Items where Subject is "Music > Record production"

Up a level
Export as [feed] RSS
Group by: Creators | Item Type
Jump to: C | E | J | L | M | P | T
Number of items at this level: 52.

C

Campbell, William, Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, Rob (2010) The effect of dynamic range compression on the psychoacoustic quality and loudness of commercial music. In: Proceedings of the Internoise 2010 Conference, 13-16 June 2010, Lisbon, Portugal.

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2017) The AHRC funded 'Classical Music Hyper-Production & Practice-As-Research' project: shaping the London College of Music's Research Agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Castells-Delgado, Antonio (2017) C121 W / P V1. [Audio]

Castells-Delgado, Antonio (2017) C121 W / P V2. [Audio]

Castells-Delgado, Antonio (2017) Dragons V10. [Audio]

Castells-Delgado, Antonio (2017) Forgiveness V6. [Audio]

Castells-Delgado, Antonio (2017) Gabriel V12. [Audio]

Castells-Delgado, Antonio (2017) Hear V4. [Audio]

Castells-Delgado, Antonio (2017) Pulse V7. [Audio]

Castells-Delgado, Antonio (2017) Reverberation V16. [Audio]

Castells-Delgado, Antonio (2017) Syria V8. [Audio]

E

Exarchos, Michail ORCID: 0000-0003-1045-3540 (2018) Boom bap ex machina: hip-hop aesthetics and the Akai MPC. In: Perspectives on Music Production: Producing Music. Routledge, New York. (In Press)

Exarchos, Michail ORCID: 0000-0003-1045-3540 (2018) Hip-hop pedagogy as production practice: reverse-engineering the sample-based aesthetic. Journal of Popular Music Education. ISSN 2397-6721

Exarchos, Michail ORCID: 0000-0003-1045-3540 (2018) Hip-hop time machine - re-imagining the ‘phonographic’ in sample-based hip-hop record production: research design for contemporary forms of creative audio practice. New Vistas, 4 (2). pp. 23-27. ISSN 2056-967X (In Press)

Exarchos, Michail ORCID: 0000-0003-1045-3540 (2018) (Re)engineering the cultural object: sonic pasts in hip-hop’s future. In: Innovation In Music: Performance, Production, Technology and Business. Routledge, New York. (In Press)

Exarchos, Michail ORCID: 0000-0003-1045-3540 (2018) Sample magic: (Conjuring) phonographic ghosts and meta-illusions in contemporary hip-hop production. Popular Music, 39 (1). ISSN 0261-1430 (In Press)

Exarchos, Michail ORCID: 0000-0003-1045-3540 (2018) Synth sonics as stylistic signifiers in sample-based hip-hop: synthetic aesthetics from ‘old-school’ to trap. In: Synthesisers: Meaning though Sonics. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 1-38. (In Press)

Exarchos, Michail ORCID: 0000-0003-1045-3540 and Skinner, Glenn (2018) Bass - the wider frontier: low-end stereo placement for headphone listening. Journal On The Art of Record Production, 12. ISSN 1754-9892 (In Press)

J

JackOut, (2009) Saturnalia. [Audio]

L

Leigh, D. (2006) John Foxx: Cathedral oceans. [Video]

M

Meynell, Anthony (2017) How recording studios used technology to invoke the psychedelic experience: the difference in staging techniques in British and American recordings in the late 1960s. Doctoral thesis, University of West London.

Montano, Ed and Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2014) Production technologies and studio practice in electronic dance music culture: guest editors' introduction. Dancecult, 6 (1). pp. 1-7. ISSN 1947-5403

Mycroft, Josh and Paterson, Justin ORCID: 0000-0001-7822-319X (2011) Activity flow in music equalization: the cognitive and creative implications of interface design. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

P

Paterson, Justin ORCID: 0000-0001-7822-319X (2018) 3-D audio. In: UNSPECIFIED Perspectives on Music Production. Routledge. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X (2014) Contemporary approaches to programming drums. In: Proceedings of the 137th Audio Engineering Society Convention, 10-13 Oct 2014, Los Angeles, USA. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X (2011) Creative abuse in time stretching. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

Paterson, Justin ORCID: 0000-0001-7822-319X (2008) Cutting tracks, making CDs: a comparative study of audio time-correction techniques in the desktop age. Journal on the Art of Record Production (4). ISSN 1754-9892

Paterson, Justin ORCID: 0000-0001-7822-319X (2011) Drum and percussion programming. In: Proceedings of the 131st Audio Engineering Society Convention, 13-16 Oct 2011, New York City, USA. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X (2012) Drum and percussion programming. In: Proceedings of the 132nd Audio Engineering Society Convention, 27-30 April 2012, Budapest, Hungary. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X (2013) Drum programming. In: Proceedings of the 134th Audio Engineering Society Convention, 3-6 May 2013, Rome, Italy. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X (2013) Free improv - the hard way. In: Proceedings of the 134th Audio Engineering Society Convention, 4-7 May 2013, Rome, Italy.

