Capulet, Emilie (2021) La musique pour piano d'Henri Tomasi: partitions inédites, travail éditorial et pratiques pianistiques / Henri Tomasi's solo piano music:unpublished manuscripts, editorial work and performance practices. In: Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)
Capulet, Emilie (2021) Le paradigme cinématographique dans la musique pour piano d'Henri Tomasi / The piano music of Henri Tomasi and the cinematic paradigm. In: Colloque International Henri Tomasi, Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)
Capulet, Emilie (2017) Preface to Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. In: Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. Repertoire Explorer. Musikproduction Höflich, Heidelberg, Germany.
Capulet, Emilie (2019) The music of Henri Tomasi (1901-1971) and the cinematic paradigm. In: The Music of Henri Tomasi (1901-1971) and the Cinematic Paradigm, 11 July 2019, London.
Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320
(2017)
The AHRC funded ‘Classical Music Hyper-Production & Practice-As-Research’ project: shaping the London College Of Music’s research agenda.
In: UWL Research Conference 2017, 30 June 2017, London, UK.
(Unpublished)
Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127
(2018)
Retheorising genre: musicological discourse analysis (MDA) through the lens of grime, Afrobeats, UK funky/tribal house and grimy garage.
In: Second international symposium on African musics - African music in the Twenty-first century: challenges and directions: University of Ghana, Legon, 09-12 Aug 2018, Ghana.
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Efthymiou, Litha and Hornby, Emma (2020) New music inspired by old Hispanic chant. Context Journal of Music Research (45). pp. 61-73. ISSN 1038-4006
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Hip-hop time machine - re-imagining the ‘phonographic’ in sample-based hip-hop record production: research design for contemporary forms of creative audio practice.
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(2020)
Sonic necessity and compositional invention in #BluesHop: composing the blues for sample-based hip hop.
Journal of Popular Music Studies, 32 (3).
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ISSN 1524-2226
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(2021)
Making records within records: manufacturing phonographic ‘otherness’ in sample-based Hip Hop production.
In:
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Taylor & Francis, Routledge, Focal Press.
ISBN 9780367363352
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(2020)
‘Past’ masters, present beats: exponential sound staging as sample-based (re)mastering in contemporary hip hop practice.
In:
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ISBN 9780367227197
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ISBN 9781527550025
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Improvising sabor: Cuban dance music in New York by Sue Miller.
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Arvo Pärt, passio and spirituality.
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(2018)
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Exhibiting the phantom: improvisations for an unmasking.
In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama.
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(2021)
Feldenkrais, Freud, Lacan, and Gould: how to love thyself not as thy neighbour.
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(2017)
James Sibley Watson’s the fall of the house of usher: improvisation – images - complementary serendipities.
In: Research Events Royal Academy of Music, 29 September 2017, Royal Academy of Music - Duke's Hall.
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Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645
(2019)
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Jean-Louis Florentz: Ethiopian music into spectralism.
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(2016)
Jean-Louis Florentz: hospitality and spectralism.
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(2017)
Jean-Louis Florentz: hospitality and spectralism.
In: European Musical Analysis Conference, 28 June - 1 July 2017, Strasbourg France.
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(2017)
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(2018)
Messiaen and surrealism: ethnography and the poetics of excess.
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Sheridan Tongue’s music for silent witness: new perspectives on Pärtian tintinnabulation.
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(2019)
Spectral music in Nordic Noir.
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(2018)
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Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320
(2018)
Directions in music by Miles Davis: using the ecological approach to perception and embodied cognition to analyse the creative use of recording technology in Bitches Brew.
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(2025)
Theorizing Aesthetics in a Practical Musicology.
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ISBN 9781835951033
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(2018)
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ISBN 9781138683112
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(2019)
Haydn in modern dress: applying experimental contemporary production techniques to the classical repertoire.
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Ashgate Popular and Folk Music.
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(2016)
How is theoretical research meeting the challenges of pedagogy in the field of record production?
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ISBN 9781472426208
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(2022)
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21st Century Music Practices.
Bloomsbury Academic Publishing, New York.
ISBN 9781501357794
Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320
(2018)
Timbre as text: the cognitive roots of intertextuality.
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The Pop Palimpsest: Intertextuality in Recorded Popular Music.
University of Michigan Press, Ann Arbor, Michigan, USA, pp. 273-290.
ISBN 9780472130672
Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320
(2018)
The spectromorphology of recorded popular music: the shaping of sonic cartoons through record production.
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The Relentless Pursuit of Tone: Timbre and Popular Music.
Oxford University Press, New York, USA.
ISBN 9780199985227