Items where Subject is "Music > Music performance"

Up a level
Export as [feed] RSS
Group by: Creators | Item Type
Jump to: A | B | C | O | P | S | T
Number of items at this level: 40.

A

Audissino, Emilio (2013) Archival research and film music: the case of the Boston Pops Orchestra. Journal of Film Music, 6 (2). pp. 147-163. ISSN 1087-7142

Auricchio, Nino and Borg, Paul (2016) New modular synthesizers and performance practice. In: SAE 2nd Synthposium, 14 Nov 2016, Melbourne, Australia. (Unpublished)

B

Barbosa, Alvaro and Cordeiro, Joao ORCID: 0000-0002-0161-7139 (2011) The influence of perceptual attack times in networked music performance. In: Audio Engineering Society 44th International Conference - Audio Networking, 18 - 20 November 2011, Sand Diego, USA.

C

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2017) The AHRC funded 'Classical Music Hyper-Production & Practice-As-Research' project: shaping the London College of Music's Research Agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2017) The AHRC funded ‘Classical Music Hyper-Production & Practice-As-Research’ project: shaping the London College Of Music’s research agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Castells-Delgado, Antonio (2016) Video of the performance of '2045: The Year Man Becomes Immortal' at Cowdray Park on the 9th of July 2016. [Video]

Castells-Delgado, Antonio (2016) Video of the performance of '2045: The Year Man Becomes Immortal?' at St. James's Piccadilly on the 6th of July 2016. [Video]

Caston, Emily (2014) The fine art of commercial freedom: British music videos and film culture. Scope, 26. ISSN 1465-9166

Challis, Ben, Kang, Angela, Rimmer, Rachel and Hildred, Mark (2017) Enabling active interaction with music and sound in multisensory environments. EAI Endorsed Transactions on Creative Technologies, 4 (11). e3. ISSN 2409-9708

Cordeiro, Joao ORCID: 0000-0002-0161-7139 (2014) FuXi: a fish-driven instrument for real-time music performance. In: Proceeding INTER-FACE: 2nd International Conference on Live Interfaces 2014, 22-23 November 2014, Lisbon, Portugal.

O

Osbon, David (2017) Nelson overture. [Performance]

Osbon, David (2017) Sonata for cello and piano. [Performance]

P

Pipe, Liz (2019) 'I see you baby...': expressive gesture in popular music pedagogy. In: The Bloomsbury Handbook of Popular Music Education: Perspectives and Practices. Bloomsbury Academic, London, UK. ISBN 9781350049413 (In Press)

Pott, Francis (2017) Francis Pott: Organ Works. [Audio]

Pott, Francis (2017) La Chiesa del Sole. [Performance]

Pott, Francis (2017) Laudes. [Performance]

Pott, Francis (2017) Prelude and Fugue on 'Iste Confessor' [= No.1 of 'Three Hymn Tune Fantasias', 2013]. 25'00". [Performance]

S

Sayer, Timothy (2013) Dynamic scores: extending the parameter space of live performance. Scene, 1 (2). pp. 247-256. ISSN 2044-3714

Sayer, Timothy (2014) Non-thinking music making: a proposed methodology to emancipate improvisation. In: 9th Conference on Interdisciplinary Musicology – CIM14, 03-06 Dec 2014, Staatliches Institut für Musikforschung, Berlin, Germany.

Sayer, Timothy, Tetkov, Kordian, Lord, Matthew and Lee, Stewart (2018) Bristol Fashion. [Audio]

Sholl, Robert (2018) Arvo Pärt, passio and spirituality. UNSPECIFIED.

Sholl, Robert (2014) Educating Isaac. In: Educating Isaac, 27 April 2014, BBC Radio on iPlayer.

Sholl, Robert (2018) Exhibiting the phantom: improvisations for an unmasking. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Sholl, Robert (2017) The Feldenkrais method. New Vistas, 3 (1). pp. 28-33. ISSN 2056-9688

Sholl, Robert (2018) Feldenkrais’s touch, Ephram’s laughter, Gould’s sensorium: listening and musical practice between thinking and doing. Journal of the Royal Musical Association. (In Press)

Sholl, Robert (2016) Improvisation to 'The unmasking scene for Rupert Julian's The Phantom of the Opera (1925)'. [Performance]

Sholl, Robert (2016) Improvisation to James Sibley Watson and Melville Webber's 'The Fall of the House of Usher' (1929, silent film). [Performance]

Sholl, Robert (2017) International Recital Series: recital at St John's Smith Square, London. [Performance] (Unpublished)

Sholl, Robert (2017) James Sibley Watson’s the fall of the house of usher: improvisation – images - complementary serendipities. In: Research Events Royal Academy of Music, 29 September 2017, Royal Academy of Music - Duke's Hall. (Unpublished)

Sholl, Robert (2017) Messiaen and Pärt. In: Monastic Musicians Conference, 3 October 2017, Belmont Abbey Hereford. (Unpublished)

Sholl, Robert (2016) Olivier Messiaen complete organ works 4. [Performance] (Unpublished)

Sholl, Robert (2016) Olivier Messiaen complete organ works 5. [Performance] (Unpublished)

Sholl, Robert (2017) Olivier Messiaen complete organ works 6. [Performance] (Unpublished)

Sholl, Robert (2017) Olivier Messiaen complete organ works 7. [Performance] (Unpublished)

Sholl, Robert (2017) Recital at the Cathedral of Notre-Dame de Paris. [Performance] (Unpublished)

Sholl, Robert (2015) Westminster Abbey organ recital 6 December 2015. [Performance] (Unpublished)

Spagnolo, Simone (2017) Touch-less: wearable music and the score-theatre. Studies in Musical Theatre, 11 (2). pp. 147-164. ISSN 1750-3159

Spagnolo, Simone and Trischitta, Giordano (2018) Polymath. [Composition]

Stanbury, Christopher (2017) Playing the changes: rediscovering the lexicon of electronic organ performance practice from 1943 to 2015. Doctoral thesis, University of West London.

T

Totoli, Alessandra and Spagnolo, Simone (2015) Vocalisations with movement (Vocalizzi con movimento). Edizioni Casa Musicale Cav. Quinto Fabio, Salerno (Italy), Salerno, italy.

This list was generated on Wed Dec 19 11:48:45 2018 UTC.

Menu