Article

Armit, Bryan and Oliver, Paul G. ORCID: https://orcid.org/0000-0001-5551-5106 (2019) Crowdfunding and the DIY artist: the effects of web 2.0 on DIY music communities. SSRN electronic journal.

Audissino, Emilio (2013) Archival research and film music: the case of the Boston Pops Orchestra. Journal of Film Music, 6 (2). pp. 147-163. ISSN 1087-7142

Audissino, Emilio (2015) Due note di credibilita. John Williams e Lo squalo [Two notes of credibility. John Williams and Jaws]. Cinergie (7). pp. 36-44. ISSN 2280-9481

Bourbon, Andrew and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) The ecological approach to mixing audio: agency, activity and environment in the process of audio staging. Journal on the Art of Record Production, 11. ISSN 1754-9892

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) Creating a rubato layer cake: performing and producing overdubs with expressive timing on a classical recording for 'solo' piano. Journal on the Art of Record Production, 11. ISSN 1754-9892

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2015) Not another article on the author! God and auteurs in moving image analysis: last call for a long overdue paradigm shift. Music Sound and the Moving Image, 9 (2). pp. 145-162. ISSN 1753-0768

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2017) The dancing eyes of the director: choreographers, dance cultures, and film genres in British music video 1979–2016. Music Sound and the Moving Image, 11 (1). pp. 37-62. ISSN 1753-0768

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2017) ‘The first cut is the deepest’: excerpts from a focus group on editing music videos, with explanatory historical and theoretical notes. Music Sound and the Moving Image, II (I).

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 and Smith, Justin (2017) Fifty years of British music video: introduction. Music Sound and the Moving Image, II (I).

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Grime Labour. Soundings Journal, 68. ISSN 1362-6620

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2019) Grime and spirit: on a hype! Open Cultural Studies, 3 (1). pp. 107-125. ISSN 2451-3474

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2016) UK hip-hop, grime and the city: the aesthetics and ethics of London's rap scenes. The London Journal: A Review of Metropolitan Society Past and Present, 41 (2). pp. 192-194. ISSN 0305-8034

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2018) Hip-hop pedagogy as production practice: reverse-engineering the sample-based aesthetic. Journal of Popular Music Education, 2 (3). pp. 45-63. ISSN 2397-6721

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2019) Hip-hop time machine - re-imagining the ‘phonographic’ in sample-based hip-hop record production: research design for contemporary forms of creative audio practice. New Vistas, 4 (2). pp. 22-27. ISSN 2056-967X

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2019) Sample magic: (Conjuring) phonographic ghosts and meta-illusions in contemporary hip-hop production. Popular Music, 39 (1). pp. 33-53. ISSN 0261-1430

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2020) Sonic necessity and compositional invention in #BluesHop: composing the blues for sample-based hip hop. Journal of Popular Music Studies, 32 (3). pp. 99-119. ISSN 1524-2226

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 and Skinner, Glenn (2021) Bass | the wider frontier: low-end stereo placement for headphone listening. Journal On The Art of Record Production, 12. pp. 87-103. ISSN 1754-9892

Gill, Caroline (2015) Contemporary composers: Francis Pott. Gramophone, 93 (1130). pp. 78-79.

Martin, Remy ORCID: https://orcid.org/0009-0001-3473-6249 and Nielsen, Nanette (2024) Enacting Musical Aesthetics: The Embodied Experience of Live Music. Music and Science. ISSN 2059-2043

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Dancing to the same beat. New Vistas, 1 (2). pp. 10-15. ISSN 2056-967X

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2014) Making music for freedom. Western Sahara Review, 3. pp. 19-21.

Mead, P. (2005) Horacio Vaggione and the piano: an introduction to his mature piano style. Contemporary Music Review, 24 (4-5). pp. 365-370. ISSN 0749-4467

Montano, Ed and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) Production technologies and studio practice in electronic dance music culture: guest editors' introduction. Dancecult, 6 (1). pp. 1-7. ISSN 1947-5403

Osbon, David (2016) Transmedia intertextuality - Does it work in performance? Follow the Sun as a proof of concept project. International Journal of Music and Performing Arts, 4 (1). pp. 21-24. ISSN 2374-2690

Osman, Sara Eldirdiry, Tischler, Victoria ORCID: https://orcid.org/0000-0002-0086-1906 and Schneider, Justine (2016) 'Singing for the Brain': a qualitative study exploring the health and well-being benefits of singing for people with dementia and their carers. Dementia, 15 (6). pp. 1326-1339. ISSN 1471-3012

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2008) Cutting tracks, making CDs: a comparative study of audio time-correction techniques in the desktop age. Journal on the Art of Record Production (4). ISSN 1754-9892

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2007) Phase experiments in multi-microphone recordings: a practical exploration. Journal of the Art of Record Production (1). ISSN 1754-9892

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Wanderley, Marcelo (2023) Feeling the future — haptic audio: editorial. Arts, 12 (4).

Pipe, Liz (2015) Express yourself: expressive gesture and non-verbal communication skills in popular music performance. New Vistas, 1 (2). pp. 34-39. ISSN 2056-967X

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2015) 'If I were going there, I wouldn't start from here'. New Vistas, 1 (1). pp. 32-36. ISSN 2056-9688

Rudnick, Peter (2016) Profile of an innovator: Torbjörn Hultmark. The Brass Herald (64). ISSN 1746-1472

Sayer, Timothy (2013) Dynamic scores: extending the parameter space of live performance. Scene, 1 (2). pp. 247-256. ISSN 2044-3714

Sholl, Robert (2017) The Feldenkrais method. New Vistas, 3 (1). pp. 28-33. ISSN 2056-9688

Sholl, Robert (2007) Making the invisible visible: the theology, culture and practice of Olivier Messiaen's improvisation. Boston University Messiaen Project.

Sholl, Robert (2007) Review of Alan Fraser's The craft of piano playing: a new approach to piano technique. Music and Letters, 88 (1). pp. 190-192. ISSN 1477-4631

Sholl, Robert (2012) Thresholds: Rethinking Spirituality through Music. By Marcel Cobussen. Music and Letters, 93 (1). pp. 90-93. ISSN 1477-4631

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 and Hendry, Natasha (2024) ‘A re-imagined Music Curriculum’: Jeremy Strong interviews PhD candidate Natasha Hendry. New Vistas, 10 (1).

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2015) Developing the formal structures of artistic practice-as-research. New Vistas, 1 (2). pp. 28-32. ISSN 2056-967X

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) Directions in music by Miles Davis: using the ecological approach to perception and embodied cognition to analyse the creative use of recording technology in Bitches Brew. Technology and Culture, 59 (4). pp. 850-874. ISSN 0040-165X

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2012) Musical meaning and the musicology of record production. Beiträge zur Popularmusikforschung, 38. pp. 135-147.

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2016) The influence of recording technology and practice on popular music performance in the recording studio in Poland between 1960 and 1989. Polish Sociological Review, 2016 (196). ISSN 1231-1413

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2010) The stadium in your bedroom: functional staging, authenticity and the audience-led aesthetic in record production. Popular Music, 29 (2). pp. 251-266. ISSN 0261-1430

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2007) The study of groove. Ethnomusicology Forum, 16 (2). pp. 327-335. ISSN 1741-1920

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320, Agawu, Kofi, Bhogal, Gurminder, Cavett, Esther, Dunsby, Jonathan, Horton, Julian, Monchick, Alexandra, Pace, Ian and Stobart, Henry (2023) Valuing the Surplus: Perspectives on Julian Horton's Article ‘On the Musicological Necessity of Music Analysis’, Musical Quarterly, 3/i–ii, pp. 62–104. Music Analysis, 42 (3). pp. 412-471. ISSN 0262-5245

Book Section

Arden, Jeremy (2005) Introduction. In: The Schillinger System of Musical Composition (2nd ed.). Clock & Rose Press, Massachusetts, USA, pp. 1-41. ISBN 1593860285

Audissino, Emilio (2011) John Williams, Star Wars and the canonization of Hollywood film music. In: Il Canone Cinematografico/The Film Canon. Forum, Udine, Italy, pp. 273-278. ISBN 9788884206633

Audissino, Emilio (2012) John Williams, The Boston Pops Orchestra and film music in concert. In: Cinema, critique des images. Campanotto, Udine, Italy, pp. 230-235. ISBN 88-456-1288-6

Audissino, Emilio (2014) Film music and multimedia: an immersive experience and a throwback to the past. In: Jahrbuch Immersiver Medien 2014: Sounds, Music & Soundscapes. Schüren Verlag, Marburg, Germany, pp. 46-56. ISBN 9783894728960

Audissino, Emilio (2014) Golden Age 2.0: John Williams and the revival of the symphonic film score. In: Film in Concert: Film Scores and Their Relation to Classical Concert Music. VWH Verlag, Glücksstadt, Germany, pp. 109-124. ISBN 9783864880605

Audissino, Emilio (2016) Gottfried Huppertz's metropolis: the acme of 'cinema music'. In: Today’s Sounds for Yesterday’s Films: Making Music for Silent Cinema. Palgrave Studies in Audio-Visual Culture. Palgrave Macmillan, Basingstoke, UK, pp. 45-63. ISBN 9781137466358

Audissino, Emilio (2013) Hollywood film music and ethnic diversity. In: Multicultural America: A Multimedia Encyclopedia. SAGE, Thousand Oaks, US, pp. 1101-1103. ISBN 978-145-221-683-6

Audissino, Emilio (2017) John Williams and contemporary film music. In: Contemporary Film Music: Investigating Cinema Narratives and Composition. Palgrave Macmillan, Basingstoke, UK, pp. 221-236. ISBN 9781137573742

Audissino, Emilio (2014) Overruling a romantic prejudice: forms and formats of film music in concert programs. In: Film in Concert: Film Scores and Their Relation to Classical Concert Music. VWH Verlag, Glücksstadt, Germany, pp. 25-44. ISBN 9783864880605

Audissino, Emilio (2013) The aesthetic cost of marketing. The economical motivation of pop songs in films. In: Pratiques et esthétiques. Le coût et la gratuité. L'Harmattan, Paris, France, pp. 41-46. ISBN 978-2-336-29175-8

Campbell, William, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2014) A quantitative evaluation of signal masking in summed and compressed audio. In: Innovation in music. Future Technology Press, Shoreham-by-Sea, UK, 20 - 31. ISBN 9780956151681

Capulet, Emilie (2017) Preface to Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. In: Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. Repertoire Explorer. Musikproduction Höflich, Heidelberg, Germany.

