Items where School is "London College of Music"

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Number of items at this level: 437.

A

Arden, Jeremy (2006) Bayo's way: for tuba, nine brass instruments and electronics. [Composition]

Arden, Jeremy (2005) Introduction. In: The Schillinger System of Musical Composition (2nd ed.). Clock & Rose Press, Massachusetts, USA, pp. 1-41. ISBN 1593860285

Arden, Jeremy (2006) Keys to the Schillinger System: basic principles & foundations. The Schillinger School of Music Handbooks. Clock & Rose Press, Massachusetts, USA. ISBN 9781593860318

Arden, Jeremy (2007) Star King of Day: for percussion. [Composition]

Auricchio, Nino (2017) Natural highs: timbre and chills in electronic dance music. In: Popular Music Studies Today. Systematische Musikwissenschaft. Springer VS, Wiesbaden, Germany, pp. 11-23. ISBN 9783658177409

Auricchio, Nino and Borg, Paul (2016) New modular synthesizers and performance practice. In: SAE 2nd Synthposium, 14 Nov 2016, Melbourne, Australia. (Unpublished)

Auricchio, Nino, Borg, Paul and Whelan, Larry (2016) Cold waves. [Performance]

B

Baker, Gavin (2018) Using a performative approach to textual analysis. In: London Critical 2018, 29 -30 June 2018, London. (Unpublished)

Bandoni, Michael and Auricchio, Nino (2015) Funkshone 'The The Yard'. [Audio]

Bandoni, Michael and Auricchio, Nino (2016) Funkshone 'The strut'. [Audio]

Borg, Paul (2016) Abstrk beats. [Audio]

Bourbon, Andrew, Capulet, Emilie and Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2015) In modern dress. [Performance]

Bourbon, Andrew and Mcguinness, Sara (2015) The creative negotiation of a trans-national recorded sound: Grupo Lokito as a Congolese-Latin collaboration case study. In: Art of Record Production Conference, 6-8 Nov 2015, Philadelphia, USA. (Unpublished)

Bourbon, Andrew and Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2016) Sonic cartoons and semantic audio processing: using invariant properties to create schematic representations of acoustic phenomena. In: 2nd AES Workshop on Intelligent Music Production, 13 September 2016, London, UK.

Bourbon, Andrew and Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2017) The ecological approach to mixing audio: agency, activity and environment in the process of audio staging. Journal on the Art of Record Production, 11. ISSN 1754-9892

Brown, Katrina, Irvine, Rosanna and Sayer, Timothy (2014) what remains and is to come. [Composition]

C

Campbell, William, Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, Rob (2010) The effect of dynamic range compression on the psychoacoustic quality and loudness of commercial music. In: Proceedings of the Internoise 2010 Conference, 13-16 June 2010, Lisbon, Portugal.

Campbell, William, Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, Rob (2014) A quantitative evaluation of signal masking in summed and compressed audio. In: Innovation in music. Future Technology Press, Shoreham-by-Sea, UK, 20 - 31. ISBN 9780956151681

Campbell, William, Paterson, Justin ORCID: 0000-0001-7822-319X and van der Linde, Ian (2017) Listener preferences for alternative dynamic-range-compressed audio configurations. Journal of the Audio Engineering Society, 65 (7/8). pp. 540-551. ISSN 1549-4950

Capulet, Emilie (2017) Connecting policy to practice: from work-based learning to negotiated curriculum – a case-study. In: UWL Teaching and Learning Conference 2017, 29 June 2017, London, UK. (Unpublished)

Capulet, Emilie (2015) Dementia and music workshops at LCM. In: A4D Best Practice Music Symposium 2015 Musicianship and Access for Early-Stage Dementia - The Way Forward, 17 Apr 2015, London, UK. (Unpublished)

Capulet, Emilie (2015) Lecture-recital. [Performance]

Capulet, Emilie (2015) Music and dementia workshops: bridging the gap in music education. In: UWL Teaching and Learning Conference 2015, 29 June 2015, London, UK. (Unpublished)

Capulet, Emilie (2017) Preface to Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. In: Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. Repertoire Explorer. Musikproduction Höflich, Heidelberg, Germany.

Capulet, Emilie (2014) Scholarly preface (in English and German) to the score of Camille Saint-Saëns' Symphony in A (Youth symphony). In: Saint-Saëns, Camille: Symphony in A (Youth symphony). Repertoire & Opera Explorer (1500). Musikproduktion Höflich, Munich, Germany, i-ii.

Capulet, Emilie (2014) Scholarly preface (in English and German) to the score of Gabriel Pierné's Viennoise op. 49bis for orchestra. In: Gabriel Pierné, Viennoise op. 49bis for orchestra. Repertoire & Opera Explorer (1569). Musikproduktion Höflich, Munich, Germany, i-ii. ISBN Publisher number: 1569 MPH, Musikproduktion Höflich

Capulet, Emilie (2013) Through the looking-glass: transmediality in musicalized narratives of the Modernist period. In: Transmediality and Transculturality. Winter Verlag, Heidelberg.

Capulet, Emilie (2016) The game of chamber music in dementia music therapy. In: Play in Healthcare for Adults. Routledge, Abingdon, UK, pp. 124-134. ISBN 9781315679846

Capulet, Emilie (2015) The piano music of Henri Tomasi. [Audio] (Unpublished)

Capulet, Emilie (2015) The piano music of Henri Tomasi. Toccata Classics, London (UK). (Unpublished)

Capulet, Emilie, Bourbon, Andrew, Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 and Blier-Carruthers, Amy (2015) Creative hyper-production - experiments in classical music and live digital signal processing. In: Royal Musical Association 51st Annual Conference, 09-11 Sep 2015, Birmingham, UK. (Unpublished)

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2017) The AHRC funded 'Classical Music Hyper-Production & Practice-As-Research' project: shaping the London College of Music's Research Agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2017) The AHRC funded ‘Classical Music Hyper-Production & Practice-As-Research’ project: shaping the London College Of Music’s research agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2017) Creating a rubato layer cake: performing and producing overdubs with expressive timing on a classical recording for 'solo' piano. Journal on the Art of Record Production, 11. ISSN 1754-9892

Carr, Marcia (2016) 'Learning to learn,' a unique introduction to the Feldenkrais Method of Awareness through Movement created by Garet Newell. In: 'Learning to Learn,' a Unique Introduction to the Feldenkrais Method of Awareness Through Movement Created by Garet Newell, 25-27 Apr 2016, London, UK. (Unpublished)

Carr, Marcia (2016) Making the impossible possible: Feldenkrais and the impact upon the training of the actor/singer at London College of Music. In: 'Making the Impossible Possible': The Feldenkrais Method in Music, Dance, Movement, and Creative Practice, 30 Apr 2016, London, UK. (Unpublished)

Castells-Delgado, Antonio (2011) 1.60.3600. [Audio]

Castells-Delgado, Antonio (2017) 2045. [Audio]

Castells-Delgado, Antonio (2016) 2045: the year man becomes immortal? [Performance]

Castells-Delgado, Antonio (2017) C121 W / P V1. [Audio]

Castells-Delgado, Antonio (2017) C121 W / P V2. [Audio]

Castells-Delgado, Antonio (2012) 'Campos de Oro', Spanish operatic translation of Sting's hit song 'Fields of Gold'. [Audio]

Castells-Delgado, Antonio (2011) Creation. [Audio]

Castells-Delgado, Antonio (2017) Dragons V10. [Audio]

Castells-Delgado, Antonio (2017) Forgiveness V6. [Audio]

Castells-Delgado, Antonio (2017) Gabriel V12. [Audio]

Castells-Delgado, Antonio (2017) Hear V4. [Audio]

Castells-Delgado, Antonio (2012) Life from Light. [Performance]

Castells-Delgado, Antonio (2013) Life from Light. [Audio]

Castells-Delgado, Antonio (2012) Life from Light. [Composition]

