A

Auricchio, Nino (2017) Natural highs: timbre and chills in electronic dance music. In: Popular Music Studies Today. Systematische Musikwissenschaft. Springer VS, Wiesbaden, Germany, pp. 11-23. ISBN 9783658177409

B

Brown, Katrina, Irvine, Rosanna and Sayer, Timothy (2014) what remains and is to come. [Composition]

C

Capulet, Emilie (2021) Le paradigme cinématographique dans la musique pour piano d'Henri Tomasi / The piano music of Henri Tomasi and the cinematic paradigm. In: Colloque International Henri Tomasi, Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)

Castells Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X [COMPOSITION]. [Composition]

Castells Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X [STUDIO ALBUM]. [Audio]

Castells Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) Hhumann X at LSO St Luke's [LIVE ALBUM]. [Audio]

Castells Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X at LSO St Luke's, London, UK. [Performance]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) 2045. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) C121 W / P V1. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) C121 W / P V2. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) Call Thou Upon My Name Unto Eternity, And It Shall Never Fail. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Das Magische Theatre' at Chateau Papillon, St Moritz, Switzerland. [Show/Exhibition]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Dragons V10. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Forgiveness V6. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Gabriel V12. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Hear V4. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Pulse V7. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Reverberation V16. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Score for '2045: The Year Man Becomes Immortal'. [Composition]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Syria V8. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2016) Video of the performance of '2045: The Year Man Becomes Immortal' at Cowdray Park on the 9th of July 2016. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2016) Video of the performance of '2045: The Year Man Becomes Immortal?' at St. James's Piccadilly on the 6th of July 2016. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Chen, Pengyou (2017) 2045 - 01 Overture. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Chen, Pengyou (2017) 2045 - 02 Gold. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Chen, Pengyou (2017) 2045 - 03 Slaves of Time. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Duchlevova, Tereza (2019) Hhumann X at LSO St Luke's [VIDEO]. [Video]

Chiappinelli, Massinilliano and Osbon, David (2018) Anthems After Prometheus interview. Accademia Musicale Roma Castelli, Rome, Italy.

D

De Commarque, Cyril and Castells Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Artificialis' at the Saatchi Gallery, London, UK. [Show/Exhibition]

Douglas, Kitrina (2022) Black is the night: masking and unmasking, social science research, and what a song might bring. International Review of Qualitative Research. p. 194084472211310. ISSN 1940-8447

Douglas, Kitrina and Carless, David (2021) Evoking embodied presence: these things, songwriting, filmmaking, and borrowing a performative trick from Bob Dylan. International Review of Qualitative Research, 14 (2). pp. 313-324. ISSN 1940-8447

E

Efthymiou, Litha (2013) Bustling. [Composition] (Unpublished)

Efthymiou, Litha (2012) Egg Soldiers. [Composition] (Unpublished)

Efthymiou, Litha (2017) Iberian Refractions. [Composition]

Efthymiou, Litha (2015) Kalyani. [Composition]

Efthymiou, Litha (2016) Let Him Kiss Me With The Kiss of His Mouth. [Composition] (Unpublished)

Efthymiou, Litha (2017) Moments Held. [Composition] (Unpublished)

Efthymiou, Litha (2019) Moon From Earth. [Composition] (Unpublished)

Efthymiou, Litha (2018) Present Shadows. [Composition]

Efthymiou, Litha (2017) Riversong. [Composition] (Unpublished)

Efthymiou, Litha (2012) States of Ice: Diamond Dust. [Composition]

Efthymiou, Litha (2015) Tread Softly. [Composition]

Efthymiou, Litha (2018) Waves. [Composition] (Unpublished)

Efthymiou, Litha and Hornby, Emma (2020) New music inspired by old Hispanic chant. Context Journal of Music Research (45). pp. 61-73. ISSN 1038-4006

Efthymiou, Litha and Scheuregger, Martin (2021) Audience perception in experiential embodied music theatre: a practice-based case study. Act Zeitschrift für Musik und Performance (10). pp. 1-29.