Capulet, Emilie (2014) Scholarly preface (in English and German) to the score of Camille Saint-Saëns' Symphony in A (Youth symphony). In: Saint-Saëns, Camille: Symphony in A (Youth symphony). Repertoire & Opera Explorer (1500). Musikproduktion Höflich, Munich, Germany, i-ii.

Capulet, Emilie (2014) Scholarly preface (in English and German) to the score of Gabriel Pierné's Viennoise op. 49bis for orchestra. In: Gabriel Pierné, Viennoise op. 49bis for orchestra. Repertoire & Opera Explorer (1569). Musikproduktion Höflich, Munich, Germany, i-ii. ISBN Publisher number: 1569 MPH, Musikproduktion Höflich

Capulet, Emilie (2013) Through the looking-glass: transmediality in musicalized narratives of the Modernist period. In: Transmediality and Transculturality. Winter Verlag, Heidelberg.

Capulet, Emilie (2021) Watch for the laughs! The music of graphic scores. In: Play for Health Across the Lifespan: Stories from the Seven Ages of Play. Routledge, Abingdon, UK. ISBN 9780367472887

Capulet, Emilie (2016) The game of chamber music in dementia music therapy. In: Play in Healthcare for Adults. Routledge, Abingdon, UK, pp. 124-134. ISBN 9781315679846

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Are you grime or part-time?! Reviewing race and ‘realness’ in Britain’s grime scene. In: Relating Worlds of Racism: Dehumanisation, Belonging, and the Normativity of European Whiteness. Palgrave Macmillan, Springer, Basingstoke, Hampshire, pp. 299-327. ISBN 9783319789897

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) Generation grime. In: The Corbyn Effect. Lawrence & Wishart Ltd. ISBN 9781912064687

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2016) Grime central! Subterranean ground-in grit engulfing manicured mainstream spaces. In: Blackness in Britain. Routledge Research in Race and Ethnicity. Routledge, Taylor and Francis Group, Oxon, UK, pp. 89-99. ISBN 9781138840638

Efthymiou, Litha and Taylor, Alan (2024) Enhancing Embodied Music Cognition Through Music Theatre, with Particular Reference to Solo by Michael Pinchbeck and Ollie Smith. In: Following the Score: The Ravel Trilogy. Intellect Discover. Intellect Books, UK, pp. 140-154. ISBN 9781789389333

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2019) Boom bap ex machina: hip-hop aesthetics and the Akai MPC. In: Producing Music. Perspectives on Music Production. Routledge, New York. ISBN 9780415789219

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2021) Making records within records: manufacturing phonographic ‘otherness’ in sample-based Hip Hop production. In: Innovation In Music. Taylor & Francis, Routledge, Focal Press. ISBN 9780367363352

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2020) ‘Past’ masters, present beats: exponential sound staging as sample-based (re)mastering in contemporary hip hop practice. In: Perspectives On Music Production: Mastering in Music. Taylor & Francis/Routledge, Focal Press, Bushey. ISBN 9780367227197

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2019) (Re)engineering the cultural object: sonic pasts in hip-hop’s future. In: Innovation In Music: Performance, Production, Technology and Business. Routledge, New York. ISBN 9781138498211

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2020) Synth sonics as stylistic signifiers in sample-based hip-hop: synthetic aesthetics from ‘old-school’ to trap. In: Synthesisers: Meaning though Sonics. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 36-68. ISBN 9781527550025

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2020) Audio processing. In: The Bloomsbury Handbook of Music Production. Bloomsbury handbooks. Bloomsbury, USA, pp. 1-18. ISBN 9781501334023

Haguel, Rotem and Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2024) Listening as Contemplation: A reflexive thematic analysis of listening to modular-based compositions. In: Innovation in Music: Innovation Pathways. Innovation in Music:. Routledge, Abingdon and New York. ISBN 9781032500515 (In Press)

Haguel, Rotem and Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2023) Thoughts on Developing a Contemplative Modular System. In: TBC. Innovation in Music:. Routledge, Abingdon and New York. (Submitted)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 and Hyder, Rehan (2016) Bristol: urban space and underground music cultures. In: Ten Cities: Public Sphere, Urban Space. Spector, Goethe Institute, Leipzig, Germany. (In Press)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 and Hyder, Rehan (2014) Locating the 'Bristol sound': archiving music as everyday life. In: Sites of Popular Music Heritage: Memories, Histories, Places. Routledge, London, UK, pp. 97-111. ISBN 9780415824507

Henry, William Anthony (2020) 'While nuff ah right and rahbit; we write and arrange’: deejay lyricism and the transcendental use of the voice in alternative public spaces in the UK. In: Memory, Migration and (De)Colonisation in the Caribbean and Beyond. University of London Press, London, UK, pp. 59-79. ISBN 9781908857651

Henson, David (2007) Musical theatre: exploring the world through song. In: Musical Theatre: Exploring the World Through Song. LAMDA, London, pp. 54-95. ISBN 9780955768705

Henson, David and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2019) Setting the agenda: theorizing popular music education practice. In: The Bloomsbury Handbook of Popular Music Education: Perspectives and Practices. Bloomsbury Academic, London, UK. ISBN 9781350049413

Laney, Robin, Samuels, Robert and Capulet, Emilie (2015) Cross entropy as a measure of musical contrast. In: Mathematics and Computation in Music. MCM 2015. Lecture Notes in Computer Science, 9110. Springer, Cham, Switzerland, pp. 193-198. ISBN 9783319206028

Norton, Charlie, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Pratt, Daniel (2024) A Radiological Adventure: The Sonification of the Apocalypse. In: Innovation in Music: Innovation Pathways. Innovation in Music:. Routledge, Abingdon and New York. ISBN 9781032500515 (In Press)

Osbon, David and Evans, Alex (2014) From Vox Rosa to Follow the Sun. In: Performing arts, public places. DAKAM, Ankara. ISBN 9786055120979

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Visser, Andy (2024) Toward Haptic Audio in Extended Reality. In: Routledge Handbook of Immersive Arts & Media. Routledge Handooks. Routledge, Abingdon and New York. (In Press)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2016) Mixing in the box. In: Mixing Music. Perspectives On Music Production. Routledge, New York, USA, pp. 77-93. ISBN 9781138218734

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2014) Wavefondler — a multi-touch interface for iPad to control audio on a host computer via a visualization of the waveform. In: Innovation in music 2013. Future Technology Press, Shoreham-by-Sea, UK, pp. 67-78. ISBN 978-0-9561516-8-1

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2015) Interactive digital music: enhancing listener engagement with commercial music. In: Innovation in Music II. KES Transactions on Innovation in Music, 2. Future Technology Press, Shoreham-by-Sea, UK, pp. 193-209. ISBN 9781911108047

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2016) An awkward reverence: composing oneself in the twenty-first-century Anglican church. In: Contemporary Music and Spirituality. Routledge, Abingdon, UK, pp. 289-310. ISBN 9781409440581

Ramshaw, P. (2006) Lost in music: understanding the hermeneutic overlap in musical composition, performance and improvisation. In: 5th International Music Theory Conference: 'Principles of Music Composing: Creative Process'. Lithuanian Academy of Music and Theatre, Vilnius, Lithuania, pp. 138-147. ISBN 9986503639

Sayer, Timothy (2019) Using electroencephalography to explore cognitive-cultural networks and ecosystemic performance environments for improvisation. In: Innovation In Music: performance, production, technology and business. Routledge, New York. ISBN 9781138498211

Sholl, Robert (2024) “Artistic practice as Embodied Learning: Reconnecting Pedagogy, Improvisation, and Composition,” Rethinking the Teaching of Music Performance in Higher Level Institutions. In: Rethinking the Teaching of Music Performance in Higher Level Institutions. Open book, Cambridge, UK, pp. 135-164.

Sholl, Robert (2024) Artistic practice as Embodied Learning: Reconnecting Pedagogy, Improvisation, and Composition. In: Teaching Music Performance in Higher Education Exploring the Potential of Artistic Research. Open Book Press, pp. 135-164. ISBN 9781805112754

Sholl, Robert (2024) Josephin ‘Sâr’ Péladan, Charles Tournemire and apocalyptic mysticism. In: Art, Music, and Mysticism at the Fin de Siècle Seeing and Hearing the Beyond. Routledge. ISBN 9781032145662

Sholl, Robert (2012) Arvo Pärt and spirituality. In: The Cambridge Companion to Arvo Pärt. Cambridge Companions to Music. Cambridge University Press, Cambridge, UK, pp. 140-158. ISBN 9780521279109

Sholl, Robert (2019) Jean-Louis Florentz and spectralism. In: The Oxford Handbook to Spectralism. Th Oxford Handbooks to Music. Oxford University Press, New York.