Castells-Delgado, Antonio (2014) Life from Light. [Performance]

Castells-Delgado, Antonio (2013) Life from light. [Video]

Castells-Delgado, Antonio (2008) Live from Bush Hall. [Audio]

Castells-Delgado, Antonio (2008) The Momo Live Show. [Performance] (Unpublished)

Castells-Delgado, Antonio (2008) The Momo Live Show. [Performance] (Unpublished)

Castells-Delgado, Antonio (2011) Motherland. [Audio]

Castells-Delgado, Antonio (2011) Ob. [Audio]

Castells-Delgado, Antonio (2011) Piano Works. [Audio]

Castells-Delgado, Antonio (2017) Pulse V7. [Audio]

Castells-Delgado, Antonio (2017) Reverberation V16. [Audio]

Castells-Delgado, Antonio (2017) Score for '2045: The Year Man Becomes Immortal'. [Composition]

Castells-Delgado, Antonio (2016) Slaves of Time. [Audio]

Castells-Delgado, Antonio (2017) Syria V8. [Audio]

Castells-Delgado, Antonio (2007) Unharmed. [Audio]

Castells-Delgado, Antonio (2016) Video of the performance of '2045: The Year Man Becomes Immortal' at Cowdray Park on the 9th of July 2016. [Video]

Castells-Delgado, Antonio (2016) Video of the performance of '2045: The Year Man Becomes Immortal?' at St. James's Piccadilly on the 6th of July 2016. [Video]

Castells-Delgado, Antonio and Chen, Pengyou (2017) 2045 - 01 Overture. [Video]

Castells-Delgado, Antonio and Chen, Pengyou (2017) 2045 - 02 Gold. [Video]

Castells-Delgado, Antonio and Chen, Pengyou (2017) 2045 - 03 Slaves of Time. [Video]

Challis, Ben, Kang, Angela, Rimmer, Rachel and Hildred, Mark (2017) Enabling active interaction with music and sound in multisensory environments. EAI Endorsed Transactions on Creative Technologies, 4 (11). e3. ISSN 2409-9708

Chiappinelli, Massinilliano and Osbon, David (2018) Anthems After Prometheus interview. Accademia Musicale Roma Castelli, Rome, Italy.

Cordeiro, Joao ORCID: 0000-0002-0161-7139 (2014) FuXi: a fish-driven instrument for real-time music performance. In: Proceeding INTER-FACE: 2nd International Conference on Live Interfaces 2014, 22-23 November 2014, Lisbon, Portugal.

D

Davey, John (2017) Introduction. In: The Accrington Pals [by Peter Whelan]. Student Editions. Methuen, London, UK. ISBN 9781474285667

E

Ewald, Julie and Oliver, Paul ORCID: 0000-0001-5551-5106 (2017) UK copyright and the limits of UK music sampling. Social Sciences Research Network.

Exarchos, Michail ORCID: 0000-0003-1045-3540 (2018) Boom bap ex machina: hip-hop aesthetics and the Akai MPC. In: Perspectives on Music Production: Producing Music. Routledge, New York. (In Press)

Exarchos, Michail ORCID: 0000-0003-1045-3540 (2018) Hip-hop pedagogy as production practice: reverse-engineering the sample-based aesthetic. Journal of Popular Music Education. ISSN 2397-6721

Exarchos, Michail ORCID: 0000-0003-1045-3540 (2018) Hip-hop time machine - re-imagining the ‘phonographic’ in sample-based hip-hop record production: research design for contemporary forms of creative audio practice. New Vistas, 4 (2). pp. 23-27. ISSN 2056-967X (In Press)

Exarchos, Michail ORCID: 0000-0003-1045-3540 (2018) (Re)engineering the cultural object: sonic pasts in hip-hop’s future. In: Innovation In Music: Performance, Production, Technology and Business. Routledge, New York. (In Press)

Exarchos, Michail ORCID: 0000-0003-1045-3540 (2018) Sample magic: (Conjuring) phonographic ghosts and meta-illusions in contemporary hip-hop production. Popular Music, 39 (1). ISSN 0261-1430 (In Press)

Exarchos, Michail ORCID: 0000-0003-1045-3540 (2018) Synth sonics as stylistic signifiers in sample-based hip-hop: synthetic aesthetics from ‘old-school’ to trap. In: Synthesisers: Meaning though Sonics. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 1-38. (In Press)

Exarchos, Michail ORCID: 0000-0003-1045-3540 and Skinner, Glenn (2018) Bass - the wider frontier: low-end stereo placement for headphone listening. Journal On The Art of Record Production, 12. ISSN 1754-9892 (In Press)

F

Francis, Emily (2015) Balulalow. [Audio]

G

Gamalova, Devorina (2006) The role of music in the spiritual life considered in the light of the orthodox Christian tradition. Doctoral thesis, University of West London.

Garavaglia, Javier Alejandro (2017) Creating multiple spatial settings with "Granular Spatialisation" in the high-density loudspeaker array of the Cube concert hall. Computer Music Journal, 40 (4). pp. 79-90. ISSN 0148-9267

Gill, Caroline (2015) Contemporary composers: Francis Pott. Gramophone, 93 (1130). pp. 78-79.

Glover, Martin (2005) Iron Age mass. [Composition]

Glover, Martin (2005) The ridge on the slope: for string quartet. [Composition]

H

Hagan, Daniel (2017) Suppose they gave a festival and nobody came. In: Locating Imagination, 5-7 April 2017, Rotterdam, Netherlands. (Unpublished)

Hagan, Daniel (2015) The making of a festival. UNSPECIFIED. (Unpublished)

Harvard, Paul (2013) Acting the soliloquy song. In: Acting the Soliloquy Song: International Musical Theatre Conference, July 2013, London, UK. (Unpublished)

Harvard, Paul (2013) Acting through song. Nick Hern Books, London. ISBN 9781848422292

Harvard, Paul (2013) Acting through song: a Meisner approach. In: Rose Bruford Symposium, April 2013, London, UK. (Unpublished)

Harvard, Paul (2014) Anne Boleyn. [Performance]

Harvard, Paul (2015) Antigone reloaded. [Performance]

Harvard, Paul (2017) Audition songs for men. Nick Hern Books, London. (In Press)

Harvard, Paul (2017) Audition songs for women. Nick Hern Books, London. (In Press)

Harvard, Paul (2015) Cabaret. [Performance]

Harvard, Paul (2018) GHBoy. [Performance] (Unpublished)

Harvard, Paul (2015) In the land of the digital natives. [Performance]

Harvard, Paul (2014) Into the woods. [Performance]

Harvard, Paul (2014) Lucky stiff. [Performance]

Harvard, Paul (2014) Meisner and musical theatre. In: Meisner and Musical Theatre, August 2014, Taipei, Taiwan. (Unpublished)

Harvard, Paul (2015) Soliloquies and the imagination 1. In: Soliloquies and the Imagination 1, Apr 2015, Barcelona, Spain. (Unpublished)

Harvard, Paul (2015) Soliloquies and the imagination 2. In: Soliloquies and the Imagination 2, Dec 2015, Barcelona, Spain. (Unpublished)

Harvard, Paul (2015) Songs for a new world. [Performance]

Harvard, Paul (2013) The educated voice 2. In: The Educated Voice 2, August 2013, Helsinki, Finland. (Unpublished)

Harvard, Paul (2014) The love epidemic. [Performance]

Henson, David (2016) Auditions: to be or not to be... In: Audition Workshop, 23 Apr 2016, London, UK. (Unpublished)

Henson, David (2015) Dracula - direction of a new musical. [Performance] (Submitted)

