Items where Subject is "Music > Music/audio technology"

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Number of items at this level: 35.

A

Auricchio, Nino and Borg, Paul (2016) New modular synthesizers and performance practice. In: SAE 2nd Synthposium, 14 Nov 2016, Melbourne, Australia. (Unpublished)

B

Barbosa, Alvaro and Cordeiro, Joao ORCID: 0000-0002-0161-7139 (2011) The influence of perceptual attack times in networked music performance. In: Audio Engineering Society 44th International Conference - Audio Networking, 18 - 20 November 2011, Sand Diego, USA.

Bourbon, Andrew and Zagorski-Thomas, Simon ORCID: 0000-0002-4632-0320 (2016) Sonic cartoons and semantic audio processing: using invariant properties to create schematic representations of acoustic phenomena. In: 2nd AES Workshop on Intelligent Music Production, 13 September 2016, London, UK.

C

Campbell, William, Paterson, Justin ORCID: 0000-0001-7822-319X and van der Linde, Ian (2017) Listener preferences for alternative dynamic-range-compressed audio configurations. Journal of the Audio Engineering Society, 65 (7/8). pp. 540-551. ISSN 1549-4950

Cordeiro, Joao ORCID: 0000-0002-0161-7139 (2014) FuXi: a fish-driven instrument for real-time music performance. In: Proceeding INTER-FACE: 2nd International Conference on Live Interfaces 2014, 22-23 November 2014, Lisbon, Portugal.

Cordeiro, Joao ORCID: 0000-0002-0161-7139 (2008) pDaniM: a case study around interactive processes for expressive music generation in the computer animation production pipeline. In: Proceedings of ARTECH 2008, 4th International Conference on Digital Arts, 7-8 November 2008, Oporto, Portugal.

Cordeiro, Joao ORCID: 0000-0002-0161-7139, Barbosa, Alvaro, Martins, Luis Gustavo and Gomes, Jose Alberto (2014) The foundation of soundscape lab in Macau. In: Tecniacustica 2014 - EUROPEAN SYMPOSIUM ON SMART CITIES AND ENVIRONMENTAL ACOUSTICS, 29 - 31 October 2014, Murcia, Spain.

Cordeiro, Joao ORCID: 0000-0002-0161-7139, Gomes, Jose Alberto and Goncalves, Miguel (2014) Promoting awareness for the acoustic phenomenon: a survey of pedagogical practices and research projects developed at EA/CITAR. In: Invisible Places Sounding Cities - Sound, Urbanism and Sense of Place, 18 - 20 July 2014, Viseu, Portugal.

E

Exarchos, Michail ORCID: 0000-0003-1045-3540 (2018) Hip-hop pedagogy as production practice: reverse-engineering the sample-based aesthetic. Journal of Popular Music Education. ISSN 2397-6721

Exarchos, Michail ORCID: 0000-0003-1045-3540 and Skinner, Glenn (2018) Bass - the wider frontier: low-end stereo placement for headphone listening. Journal On The Art of Record Production, 12. ISSN 1754-9892 (In Press)

G

Garavaglia, Javier Alejandro (2017) Creating multiple spatial settings with "Granular Spatialisation" in the high-density loudspeaker array of the Cube concert hall. Computer Music Journal, 40 (4). pp. 79-90. ISSN 0148-9267

J

Justin, Paterson ORCID: 0000-0001-7822-319X (2017) Listener preferences for alternative dynamic-range-compressed audio configurations. In: Cambridge Hearing Group, 05 Nov 2017, University of Cambridge, UK. (Unpublished)

M

Meynell, Anthony (2017) How recording studios used technology to invoke the psychedelic experience: the difference in staging techniques in British and American recordings in the late 1960s. Doctoral thesis, University of West London.