Sholl, Robert (2010) Olivier Messiaen and the Avant-garde poetics of the Messe de la Pentecôte. In: Messiaen the Theologian. Ashgate, Farnham, UK, pp. 199-222. ISBN 9780754666400

Sholl, Robert (2017) Pärt and the sound of one-hand clapping. In: Arvo Pärt's White Light: Media, Culture, Politics. Cambridge University Press, Cambridge, UK, pp. 47-73. ISBN 9781107182899

Sholl, Robert (2016) Searching for the elusive obvious: memory, forgiveness, catharsis, and transcendence in contemporary spiritual music. In: Contemporary Music and Spirituality. Routledge, Abingdon, UK, pp. 229-257. ISBN 9781409440581

Sholl, Robert (2015) Stop it, I like it! Embodiment, masochism and listening for traumatic pleasure. In: Thresholds of Listening: Sound, Technics, Space. Fordham University Press, New York, USA, pp. 152-174. ISBN 9780823264377

Sholl, Robert (2011) The shock of the positive: Olivier Messiaen, St Francis and redemption through modernity. In: Resonant Witness: Conversations between Music and Theology. Eerdmans, Cambridge, UK. ISBN 9780802862778

Spagnolo, Simone and Johnson, Graham (2013) Musical saw. In: The New Grove Dictionary of Musical Instruments. Oxford University Press.

Toulson, Rob, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Campbell, William (2014) Evaluating harmonic and intermodulation distortion of mixed signals processed with dynamic range compression. In: Innovation in music 2013. Future Technology Press, Shoreham-by-Sea, UK, pp. 224-246. ISBN 978-0-9561516-8-1

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2022) Le Grand Kallé and African jazz—“Indépendance Cha Cha” (1960). In: One-Track Mind: Capitalism, Technology, and the Art of the Pop Song. Taylor and Francis, Routledge, London, UK, pp. 11-26. ISBN 9781003093206

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) Analysing the product of recorded musical activity. In: The Routledge Companion to Popular Music Analysis: Expanding Approaches. Routledge music companions. Routledge, Taylor and Francis, New York. ISBN 9781138683112

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2019) Haydn in modern dress: applying experimental contemporary production techniques to the classical repertoire. In: The Art of Record Production: Creative Practice in the Studio. Ashgate Popular and Folk Music. Routledge Press, Abingdon, UK, pp. 185-201. (Submitted)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2016) How is theoretical research meeting the challenges of pedagogy in the field of record production? In: Music, Technology and Education: Critical Perspectives. Routledge, Oxford, UK, pp. 67-84. ISBN 9781472426208

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2010) Real and unreal performances: the interaction of recording technology and rock drum kit performance. In: Musical Rhythm in the Age of Digital Reproduction. Ashgate, Farnham, UK, pp. 195-212. ISBN 9781409403401

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2020) Recorded music. In: The Bloomsbury Handbook of Music Production. Bloomsbury handbooks. Bloomsbury Academic Press, New York. ISBN 9781501334023

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2016) Sonic cartoons. In: Sound As Popular Culture. Massachusetts Institute of Technology Press, Cambridge, MA, pp. 403-410. ISBN 9780262033909

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2020) Studio practice and organization in rock music. In: The Bloomsbury Handbook of Rock Music Research. Bloomsbury handbooks. Bloomsbury Academic Press, New York. ISBN 9781501330469

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) Timbre as text: the cognitive roots of intertextuality. In: The Pop Palimpsest: Intertextuality in Recorded Popular Music. University of Michigan Press, Ann Arbor, Michigan, USA, pp. 273-290. ISBN 9780472130672

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2012) The US vs the UK sound: meaning in music production in the 1970s. In: The Art of Record Production: An Introductory Reader for a New Academic Field. Ashgate. ISBN 9781409406785

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2015) An analysis of space, gesture and interaction in Kings of Leon's 'Sex On Fire' (2008). In: Song Interpretation in 21st-Century Pop Music. Ashgate Popular and Folk Music Series. Ashgate, Farnham, UK, pp. 115-132. ISBN 9781472428004

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2022) The space of the record: something happening somewhere. In: The Bloomsbury Handbook of Popular Music, Space and Place. Bloomsbury handbooks. Bloomsbury Academic Press, New York, pp. 229-240. ISBN 978-1-5013-3628-7

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) The spectromorphology of recorded popular music: the shaping of sonic cartoons through record production. In: The Relentless Pursuit of Tone: Timbre and Popular Music. Oxford University Press, New York, USA. ISBN 9780199985227

Conference or Workshop Item

Audissino, Emilio (2015) The 'Ancrage' effect of film on music in film-music concert pieces. In: Listening Cinematically, 25-26 June 2015, Royal Holloway, University of London. (Unpublished)

Audissino, Emilio (2015) Archival research and the study of the concert presentations of film music. In: Audio-Visual Archives Conference, 17-19 July 2015, London, UK. (Unpublished)

Audissino, Emilio (2014) Building an emotive framework: the macro-emotive function of film music. In: Music for Audio-Visual Media Conference, 4-6 Sep 2014, Leeds, UK. (Unpublished)

Audissino, Emilio (2016) Film music in concert: the case of the Boston Pops Orchestra. In: Society for American Music 42nd annual conference, 9-16 March 2016, Boston, MA USA. (Unpublished)

Audissino, Emilio (2011) Il cinema: arte e mercificazione. Il caso delle colonne sonore 'pop' [Cinema: art and commodity. The case of the 'pop' soundtracks]. In: International Doctoral Summer School 'Arts and Media 2', 06-10 Jun 2011, San Servolo (Venice), Italy. (Unpublished)

Audissino, Emilio (2010) John Williams, Star wars, and the canonization of Hollywood film music. In: 17th International Film Studies Conference 'Film Forum', 16-18 Mar 2010, University of Udine, Italy.

Audissino, Emilio (2010) John Williams, The Boston Pops Orchestra and film music in concert. In: 12th International Doctoral Summer School 'Cinema and Contemporary Art 3', 28 Jun - 09 Jul 2010, Sorbonne Nouvelle-Paris 3, Paris, France.

Audissino, Emilio (2014) Orchestrating a prejudice: European misunderstanding of the use of orchestrators in Hollywood. In: MaMI (Music and the Moving Image) Conference, 30 May - 01 Jun 2014, New York, USA. (Unpublished)

Audissino, Emilio (2014) When the score tells more: music and connotations in Raiders of the Lost Ark. In: 20th SERCIA Conference, 'Movies and Music: National and Transnational Approaches', 18-20 Sep 2014, Nijmegen, Netherlands. (Unpublished)

Audissino, Emilio (2011) Émigrés and Hollywood film music: the cases of Max Steiner's Casablanca and Erich Wolfgang Korngold's The Adventures of Robin Hood. In: 12th International Conference 'Da Ulisse a... In viaggio verso le terre felici.' [From Ulysses To... Journeys to the Lands of Happiness], 06-08 Oct 2011, Imperia, Italy. (Unpublished)

Audissino, Emilio (2011) Émigrés and the political connotations of Hollywood music: two case studies. In: Doctoral workshop 'Migrazioni e Migranti' [Migrations and Migrants], 30 June 2011, Pisa, Italy. (Unpublished)

Bourbon, Andrew and McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) The creative negotiation of a trans-national recorded sound: Grupo Lokito as a Congolese-Latin collaboration case study. In: Art of Record Production Conference, 6-8 Nov 2015, Philadelphia, USA. (Unpublished)

Bourbon, Andrew and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2016) Sonic cartoons and semantic audio processing: using invariant properties to create schematic representations of acoustic phenomena. In: 2nd AES Workshop on Intelligent Music Production, 13 September 2016, London, UK.

Campbell, William, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2010) The effect of dynamic range compression on the psychoacoustic quality and loudness of commercial music. In: Proceedings of the Internoise 2010 Conference, 13-16 June 2010, Lisbon, Portugal.

Capulet, Emilie (2017) Connecting policy to practice: from work-based learning to negotiated curriculum – a case-study. In: UWL Teaching and Learning Conference 2017, 29 June 2017, London, UK. (Unpublished)

Capulet, Emilie (2015) Dementia and music workshops at LCM. In: A4D Best Practice Music Symposium 2015 Musicianship and Access for Early-Stage Dementia - The Way Forward, 17 Apr 2015, London, UK. (Unpublished)

Capulet, Emilie (2021) La musique pour piano d'Henri Tomasi: partitions inédites, travail éditorial et pratiques pianistiques / Henri Tomasi's solo piano music:unpublished manuscripts, editorial work and performance practices. In: Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)

Capulet, Emilie (2021) Le paradigme cinématographique dans la musique pour piano d'Henri Tomasi / The piano music of Henri Tomasi and the cinematic paradigm. In: Colloque International Henri Tomasi, Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)

Capulet, Emilie (2015) Music and dementia workshops: bridging the gap in music education. In: UWL Teaching and Learning Conference 2015, 29 June 2015, London, UK. (Unpublished)

Capulet, Emilie (2019) 'Perspectives on authenticity in the representation of classical music in contemporary fiction'. In: Representing 'Classical Music' in the Twenty-First Century Network Event, 2 Sep 2019, Exeter University.

