaces of potentiality in applied theatre. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (4). pp. 582-597. ISSN 1356-9783

Sloan, Cathy (2020) The antidote: theorising recovery engaged theatre-making as a process of affective attunement and agonistic activism. Research in Drama Education: The Journal of Applied Theatre and Performance, 25 (3). pp. 390-404. ISSN 1356-9783

Sloan, Cathy (2021) The ‘pop-up’ recovery arts café: growing resilience through the staging of recovery community. Research in Drama Education: The Journal of Applied Theatre and Performance, 26 (1). pp. 9-23. ISSN 1356-9783

Sloan, Cathy (2014) From ‘Substance Misuse the Musical’ to ‘Double Whammy’: the affect of Outside Edge Theatre Company. In: Addiction and Performance. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 214-233. ISBN 9781443856577

Spagnolo, Simone (2019) Interdisciplinarity in the performing arts: contemporary perspectives. Studies in Theatre and Performance. pp. 1-2. ISSN 1468-2761

Spagnolo, Simone (2018) Touch-less: wearable music and the score-theatre. Studies in Musical Theatre, 11 (2). pp. 147-164. ISSN 1750-3159

Spagnolo, Simone (2016) Unsaid by the mouth, but spoken by the drums. Journal of the Institute of Composing, 9.

Spagnolo, Simone (2018) De-lirious marks: on the rationality of marking and irrationality of the arts. In: Assessment Symposium, 3 Mar 2018, Cambridge, UK. (Unpublished)

Spagnolo, Simone (2015) Each tale chases another: metaphorical representations, non-linearity and openness of narrative structure in Italian opera from post-WWII to It makes no difference. Doctoral thesis, Trinity Laban Conservatoire / City University.

Spagnolo, Simone (2014) Even you, lights, cannot hear me. [Composition] (Unpublished)

Spagnolo, Simone (2018) Faust, Alberta. [Composition] (Unpublished)

Spagnolo, Simone (2017) Non ho dormito in questa notte mai. [Composition] (Unpublished)

Spagnolo, Simone (2016) Teatro Polidittico: classics-inspired contemporary Italian opera and the concept of openness. In: Italy and the Classics, APGRD (Archive of Performances of Greek and Roman Drama), 10th June 2016, University of Oxford. (Unpublished)

Spagnolo, Simone (2015) Touch-less: wearable graphic scores for acting singer. In: SongArt Symposium, 26 Jun 2015, Central School of Speech and Drama, London. (Unpublished)

Spagnolo, Simone (2017) The colour blue. [Composition] (Unpublished)

Spagnolo, Simone (2015) The colour blue. A musico-theatrical metonymy. In: SongArt Symposium, 27 Jun 2015, Central School of Speech and Drama, London. (Unpublished)

Spagnolo, Simone and Johnson, Graham (2013) Musical saw. In: The New Grove Dictionary of Musical Instruments. Oxford University Press.

Spagnolo, Simone and Trischitta, Giordano (2018) Polymath. [Composition]

Sparling, Steven (2017) Campus Press, reflexivity, and broadening employability. In: UWL Teaching and Learning Conference 2017, 29 June 2017, London, UK. (Unpublished)

Sparling, Steven (2017) Don't put your daughter on the stage Mrs Worthington; or, precarity and the performing arts. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Sparling, Steven (2016) Use of peer-review in performance practice. In: UWL Teaching and Learning Conference 2016, 28 June 2016, London, UK. (Unpublished)

Stanbury, Christopher (2017) Playing the changes: rediscovering the lexicon of electronic organ performance practice from 1943 to 2015. Doctoral thesis, University of West London.

Swarbrick, Dana, Martin, Remy ORCID: https://orcid.org/0009-0001-3473-6249, Høffding, Simon, Nielsen, Nanette and Vuoskoski, Jonna (2024) Audience Musical Absorption: Exploring Attention and Affect in the Live Concert Setting. Music and Science. ISSN 2059-2043

Szafranski, Bartosz and Cork, Jo (2017) Sensate. [Performance]

Szafranski, Bartosz, Thomas, Maureen, Salihbegovic, Fahrudin and Cork, Jo (2016) WE. [Performance]

T

Totoli, Alessandra and Spagnolo, Simone (2015) Vocalisations with movement (Vocalizzi con movimento). Edizioni Casa Musicale Cav. Quinto Fabio, Salerno (Italy), Salerno, italy.