P

Paterson, Justin ORCID: 0000-0001-7822-319X (2018) 3-D audio. In: UNSPECIFIED Perspectives on Music Production. Routledge. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X and Llewellyn, Gareth (2018) Producing 3-D audio. In: Producing Music. Perspectives on Music Production. Routledge, London & New York. (In Press)

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, E. Rob (2018) Get inside the music: connecting artists and audiences through interactive apps. In: Audio Engineering Society Convention 145, 17-20 Oct 2018, New York City, US.

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, E. Rob (2018) Interactive recorded music: past, present, and future. In: Audio Engineering Society Convention 145, 17-20 Oct 2018, New York City, US.

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, E. Rob (2018) Live-market evaluation of interactive music apps. In: IASPM: Crosstown Traffic: Popular Music Theory and Practice, 3-5 Sept 2018, Huddersfield, UK. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, E. Rob (2018) The interactive album app. In: 4th Workshop on Intelligent Music Production, 14 Sept 2018, Huddersfield, UK. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, E. Rob (2018) variPlay record of the day guest blog - BPI innovation hub. Discussion Paper. British Phonographic Industry, UK.

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, E. Rob (2018) variPlay: the next generation of interactive music. In: BPI Innovation Hub, 11 Sept 2018, London, UK. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X, Toulson, E. Rob and Hepworth-Sawyer, Russ (2018) Mastering music for multi-stem and interactive applications. In: AES UK Mastering Conference 2018, 22-23 Sept 2018, London, UK. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X, Toulson, E. Rob and Hepworth-Sawyer, Russell (2019) Mastering music for multi-stem and interactive applications. In: AES Transactions on Mastering. Perspectives on Music Production. Routledge, USA. (Unpublished)

Paterson, Justin ORCID: 0000-0001-7822-319X and Toulson, E.Rob (2018) Plan. [Artefact]

Paterson, Justin ORCID: 0000-0001-7822-319X, Toulson, E.Rob and Sariñana, Ximena (2018) Ximena sariñana variPlay. [Artefact]

Pott, Francis and Barnes, Philip (2016) 1-hour radio interview recorded on 12 February 2016 containing complete broadcasts of three choral works. Interviewer: Philip Barnes, conductor of the St Louis Chamber Chorus, USA. Radio Station: Radio Arts Foundation of St Louis [RAFSTL]. Series: 'Re-choired Listening.'. [Audio]

S

Sayer, Timothy (2015) Cognition and improvisation: some implications for live coding. In: First International Conference on Live Coding (ICLC2015), 13-15 July 2015, Leeds.

Sayer, Timothy (2013) Dynamic scores: extending the parameter space of live performance. Scene, 1 (2). pp. 247-256. ISSN 2044-3714

Sayer, Timothy (2014) Hypnagogia and improvisation: interfacing with reflexive/volitional behaviour. In: INTER-FACE: International Conference on Live Interfaces (ICLI 2014), 19-23 Nov 2014, Lisbon, Portugal.

Sayer, Timothy (2014) Non-thinking music making: a proposed methodology to emancipate improvisation. In: 9th Conference on Interdisciplinary Musicology – CIM14, 03-06 Dec 2014, Staatliches Institut für Musikforschung, Berlin, Germany.

Sayer, Timothy (2018) Using EEG to explore cognitive-cultural networks and ecosystemic performance environments for improvisation. In: Innovation In Music: performance, production, technology and business. Routledge. (In Press)

Sayer, Timothy, Tetkov, Kordian, Lord, Matthew and Lee, Stewart (2018) Bristol Fashion. [Audio]

Stanbury, Christopher (2017) Playing the changes: rediscovering the lexicon of electronic organ performance practice from 1943 to 2015. Doctoral thesis, University of West London.

Szafranski, Bartosz and Cork, Jo (2017) Sensate. [Performance]

Szafranski, Bartosz, Thomas, Maureen, Salihbegovic, Fahrudin and Cork, Jo (2016) WE. [Performance]

This list was generated on Sun Dec 9 11:08:08 2018 UTC.

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