Henson, David (2016) Jenny Saville (contemporary artist) states that ‘…destruction is fundamental to the process; without it, you never get anywhere interesting. But fundamental to that is knowing what you can excavate from the destruction’ [Cooke: 2012]. A practical workshop concerning the importance of dialogue, interrogation of text and how this creative process can empower a greater collaborative partnership between student and tutor in Higher Education. In: Teaching and Learning Conference 2016, 28th June 2016, University of West London. (Unpublished)

Henson, David (2017) Musical theatre in the 21st century: keeping an open mind. In: LCM Examiners Conference, 11 Feb 2017, Ealing, UK. (Unpublished)

Henson, David (2007) Musical theatre: exploring the world through song. In: Musical Theatre: Exploring the World Through Song. LAMDA, London, pp. 54-95. ISBN 9780955768705

Henson, David (2016) 'Ordinary days' a new musical. [Performance]

Henson, David (2016) Seminar: Unlock the imaginary world of song within the reality of the performance space. In: Move It 2016, 18-20 March 2016, London, UK. (Unpublished)

Henson, David (2016) 'Si canta come si parla'; let's talk: the world of musical theatre. In: Association of Teachers of Singing Conference, 30 Oct 2016, London, UK. (Unpublished)

Henson, David (2016) Teaching creativity within musical theatre: 'a star is born' 8 times a week. In: IASPM UK and Ireland Biennial Conference: Popular Music: Creativity, Practice and Praxis, 08-10 Sep 2016, Brighton, UK. (Unpublished)

Henson, David (2016) You're not the star yet!: An audition workshop. In: Audition Workshop, 12 Oct 2016, Manchester, UK. (Unpublished)

Henson, David (2016) The phenomenon of 'interruption' a destructive or positive act of communication within the learning environment. In: UNSPECIFIED, 23 Apr 2016, Oxford, UK. (Unpublished)

Henson, David and Evans, Emma (2015) Pandemonium! The industrial revolution: empowered by the world of water and steam. [Show/Exhibition]

Henson, David and Pickering, Ken (2014) Musical theatre: a workbook. Palgrave Macmillan, London. ISBN 9781137331625

Henson, David and Pickering, Ken (2017) Musical theatre: a workbook for further study. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137605696

Henson, David and Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2016) Setting the agenda: the theory of popular music practice. In: Perspectives and Practices in Popular Music Education. pmperspectivesbook@gmail.com, London, UK. (In Press)

Holopainen, Tuomas and Williams, Pip (2015) Endless forms most beautiful. [Audio]

Holopainen, Tuomas and Williams, Pip (2014) Music inspired by the life and times of Scrooge. [Audio]

Howard, John (2003) African toccata. [Composition]

Howard, John (2005) Touched with fire. [Composition]

Howard, John (2002) The splendour falls. [Composition]

J

JackOut, (2009) Saturnalia. [Audio]

Justin, Paterson ORCID: 0000-0001-7822-319X (2017) Listener preferences for alternative dynamic-range-compressed audio configurations. In: Cambridge Hearing Group, 05 Nov 2017, University of Cambridge, UK. (Unpublished)

L

Laney, Robin, Samuels, Robert and Capulet, Emilie (2015) Cross entropy as a measure of musical contrast. In: Mathematics and Computation in Music. MCM 2015. Lecture Notes in Computer Science, 9110. Springer, Cham, Switzerland, pp. 193-198. ISBN 9783319206028

Laney, Robin, Samuels, Robert and Capulet, Emilie (2015) Entropy as a measure of musical contrast. In: Fifth Biennial International Conference on Mathematics and Computation in Music (MCM2015), 22-25 June 2015, London, UK. (Unpublished)

Link, Richard and Vogue, Tricity (2016) Heels of glory - the drag action musical. [Performance] (Submitted)

M

Matharu, S. S. (2006) Anhad. [Composition]

McBirnie, Andrew (2004) Prayer: for solo oboe. [Composition]

McBirnie, Andrew (2005) Ritornel: for mixed septet. [Composition]

McBirnie, Andrew (2002) The moon by night: for alto flute and piano. [Composition]

Mcguinness, Sara (2015) Cohesion and fracture - trans-Atlantic groove: musical commonalities in Cuban Son and Congolese Rumba. In: IASPM Biennal Conference, UniCamp, Brazil, 28 Jun - 03 Jul 2015, Unicamp, Brazil. (Unpublished)

Mcguinness, Sara (2016) Congolese and Cuban Music Workshop at Cardiff University. In: Workshop on Congolese and Cuban Music, 12 Feb 2016, Cardiff, UK. (Unpublished)

Mcguinness, Sara (2015) Cuban Big Band Workshop day. In: Workshop day in Cuban Big Band for all Postgraduate and Undergraduate Jazz students., 10 July 2015, London, UK. (Unpublished)

Mcguinness, Sara (2016) Cuban music workshops in Rome. In: Workshop in ritmica cubana, 27 April 2016, Rome, Italy. (Unpublished)

Mcguinness, Sara (2015) Curious Knowledge Weekend, Kings Cross Quarter, London, September 2015 Day of open workshops and performances in Cuban music. In: Curious Knowledge Weekend, Kings Cross, 30 August 2015, London, UK. (Unpublished)

Mcguinness, Sara (2015) Dancing to the same beat. New Vistas, 1 (2). pp. 10-15. ISSN 2056-967X

Mcguinness, Sara (2015) Delivering music education in the Saharawi Refugee Camps. Forte Magazine, London College of Music Exams.

Mcguinness, Sara (2015) From Ndombolo to Scooby-Doo: Congolese musicians in the UK re-create home whilst finding their own voice. In: 31st European Seminar in Ethnomusicology, 16-20 Sept 2015, Limerick, Ireland. (Unpublished)

Mcguinness, Sara (2012) GRUPO LOKITO: a practice-based investigation into contemporary links between Congolese and Cuban popular music. Doctoral thesis, School of Oriental and African Studies.

Mcguinness, Sara (2015) Grupo Lokito at the Rugby World Cup, Olympic Park, Stratford, London. 24,26 Sept 2015. [Performance]

Mcguinness, Sara (2015) Grupo Lokito live at African Utopia Festival, South Bank Centre, London. 12 September 2015. [Performance]

Mcguinness, Sara (2015) Grupo Lokito live at Musicport Festival, Whitby, Yorkshire 18 October 2015. [Performance]

Mcguinness, Sara (2015) Grupo Lokito live at Rhythmtree Festival, Isle of Wight 18 July 2015. [Performance]

Mcguinness, Sara (2015) Grupo Lokito live at Vamos Festival, Leeds, Yorkshire. 1 August 2015. [Performance]

Mcguinness, Sara (2015) Grupo Lokito live at West Dean Chili Fiesta, West Sussex. 6 August 2015. [Performance]

Mcguinness, Sara (2015) Grupo Lokito live at the International Eisteddfod, Llangollen, North Wales. 11 July 2015. [Performance]

Mcguinness, Sara (2015) Grupo Lokito: a practice as research project into the Congo-Cuba link. [Audio]

Mcguinness, Sara (2015) Interview on "An evening with Rosilio", Radio Progreso, Cuba. UNSPECIFIED. (Unpublished)

Mcguinness, Sara (2016) Isn't it easier to just play? The practicalities of documenting a cross-cultural collaboration: a musician's perspective. In: IMR/BFE/IASPM Study Day: "Researching Music: Interviewing, Ethnography, and Oral History", 06 June 2016, London, UK. (Unpublished)

Mcguinness, Sara (2014) Making music for freedom. Western Sahara Review, 3. pp. 19-21.