Toulson, Rob, Patel, Shreepali and Foster, Sarah Kayte (2015) Red Planet App - tutorial / user guide. [Video]

Toulson, Rob and Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2016) A new interactive music format for enhancing listener engagement with recorded music. In: 11th Art of Record Production Conference, 2-4 Dec 2016, Aalborg, Denmark. (Unpublished)

Toulson, Rob, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Campbell, William (2014) Evaluating harmonic and intermodulation distortion of mixed signals processed with dynamic range compression. In: Innovation in music 2013. Future Technology Press, Shoreham-by-Sea, UK, pp. 224-246. ISBN 978-0-9561516-8-1

W

Weber, David (2016) A long sell: the disproportionate appeal of Frank Bridge's music to familiar listeners, and its impact upon his reception, 1912-36. Doctoral thesis, University of West London.

Whitbourn, James (2015) Anne Frank in musical portraiture. Doctoral thesis, University of West London.

Z

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2015) Developing the formal structures of artistic practice-as-research. New Vistas, 1 (2). pp. 28-32. ISSN 2056-967X

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) Directions in music by Miles Davis: using the ecological approach to perception and embodied cognition to analyse the creative use of recording technology in Bitches Brew. Technology and Culture, 59 (4). pp. 850-874. ISSN 0040-165X

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2022) Le Grand Kallé and African jazz—“Indépendance Cha Cha” (1960). In: One-Track Mind: Capitalism, Technology, and the Art of the Pop Song. Taylor and Francis, Routledge, London, UK, pp. 11-26. ISBN 9781003093206

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2012) Musical meaning and the musicology of record production. Beiträge zur Popularmusikforschung, 38. pp. 135-147.

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2025) Theorizing Aesthetics in a Practical Musicology. In: The Intellect Handbook of Popular Music Methodologies. Intellect Ltd, Fishponds, UK, pp. 51-64. ISBN 9781835951033 (In Press)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2016) The influence of recording technology and practice on popular music performance in the recording studio in Poland between 1960 and 1989. Polish Sociological Review, 2016 (196). ISSN 1231-1413

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2010) The stadium in your bedroom: functional staging, authenticity and the audience-led aesthetic in record production. Popular Music, 29 (2). pp. 251-266. ISSN 0261-1430

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2007) The study of groove. Ethnomusicology Forum, 16 (2). pp. 327-335. ISSN 1741-1920

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320, Agawu, Kofi, Bhogal, Gurminder, Cavett, Esther, Dunsby, Jonathan, Horton, Julian, Monchick, Alexandra, Pace, Ian and Stobart, Henry (2023) Valuing the Surplus: Perspectives on Julian Horton's Article ‘On the Musicological Necessity of Music Analysis’, Musical Quarterly, 3/i–ii, pp. 62–104. Music Analysis, 42 (3). pp. 412-471. ISSN 0262-5245

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) Analysing the product of recorded musical activity. In: The Routledge Companion to Popular Music Analysis: Expanding Approaches. Routledge music companions. Routledge, Taylor and Francis, New York. ISBN 9781138683112

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) Bath Spa invited research seminar. In: Guest Research Lecture, 8th Jan 2014, Bath Spa University. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2006) Functional staging through the use of production techniques in late 20th century African and Cuban popular music recordings. In: 2006 International Art of Record Production Conference, 08-10 Sep 2006, Edinburgh, UK.

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2019) Haydn in modern dress: applying experimental contemporary production techniques to the classical repertoire. In: The Art of Record Production: Creative Practice in the Studio. Ashgate Popular and Folk Music. Routledge Press, Abingdon, UK, pp. 185-201. (Submitted)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) How could musicology help me become a better record producer?: Tensions between the vocational and the theoretical in music pedagogy. In: SEMPRE Music Education & Technology Conference, 03-04 Apr 2014, London, UK.