Capulet, Emilie (2019) "Why does music move us: music, health and wellbeing". In: 10th Annual Swindon Trauma Group Conference, 18 Oct 2019, Swindon, UK.

Capulet, Emilie (2021) The art of teaching the piano. In: Online Piano Workshop, 25 April 2021, Nicosia, Cyprus.

Capulet, Emilie (2019) The music of Henri Tomasi (1901-1971) and the cinematic paradigm. In: The Music of Henri Tomasi (1901-1971) and the Cinematic Paradigm, 11 July 2019, London.

Capulet, Emilie, Bourbon, Andrew, Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 and Blier-Carruthers, Amy (2015) Creative hyper-production - experiments in classical music and live digital signal processing. In: Royal Musical Association 51st Annual Conference, 09-11 Sep 2015, Birmingham, UK. (Unpublished)

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) The AHRC funded 'Classical Music Hyper-Production & Practice-As-Research' project: shaping the London College of Music's Research Agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) The AHRC funded ‘Classical Music Hyper-Production & Practice-As-Research’ project: shaping the London College Of Music’s research agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Carr, Marcia (2016) 'Learning to learn,' a unique introduction to the Feldenkrais Method of Awareness through Movement created by Garet Newell. In: 'Learning to Learn,' a Unique Introduction to the Feldenkrais Method of Awareness Through Movement Created by Garet Newell, 25-27 Apr 2016, London, UK. (Unpublished)

Carr, Marcia (2016) Making the impossible possible: Feldenkrais and the impact upon the training of the actor/singer at London College of Music. In: 'Making the Impossible Possible': The Feldenkrais Method in Music, Dance, Movement, and Creative Practice, 30 Apr 2016, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Are you grime or part-time?! Reviewing race & ‘realness’ in Britain’s grime scene. In: Rope A Dope 4: Hip-hop Studies Symposium, 27 Jul 2018, Bristol, England. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) BBC - BCRC: boy better check! - Broadcasters commitment to researcher credibility. In: The 2nd International Conference of the Interdisciplinary Network for the Study of Subcultures, Popular Music and Social Change: Writing the noise: the politics and history of subcultural music, 6-7 Sep 2018, Reading, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2019) Black Atlantic live performance practice. In: Sound System Outernational 5 - Sounds in the City, 04-07 Apr 2019, Napoli, Italy. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) Corbynism as organism. In: Labour Party Conference and The World Transformed: 'The Corbyn Effect: Two Years On', 23-27 Sep 2017, Brighton, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Corbynism as organism - Grenfell & the Windrush. In: Corbynism : A day making new kinds of Labour politics, 06 Jun 2018, Lewes, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Grime's gigabytes. In: Guest lecture at the London Metropolitan University, 16 Jan 2018, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) Grime's gigabytes: the digital space connected to place. In: Crossing Borders: Marginality and opportunity in contemporary British urban youth culture, 17 Aug 2017, Cambridge, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Inside grime. In: Inside Grime: NYU in London, 08 Oct 2018, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Its.a(n.East).Lon.don.thing. Its a London thing. In: Popular Music - Grime: Beyond the borders and into the hinterlands?, 05 Dec 2018, Birmingham, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2019) Reggae remix = grime time: recontextualising cultural aurality through new soundscape. In: 6th Biennial Global Reggae Conference, 13-16 Feb 2019, Kingston, Jamaica. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Reggae remix = grime time: recontextualising cultural aurality through new soundscapes. In: RGS-IBG international conference hosted at Cardiff University, 31 Aug 2018, Cardiff, Wales. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) Reggae remix = grime time: recontextualising cultural aurality through new soundscapes. In: Reggae Research Network, hosted by Liverpool University, 18-19 May 2017, Liverpool, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Retheorising genre: musicological discourse analysis (MDA) through the lens of grime, Afrobeats, UK funky/tribal house and grimy garage. In: Second international symposium on African musics - African music in the Twenty-first century: challenges and directions: University of Ghana, Legon, 09-12 Aug 2018, Ghana. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Straight outta 'nowhere', straight into Nike: grime & the expression of identity. In: Crosstown Traffic 2018. A joint conference (IASPM UK&I, ASARP, Dancecult and ISMMS) at University of Huddersfield, 03-05 Sep 2018, Huddersfield, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2016) Wheeel up! Inside grime. In: Kingston University Lectures, 1 Dec 2016, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2016) The politics of grime. In: Black History Month: The Politics of Grime, 17 Oct 2016, Leeds University Student Union. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 and Baker, Daniel (2016) Story lounge: Daniel Baker and Monique Charles. In: WMG Late: Rise Up, 1 Dec 2016, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127, Hammond Perry, Kennetta, Ford, Tanisha C. and Johnson, Azeezat (2018) Locating Black British women in the archive, creating spaces for Black British women in the nation. In: Caribbean Women (Post) Diaspora: African/Caribbean Interconnections: London South Bank University, 12-14 Jul 2018, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127, Long, Paulette, Cross, Sandra and Mohamad, Munira (2017) Women on record. In: The Reggae Research Network conference: Reggae Futures Day 2: Bass Culture, 2-3 Nov 2017, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127, Sobel, Alex, Anderssen, Li, O’Neill, Martin, Lawrence, Mathew, Stafford, James and Sutcliffe-Braithwaite, Florence (2017) Conference conversations: Alex Sobel, Monique Charles, Li Anderssen, Mathew Lawrence. In: Labour Party Conference, 24-27 Sep 2017, Brighton, UK.

Efthymiou, Litha (2022) Composing Gestures. In: IMS 2022: 21st Quinquennial Congress of the International Musicological Society, 22-26 August 2022, Athens, Greece. (Unpublished)

Efthymiou, Litha (2023) A gestural approach to music composition. In: Music, Body, and Embodiment: New Approaches in Musicology, 8-10 Dec 2023, Italy.

Efthymiou, Litha (2021) Composer-composer collaboration and the difficulty of intradisciplinarity. In: Noise Floor: Experimental Music and Moving Image, 11-12 May 2021, Staffordshire University. (Unpublished)

Efthymiou, Litha (2021) Composing Gestures. In: Framing the Normal: Examining Embodied and Artistic Practices in Musicians’ Movement Repertoire., 3-4 May 2021, Arts Campus DeSingel, Antwerp, Belgium, Antwerp Research Institute for the Arts: University and Royal Conservatoire of Antwerp. (Unpublished)

Efthymiou, Litha (2019) Old Hispanic Chant and New Music. In: Music and Disruptive Pasts: Between Popular and the Arcane., 21-22 August 2019, Open University. (Unpublished)

Efthymiou, Litha (2018) Reimagining the Old Hispanic Liturgy. In: Music, Medievalism, and Modernism: Between Old and New., 24-25 May 2018, University of Huddersfield,. (Unpublished)

Efthymiou, Litha (2019) Reimagining the Old Hispanic Liturgy: A gesture based approach to composition. In: ENIM 2019, 14 - 16 Nov 2019, Universidade Nova de Lisboa. (Unpublished)

Efthymiou, Litha (2020) Using the Past: The Middle Ages in the Spotlight. In: Using the Past: The Middle Ages in the Spotlight., 9-12 December 2020, The Monastery of Santa Maria de Vitória, Batalha, Portugal. (Unpublished)

Henson, David (2017) Musical theatre in the 21st century: keeping an open mind. In: LCM Examiners Conference, 11 Feb 2017, Ealing, UK. (Unpublished)

Henson, David (2016) You're not the star yet!: An audition workshop. In: Audition Workshop, 12 Oct 2016, Manchester, UK. (Unpublished)

Laney, Robin, Samuels, Robert and Capulet, Emilie (2015) Entropy as a measure of musical contrast. In: Fifth Biennial International Conference on Mathematics and Computation in Music (MCM2015), 22-25 June 2015, London, UK. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Cohesion and fracture - trans-Atlantic groove: musical commonalities in Cuban Son and Congolese Rumba. In: IASPM Biennal Conference, UniCamp, Brazil, 28 Jun - 03 Jul 2015, Unicamp, Brazil. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2016) Congolese and Cuban Music Workshop at Cardiff University. In: Workshop on Congolese and Cuban Music, 12 Feb 2016, Cardiff, UK. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Cuban Big Band Workshop day. In: Workshop day in Cuban Big Band for all Postgraduate and Undergraduate Jazz students., 10 July 2015, London, UK. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2016) Cuban music workshops in Rome. In: Workshop in ritmica cubana, 27 April 2016, Rome, Italy. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Curious Knowledge Weekend, Kings Cross Quarter, London, September 2015 Day of open workshops and performances in Cuban music. In: Curious Knowledge Weekend, Kings Cross, 30 August 2015, London, UK. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) From Ndombolo to Scooby-Doo: Congolese musicians in the UK re-create home whilst finding their own voice. In: 31st European Seminar in Ethnomusicology, 16-20 Sept 2015, Limerick, Ireland. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2016) Isn't it easier to just play? The practicalities of documenting a cross-cultural collaboration: a musician's perspective. In: IMR/BFE/IASPM Study Day: "Researching Music: Interviewing, Ethnography, and Oral History", 06 June 2016, London, UK. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2016) Transatlantic beats: common ground in Congolese and Cuban dance music. In: British Forum for Ethnomusicology Annual Conference 2016, 14-17 Apr 2016, Chatham, UK. (Unpublished)

Meynell, Anthony ORCID: https://orcid.org/0000-0003-1302-7563 (2020) From West London to the world, the British Mod phenomenon. In: 15th IASPM UK and Ireland Biennial Conference: London Calling, 19-31 Jun 2020, London.

