A

Auricchio, Nino (2017) Natural highs: timbre and chills in electronic dance music. In: Popular Music Studies Today. Systematische Musikwissenschaft. Springer VS, Wiesbaden, Germany, pp. 11-23. ISBN 9783658177409

B

Brown, Katrina, Irvine, Rosanna and Sayer, Timothy (2014) what remains and is to come. [Composition]

C

Capulet, Emilie (2021) Le paradigme cinématographique dans la musique pour piano d'Henri Tomasi / The piano music of Henri Tomasi and the cinematic paradigm. In: Colloque International Henri Tomasi, Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X [COMPOSITION]. [Composition]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X [STUDIO ALBUM]. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) Hhumann X at LSO St Luke's [LIVE ALBUM]. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X at LSO St Luke's, London, UK. [Performance]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) 2045. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) C121 W / P V1. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) C121 W / P V2. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) Call Thou Upon My Name Unto Eternity, And It Shall Never Fail. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Das Magische Theatre' at Chateau Papillon, St Moritz, Switzerland. [Show/Exhibition]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Dragons V10. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Forgiveness V6. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Gabriel V12. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Hear V4. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Pulse V7. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Reverberation V16. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Score for '2045: The Year Man Becomes Immortal'. [Composition]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2017) Syria V8. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2016) Video of the performance of '2045: The Year Man Becomes Immortal' at Cowdray Park on the 9th of July 2016. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2016) Video of the performance of '2045: The Year Man Becomes Immortal?' at St. James's Piccadilly on the 6th of July 2016. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Chen, Pengyou (2017) 2045 - 01 Overture. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Chen, Pengyou (2017) 2045 - 02 Gold. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Chen, Pengyou (2017) 2045 - 03 Slaves of Time. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Duchlevova, Tereza (2019) Hhumann X at LSO St Luke's [VIDEO]. [Video]

Chiappinelli, Massinilliano and Osbon, David (2018) Anthems After Prometheus interview. Accademia Musicale Roma Castelli, Rome, Italy.

Cubides Gutierrez, Jose Manuel (2023) Developing compositional methods by the integration of popular music creation techniques into the electroacoustic music practice. Doctoral thesis, University of West London.

D

De Commarque, Cyril and Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Artificialis' at the Saatchi Gallery, London, UK. [Show/Exhibition]

Douglas, Kitrina (2022) Black is the night: masking and unmasking, social science research, and what a song might bring. International Review of Qualitative Research. p. 194084472211310. ISSN 1940-8447

Douglas, Kitrina and Carless, David (2021) Evoking embodied presence: these things, songwriting, filmmaking, and borrowing a performative trick from Bob Dylan. International Review of Qualitative Research, 14 (2). pp. 313-324. ISSN 1940-8447

E

Efthymiou, Litha and Hornby, Emma (2020) New music inspired by old Hispanic chant. Context Journal of Music Research (45). pp. 61-73. ISSN 1038-4006

Efthymiou, Litha and Scheuregger, Martin (2021) Audience perception in experiential embodied music theatre: a practice-based case study. Act Zeitschrift für Musik und Performance (10). pp. 1-29.

Efthymiou, Litha (2013) Bustling. [Composition] (Unpublished)

Efthymiou, Litha (2012) Egg Soldiers. [Composition] (Unpublished)

Efthymiou, Litha (2017) Iberian Refractions. [Composition]

Efthymiou, Litha (2015) Kalyani. [Composition]

Efthymiou, Litha (2016) Let Him Kiss Me With The Kiss of His Mouth. [Composition] (Unpublished)

Efthymiou, Litha (2017) Moments Held. [Composition] (Unpublished)

Efthymiou, Litha (2019) Moon From Earth. [Composition] (Unpublished)

Efthymiou, Litha (2018) Present Shadows. [Composition]

Efthymiou, Litha (2017) Riversong. [Composition] (Unpublished)

Efthymiou, Litha (2012) States of Ice: Diamond Dust. [Composition]

Efthymiou, Litha (2015) Tread Softly. [Composition]

Efthymiou, Litha (2018) Waves. [Composition] (Unpublished)

K

Kubiak, Agata (2019) Creativity in new music for strings: under which circumstances does creative change occur in different types of performer-composer collaborations. Doctoral thesis, University of West London.

