Items where Subject is "Music > Musicology"

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Number of items at this level: 27.

C

Capulet, Emilie (2017) Preface to Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. In: Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. Repertoire Explorer. Musikproduction Höflich, Heidelberg, Germany.

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2017) The AHRC funded ‘Classical Music Hyper-Production & Practice-As-Research’ project: shaping the London College Of Music’s research agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

E

Exarchos, Michail ORCID: 0000-0003-1045-3540 (2018) Hip-hop time machine - re-imagining the ‘phonographic’ in sample-based hip-hop record production: research design for contemporary forms of creative audio practice. New Vistas, 4 (2). pp. 23-27. ISSN 2056-967X (In Press)

Exarchos, Michail ORCID: 0000-0003-1045-3540 (2018) Synth sonics as stylistic signifiers in sample-based hip-hop: synthetic aesthetics from ‘old-school’ to trap. In: Synthesisers: Meaning though Sonics. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 1-38. (In Press)

M

Montano, Ed and Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2014) Production technologies and studio practice in electronic dance music culture: guest editors' introduction. Dancecult, 6 (1). pp. 1-7. ISSN 1947-5403

P

Paterson, Justin ORCID: 0000-0001-7822-319X (2018) 3-D audio. In: UNSPECIFIED Perspectives on Music Production. Routledge. (Unpublished)

S

Sayer, Timothy (2014) Hypnagogia and improvisation: interfacing with reflexive/volitional behaviour. In: INTER-FACE: International Conference on Live Interfaces (ICLI 2014), 19-23 Nov 2014, Lisbon, Portugal.

Sholl, Robert (2018) Arvo Pärt, passio and spirituality. UNSPECIFIED.

Sholl, Robert (2018) BBC Prom 10 programme Note: Charles-Marie Widor. BBC, https://www.bbc.co.uk/events/erhn5v. (In Press)

Sholl, Robert (2014) Educating Isaac. In: Educating Isaac, 27 April 2014, BBC Radio on iPlayer.

Sholl, Robert (2018) Exhibiting the phantom: improvisations for an unmasking. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Sholl, Robert (2018) Feldenkrais’s touch, Ephram’s laughter, Gould’s sensorium: listening and musical practice between thinking and doing. Journal of the Royal Musical Association. (In Press)

Sholl, Robert (2016) James Sibley Watson’s 'The fall of the house of Usher' (1928): improvisation – images - complementary serendipities. In: UNSPECIFIED. (Unpublished)

Sholl, Robert (2017) James Sibley Watson’s the fall of the house of usher: improvisation – images - complementary serendipities. In: Research Events Royal Academy of Music, 29 September 2017, Royal Academy of Music - Duke's Hall. (Unpublished)

Sholl, Robert (2019) Jean-Louis Florentz and spectralism. In: The Oxford Handbook to Spectralism. Th Oxford Handbooks to Music. Oxford University Press, New York. (Submitted)

Sholl, Robert (2016) Jean-Louis Florentz: hospitality and spectralism. In: Spectralisms, 15-16 March 2017, Oxford. (Unpublished)

Sholl, Robert (2017) Jean-Louis Florentz: hospitality and spectralism. In: European Musical Analysis Conference, 28 June - 1 July 2017, Strasbourg France. (Unpublished)

Sholl, Robert (2017) Messiaen and Pärt. In: Monastic Musicians Conference, 3 October 2017, Belmont Abbey Hereford. (Unpublished)

Sholl, Robert (2018) Messiaen and surrealism: ethnography and the poetics of excess. In: Surrealism and Music in France, 1924-1952: Interdisciplinary and International Contexts, 8 June 3018, London. (Unpublished)

Sholl, Robert (2019) Olivier Messiaen: spectralist. In: The Oxford Handbook to Spectralism. Oxford Music Handbooks. Oxford University Press. (Submitted)

Sholl, Robert (2016) Sheridan Tongue’s music for silent witness: new perspectives on Pärtian tintinnabulation. In: Sounding the Sacred, 1-4 May 2016, New York Fordham University Campus. (Unpublished)

Sholl, Robert (2018) The unmasking scene: improvisation in context. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Z

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2017) Directions in music by Miles Davis: using the ecological approach to perception and embodied cognition to analyse the creative use of recording technology in Bitches Brew. Technology and Culture. ISSN 0040-165X (In Press)

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2016) How is theoretical research meeting the challenges of pedagogy in the field of record production? In: Music, Technology and Education: Critical Perspectives. Routledge, Oxford, UK, pp. 67-84. ISBN 9781472426208

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2012) Musical meaning and the musicology of record production. Beiträge zur Popularmusikforschung, 38. pp. 135-147.

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2018) Timbre as text: the cognitive roots of intertextuality. In: The Pop Palimpsest: Intertextuality in Recorded Popular Music. University of Michigan Press, Ann Arbor, Michigan, USA, pp. 273-290. ISBN 9780472130672

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2017) The spectromorphology of recorded popular music: the shaping of sonic cartoons through record production. In: The Relentless Pursuit of Tone: Timbre and Popular Music. Oxford University Press, New York, USA. (In Press)

This list was generated on Wed Dec 19 12:14:04 2018 UTC.

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