Mycroft, Josh and Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2011) Activity flow in music equalization: the cognitive and creative implications of interface design. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

Osbon, David and Schwarz, Timothy (2016) Electro-acoustic composition workshop and concert. In: Electronic Music Event, 23 May 2016, Vienna, Austria. (Unpublished)

Osbon, David, Schwarz, Timothy and Broder, Jonathan (2016) Views from practice: Follow the Sun. In: College Music Society Conference 2016, 26 Oct 2016, Santa Fe, New Mexico. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Sholl, Robert (2024) Les ombres du Fântome: Improvisation, recording, production and the collective imagination in artistic research. In: Royal Musical Association Organ Conference, 6 September 2024, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Sholl, Robert, Visser, Andy and McCready, Anna (2024) Les ombres du Fântome: Improvisation, recording, production and the collective imagination in artistic research. In: Royal Musical Association 150 Conference, 11-13 September 2024, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Visser, Andy (2024) Feel the future – Touching Sound. In: Innovation in Music conference, 14-16 Jun 2024, Oslo, Norway. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Visser, Andy (2024) Feel the future – Touching Sound. In: UWL TEDx event, 8 March 2024, London, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2014) Contemporary approaches to programming drums. In: Proceedings of the 137th Audio Engineering Society Convention, 10-13 Oct 2014, Los Angeles, USA. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2011) Creative abuse in time stretching. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2011) Drum and percussion programming. In: Proceedings of the 131st Audio Engineering Society Convention, 13-16 Oct 2011, New York City, USA. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2012) Drum and percussion programming. In: Proceedings of the 132nd Audio Engineering Society Convention, 27-30 April 2012, Budapest, Hungary. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2013) Drum programming. In: Proceedings of the 134th Audio Engineering Society Convention, 3-6 May 2013, Rome, Italy. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2013) Free improv - the hard way. In: Proceedings of the 134th Audio Engineering Society Convention, 4-7 May 2013, Rome, Italy.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2006) "Killing spillage": an algorithm to reduce microphone spillage and improve phase coherence. In: Proceedings of the 2nd Art of Record Production Conference, 8-10 September 2006, Edinburgh, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2015) MTF research network. In: Music Tech Fest, 29 May - 1 June 2015, Umeå, Sweden. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2007) "Set phasors to stun": an algorithm to improve phase coherence on transients in multi-microphone recordings. In: Proceedings of the International Congress on Acoustics 2007, 02-07 Sep 2007, Madrid, Spain.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2011) What constitutes innovation in music production? In: Proceedings of the 131st Audio Engineering Society Convention, 21-24 Oct 2011, New York City, USA.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2012) What is the worth of pre-DSP 'traditional' production values in the contemporary manipulation-oriented context? In: Proceedings of the 132nd Audio Engineering Society Convention, 27-30 April 2012, Budapest, Hungary.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2013) The art of drum programming. In: Proceedings of the 135th Audio Engineering Society Convention, 17-20 October 2013, New York City, US. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2011) The preset is dead; long live the preset. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2015) An app for interactive music playback. In: Music Tech Fest, 18-21 Sept 2015, Ljubjana, Slovenia. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2015) An app for interactive music playback. In: Music Interaction Design Symposium, 16 Mar 2016, Birmingham, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2016) The interactive album app. In: Music Interaction Design (MiXD) symposium, 16 Mar 2016, Birmingham, UK.

Pipe, Liz (2016) Commercialism in Music Education: is creativity at the heart of the art? In: IASPM UK & Ireland Conference 2016: Creativity: Practice and Praxis, 8-10 Sep 2016, Brighton, UK. (Unpublished)

Pipe, Liz (2016) Expressive gesture and non-verbal communication in popular music performance. In: Seventh Conference of the International Society for Gesture Studies: Gesture – Creativity – Multimodality, 18-22 July 2016, Paris, France. (Unpublished)

Pipe, Liz (2016) Expressive gesture and non-verbal communication skills in popular music performance pedagogy. In: Performance Studies Network International Conference, 14-17 July 2016, Bath, UK. (Unpublished)

Pipe, Liz (2015) The use of expressive gesture and non-verbal communication skills in popular music performance pedagogy. In: Research in Popular Music Education: A One-Day Symposium, 23 July 2015, Huddersfield, UK. (Unpublished)

Pipe, Liz (2015) The use of gesture and character in popular music performance. In: 18th Biennial IASPM Conference; Back to the Future: Popular Music and Time, 29 June - 03 July 2015, Campinas, Brazil. (Unpublished)

Ramshaw, P. (2005) Is music production now a composition process? In: The Art of Record Production Conference, University of Westminster, 17-18 Sep 2005, London, UK. (Unpublished)

Ramshaw, P. (2007) Things that are not: an ontology of (de)composition. In: The Proceedings of the 7th International Music Theory Conference, Principles of Musical Composition - Musical Text, 9-11 May 2007, Vilnius, Lithuania.

Sayer, Timothy (2015) Cognition and improvisation: some implications for live coding. In: First International Conference on Live Coding (ICLC2015), 13-15 July 2015, Leeds.

Sayer, Timothy (2014) Hypnagogia and improvisation: interfacing with reflexive/volitional behaviour. In: INTER-FACE: International Conference on Live Interfaces (ICLI 2014), 19-23 Nov 2014, Lisbon, Portugal.

Sayer, Timothy (2014) Non-thinking music making: a proposed methodology to emancipate improvisation. In: 9th Conference on Interdisciplinary Musicology – CIM14, 03-06 Dec 2014, Staatliches Institut für Musikforschung, Berlin, Germany.

Sholl, Robert (2012) Arvo Pärt: Embodiment – Enchantment – Transcendence. In: Music and the Body Conference, 9-11 March 2012, Hong Kong. (Unpublished)

Sholl, Robert (2013) Catholicism and catharsis: the sublime, the apocalyptic and ecstasy in the music of Charles Tournemire and Olivier Messiaen. In: FMCS Conference, 14-16 Feb 2013, New Haven, USA. (Unpublished)

Sholl, Robert (2014) Educating Isaac. In: Educating Isaac, 27 April 2014, BBC Radio on iPlayer.

Sholl, Robert (2016) Hospitality and translation in Florentz's work. In: L’œuvre de Jean-Louis Florentz, 28-29 Jan 2016, Lyon, France. (Unpublished)

Sholl, Robert (2014) "How do you like your counterpoint, sir?": music pedagogy beyond therapy. In: EUROMAC 2014, 17-20 Sep 2014, Leuven, Belgium. (Unpublished)

Sholl, Robert (2014) Jean-Louis Florentz: spectral musician of an imaginary organ. In: Jean-Louis Florentz: visions d’ailleurs, July 2014, London, UK. (Unpublished)

Sholl, Robert (2015) Lacan, Feldenkrais and Gould: how to love thyself not as thy neighbour. In: Re-Storing Performance Conference, June 2015, Bath, UK. (Unpublished)

Sholl, Robert (2017) Olivier Messaien and Charles Tournemire: the organ as the voice of God. In: RCO Organ Forum 2017 - a celebration of Olivier Messiaen, 28 October 2017, Royal Academy of Music, London. (Unpublished)

Sholl, Robert (2014) Olivier Messiaen and Jean-Louis Florentz: vibrations harmoniques. In: Visions of the Beyond: French organ music around Olivier Messiaen, 29 March 2014, London, UK. (Unpublished)

Sholl, Robert (2007) Olivier Messiaen, the avant-garde, and the Messe de la Pentecôte. In: Boston Messiaen Project Conference, Nov 2007, Boston, USA. (Unpublished)

Sholl, Robert (2013) Olivier Messiaen: the organ as the God's mouthpiece. In: Lecture Recital, 28 November 2013, London, UK. (Unpublished)

Sholl, Robert (2011) Rites of passage: Messiaen and Boulez on Le Sacre du Printemps. In: Pierre Boulez in Context, 02-03 Oct 2011, London, UK. (Unpublished)

Silva, Liane (2024) Authenticity and Authentication in Music for Media. In: 2024 Annual Doctoral Students' Conference, 12 Jul 2024, University of West London, London, UK.

Silva, Liane (2024) The music for those "more human than human": Authenticating consciousness through music in Cyberpunk science fiction. In: Sound On Screen III: Music and Sound in Transmedia Franchises, 3 Jul 2024, Oxford Brookes University, Oxford, UK.

Silva, Liane Gualdim (2024) World-building through world synthesis: The synthesised score of Blade Runner. In: 2024 21st Century Music Practice, 09 Sep 2024, University of West London, London, UK.