Mcguinness, Sara (2016) Sarabanda live at Ronnie Scotts Jazz Club. [Performance]

Mcguinness, Sara (2015) Teaching Sound Recording in the Saharawi Refugee Camps. UNSPECIFIED. (Unpublished)

Mcguinness, Sara (2016) Transatlantic beats: common ground in Congolese and Cuban dance music. In: British Forum for Ethnomusicology Annual Conference 2016, 14-17 Apr 2016, Chatham, UK. (Unpublished)

Mcguinness, Sara, Ndelo, Jose Hendrix and Alegria, Elpidio (2010) Esengo Ya Ko Bina! By Grupo Lokito. [Audio]

Mead, P. (2002) George Crumb: the complete piano music. [Audio]

Mead, P. (2005) Horacio Vaggione and the piano: an introduction to his mature piano style. Contemporary Music Review, 24 (4-5). pp. 365-370. ISSN 0749-4467

Meynell, Anthony (2017) How recording studios used technology to invoke the psychedelic experience: the difference in staging techniques in British and American recordings in the late 1960s. Doctoral thesis, University of West London.

Montano, Ed and Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2014) Production technologies and studio practice in electronic dance music culture: guest editors' introduction. Dancecult, 6 (1). pp. 1-7. ISSN 1947-5403

Mycroft, Josh and Paterson, Justin ORCID: 0000-0001-7822-319X (2011) Activity flow in music equalization: the cognitive and creative implications of interface design. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

N

Nash, Jez (2015) Motormouth: "Long way to grandma's". [Audio]

Number, The (2007) The making of quiet things. [Audio]

O

Oliver, Paul G. ORCID: 0000-0001-5551-5106 (2010) The DIY artist: issues of sustainability within local music scenes. Management Decision, 48 (9). pp. 1422-1432. ISSN 0025-1747

Oliver, Paul G. ORCID: 0000-0001-5551-5106 (2009) Self-sufficiency and the DIY Artist: managing creative activities within local music scenes by adopting new technologies. VDM Verlag, Germany. ISBN 9783639183252

Oliver, Paul G. ORCID: 0000-0001-5551-5106 and Clayes, Emma (2014) Issues of using information communication technologies in higher education. In: European Conference of Social Media, 10 - 11 July 2014, Brighton.

Oliver, Paul G. ORCID: 0000-0001-5551-5106, McLean, Rachel and Wainwright, David (2010) The myths of empowerment through information communication technologies: an exploration of the music industries and fan bases. Management Decision, 48 (9). pp. 1365-1377. ISSN 0025-1747

Osbon, David (2018) 5 hommages. [Composition] (In Press)

Osbon, David (2018) 5 hommages for violin and piano. [Composition]

Osbon, David (2018) Anthems after Prometheus. [Audio]

Osbon, David (2016) Austrian premiere of Cello sonata. [Performance]

Osbon, David (2012) Bodies in motion. [Performance]

Osbon, David (2015) Bone ties. [Composition]

Osbon, David (2016) Cadenza for solo violin and live electronic. [Composition]

Osbon, David (2016) Cello sonata. [Composition] (Unpublished)

Osbon, David (2016) Cello sonata world premiere. [Performance]

Osbon, David (2013) Classic shock. UNSPECIFIED.

Osbon, David (2016) Color Duo final Hemisphaeria performance before CD recording. [Performance]

Osbon, David (2016) Color Duo performance of Hemisphaere Project. [Performance]

Osbon, David (2016) Five Hommages by David Osbon. [Performance]

Osbon, David (2013) Grumo Festival 2013. [Performance]

Osbon, David (2015) Half man - half goat. [Composition]

Osbon, David (2016) Hemisphaera project. [Performance]

Osbon, David (2016) Hemisphaere project. [Performance]

Osbon, David (2018) Interview on national public radio (USA). WVIA, Scranton PA, USA.

Osbon, David (2018) Into the sun. [Composition]

Osbon, David (2018) Into the sun... [Composition] (In Press)

Osbon, David (2018) Liberty. [Composition] (Submitted)

Osbon, David (2016) Nelson overture. [Composition]

Osbon, David (2017) Nelson overture. [Performance]

Osbon, David (2016) [Performance in Hungary]. [Performance]

Osbon, David (2016) Performance of 5 hommages. [Performance]

Osbon, David (2016) Performance of Three songs for saxophone and piano. [Performance]

Osbon, David (2010) Piano sonata 3. [Composition]

Osbon, David (2018) Prometheus sonata. [Composition] (In Press)

Osbon, David (2016) Second performance in the Hemisphaera project. [Performance]

Osbon, David (2016) Sonata for cello and piano. [Audio]

Osbon, David (2017) Sonata for cello and piano. [Performance]

Osbon, David (2017) The Spirits of Sabate for wind quintet. [Composition]

Osbon, David (2018) Still waiting for the revolution... [Composition] (In Press)

Osbon, David (2012) Suite for cello and piano. [Composition]

Osbon, David (2015) Three songs. [Composition]

Osbon, David (2016) Transmedia intertextuality - Does it work in performance? Follow the Sun as a proof of concept project. International Journal of Music and Performing Arts, 4 (1). pp. 21-24. ISSN 2374-2690

Osbon, David (2014) Violin concerto. [Composition] (Unpublished)

Osbon, David (2014) Violin concerto. [Audio]

Osbon, David (2011) The spirits of Sabate. [Composition]

Osbon, David and Evans, Alex (2014) From Vox Rosa to Follow the Sun. In: Performing arts, public places. DAKAM, Ankara. ISBN 9786055120979

Osbon, David, Russell, Nino and Broder, Jonathan (2016) Follow the Sun 1st interlude/pause. [Video]

Osbon, David, Russell, Nino and Broder, Jonathan (2016) Follow the Sun interlude/pause 3. [Video]

Osbon, David and Schwarz, Timothy (2016) Electro-acoustic composition workshop and concert. In: Electronic Music Event, 23 May 2016, Vienna, Austria. (Unpublished)

Osbon, David, Schwarz, Timothy and Broder, Jonathan (2016) Views from practice: Follow the Sun. In: College Music Society Conference 2016, 26 Oct 2016, Santa Fe, New Mexico. (Unpublished)

P

Paterson, Justin ORCID: 0000-0001-7822-319X (2018) 3-D audio. In: UNSPECIFIED Perspectives on Music Production. Routledge. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X (2014) Contemporary approaches to programming drums. In: Proceedings of the 137th Audio Engineering Society Convention, 10-13 Oct 2014, Los Angeles, USA. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X (2011) Creative abuse in time stretching. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

Paterson, Justin ORCID: 0000-0001-7822-319X (2008) Cutting tracks, making CDs: a comparative study of audio time-correction techniques in the desktop age. Journal on the Art of Record Production (4). ISSN 1754-9892

Paterson, Justin ORCID: 0000-0001-7822-319X (2011) Drum and percussion programming. In: Proceedings of the 131st Audio Engineering Society Convention, 13-16 Oct 2011, New York City, USA. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X (2012) Drum and percussion programming. In: Proceedings of the 132nd Audio Engineering Society Convention, 27-30 April 2012, Budapest, Hungary. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X (2013) Drum programming. In: Proceedings of the 134th Audio Engineering Society Convention, 3-6 May 2013, Rome, Italy. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X (2013) Free improv - the hard way. In: Proceedings of the 134th Audio Engineering Society Convention, 4-7 May 2013, Rome, Italy.

Paterson, Justin ORCID: 0000-0001-7822-319X (2006) "Killing spillage": an algorithm to reduce microphone spillage and improve phase coherence. In: Proceedings of the 2nd Art of Record Production Conference, 8-10 September 2006, Edinburgh, UK.

Paterson, Justin ORCID: 0000-0001-7822-319X (2015) MTF research network. In: Music Tech Fest, 29 May - 1 June 2015, Umeå, Sweden. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X (2016) Mixing in the box. In: Mixing Music. Perspectives On Music Production. Routledge, New York, USA, pp. 77-93. ISBN 9781138218734

Paterson, Justin ORCID: 0000-0001-7822-319X (2007) Phase experiments in multi-microphone recordings: a practical exploration. Journal of the Art of Record Production (1). ISSN 1754-9892

Paterson, Justin ORCID: 0000-0001-7822-319X (2007) "Set phasors to stun": an algorithm to improve phase coherence on transients in multi-microphone recordings. In: Proceedings of the International Congress on Acoustics 2007, 02-07 Sep 2007, Madrid, Spain.

