Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X
(2026)
AI2AI – AI pair programming towards policy-space control: a harmony-aware MIDI-channel multiplexer with captured and bred XY trajectories.
In:
Innovation in music: TBC.
Innovation in music.
Routledge, Focal Press, Abingdon, New York.
(Submitted)
Abstract
Contemporary software development is increasingly shaped by AI pair programming, in which complex systems are co-authored through human intent and machine inference. This chapter extends an ongoing case study by examining MorphMux, a harmony-aware, real-time MIDI-channel multiplexer that forms a new module within the author’s wider MIDI Channel Switcher (MCS) system. Where the host previously redistributed a single MIDI stream across multiple timbres using stochastic, modulation-driven routing, MorphMux reframes that redistribution as a musical decision rather than an abstract algorithm. Each incoming note is assigned to a destination channel by a morphable, heterogeneous policy space whose four corners embody complementary, non-neural inference strategies: a conservative rule set, a Bayesian estimator, an intent-transformative mapping and a Markov/state model. A front-panel XY pad continuously blends these strategies through smoothed convex weighting, letting a performer navigate a continuum of interpretive behaviours and ‘conduct’ a hybrid arrangement in real time – modulating the policies’ own decision parameters rather than crossfading finished audio. The system records smoothed XY gestures as reusable trajectory presets, and a non-real-time ‘gesture lab’ breeds new trajectories from existing ones. A ‘harmony guard’, built from a progression-agnostic pitch-class profile captured during ingestion, moderates controller-induced policy swings without ever altering pitch. Situated within a wide musical, cybernetic and contemporary AI-music literature, the chapter argues that policy-space control offers expressive, interpretable and serendipitous routing, while remaining difficult to fully anticipate – a tension that is itself musically generative. AI is used to develop AI: AI2AI.
| Item Type: | Book Chapter or Section |
|---|---|
| Subjects: | Music |
| Date Deposited: | 16 Oct 2026 |
| Dates: | Date Publication status 30 July 2026 Submitted |
| School, department or research centre: | London College of Music |
| URI: | https://repository.uwl.ac.uk/id/eprint/15497 | Sustainable Development Goals: | Goal 9: Industry, Innovation, and Infrastructure |
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