Spagnolo, Simone (2018) De-lirious marks: on the rationality of marking and irrationality of the arts. In: Assessment Symposium, 3 Mar 2018, Cambridge, UK. (Unpublished)

Spagnolo, Simone (2016) Teatro Polidittico: classics-inspired contemporary Italian opera and the concept of openness. In: Italy and the Classics, APGRD (Archive of Performances of Greek and Roman Drama), 10th June 2016, University of Oxford. (Unpublished)

Spagnolo, Simone (2015) Touch-less: wearable graphic scores for acting singer. In: SongArt Symposium, 26 Jun 2015, Central School of Speech and Drama, London. (Unpublished)

Spagnolo, Simone (2015) The colour blue. A musico-theatrical metonymy. In: SongArt Symposium, 27 Jun 2015, Central School of Speech and Drama, London. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) Bath Spa invited research seminar. In: Guest Research Lecture, 8th Jan 2014, Bath Spa University. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2006) Functional staging through the use of production techniques in late 20th century African and Cuban popular music recordings. In: 2006 International Art of Record Production Conference, 08-10 Sep 2006, Edinburgh, UK.

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) How could musicology help me become a better record producer?: Tensions between the vocational and the theoretical in music pedagogy. In: SEMPRE Music Education & Technology Conference, 03-04 Apr 2014, London, UK.

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) Invited speaker at Sonic Signatures Symposium. In: Sonic Signatures Symposium, 09-11 Apr 2014, Aalborg, Denmark. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) Keynote speech for Huddersfield University's Popular Music Studies Research Centre. In: Popular Music Studies Research Centre Launch, 15 Jan 2014, Huddersfield, UK. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) Performance in the studio: an educational workshop. In: Performance Studies Network Conference, 17-20 Jul 2014, Cambridge, UK. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) Pop Akademie Mannhein annual visiting professorial lecture. In: Annual Visiting Professorial Lecture, 14 Oct 2014, Baden-Wuerttemberg, Germany. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) Recording aesthetics plenary panel. In: Art of Record Production Conference, 04-06 Dec 2014, Oslo, Norway. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) SOAS guest lecture. In: Guest Lecture, 14 Jan 2014, London, UK. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) Sex on Fire: a case study of how different forms of graphic representation can influence analysis. In: EuroMAC (European Music Analysis Conference), 17-21 Sep 2014, Leuven, Belgium. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2006) "We don't write songs, we write records": a compositional methodology based on late 20th century popular music. In: Proceedings of the 2006 International Computer Music Conference, 6-11 Nov 2006, New Orleans, USA.

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) The musicology of record production book tour (1). In: The Musicology of Record Production Book Tour, 15th October 2014, Berlin, Germany. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) The musicology of record production book tour (2). In: The Musicology of Record Production Book Tour, 16th October 2014, Dalarna, Sweden. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) The musicology of record production book tour (3). In: The Musicology of Record Production Book Tour, 17th October 2014, Stockholm, Sweden. (Unpublished)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) The musicology of record production book tour (4). In: The Musicology of Record Production Book Tour, 20th October 2014, Copenhagen, Denmark. (Unpublished)

Arts Related non-text Outputs

Herd, Neil (2024) 5-Reel Feature EP Neil Bob Herd & The Dirty Little Acoustic Band. [Arts Related non-text Outputs]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Sholl, Robert, Norton, Charlie and McCready, Anna (2024) Switched on Messiaen: what affordances might CEMIs offer to deliver an alternative sonic manifestation of the stymied aspirations of the proto-spectralist movement? [Arts Related non-text Outputs]

Book

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 and Bourbon, Andrew, eds. (2020) The Bloomsbury handbook of music production. Bloomsbury handbooks. Bloomsbury Academic Press, New York. ISBN 9781501334023

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Gullo, Jan-Olof, Toulson, Rob, Hepworth-Sawyer, Russ, Marrington, Mark and Hook, Dave, eds. (2024) Innovation in Music: Innovation Pathways. Innovation in Music. Routledge, Abingdon and New York. ISBN 9781032500515 (In Press)

Hepworth-Sawyer, Russ, Hodgson, Jay, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob, eds. (2014) Innovation in music 2013. Future Technology Press, Shoreham-by-Sea, UK. ISBN 9780956151681

Paterson, Justin L. ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, Rob, Hodgson, Jay and Hepworth-Sawyer, Russ, eds. (2016) Innovation in music II. KES Transactions on Innovation in Music, 2. Future Technology Press, Shoreham-by-Sea, UK. ISBN 9781911108047

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Gullo, Jan-Olof, Toulson, Rob, Hepworth-Sawyer, Russ, Marrington, Mark and Hook, Dave, eds. (2024) Innovation in music: Adjusting Perspectives. Innovation in Music. Routledge, Abingdon and New York. ISBN 9781032500249 (In Press)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Gullo, Jan-Olof, toulson, Rob, Hepworth-Sawyer, Russ and Marrington, Mark, eds. (2024) Innovation in music: Cultures and Contexts. Innovation in Music. Routledge, Abingdon and New York. ISBN 9781032611174

Gough-Yates, Anna, ed. (2014) Subcultures, popular music and social change in post-war Britain. Cambridge Scholars Press. ISBN 9781443859455

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320, ed. (2012) The art of record production: an introductory reader for a new academic field. Ashgate. ISBN 9781409406785

Arden, Jeremy (2006) Keys to the Schillinger System: basic principles & foundations. The Schillinger School of Music Handbooks. Clock & Rose Press, Massachusetts, USA. ISBN 9781593860318

Audissino, Emilio (2014) John Williams's film music. 'Jaws,' 'Star Wars,' 'Raiders of the Lost Ark,' and the return of the classical Hollywood music style. University of Wisconsin Press, Madison WI, USA. ISBN 9780299297343

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Antonioni and the aesthetics of impurity: remaking the image in the 1960s. Edinburgh University Press, Edinburgh, UK. ISBN 9781474444040

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2015) The drum programming handbook: the complete guide to creating great rythm tracks. Backbeat Books, London, UK. ISBN 9781480392878

Paytress, Mark (2006) Break it up: Patti Smith's 'Horses' and the remaking of rock'n'roll. Portrait Books. ISBN 0749951079

Paytress, Mark (2005) I was there: gigs that changed the world. Cassell Illustrated, London, UK. ISBN 9781844035120

Paytress, Mark (2007) The Pink Floyd. EMAP Magazines.

Paytress, Mark (2004) Vicious: the art of dying young. Sanctuary Publishing, London, UK. ISBN 1860745806

Sholl, RP (2023) Messiaen in Context. Cambridge Composers In Context. Cambridge University Press, Cambridge, UK. ISBN 9781108768290

Sholl, Robert (2021) The Feldenkrais Method in Creative Practice: dance, music, and theatre. Bloomsbury, London. ISBN The Feldenkrais Method in Creative Practice: dance, music, and theatre

Sholl, Robert (2024) Olivier Messiaen: A Critical Biography. Reaktion Press, London. ISBN 9781789148657

Sholl, Robert (2008) Messiaen studies. Cambridge University Press, Cambridge, UK. ISBN 9780521839815

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2022) Practical musicology. 21st Century Music Practices. Bloomsbury Academic Publishing, New York. ISBN 9781501357794

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) The musicology of record production. Cambridge University Press, Cambridge, UK. ISBN 9781107075641

Thesis

Blackwell, Brittany (2022) Forget me not: demarginalising trailblazing and leading Black women’s WEIRD industrial, organisational, and societal career experiences with “power” in the world’s top music industry ecosystems. Doctoral thesis, University of West London.

CUBIDES-GUTIERREZ, JOSE MANUEL (2023) ELECTROACOUSTIC POP DEVELOPING COMPOSITIONAL METHODS BY THE INTEGRATION OF POPULAR MUSIC CREATION TECHNIQUES INTO THE ELECTROACOUSTIC MUSIC PRACTICE. Doctoral thesis, University of West London.

Gamalova, Devorina (2008) The role of music in the spiritual life considered. Doctoral thesis, Thames Valley University.

Hagan, Daniel (2019) How do the promoters of independent UK music festivals organise and implement events? Doctoral thesis, University of West London.

Kubiak, Agata (2019) Creativity in new music for strings: under which circumstances does creative change occur in different types of performer-composer collaborations. Doctoral thesis, University of West London.

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2012) GRUPO LOKITO: a practice-based investigation into contemporary links between Congolese and Cuban popular music. Doctoral thesis, School of Oriental and African Studies.

Meynell, Anthony ORCID: https://orcid.org/0000-0003-1302-7563 (2017) How recording studios used technology to invoke the psychedelic experience: the difference in staging techniques in British and American recordings in the late 1960s. Doctoral thesis, University of West London.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2015) A study, exploration and development of the interaction of music production techniques in a contemporary desktop setting. Doctoral thesis, University of West London.

Pipe, Liz (2018) The role of gesture and non-verbal communication in popular music performance, and its application to curriculum and pedagogy. Doctoral thesis, University of West London.

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2008) 'An awkward reverence': composing oneself in the 21st-century Anglican Church. Doctoral thesis, University of West London.

Ramacciotti, Paolo (2016) Elektron Elohim: a cosmic oratorio for soloists, chamber choir, electric guitars and keyboard synthesisers. Doctoral thesis, University of West London.

Spagnolo, Simone (2015) Each tale chases another: metaphorical representations, non-linearity and openness of narrative structure in Italian opera from post-WWII to It makes no difference. Doctoral thesis, Trinity Laban Conservatoire / City University.

Weber, David (2016) A long sell: the disproportionate appeal of Frank Bridge's music to familiar listeners, and its impact upon his reception, 1912-36. Doctoral thesis, University of West London.

Whitbourn, James (2015) Anne Frank in musical portraiture. Doctoral thesis, University of West London.