Paterson, Justin ORCID: 0000-0001-7822-319X (2015) Something Jaggy. [Audio]

Paterson, Justin ORCID: 0000-0001-7822-319X (2014) Wavefondler — a multi-touch interface for iPad to control audio on a host computer via a visualization of the waveform. In: Innovation in music 2013. Future Technology Press, Shoreham-by-Sea, UK, pp. 67-78. ISBN 978-0-9561516-8-1

Paterson, Justin ORCID: 0000-0001-7822-319X (2011) What constitutes innovation in music production? In: Proceedings of the 131st Audio Engineering Society Convention, 21-24 Oct 2011, New York City, USA.

Paterson, Justin ORCID: 0000-0001-7822-319X (2012) What is the worth of pre-DSP 'traditional' production values in the contemporary manipulation-oriented context? In: Proceedings of the 132nd Audio Engineering Society Convention, 27-30 April 2012, Budapest, Hungary.

Paterson, Justin ORCID: 0000-0001-7822-319X (2013) The art of drum programming. In: Proceedings of the 135th Audio Engineering Society Convention, 17-20 October 2013, New York City, US. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X (2015) The drum programming handbook: the complete guide to creating great rythm tracks. Backbeat Books, London, UK. ISBN 9781480392878

Paterson, Justin ORCID: 0000-0001-7822-319X (2011) The preset is dead; long live the preset. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

Paterson, Justin ORCID: 0000-0001-7822-319X (2015) A study, exploration and development of the interaction of music production techniques in a contemporary desktop setting. Doctoral thesis, University of West London.

Paterson, Justin ORCID: 0000-0001-7822-319X and Llewellyn, Gareth (2018) Producing 3-D audio. In: Producing Music. Perspectives on Music Production. Routledge, London & New York. (In Press)

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, E. Rob (2018) Get inside the music: connecting artists and audiences through interactive apps. In: Audio Engineering Society Convention 145, 17-20 Oct 2018, New York City, US.

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, E. Rob (2018) Interactive recorded music: past, present, and future. In: Audio Engineering Society Convention 145, 17-20 Oct 2018, New York City, US.

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, E. Rob (2018) Live-market evaluation of interactive music apps. In: IASPM: Crosstown Traffic: Popular Music Theory and Practice, 3-5 Sept 2018, Huddersfield, UK. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, E. Rob (2018) The interactive album app. In: 4th Workshop on Intelligent Music Production, 14 Sept 2018, Huddersfield, UK. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, E. Rob (2018) variPlay record of the day guest blog - BPI innovation hub. Discussion Paper. British Phonographic Industry, UK.

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, E. Rob (2018) variPlay: the next generation of interactive music. In: BPI Innovation Hub, 11 Sept 2018, London, UK. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X, Toulson, E. Rob and Hepworth-Sawyer, Russ (2018) Mastering music for multi-stem and interactive applications. In: AES UK Mastering Conference 2018, 22-23 Sept 2018, London, UK. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X, Toulson, E. Rob and Hepworth-Sawyer, Russell (2019) Mastering music for multi-stem and interactive applications. In: AES Transactions on Mastering. Perspectives on Music Production. Routledge, USA. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, E.Rob (2018) Plan. [Artefact]

Paterson, Justin ORCID: 0000-0001-7822-319X, Toulson, E.Rob and Sariñana, Ximena (2018) Ximena sariñana variPlay. [Artefact]

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, Rob (2017) Get inside the music. [Show/Exhibition]

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, Rob (2015) Interactive digital music: enhancing listener engagement with commercial music. In: Innovation in Music II. KES Transactions on Innovation in Music, 2. Future Technology Press, Shoreham-by-Sea, UK, pp. 193-209. ISBN 9781911108047

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, Rob (2015) An app for interactive music playback. In: Music Tech Fest, 18-21 Sept 2015, Ljubjana, Slovenia. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, Rob (2015) An app for interactive music playback. In: Music Interaction Design Symposium, 16 Mar 2016, Birmingham, UK. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, Rob (2016) The interactive album app. In: Music Interaction Design (MiXD) symposium, 16 Mar 2016, Birmingham, UK.

Paterson, Justin ORCID: 0000-0001-7822-319X, Toulson, Rob, Lexer, Sebastian and Webster, Tim (2015) Red Planet EP. Apple Inc..

Paytress, Mark (2006) Break it up: Patti Smith's 'Horses' and the remaking of rock'n'roll. Portrait Books. ISBN 0749951079

Paytress, Mark (2005) I was there: gigs that changed the world. Cassell Illustrated, London, UK. ISBN 9781844035120

Paytress, Mark (2007) The Pink Floyd. EMAP Magazines.

Paytress, Mark (2004) Vicious: the art of dying young. Sanctuary Publishing, London, UK. ISBN 1860745806

Pipe, Liz (2016) Commercialism in Music Education: is creativity at the heart of the art? In: IASPM UK & Ireland Conference 2016: Creativity: Practice and Praxis, 8-10 Sep 2016, Brighton, UK. (Unpublished)

Pipe, Liz (2015) Express yourself: expressive gesture and non-verbal communication skills in popular music performance. New Vistas, 1 (2). pp. 34-39. ISSN 2056-967X

Pipe, Liz (2016) Expressive gesture and non-verbal communication in popular music performance. In: Seventh Conference of the International Society for Gesture Studies: Gesture – Creativity – Multimodality, 18-22 July 2016, Paris, France. (Unpublished)

Pipe, Liz (2016) Expressive gesture and non-verbal communication skills in popular music performance pedagogy. In: Performance Studies Network International Conference, 14-17 July 2016, Bath, UK. (Unpublished)

Pipe, Liz (2019) 'I see you baby...': expressive gesture in popular music pedagogy. In: The Bloomsbury Handbook of Popular Music Education: Perspectives and Practices. Bloomsbury Academic, London, UK. ISBN 9781350049413 (In Press)

Pipe, Liz (2015) The use of expressive gesture and non-verbal communication skills in popular music performance pedagogy. In: Research in Popular Music Education: A One-Day Symposium, 23 July 2015, Huddersfield, UK. (Unpublished)

Pipe, Liz (2015) The use of gesture and character in popular music performance. In: 18th Biennial IASPM Conference; Back to the Future: Popular Music and Time, 29 June - 03 July 2015, Campinas, Brazil. (Unpublished)

Pott, Francis (1989) Amore Langueo. [Performance]

Pott, Francis (2009) 'Balulalow' and 'Lament'. [Composition]

Pott, Francis (2017) Cantus Maris. [Composition]

Pott, Francis (1999) Christus. [Composition]

Pott, Francis (2015) Empyrean. [Audio]

Pott, Francis (2017) Francis Pott: Organ Works. [Audio]

Pott, Francis (2014) Hands across the darkness. [Composition]

Pott, Francis (2000) I sing of a maiden. [Performance]

Pott, Francis (2015) 'If I were going there, I wouldn't start from here'. New Vistas, 1 (1). pp. 32-36. ISSN 2056-9688

Pott, Francis (2017) Improvisation on 'Adeste, Fideles' [O Come, all ye Faithful], for organ. [Composition]

Pott, Francis (2018) La Chiesa del Sole. [Composition]

Pott, Francis (2017) La Chiesa del Sole. [Performance]

Pott, Francis (2018) La Chiesa del Sole. [Composition]

Pott, Francis (2016) Laudate dominum. [Composition]

Pott, Francis (2016) Laudes. [Composition]

Pott, Francis (2017) Laudes. [Performance]

Pott, Francis (2011) Mass for eight parts. [Composition]

Pott, Francis (2006) Meditations and remembrances. [Composition]