M

McMurtry, Leslie and Sholl, Robert (2021) Shattered! [Audio]

O

Osbon, David (2018) 5 hommages. [Composition]

Osbon, David (2018) 5 hommages for violin and piano. [Composition]

Osbon, David (2018) Anthems after Prometheus. [Audio]

Osbon, David (2020) Dearly Ransomed Soul. [Composition]

Osbon, David (2018) Interview on national public radio (USA). WVIA, Scranton PA, USA.

Osbon, David (2018) Into the sun. [Composition]

Osbon, David (2018) Into the sun... [Composition]

Osbon, David (2018) Liberty. [Composition] (Submitted)

Osbon, David (2020) Liberty for symphony orchestra. [Composition]

Osbon, David (2016) Nelson overture. [Composition]

Osbon, David (2019) Poster from world premiere performance. [Performance]

Osbon, David (2019) Poster of performance in Louisville, Kentucky. [Performance]

Osbon, David (2019) Poster of performance in Valletri, Italy. [Performance]

Osbon, David (2020) The Prometheus Sonata. [Composition]

Osbon, David (2017) The Spirits of Sabate for wind quintet. [Composition]

Osbon, David (2018) Still waiting for the revolution... [Composition]

Osbon, David (2019) Still waiting for the revolution... for piano trio. [Composition]

P

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Sholl, Robert (2024) Les Ombres du Fantôme. [Audio]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Sholl, Robert, Visser, Andy, Exarchos, Michail and McCready, Anna (2022) ‘In the Torture Chamber’: improvisation, recording, production and the collective imagination in artistic research. In: European Platform for Artistic Research in Music - EPARM 2022, 7-9 April 2022, London, UK. (Unpublished)

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2020) At First Light. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Improvisation on 'Adeste, Fideles' [O Come, all ye Faithful], for organ. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2018) La Chiesa del Sole. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2018) La Chiesa del Sole. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Sonata for viola and piano: published score ISMN 979-0-5706-8205-8. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2021) Surrexit Hodie. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2018) They that put their trust in the Lord. [Performance] (Unpublished)

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 and Barnes, Philip (2016) 'Re-Choired Listening', episode 111. [Audio]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622, Shakespeare, William, Meynell, Alice, Herrick, Robert, Dickinson, Emily, Flecker, James Elroy and Browning, Elizabeth Barrett (2017) Ardor Amoris. [Composition] (In Press)

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 and Thomas, Edward (2017) Early one morning. [Composition] (In Press)

R

Ramacciotti, Paolo (2016) Elektron Elohim: a cosmic oratorio for soloists, chamber choir, electric guitars and keyboard synthesisers. Doctoral thesis, University of West London.

S

Sayer, Timothy (2017) Mondrisonic. [Composition]

Sayer, Timothy and Irvine, Rosanna (2018) Breath Pieces. [Composition]

Sholl, Robert (2024) Improvisation. [Arts Related non-text Outputs]

Sholl, Robert (2024) Robert Sholl Piano Improvisation to The Phantom of the Opera Unmasking Scene. [Composition]

Spagnolo, Simone (2018) Touch-less: wearable music and the score-theatre. Studies in Musical Theatre, 11 (2). pp. 147-164. ISSN 1750-3159

Spagnolo, Simone (2016) Unsaid by the mouth, but spoken by the drums. Journal of the Institute of Composing, 9.

Spagnolo, Simone (2015) Each tale chases another: metaphorical representations, non-linearity and openness of narrative structure in Italian opera from post-WWII to It makes no difference. Doctoral thesis, Trinity Laban Conservatoire / City University.

Spagnolo, Simone (2014) Even you, lights, cannot hear me. [Composition] (Unpublished)

Spagnolo, Simone (2018) Faust, Alberta. [Composition] (Unpublished)

Spagnolo, Simone (2017) Non ho dormito in questa notte mai. [Composition] (Unpublished)

Spagnolo, Simone (2017) The colour blue. [Composition] (Unpublished)

Spagnolo, Simone and Trischitta, Giordano (2018) Polymath. [Composition]

Szafranski, Bartosz and Cork, Jo (2017) Sensate. [Performance]

Szafranski, Bartosz, Thomas, Maureen, Salihbegovic, Fahrudin and Cork, Jo (2016) WE. [Performance]