K

Kubiak, Agata (2019) Creativity in new music for strings: under which circumstances does creative change occur in different types of performer-composer collaborations. Doctoral thesis, University of West London.

O

Osbon, David (2018) 5 hommages. [Composition]

Osbon, David (2018) 5 hommages for violin and piano. [Composition]

Osbon, David (2018) Anthems after Prometheus. [Audio]

Osbon, David (2020) Dearly Ransomed Soul. [Composition]

Osbon, David (2018) Interview on national public radio (USA). WVIA, Scranton PA, USA.

Osbon, David (2018) Into the sun. [Composition]

Osbon, David (2018) Into the sun... [Composition]

Osbon, David (2018) Liberty. [Composition] (Submitted)

Osbon, David (2020) Liberty for symphony orchestra. [Composition]

Osbon, David (2016) Nelson overture. [Composition]

Osbon, David (2019) Poster from world premiere performance. [Performance]

Osbon, David (2019) Poster of performance in Louisville, Kentucky. [Performance]

Osbon, David (2019) Poster of performance in Valletri, Italy. [Performance]

Osbon, David (2020) The Prometheus Sonata. [Composition]

Osbon, David (2017) The Spirits of Sabate for wind quintet. [Composition]

Osbon, David (2018) Still waiting for the revolution... [Composition]

Osbon, David (2019) Still waiting for the revolution... for piano trio. [Composition]

P

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Sholl, Robert, Visser, Andy, Exarchos, Michail and McCready, Anna (2022) ‘In the Torture Chamber’: improvisation, recording, production and the collective imagination in artistic research. In: European Platform for Artistic Research in Music - EPARM 2022, 7-9 April 2022, London, UK. (Unpublished)

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2020) At First Light. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Improvisation on 'Adeste, Fideles' [O Come, all ye Faithful], for organ. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2018) La Chiesa del Sole. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2018) La Chiesa del Sole. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Sonata for viola and piano: published score ISMN 979-0-5706-8205-8. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2021) Surrexit Hodie. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2018) They that put their trust in the Lord. [Performance] (Unpublished)

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 and Barnes, Philip (2016) 'Re-Choired Listening', episode 111. [Audio]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622, Shakespeare, William, Meynell, Alice, Herrick, Robert, Dickinson, Emily, Flecker, James Elroy and Browning, Elizabeth Barrett (2017) Ardor Amoris. [Composition] (In Press)

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 and Thomas, Edward (2017) Early one morning. [Composition] (In Press)

R

Ramacciotti, Paolo (2016) Elektron Elohim: a cosmic oratorio for soloists, chamber choir, electric guitars and keyboard synthesisers. Doctoral thesis, University of West London.

S

Sayer, Timothy (2017) Mondrisonic. [Composition]

Sayer, Timothy and Irvine, Rosanna (2018) Breath Pieces. [Composition]

Spagnolo, Simone (2015) Each tale chases another: metaphorical representations, non-linearity and openness of narrative structure in Italian opera from post-WWII to It makes no difference. Doctoral thesis, Trinity Laban Conservatoire / City University.

Spagnolo, Simone (2014) Even you, lights, cannot hear me. [Composition] (Unpublished)

Spagnolo, Simone (2018) Faust, Alberta. [Composition] (Unpublished)

Spagnolo, Simone (2017) Non ho dormito in questa notte mai. [Composition] (Unpublished)

Spagnolo, Simone (2018) Touch-less: wearable music and the score-theatre. Studies in Musical Theatre, 11 (2). pp. 147-164. ISSN 1750-3159

Spagnolo, Simone (2016) Unsaid by the mouth, but spoken by the drums. Journal of the Institute of Composing, 9.

Spagnolo, Simone (2017) The colour blue. [Composition] (Unpublished)

Spagnolo, Simone and Trischitta, Giordano (2018) Polymath. [Composition]

Szafranski, Bartosz and Cork, Jo (2017) Sensate. [Performance]

Szafranski, Bartosz, Thomas, Maureen, Salihbegovic, Fahrudin and Cork, Jo (2016) WE. [Performance]