Pott, Francis (2015) Nigra sum sed Formosa. [Composition]

Pott, Francis (2017) Passacaglia. [Composition] (Unpublished)

Pott, Francis (2017) Prelude and Fugue on 'Iste Confessor' [= No.1 of 'Three Hymn Tune Fantasias', 2013]. 25'00". [Performance]

Pott, Francis (2013) Sentinel. [Composition]

Pott, Francis (2015) Sonata for viola and piano (30'00"). [Composition]

Pott, Francis (2017) Sonata for viola and piano: published score ISMN 979-0-5706-8205-8. [Composition]

Pott, Francis (2015) Tenebrae. [Composition]

Pott, Francis (2013) There is no rose of such virtue. [Performance]

Pott, Francis (2018) They that put their trust in the Lord. [Performance] (Unpublished)

Pott, Francis (2016) Three hymn tune fantasias for organ solo. [Composition]

Pott, Francis (2000) Toccata for organ. [Composition]

Pott, Francis (2016) Toccata for piano solo. [Composition]

Pott, Francis (2010) Variations on a Burns Air – scherzo finale. [Composition]

Pott, Francis (2008) When David heard that Absalom was slain. [Composition]

Pott, Francis (2008) 'An awkward reverence': composing oneself in the 21st-century Anglican Church. Doctoral thesis, University of West London.

Pott, Francis (2016) An awkward reverence: composing oneself in the twenty-first-century Anglican church. In: Contemporary Music and Spirituality. Routledge, Abingdon, UK, pp. 289-310. ISBN 9781409440581

Pott, Francis (2015) A babe is born all of a May. [Composition]

Pott, Francis (2007) The cloud of unknowing. [Composition]

Pott, Francis (2015) The lost wand. [Performance]

Pott, Francis and Barnes, Philip (2016) 1-hour radio interview recorded on 12 February 2016 containing complete broadcasts of three choral works. Interviewer: Philip Barnes, conductor of the St Louis Chamber Chorus, USA. Radio Station: Radio Arts Foundation of St Louis [RAFSTL]. Series: 'Re-choired Listening.'. [Audio]

Pott, Francis and Barnes, Philip (2016) 'Re-Choired Listening', episode 111. [Audio]

Pott, Francis, Brown, Roger and Mitchell, Kathryn (2012) [Professorial lecture series 2011-2012 - highlights]. [Video] (Unpublished)

Pott, Francis and Crossman, Samuel (2003) My song is Love Unknown: sacred anthem for soloists, double chorus and organ (17 minutes). [Composition]

Pott, Francis, Shakespeare, William, Meynell, Alice, Herrick, Robert, Dickinson, Emily, Flecker, James Elroy and Browning, Elizabeth Barrett (2017) Ardor Amoris. [Composition] (In Press)

Pott, Francis and Thomas, Edward (2017) Early one morning. [Composition] (In Press)

Pott, Francis and Thomas, R. S. (2015) 'Word'. [Composition]

Proctor, Sam (2014) Crossharbour - Crossharbour. [Audio]

Proctor, Sam (2014) Crossharbour peformance at 2014 Cambridge Folk Festival. [Performance]

Proctor, Sam (2013) Crossharbour performance at Temple Bar Tradfest. [Performance]

R

Ramacciotti, Paolo (2016) Elektron Elohim: a cosmic oratorio for soloists, chamber choir, electric guitars and keyboard synthesisers. Doctoral thesis, University of West London.

Ramshaw, P. (2005) Is music production now a composition process? In: The Art of Record Production Conference, University of Westminster, 17-18 Sep 2005, London, UK. (Unpublished)

Ramshaw, P. (2006) Lost in music: understanding the hermeneutic overlap in musical composition, performance and improvisation. In: 5th International Music Theory Conference: 'Principles of Music Composing: Creative Process'. Lithuanian Academy of Music and Theatre, Vilnius, Lithuania, pp. 138-147. ISBN 9986503639

Ramshaw, P. (2007) Things that are not: an ontology of (de)composition. In: The Proceedings of the 7th International Music Theory Conference, Principles of Musical Composition - Musical Text, 9-11 May 2007, Vilnius, Lithuania.

Rigby, Simon (2015) Band of the Coldstream Guards and LCM Camerata collaborative concert, 2015. [Performance] (Unpublished)

Rigby, Simon (2016) Band of the Coldstream Guards, LCM Camerata, and LCM Chorus Collaborative Concert, 2016. [Performance]

Rigby, Simon (2016) LCM Camerata with players of the English Chamber Orchestra, 2016. [Performance]

Rigby, Simon (2000) Piano Concerto. [Composition] (Unpublished)

Rigby, Simon (2003) Piano Quintet. [Composition] (Unpublished)

Rigby, Simon (2009) Piano Sextet. [Composition] (Unpublished)

Rigby, Simon (2002) Quartet. [Composition] (Unpublished)

Rigby, Simon (2009) Searching for Lambs. [Composition]

Rigby, Simon (2012) Vamping Haydn. [Composition]

Robinson, Paul (2003) Chamber concerto. [Composition]

Robinson, Paul (2002) Eris. [Composition]

Robinson, Paul (2007) La passion de Jeanne d'Arc. [Composition]

Robinson, Paul (2002) A Summa Caelo. [Composition]

Rudnick, Peter (2015) British premiere of Ongilash by Luis Zubillaga. [Performance]

Rudnick, Peter (2016) Profile of an innovator: Torbjörn Hultmark. The Brass Herald (64). ISSN 1746-1472

S

Sayer, Timothy (2015) Cognition and improvisation: some implications for live coding. In: First International Conference on Live Coding (ICLC2015), 13-15 July 2015, Leeds.

Sayer, Timothy (2013) Dynamic scores: extending the parameter space of live performance. Scene, 1 (2). pp. 247-256. ISSN 2044-3714

Sayer, Timothy (2014) Hypnagogia and improvisation: interfacing with reflexive/volitional behaviour. In: INTER-FACE: International Conference on Live Interfaces (ICLI 2014), 19-23 Nov 2014, Lisbon, Portugal.

Sayer, Timothy (2017) Mondrisonic. [Composition]

Sayer, Timothy (2014) Non-thinking music making: a proposed methodology to emancipate improvisation. In: 9th Conference on Interdisciplinary Musicology – CIM14, 03-06 Dec 2014, Staatliches Institut für Musikforschung, Berlin, Germany.

Sayer, Timothy (2018) Using EEG to explore cognitive-cultural networks and ecosystemic performance environments for improvisation. In: Innovation In Music: performance, production, technology and business. Routledge. (In Press)

Sayer, Timothy and Irvine, Rosanna (2018) Breath Pieces. [Composition]

Sayer, Timothy, Tetkov, Kordian, Lord, Matthew and Lee, Stewart (2018) Bristol Fashion. [Audio]

Scales, Paula J. (2017) Developing movement skills in performing arts: an investigation to stimulate a more creative, imaginative and sensitive movement skill engagement through a democratically orientated approach. In: UWL Doctoral Students' Conference, 24 May 2017, London, UK. (Unpublished)

Sholl, Robert (2012) Arvo Pärt and spirituality. In: The Cambridge Companion to Arvo Pärt. Cambridge Companions to Music. Cambridge University Press, Cambridge, UK, pp. 140-158. ISBN 9780521279109

Sholl, Robert (2018) Arvo Pärt, passio and spirituality. UNSPECIFIED.

Sholl, Robert (2012) Arvo Pärt: Embodiment – Enchantment – Transcendence. In: Music and the Body Conference, 9-11 March 2012, Hong Kong. (Unpublished)

Sholl, Robert (2018) BBC Prom 10 programme Note: Charles-Marie Widor. BBC, https://www.bbc.co.uk/events/erhn5v. (In Press)

Sholl, Robert (2013) Catholicism and catharsis: the sublime, the apocalyptic and ecstasy in the music of Charles Tournemire and Olivier Messiaen. In: FMCS Conference, 14-16 Feb 2013, New Haven, USA. (Unpublished)

Sholl, Robert (2014) Educating Isaac. In: Educating Isaac, 27 April 2014, BBC Radio on iPlayer.