Other

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2018) Power to the people: fifty years of British music video 1966-2016. UNSPECIFIED.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) Grime launches a revolution in youth politics. The Conversation.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) #Grime4Corbyn is here to stay – and it could be the start of something huge. New Statesman, London, UK.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) #GrimeDoctor & #Grime4Corbyn speak! UNSPECIFIED, United Kingdom. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Where are the women in grime? Precious Online, United Kingdom.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Will the first ladies of grime please stand up? The Voice, London, UK.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2016) Young Thug - devil in a blue dress? GRM Daily, United Kingdom.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) A road less travelled - the grimy windy path. University of Warwick, Warwick, UK.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 and Back, Les (2018) Why music matters for sociology: conversation with Prof. Les Back. UNSPECIFIED. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 and Back, Les (2017) Why music matters for sociology: conversation with Prof. Les Back. UNSPECIFIED. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127, Lawrence, Tim, Berry, Josephine and Leal, Ernesto (2018) Creativity, collectivity, convergence! New York city party culture 1970-83. UNSPECIFIED. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 and Riley, Mykaell (2017) My time: an interview with Mykaell Riley about my PhD on grime. UNSPECIFIED. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 and Sutcliffe-Braithwaite, Florence (2017) Conference conversations: Monique Charles on Corbyn and grime. Lawrence and Wishart, London, UK.

Chiappinelli, Massinilliano and Osbon, David (2018) Anthems After Prometheus interview. Accademia Musicale Roma Castelli, Rome, Italy.

Hagan, Daniel (2015) The making of a festival. UNSPECIFIED. (Unpublished)

Henry, William Anthony (2019) Every time I hear di sound: a short history of dub poetry. The Wire Magazine, London, UK.

Henry, William Anthony (2018) Fear the talking dread! The Wire Magazine, London, UK.

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Delivering music education in the Saharawi Refugee Camps. Forte Magazine, London College of Music Exams.

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Interview on "An evening with Rosilio", Radio Progreso, Cuba. UNSPECIFIED. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Teaching Sound Recording in the Saharawi Refugee Camps. UNSPECIFIED. (Unpublished)

Myers, Pamela (2014) How a painful operation inspired the 18th century equivalent of a horror movie soundtrack. The Conversation.

Myers, Pamela (2014) Sounds like Christmas: why advertisers are all ears this year. The Conversation.

Osbon, David (2013) Classic shock. UNSPECIFIED.

Osbon, David (2018) Interview on national public radio (USA). WVIA, Scranton PA, USA.

Ottewill, Jim and Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) 10 things we learned about UK grime with Dr Monique Charles. The Institute of Contemporary Music Performance.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, Rob, Lexer, Sebastian and Webster, Tim (2015) Red Planet EP. Apple Inc..

Sholl, Robert (2024) Olivier Messiaen: A Critical Biography. Reaktion, London, UK.

Sholl, Robert (2018) BBC Prom 10 programme Note: Charles-Marie Widor. BBC, https://www.bbc.co.uk/events/erhn5v. (In Press)

Audio

(2018) The state. [Audio]

Bandoni, Michael and Auricchio, Nino (2015) Funkshone 'The The Yard'. [Audio]

Bandoni, Michael and Auricchio, Nino (2016) Funkshone 'The strut'. [Audio]

Blaze, Patricia (2019) Dr Monique Charles - the after party. [Audio]

Borg, Paul (2016) Abstrk beats. [Audio]

Capulet, Emilie (2020) Henri Tomasi - complete solo piano works. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X [STUDIO ALBUM]. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) Hhumann X at LSO St Luke's [LIVE ALBUM]. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2011) 1.60.3600. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) 2045. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) C121 W / P V1. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) C121 W / P V2. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2012) 'Campos de Oro', Spanish operatic translation of Sting's hit song 'Fields of Gold'. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2011) Creation. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Dragons V10. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Forgiveness V6. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Gabriel V12. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Hear V4. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2013) Life from Light. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2008) Live from Bush Hall. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2011) Motherland. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2011) Ob. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2011) Piano Works. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Pulse V7. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Reverberation V16. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2016) Slaves of Time. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Syria V8. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2007) Unharmed. [Audio]

Holopainen, Tuomas and Williams, Pip (2015) Endless forms most beautiful. [Audio]

Holopainen, Tuomas and Williams, Pip (2014) Music inspired by the life and times of Scrooge. [Audio]

JackOut (2009) Saturnalia. [Audio]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito: a practice as research project into the Congo-Cuba link. [Audio]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235, Ndelo, Jose Hendrix and Alegria, Elpidio (2010) Esengo Ya Ko Bina! By Grupo Lokito. [Audio]

Mead, P. (2002) George Crumb: the complete piano music. [Audio]

Nash, Jez (2015) Motormouth: "Long way to grandma's". [Audio]

Number, The (2007) The making of quiet things. [Audio]

Osbon, David (2016) Sonata for cello and piano. [Audio]

Osbon, David (2014) Violin concerto. [Audio]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2015) Something Jaggy. [Audio]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2015) Empyrean. [Audio]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 and Barnes, Philip (2016) 1-hour radio interview recorded on 12 February 2016 containing complete broadcasts of three choral works. Interviewer: Philip Barnes, conductor of the St Louis Chamber Chorus, USA. Radio Station: Radio Arts Foundation of St Louis [RAFSTL]. Series: 'Re-choired Listening.'. [Audio]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 and Barnes, Philip (2016) 'Re-Choired Listening', episode 111. [Audio]

Proctor, Sam (2014) Crossharbour - Crossharbour. [Audio]

Sayer, Timothy, Tetkov, Kordian, Lord, Matthew and Lee, Stewart (2018) Bristol Fashion. [Audio]

Zolinsky, Andrew (2006) Piano music from Zurich: 1870-1930. [Audio]

Zolinsky, Andrew (2002) The sunpainter's delight: piano music of Walter Baer. [Audio]

Composition

Arden, Jeremy (2006) Bayo's way: for tuba, nine brass instruments and electronics. [Composition]

Arden, Jeremy (2007) Star King of Day: for percussion. [Composition]

Brown, Katrina, Irvine, Rosanna and Sayer, Timothy (2014) what remains and is to come. [Composition]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X [COMPOSITION]. [Composition]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2012) Life from Light. [Composition]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Score for '2045: The Year Man Becomes Immortal'. [Composition]

Efthymiou, Litha (2013) Bustling. [Composition] (Unpublished)

Efthymiou, Litha (2012) Egg Soldiers. [Composition] (Unpublished)

Efthymiou, Litha (2015) Kalyani. [Composition]

Efthymiou, Litha (2016) Let Him Kiss Me With The Kiss of His Mouth. [Composition] (Unpublished)

Efthymiou, Litha (2017) Moments Held. [Composition] (Unpublished)

Efthymiou, Litha (2019) Moon From Earth. [Composition] (Unpublished)

Efthymiou, Litha (2018) Present Shadows. [Composition]

Efthymiou, Litha (2017) Riversong. [Composition] (Unpublished)

Efthymiou, Litha (2018) Waves. [Composition] (Unpublished)

Glover, Martin (2005) Iron Age mass. [Composition]

Glover, Martin (2005) The ridge on the slope: for string quartet. [Composition]

Howard, John (2003) African toccata. [Composition]

Howard, John (2005) Touched with fire. [Composition]

Howard, John (2002) The splendour falls. [Composition]

Matharu, S. S. (2006) Anhad. [Composition]

McBirnie, Andrew (2004) Prayer: for solo oboe. [Composition]

McBirnie, Andrew (2005) Ritornel: for mixed septet. [Composition]

McBirnie, Andrew (2002) The moon by night: for alto flute and piano. [Composition]

Osbon, David (2018) 5 hommages. [Composition]

Osbon, David (2018) 5 hommages for violin and piano. [Composition]

Osbon, David (2015) Bone ties. [Composition]

Osbon, David (2016) Cadenza for solo violin and live electronic. [Composition]

Osbon, David (2016) Cello sonata. [Composition] (Unpublished)

Osbon, David (2015) Half man - half goat. [Composition]

Osbon, David (2018) Into the sun. [Composition]

Osbon, David (2018) Into the sun... [Composition]

Osbon, David (2018) Liberty. [Composition] (Submitted)

Osbon, David (2010) Piano sonata 3. [Composition]

Osbon, David (2018) Prometheus sonata. [Composition] (In Press)

Osbon, David (2018) Still waiting for the revolution... [Composition]

Osbon, David (2019) Still waiting for the revolution... for piano trio. [Composition]

Osbon, David (2012) Suite for cello and piano. [Composition]

Osbon, David (2015) Three songs. [Composition]

Osbon, David (2014) Violin concerto. [Composition] (Unpublished)

Osbon, David (2011) The spirits of Sabate. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2020) At First Light. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2009) 'Balulalow' and 'Lament'. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Cantus Maris. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (1999) Christus. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2021) Christus. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2021) Concerto for violin and orchestra. [Composition] (Unpublished)

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2014) Hands across the darkness. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Improvisation on 'Adeste, Fideles' [O Come, all ye Faithful], for organ. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2016) Laudate dominum. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2016) Laudes. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2011) Mass for eight parts. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2006) Meditations and remembrances. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2015) Nigra sum sed Formosa. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Passacaglia. [Composition] (Unpublished)

