Items where Subject is "Music > Music performance"

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Number of items at this level: 42.

A

Audissino, Emilio (2013) Archival research and film music: the case of the Boston Pops Orchestra. Journal of Film Music, 6 (2). pp. 147-163. ISSN 1087-7142

Auricchio, Nino and Borg, Paul (2016) New modular synthesizers and performance practice. In: SAE 2nd Synthposium, 14 Nov 2016, Melbourne, Australia. (Unpublished)

B

Barbosa, Alvaro and Cordeiro, Joao ORCID: 0000-0002-0161-7139 (2011) The influence of perceptual attack times in networked music performance. In: Audio Engineering Society 44th International Conference - Audio Networking, 18 - 20 November 2011, Sand Diego, USA.

C

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2017) The AHRC funded 'Classical Music Hyper-Production & Practice-As-Research' project: shaping the London College of Music's Research Agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2017) The AHRC funded ‘Classical Music Hyper-Production & Practice-As-Research’ project: shaping the London College Of Music’s research agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Castells-Delgado, Antonio (2016) Video of the performance of '2045: The Year Man Becomes Immortal' at Cowdray Park on the 9th of July 2016. [Video]

Castells-Delgado, Antonio (2016) Video of the performance of '2045: The Year Man Becomes Immortal?' at St. James's Piccadilly on the 6th of July 2016. [Video]

Caston, Emily (2014) The fine art of commercial freedom: British music videos and film culture. Scope, 26. ISSN 1465-9166

Challis, Ben, Kang, Angela, Rimmer, Rachel and Hildred, Mark (2017) Enabling active interaction with music and sound in multisensory environments. EAI Endorsed Transactions on Creative Technologies, 4 (11). e3. ISSN 2409-9708

Cordeiro, Joao ORCID: 0000-0002-0161-7139 (2014) FuXi: a fish-driven instrument for real-time music performance. In: Proceeding INTER-FACE: 2nd International Conference on Live Interfaces 2014, 22-23 November 2014, Lisbon, Portugal.

O

Osbon, David (2017) Nelson overture. [Performance]

Osbon, David (2017) Sonata for cello and piano. [Performance]

P

Pipe, Liz (2019) 'I see you baby...': expressive gesture in popular music pedagogy. In: The Bloomsbury Handbook of Popular Music Education: Perspectives and Practices. Bloomsbury Academic, London, UK. ISBN 9781350049413 (In Press)

Pott, Francis (2017) Francis Pott: Organ Works. [Audio]

Pott, Francis (2017) La Chiesa del Sole. [Performance]

Pott, Francis (2017) Laudes. [Performance]

Pott, Francis (2017) Prelude and Fugue on 'Iste Confessor' [= No.1 of 'Three Hymn Tune Fantasias', 2013]. 25'00". [Performance]

S

Sayer, Timothy (2013) Dynamic scores: extending the parameter space of live performance. Scene, 1 (2). pp. 247-256. ISSN 2044-3714

Sayer, Timothy (2014) Non-thinking music making: a proposed methodology to emancipate improvisation. In: 9th Conference on Interdisciplinary Musicology – CIM14, 03-06 Dec 2014, Staatliches Institut für Musikforschung, Berlin, Germany.

Sayer, Timothy, Tetkov, Kordian, Lord, Matthew and Lee, Stewart (2018) Bristol Fashion. [Audio]

Sholl, Robert (2018) Arvo Pärt, passio and spirituality. UNSPECIFIED.

Sholl, Robert (2014) Educating Isaac. In: Educating Isaac, 27 April 2014, BBC Radio on iPlayer.

Sholl, Robert (2018) Exhibiting the phantom: improvisations for an unmasking. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Sholl, Robert (2017) The Feldenkrais method. New Vistas, 3 (1). pp. 28-33. ISSN 2056-9688

Sholl, Robert (2018) Feldenkrais’s touch, Ephram’s laughter, Gould’s sensorium: listening and musical practice between thinking and doing. Journal of the Royal Musical Association. ISSN 0269-0403 (In Press)

Sholl, Robert (2016) Improvisation to 'The unmasking scene for Rupert Julian's The Phantom of the Opera (1925)'. [Performance]

Sholl, Robert (2016) Improvisation to James Sibley Watson and Melville Webber's 'The Fall of the House of Usher' (1929, silent film). [Performance]

Sholl, Robert (2017) International Recital Series: recital at St John's Smith Square, London. [Performance] (Unpublished)

Sholl, Robert (2018) James Sibley Watson’s The Fall of the House of Usher: surrealism, improvisation, complementary serendipities. Perspectives of New Music. ISSN 0031–6016 (In Press)

Sholl, Robert (2017) James Sibley Watson’s the fall of the house of usher: improvisation – images - complementary serendipities. In: Research Events Royal Academy of Music, 29 September 2017, Royal Academy of Music - Duke's Hall. (Unpublished)

Sholl, Robert (2017) Messiaen and Pärt. In: Monastic Musicians Conference, 3 October 2017, Belmont Abbey Hereford. (Unpublished)

Sholl, Robert (2016) Olivier Messiaen complete organ works 4. [Performance] (Unpublished)

Sholl, Robert (2016) Olivier Messiaen complete organ works 5. [Performance] (Unpublished)

Sholl, Robert (2017) Olivier Messiaen complete organ works 6. [Performance] (Unpublished)

Sholl, Robert (2017) Olivier Messiaen complete organ works 7. [Performance] (Unpublished)

Sholl, Robert (2017) Recital at the Cathedral of Notre-Dame de Paris. [Performance] (Unpublished)

Sholl, Robert (2015) Westminster Abbey organ recital 6 December 2015. [Performance] (Unpublished)

Spagnolo, Simone (2018) Touch-less: wearable music and the score-theatre. Studies in Musical Theatre, 11 (2). pp. 147-164. ISSN 1750-3159

Spagnolo, Simone and Trischitta, Giordano (2018) Polymath. [Composition]

Stanbury, Christopher (2017) Playing the changes: rediscovering the lexicon of electronic organ performance practice from 1943 to 2015. Doctoral thesis, University of West London.

T

Totoli, Alessandra and Spagnolo, Simone (2015) Vocalisations with movement (Vocalizzi con movimento). Edizioni Casa Musicale Cav. Quinto Fabio, Salerno (Italy), Salerno, italy.

Z

Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2019) Haydn in modern dress: applying experimental contemporary production techniques to the classical repertoire. In: The Art of Record Production: Creative Practice in the Studio. Ashgate Popular and Folk Music. Routledge Press, Abingdon, UK. (Submitted)

This list was generated on Fri Feb 22 22:26:05 2019 UTC.

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