Sholl, Robert (2018) Exhibiting the phantom: improvisations for an unmasking. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Sholl, Robert (2017) The Feldenkrais method. New Vistas, 3 (1). pp. 28-33. ISSN 2056-9688

Sholl, Robert (2018) Feldenkrais’s touch, Ephram’s laughter, Gould’s sensorium: listening and musical practice between thinking and doing. Journal of the Royal Musical Association. (In Press)

Sholl, Robert (2016) Hospitality and translation in Florentz's work. In: L’œuvre de Jean-Louis Florentz, 28-29 Jan 2016, Lyon, France. (Unpublished)

Sholl, Robert (2014) "How do you like your counterpoint, sir?": music pedagogy beyond therapy. In: EUROMAC 2014, 17-20 Sep 2014, Leuven, Belgium. (Unpublished)

Sholl, Robert (2016) Improvisation to 'The unmasking scene for Rupert Julian's The Phantom of the Opera (1925)'. [Performance]

Sholl, Robert (2016) Improvisation to James Sibley Watson and Melville Webber's 'The Fall of the House of Usher' (1929, silent film). [Performance]

Sholl, Robert (2015) Improvisations to films by James Sibley Watson. [Performance]

Sholl, Robert (2017) International Recital Series: recital at St John's Smith Square, London. [Performance] (Unpublished)

Sholl, Robert (2014) Interviewed for BBC Radio 3 Sunday Feature: Educating Isaac. [Show/Exhibition]

Sholl, Robert (2016) James Sibley Watson’s 'The fall of the house of Usher' (1928): improvisation – images - complementary serendipities. In: UNSPECIFIED. (Unpublished)

Sholl, Robert (2017) James Sibley Watson’s the fall of the house of usher: improvisation – images - complementary serendipities. In: Research Events Royal Academy of Music, 29 September 2017, Royal Academy of Music - Duke's Hall. (Unpublished)

Sholl, Robert (2019) Jean-Louis Florentz and spectralism. In: The Oxford Handbook to Spectralism. Th Oxford Handbooks to Music. Oxford University Press, New York. (Submitted)

Sholl, Robert (2016) Jean-Louis Florentz: hospitality and spectralism. In: Spectralisms, 15-16 March 2017, Oxford. (Unpublished)

Sholl, Robert (2017) Jean-Louis Florentz: hospitality and spectralism. In: European Musical Analysis Conference, 28 June - 1 July 2017, Strasbourg France. (Unpublished)

Sholl, Robert (2014) Jean-Louis Florentz: spectral musician of an imaginary organ. In: Jean-Louis Florentz: visions d’ailleurs, July 2014, London, UK. (Unpublished)

Sholl, Robert (2015) Lacan, Feldenkrais and Gould: how to love thyself not as thy neighbour. In: Re-Storing Performance Conference, June 2015, Bath, UK. (Unpublished)

Sholl, Robert (2007) Making the invisible visible: the theology, culture and practice of Olivier Messiaen's improvisation. Boston University Messiaen Project.

Sholl, Robert (2017) Messiaen and Pärt. In: Monastic Musicians Conference, 3 October 2017, Belmont Abbey Hereford. (Unpublished)

Sholl, Robert (2018) Messiaen and surrealism: ethnography and the poetics of excess. In: Surrealism and Music in France, 1924-1952: Interdisciplinary and International Contexts, 8 June 3018, London. (Unpublished)

Sholl, Robert (2008) Messiaen studies. Cambridge University Press, Cambridge, UK. ISBN 9780521839815

Sholl, Robert (2017) Olivier Messaien and Charles Tournemire: the organ as the voice of God. In: RCO Organ Forum 2017 - a celebration of Olivier Messiaen, 28 October 2017, Royal Academy of Music, London. (Unpublished)

Sholl, Robert (2014) Olivier Messiaen and Jean-Louis Florentz: vibrations harmoniques. In: Visions of the Beyond: French organ music around Olivier Messiaen, 29 March 2014, London, UK. (Unpublished)

Sholl, Robert (2010) Olivier Messiaen and the Avant-garde poetics of the Messe de la Pentecôte. In: Messiaen the Theologian. Ashgate, Farnham, UK, pp. 199-222. ISBN 9780754666400

Sholl, Robert (2016) Olivier Messiaen complete organ works 1. [Performance]

Sholl, Robert (2016) Olivier Messiaen complete organ works 2. [Performance]

Sholl, Robert (2016) Olivier Messiaen complete organ works 3. [Performance]

Sholl, Robert (2016) Olivier Messiaen complete organ works 4. [Performance] (Unpublished)

Sholl, Robert (2016) Olivier Messiaen complete organ works 5. [Performance] (Unpublished)

Sholl, Robert (2017) Olivier Messiaen complete organ works 6. [Performance] (Unpublished)

Sholl, Robert (2017) Olivier Messiaen complete organ works 7. [Performance] (Unpublished)

Sholl, Robert (2007) Olivier Messiaen, the avant-garde, and the Messe de la Pentecôte. In: Boston Messiaen Project Conference, Nov 2007, Boston, USA. (Unpublished)

Sholl, Robert (2019) Olivier Messiaen: spectralist. In: The Oxford Handbook to Spectralism. Oxford Music Handbooks. Oxford University Press. (Submitted)

Sholl, Robert (2013) Olivier Messiaen: the organ as the God's mouthpiece. In: Lecture Recital, 28 November 2013, London, UK. (Unpublished)

Sholl, Robert (2017) Pärt and the sound of one-hand clapping. In: Arvo Pärt's White Light: Media, Culture, Politics. Cambridge University Press, Cambridge, UK, pp. 47-73. ISBN 9781107182899

Sholl, Robert (2015) Recital at Westminster Abbey. [Performance]

Sholl, Robert (2017) Recital at the Cathedral of Notre-Dame de Paris. [Performance] (Unpublished)

Sholl, Robert (2007) Review of Alan Fraser's The craft of piano playing: a new approach to piano technique. Music and Letters, 88 (1). pp. 190-192. ISSN 1477-4631

Sholl, Robert (2011) Rites of passage: Messiaen and Boulez on Le Sacre du Printemps. In: Pierre Boulez in Context, 02-03 Oct 2011, London, UK. (Unpublished)

Sholl, Robert (2016) Searching for the elusive obvious: memory, forgiveness, catharsis, and transcendence in contemporary spiritual music. In: Contemporary Music and Spirituality. Routledge, Abingdon, UK, pp. 229-257. ISBN 9781409440581

Sholl, Robert (2016) Sheridan Tongue’s music for silent witness: new perspectives on Pärtian tintinnabulation. In: Sounding the Sacred, 1-4 May 2016, New York Fordham University Campus. (Unpublished)

Sholl, Robert (2015) Stop it, I like it! Embodiment, masochism and listening for traumatic pleasure. In: Thresholds of Listening: Sound, Technics, Space. Fordham University Press, New York, USA, pp. 152-174. ISBN 9780823264377

Sholl, Robert (2012) Thresholds: Rethinking Spirituality through Music. By Marcel Cobussen. Music and Letters, 93 (1). pp. 90-93. ISSN 1477-4631

Sholl, Robert (2015) Westminster Abbey organ recital 6 December 2015. [Performance] (Unpublished)

Sholl, Robert (2011) The shock of the positive: Olivier Messiaen, St Francis and redemption through modernity. In: Resonant Witness: Conversations between Music and Theology. Eerdmans, Cambridge, UK. ISBN 9780802862778

Sholl, Robert (2018) The unmasking scene: improvisation in context. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Spagnolo, Simone (2015) Each tale chases another. Metaphorical representations, non-linearity and openness of narrative structure in Italian opera from post-WWII to It makes no difference. Doctoral thesis, Trinity Laban Conservatoire / City University.