Paterson, Justin ORCID: 0000-0001-7822-319X (2006) "Killing spillage": an algorithm to reduce microphone spillage and improve phase coherence. In: Proceedings of the 2nd Art of Record Production Conference, 8-10 September 2006, Edinburgh, UK.

Paterson, Justin ORCID: 0000-0001-7822-319X (2015) MTF research network. In: Music Tech Fest, 29 May - 1 June 2015, Umeå, Sweden. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X (2016) Mixing in the box. In: Mixing Music. Perspectives On Music Production. Routledge, New York, USA, pp. 77-93. ISBN 9781138218734

Paterson, Justin ORCID: 0000-0001-7822-319X (2007) Phase experiments in multi-microphone recordings: a practical exploration. Journal of the Art of Record Production (1). ISSN 1754-9892

Paterson, Justin ORCID: 0000-0001-7822-319X (2007) "Set phasors to stun": an algorithm to improve phase coherence on transients in multi-microphone recordings. In: Proceedings of the International Congress on Acoustics 2007, 02-07 Sep 2007, Madrid, Spain.

Paterson, Justin ORCID: 0000-0001-7822-319X (2015) Something Jaggy. [Audio]

Paterson, Justin ORCID: 0000-0001-7822-319X (2014) Wavefondler — a multi-touch interface for iPad to control audio on a host computer via a visualization of the waveform. In: Innovation in music 2013. Future Technology Press, Shoreham-by-Sea, UK, pp. 67-78. ISBN 978-0-9561516-8-1

Paterson, Justin ORCID: 0000-0001-7822-319X (2011) What constitutes innovation in music production? In: Proceedings of the 131st Audio Engineering Society Convention, 21-24 Oct 2011, New York City, USA.

Paterson, Justin ORCID: 0000-0001-7822-319X (2012) What is the worth of pre-DSP 'traditional' production values in the contemporary manipulation-oriented context? In: Proceedings of the 132nd Audio Engineering Society Convention, 27-30 April 2012, Budapest, Hungary.

Paterson, Justin ORCID: 0000-0001-7822-319X (2013) The art of drum programming. In: Proceedings of the 135th Audio Engineering Society Convention, 17-20 October 2013, New York City, US. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X (2015) The drum programming handbook: the complete guide to creating great rythm tracks. Backbeat Books, London, UK. ISBN 9781480392878

Paterson, Justin ORCID: 0000-0001-7822-319X (2011) The preset is dead; long live the preset. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

Paterson, Justin ORCID: 0000-0001-7822-319X and Llewellyn, Gareth (2018) Producing 3-D audio. In: Producing Music. Perspectives on Music Production. Routledge, London & New York. (In Press)

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, E.Rob (2018) Plan. [Artefact]

Paterson, Justin ORCID: 0000-0001-7822-319X, Toulson, E.Rob and Sariñana, Ximena (2018) Ximena sariñana variPlay. [Artefact]

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, Rob (2015) Interactive digital music: enhancing listener engagement with commercial music. In: Innovation in Music II. KES Transactions on Innovation in Music, 2. Future Technology Press, Shoreham-by-Sea, UK, pp. 193-209. ISBN 9781911108047

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, Rob (2015) An app for interactive music playback. In: Music Tech Fest, 18-21 Sept 2015, Ljubjana, Slovenia. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, Rob (2015) An app for interactive music playback. In: Music Interaction Design Symposium, 16 Mar 2016, Birmingham, UK. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, Rob (2016) The interactive album app. In: Music Interaction Design (MiXD) symposium, 16 Mar 2016, Birmingham, UK.

Paterson, Justin ORCID: 0000-0001-7822-319X, Toulson, Rob, Lexer, Sebastian and Webster, Tim (2015) Red Planet EP. Apple Inc..

T

Toulson, Rob and Paterson, Justin ORCID: 0000-0001-7822-319X (2016) A new interactive music format for enhancing listener engagement with recorded music. In: 11th Art of Record Production Conference, 2-4 Dec 2016, Aalborg, Denmark. (Unpublished)

This list was generated on Wed Dec 19 12:12:41 2018 UTC.

Menu