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Capulet, Emilie (2021) Le paradigme cinématographique dans la musique pour piano d'Henri Tomasi / The piano music of Henri Tomasi and the cinematic paradigm. In: Colloque International Henri Tomasi, Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)

Capulet, Emilie (2017) Preface to Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. In: Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. Repertoire Explorer. Musikproduction Höflich, Heidelberg, Germany.

Capulet, Emilie (2019) The music of Henri Tomasi (1901-1971) and the cinematic paradigm. In: The Music of Henri Tomasi (1901-1971) and the Cinematic Paradigm, 11 July 2019, London.

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) The AHRC funded ‘Classical Music Hyper-Production & Practice-As-Research’ project: shaping the London College Of Music’s research agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Retheorising genre: musicological discourse analysis (MDA) through the lens of grime, Afrobeats, UK funky/tribal house and grimy garage. In: Second international symposium on African musics - African music in the Twenty-first century: challenges and directions: University of Ghana, Legon, 09-12 Aug 2018, Ghana. (Unpublished)

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Sayer, Timothy (2014) Hypnagogia and improvisation: interfacing with reflexive/volitional behaviour. In: INTER-FACE: International Conference on Live Interfaces (ICLI 2014), 19-23 Nov 2014, Lisbon, Portugal.

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Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2016) How is theoretical research meeting the challenges of pedagogy in the field of record production? In: Music, Technology and Education: Critical Perspectives. Routledge, Oxford, UK, pp. 67-84. ISBN 9781472426208

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Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) Timbre as text: the cognitive roots of intertextuality. In: The Pop Palimpsest: Intertextuality in Recorded Popular Music. University of Michigan Press, Ann Arbor, Michigan, USA, pp. 273-290. ISBN 9780472130672

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) The spectromorphology of recorded popular music: the shaping of sonic cartoons through record production. In: The Relentless Pursuit of Tone: Timbre and Popular Music. Oxford University Press, New York, USA. ISBN 9780199985227