Spagnolo, Simone and Trischitta, Giordano (2018) Polymath. [Composition]

Sparling, Steven (2017) Campus Press, reflexivity, and broadening employability. In: UWL Teaching and Learning Conference 2017, 29 June 2017, London, UK. (Unpublished)

Sparling, Steven (2017) Don't put your daughter on the stage Mrs Worthington; or, precarity and the performing arts. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Sparling, Steven (2016) Use of peer-review in performance practice. In: UWL Teaching and Learning Conference 2016, 28 June 2016, London, UK. (Unpublished)

Stanbury, Christopher (2017) Playing the changes: rediscovering the lexicon of electronic organ performance practice from 1943 to 2015. Doctoral thesis, University of West London.

Szafranski, Bartosz and Cork, Jo (2017) Sensate. [Performance]

Szafranski, Bartosz, Thomas, Maureen, Salihbegovic, Fahrudin and Cork, Jo (2016) WE. [Performance]

T

Totoli, Alessandra and Spagnolo, Simone (2015) Vocalisations with movement (Vocalizzi con movimento). Edizioni Casa Musicale Cav. Quinto Fabio, Salerno (Italy), Salerno, italy.

Toulson, Rob and Paterson, Justin ORCID: 0000-0001-7822-319X (2016) A new interactive music format for enhancing listener engagement with recorded music. In: 11th Art of Record Production Conference, 2-4 Dec 2016, Aalborg, Denmark. (Unpublished)

Toulson, Rob, Paterson, Justin ORCID: 0000-0001-7822-319X and Campbell, William (2014) Evaluating harmonic and intermodulation distortion of mixed signals processed with dynamic range compression. In: Innovation in music 2013. Future Technology Press, Shoreham-by-Sea, UK, pp. 224-246. ISBN 978-0-9561516-8-1

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Weber, David (2016) A long sell: the disproportionate appeal of Frank Bridge's musicto familiar listeners, and its impact upon his reception, 1912-36. Doctoral thesis, University of West London.

Whitbourn, James (2015) Anne Frank in musical portraiture. Doctoral thesis, University of West London.

Z

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2014) Bath Spa invited research seminar. In: Guest Research Lecture, 8th Jan 2014, Bath Spa University. (Unpublished)

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2015) Developing the formal structures of artistic practice-as-research. New Vistas, 1 (2). pp. 28-32. ISSN 2056-967X

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2017) Directions in music by Miles Davis: using the ecological approach to perception and embodied cognition to analyse the creative use of recording technology in Bitches Brew. Technology and Culture. ISSN 0040-165X (In Press)

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2006) Functional staging through the use of production techniques in late 20th century African and Cuban popular music recordings. In: 2006 International Art of Record Production Conference, 08-10 Sep 2006, Edinburgh, UK.

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2014) How could musicology help me become a better record producer?: Tensions between the vocational and the theoretical in music pedagogy. In: SEMPRE Music Education & Technology Conference, 03-04 Apr 2014, London, UK.

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2016) How is theoretical research meeting the challenges of pedagogy in the field of record production? In: Music, Technology and Education: Critical Perspectives. Routledge, Oxford, UK, pp. 67-84. ISBN 9781472426208

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2014) Invited speaker at Sonic Signatures Symposium. In: Sonic Signatures Symposium, 09-11 Apr 2014, Aalborg, Denmark. (Unpublished)

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2014) Keynote speech for Huddersfield University's Popular Music Studies Research Centre. In: Popular Music Studies Research Centre Launch, 15 Jan 2014, Huddersfield, UK. (Unpublished)

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2012) Musical meaning and the musicology of record production. Beiträge zur Popularmusikforschung, 38. pp. 135-147.

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2014) Performance in the studio: an educational workshop. In: Performance Studies Network Conference, 17-20 Jul 2014, Cambridge, UK. (Unpublished)

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2014) Pop Akademie Mannhein annual visiting professorial lecture. In: Annual Visiting Professorial Lecture, 14 Oct 2014, Baden-Wuerttemberg, Germany. (Unpublished)

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2010) Real and unreal performances: the interaction of recording technology and rock drum kit performance. In: Musical Rhythm in the Age of Digital Reproduction. Ashgate, Farnham, UK, pp. 195-212. ISBN 9781409403401

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2014) Recording aesthetics plenary panel. In: Art of Record Production Conference, 04-06 Dec 2014, Oslo, Norway. (Unpublished)

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2014) SOAS guest lecture. In: Guest Lecture, 14 Jan 2014, London, UK. (Unpublished)

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2014) Sex on Fire: a case study of how different forms of graphic representation can influence analysis. In: EuroMAC (European Music Analysis Conference), 17-21 Sep 2014, Leuven, Belgium. (Unpublished)

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2016) Sonic cartoons. In: Sound As Popular Culture. Massachusetts Institute of Technology Press, Cambridge, MA, pp. 403-410. ISBN 9780262033909

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2018) Timbre as text: the cognitive roots of intertextuality. In: The Pop Palimpsest: Intertextuality in Recorded Popular Music. University of Michigan Press, Ann Arbor, Michigan, USA, pp. 273-290. ISBN 9780472130672

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2012) The US vs the UK sound: meaning in music production in the 1970s. In: The Art of Record Production: An Introductory Reader for a New Academic Field. Ashgate. ISBN 9781409406785

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2006) "We don't write songs, we write records": a compositional methodology based on late 20th century popular music. In: Proceedings of the 2006 International Computer Music Conference, 6-11 Nov 2006, New Orleans, USA.

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2015) An analysis of space, gesture and interaction in Kings of Leon's 'Sex On Fire' (2008). In: Song Interpretation in 21st-Century Pop Music. Ashgate Popular and Folk Music Series. Ashgate, Farnham, UK, pp. 115-132. ISBN 9781472428004

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2016) The influence of recording technology and practice on popular music performance in the recording studio in Poland between 1960 and 1989. Polish Sociological Review, 2016 (196). ISSN 1231-1413

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2014) The musicology of record production book tour (1). In: The Musicology of Record Production Book Tour, 15th October 2014, Berlin, Germany. (Unpublished)

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2014) The musicology of record production book tour (2). In: The Musicology of Record Production Book Tour, 16th October 2014, Dalarna, Sweden. (Unpublished)

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2014) The musicology of record production book tour (3). In: The Musicology of Record Production Book Tour, 17th October 2014, Stockholm, Sweden. (Unpublished)

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2014) The musicology of record production book tour (4). In: The Musicology of Record Production Book Tour, 20th October 2014, Copenhagen, Denmark. (Unpublished)

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2014) The musicology of record production. Cambridge University Press, Cambridge, UK. ISBN 9781107075641

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2017) The spectromorphology of recorded popular music: the shaping of sonic cartoons through record production. In: The Relentless Pursuit of Tone: Timbre and Popular Music. Oxford University Press, New York, USA. (In Press)

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2010) The stadium in your bedroom: functional staging, authenticity and the audience-led aesthetic in record production. Popular Music, 29 (2). pp. 251-266. ISSN 0261-1430

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2007) The study of groove. Ethnomusicology Forum, 16 (2). pp. 327-335. ISSN 1741-1920

Zolinsky, Andrew (2001) Old, new, borrowed and blue – a three concert series including British/London premieres of works by American and Dutch composers. [Performance]

Zolinsky, Andrew (2006) Piano music from Zurich: 1870-1930. [Audio]

Zolinsky, Andrew (2006) Unsuk Chin: Piano concerto: London première. [Performance]

Zolinsky, Andrew (2002) The sunpainter's delight: piano music of Walter Baer. [Audio]

This list was generated on Tue Dec 18 11:22:27 2018 UTC.

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