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2013) Sentinel. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2015) Sonata for viola and piano (30'00"). [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Sonata for viola and piano: published score ISMN 979-0-5706-8205-8. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2015) Tenebrae. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2000) Toccata for organ. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2016) Toccata for piano solo. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2010) Variations on a Burns Air – scherzo finale. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2008) When David heard that Absalom was slain. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2015) A babe is born all of a May. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2007) The cloud of unknowing. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 and Crossman, Samuel (2003) My song is Love Unknown: sacred anthem for soloists, double chorus and organ (17 minutes). [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 and Thomas, R. S. (2015) 'Word'. [Composition]

Rigby, Simon (2000) Piano Concerto. [Composition] (Unpublished)

Rigby, Simon (2003) Piano Quintet. [Composition] (Unpublished)

Rigby, Simon (2009) Piano Sextet. [Composition] (Unpublished)

Rigby, Simon (2002) Quartet. [Composition] (Unpublished)

Rigby, Simon (2009) Searching for Lambs. [Composition]

Rigby, Simon (2012) Vamping Haydn. [Composition]

Robinson, Paul (2003) Chamber concerto. [Composition]

Robinson, Paul (2002) Eris. [Composition]

Robinson, Paul (2007) La passion de Jeanne d'Arc. [Composition]

Robinson, Paul (2002) A Summa Caelo. [Composition]

Sayer, Timothy (2017) Mondrisonic. [Composition]

Sayer, Timothy and Irvine, Rosanna (2018) Breath Pieces. [Composition]

Sholl, Robert (2024) Robert Sholl Piano Improvisation to The Phantom of the Opera Unmasking Scene. [Composition]

Spagnolo, Simone (2014) Even you, lights, cannot hear me. [Composition] (Unpublished)

Spagnolo, Simone (2018) Faust, Alberta. [Composition] (Unpublished)

Spagnolo, Simone (2017) Non ho dormito in questa notte mai. [Composition] (Unpublished)

Spagnolo, Simone (2017) The colour blue. [Composition] (Unpublished)

Show/Exhibition

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Das Magische Theatre' at Chateau Papillon, St Moritz, Switzerland. [Show/Exhibition]

De Commarque, Cyril and Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Artificialis' at the Saatchi Gallery, London, UK. [Show/Exhibition]

Sholl, Robert (2014) Interviewed for BBC Radio 3 Sunday Feature: Educating Isaac. [Show/Exhibition]

Performance

Auricchio, Nino, Borg, Paul and Whelan, Larry (2016) Cold waves. [Performance]

Bourbon, Andrew, Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2015) In modern dress. [Performance] (Unpublished)

Capulet, Emilie (2015) Lecture-recital. [Performance]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X at LSO St Luke's, London, UK. [Performance]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2016) 2045: the year man becomes immortal? [Performance]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2012) Life from Light. [Performance]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2014) Life from Light. [Performance]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2008) The Momo Live Show. [Performance] (Unpublished)

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2008) The Momo Live Show. [Performance] (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito at the Rugby World Cup, Olympic Park, Stratford, London. 24,26 Sept 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito live at African Utopia Festival, South Bank Centre, London. 12 September 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito live at Musicport Festival, Whitby, Yorkshire 18 October 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito live at Rhythmtree Festival, Isle of Wight 18 July 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito live at Vamos Festival, Leeds, Yorkshire. 1 August 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito live at West Dean Chili Fiesta, West Sussex. 6 August 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito live at the International Eisteddfod, Llangollen, North Wales. 11 July 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2016) Sarabanda live at Ronnie Scotts Jazz Club. [Performance]

Osbon, David (2016) Austrian premiere of Cello sonata. [Performance]

Osbon, David (2012) Bodies in motion. [Performance]

Osbon, David (2016) Cello sonata world premiere. [Performance]

Osbon, David (2016) Color Duo final Hemisphaeria performance before CD recording. [Performance]

Osbon, David (2016) Color Duo performance of Hemisphaere Project. [Performance]

Osbon, David (2016) Five Hommages by David Osbon. [Performance]

Osbon, David (2013) Grumo Festival 2013. [Performance]

Osbon, David (2016) Hemisphaera project. [Performance]

Osbon, David (2016) Hemisphaere project. [Performance]

Osbon, David (2016) [Performance in Hungary]. [Performance]

Osbon, David (2016) Performance of 5 hommages. [Performance]

Osbon, David (2016) Performance of Three songs for saxophone and piano. [Performance]

Osbon, David (2019) Poster from world premiere performance. [Performance]

Osbon, David (2019) Poster of performance in Louisville, Kentucky. [Performance]

Osbon, David (2019) Poster of performance in Valletri, Italy. [Performance]

Osbon, David (2016) Second performance in the Hemisphaera project. [Performance]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (1989) Amore Langueo. [Performance]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2000) I sing of a maiden. [Performance]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) La Chiesa del Sole. [Performance]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2013) There is no rose of such virtue. [Performance]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2018) They that put their trust in the Lord. [Performance] (Unpublished)

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2015) The lost wand. [Performance]

Proctor, Sam (2014) Crossharbour peformance at 2014 Cambridge Folk Festival. [Performance]

Proctor, Sam (2013) Crossharbour performance at Temple Bar Tradfest. [Performance]

Rigby, Simon (2015) Band of the Coldstream Guards and LCM Camerata collaborative concert, 2015. [Performance] (Unpublished)

Rigby, Simon (2016) Band of the Coldstream Guards, LCM Camerata, and LCM Chorus Collaborative Concert, 2016. [Performance]

Rigby, Simon (2016) LCM Camerata with players of the English Chamber Orchestra, 2016. [Performance]

Rudnick, Peter (2015) British premiere of Ongilash by Luis Zubillaga. [Performance]

Sholl, Robert (2021) Improvisation - Robert Sholl, Exeter College, University of Oxford. [Performance]

Sholl, Robert (2021) Maria's Dance from Metropolis (1927) dir. Fritz Lang, improvisation by Robert Sholl. [Performance]

Sholl, Robert (2021) Series of 8 concerts: The Complete Organ Symphonies of Louis Vierne, complete organ works of Maurice Duruflé, organ works of Charles Tournemire with chamber music and songs by Vierne. [Performance]

Sholl, Robert and Ledoux, Caroline (2023) Arrival of Count Orlok from Nosferatu (1922), piano improvisation by Robert Sholl. [Performance]

Sholl, Robert and Ledoux, Caroline (2023) Aurora Australia II - Hommage à Arvo Pärt. [Performance]

Sholl, Robert and Ledoux, Caroline (2023) Ben-Hur: A Tale of the Christ, live improvisation by Robert Sholl with sound effects by Caroline Ledoux. [Performance]

Sholl, Robert and Ledoux, Caroline (2023) Georges Méliès: La Lune à un mètre, also known as The Astronomer’s Dream (1898). [Performance]

Sholl, Robert and Ledoux, Caroline (2023) L'Homme à la tête en caoutchouc (The Man with the Rubber Head). [Performance]

Sholl, Robert and Ledoux, Caroline (2023) Mole and Music. [Performance]

Sholl, Robert and Ledoux, Caroline (2023) The Skeleton Dance (Walt Disney, 1929), piano improvisation by Robert Sholl. [Performance]

Sholl, Robert and ledoux, Caroline (2023) Georges Méliès, Un Homme de tête (1898): piano improvisation by Robert Sholl. [Performance]

Sholl, Robert (2016) Improvisation to James Sibley Watson and Melville Webber's 'The Fall of the House of Usher' (1929, silent film). [Performance]

Sholl, Robert (2015) Improvisations to films by James Sibley Watson. [Performance]

Sholl, Robert (2017) International Recital Series: recital at St John's Smith Square, London. [Performance] (Unpublished)

Sholl, Robert (2016) Olivier Messiaen complete organ works 1. [Performance]

Sholl, Robert (2015) Recital at Westminster Abbey. [Performance]

Zolinsky, Andrew (2001) Old, new, borrowed and blue – a three concert series including British/London premieres of works by American and Dutch composers. [Performance]

Zolinsky, Andrew (2006) Unsuk Chin: Piano concerto: London première. [Performance]

Video

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) Call Thou Upon My Name Unto Eternity, And It Shall Never Fail. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2013) Life from light. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2016) Video of the performance of '2045: The Year Man Becomes Immortal' at Cowdray Park on the 9th of July 2016. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2016) Video of the performance of '2045: The Year Man Becomes Immortal?' at St. James's Piccadilly on the 6th of July 2016. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Chen, Pengyou (2017) 2045 - 01 Overture. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Chen, Pengyou (2017) 2045 - 02 Gold. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Chen, Pengyou (2017) 2045 - 03 Slaves of Time. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Duchlevova, Tereza (2019) Hhumann X at LSO St Luke's [VIDEO]. [Video]

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 Dancing and dreaming: 50 years of British music video in Havana. [Video] (Unpublished)

Leigh, D. (2006) John Foxx: Cathedral oceans. [Video]

Osbon, David, Russell, Nino and Broder, Jonathan (2016) Follow the Sun 1st interlude/pause. [Video]

Osbon, David, Russell, Nino and Broder, Jonathan (2016) Follow the Sun interlude/pause 3. [Video]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622, Brown, Roger and Mitchell, Kathryn (2012) [Professorial lecture series 2011-2012 - highlights]. [Video] (Unpublished)

Sholl, Robert and Ledoux, Ledoux (2023) Spider vs Spider. [Video]