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2016) How is theoretical research meeting the challenges of pedagogy in the field of record production? In: Music, Technology and Education: Critical Perspectives. Routledge, Oxford, UK, pp. 67-84. ISBN 9781472426208

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) Invited speaker at Sonic Signatures Symposium. In: Sonic Signatures Symposium, 09-11 Apr 2014, Aalborg, Denmark. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) Keynote speech for Huddersfield University's Popular Music Studies Research Centre. In: Popular Music Studies Research Centre Launch, 15 Jan 2014, Huddersfield, UK. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) Performance in the studio: an educational workshop. In: Performance Studies Network Conference, 17-20 Jul 2014, Cambridge, UK. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) Pop Akademie Mannhein annual visiting professorial lecture. In: Annual Visiting Professorial Lecture, 14 Oct 2014, Baden-Wuerttemberg, Germany. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2022) Practical musicology. 21st Century Music Practices. Bloomsbury Academic Publishing, New York. ISBN 9781501357794

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2010) Real and unreal performances: the interaction of recording technology and rock drum kit performance. In: Musical Rhythm in the Age of Digital Reproduction. Ashgate, Farnham, UK, pp. 195-212. ISBN 9781409403401

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2020) Recorded music. In: The Bloomsbury Handbook of Music Production. Bloomsbury handbooks. Bloomsbury Academic Press, New York. ISBN 9781501334023

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) Recording aesthetics plenary panel. In: Art of Record Production Conference, 04-06 Dec 2014, Oslo, Norway. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) SOAS guest lecture. In: Guest Lecture, 14 Jan 2014, London, UK. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) Sex on Fire: a case study of how different forms of graphic representation can influence analysis. In: EuroMAC (European Music Analysis Conference), 17-21 Sep 2014, Leuven, Belgium. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2016) Sonic cartoons. In: Sound As Popular Culture. Massachusetts Institute of Technology Press, Cambridge, MA, pp. 403-410. ISBN 9780262033909

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2020) Studio practice and organization in rock music. In: The Bloomsbury Handbook of Rock Music Research. Bloomsbury handbooks. Bloomsbury Academic Press, New York. ISBN 9781501330469

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) Timbre as text: the cognitive roots of intertextuality. In: The Pop Palimpsest: Intertextuality in Recorded Popular Music. University of Michigan Press, Ann Arbor, Michigan, USA, pp. 273-290. ISBN 9780472130672

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2012) The US vs the UK sound: meaning in music production in the 1970s. In: The Art of Record Production: An Introductory Reader for a New Academic Field. Ashgate. ISBN 9781409406785

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2006) "We don't write songs, we write records": a compositional methodology based on late 20th century popular music. In: Proceedings of the 2006 International Computer Music Conference, 6-11 Nov 2006, New Orleans, USA.

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2015) An analysis of space, gesture and interaction in Kings of Leon's 'Sex On Fire' (2008). In: Song Interpretation in 21st-Century Pop Music. Ashgate Popular and Folk Music Series. Ashgate, Farnham, UK, pp. 115-132. ISBN 9781472428004

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) The musicology of record production book tour (1). In: The Musicology of Record Production Book Tour, 15th October 2014, Berlin, Germany. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) The musicology of record production book tour (2). In: The Musicology of Record Production Book Tour, 16th October 2014, Dalarna, Sweden. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) The musicology of record production book tour (3). In: The Musicology of Record Production Book Tour, 17th October 2014, Stockholm, Sweden. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) The musicology of record production book tour (4). In: The Musicology of Record Production Book Tour, 20th October 2014, Copenhagen, Denmark. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) The musicology of record production. Cambridge University Press, Cambridge, UK. ISBN 9781107075641

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2022) The space of the record: something happening somewhere. In: The Bloomsbury Handbook of Popular Music, Space and Place. Bloomsbury handbooks. Bloomsbury Academic Press, New York, pp. 229-240. ISBN 978-1-5013-3628-7

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) The spectromorphology of recorded popular music: the shaping of sonic cartoons through record production. In: The Relentless Pursuit of Tone: Timbre and Popular Music. Oxford University Press, New York, USA. ISBN 9780199985227

Zolinsky, Andrew (2001) Old, new, borrowed and blue – a three concert series including British/London premieres of works by American and Dutch composers. [Performance]

Zolinsky, Andrew (2006) Piano music from Zurich: 1870-1930. [Audio]

Zolinsky, Andrew (2006) Unsuk Chin: Piano concerto: London première. [Performance]

Zolinsky, Andrew (2002) The sunpainter's delight: piano music of Walter Baer. [Audio]