Items where Subject is "Music"

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Number of items at this level: 295.

A

Arden, Jeremy (2006) Bayo’s way: for tuba, nine brass instruments and electronics. [Composition]

Arden, Jeremy (2005) Introduction: the Schillinger system of musical composition. In: The Schillinger system of musical composition. Rose Books, Massachusetts, USA, pp. 1-41. ISBN 1593860285

Arden, Jeremy (2006) Keys to the Schillinger system: basic principles & foundations. Rose Books, Massachusetts, USA. ISBN 1593860315

Arden, Jeremy (2007) Star King of Day: for percussion. [Composition]

Audissino, Emilio (2015) The 'Ancrage' effect of film on music in film-music concert pieces. In: Listening Cinematically, 25-26 June 2015, Royal Holloway, University of London. (Unpublished)

Audissino, Emilio (2013) Archival research and film music: the case of the Boston Pops Orchestra. Journal of Film Music, 6 (2). pp. 147-163. ISSN 1087-7142

Audissino, Emilio (2015) Archival research and the study of the concert presentations of film music. In: Audio-Visual Archives conference, 17-19 July 2015, the British Library, London. (Unpublished)

Audissino, Emilio (2014) Building an emotive framework: the macro-emotive function of film music. In: Music for Audio-Visual Media Conference, 4-6 September 2014, University of Leeds, Leeds, U.K.,. (Unpublished)

Audissino, Emilio (2015) Due note di credibilita. John Williams e Lo squalo [Two notes of credibility. John Williams and Jaws]. Cinergie (7). pp. 36-44. ISSN 2280-9481

Audissino, Emilio (2014) Film music and multimedia: an immersive experience and a throwback to the past. In: Jahrbuch Immersiver Medien 2014: sounds, music & soundscapes. Schüren Verlag, Marburg, Germany, pp. 46-56. ISBN 978-3-89472-896-0

Audissino, Emilio (2016) Film music in concert: the case of the Boston Pops Orchestra. In: Society for American Music 42nd annual conference, 9-16 March 2016, Boston, MA USA. (Unpublished)

Audissino, Emilio (2014) Golden Age 2.0: John Williams and the revival of the symphonic film score. In: Film in concert: film scores and their relation to classical concert music. VWH Verlag, Glücksstadt, Germany, pp. 109-124. ISBN 978-3-86488-060-5

Audissino, Emilio (2016) Gottfried Huppertz's metropolis: the acme of 'cinema music'. In: Today’s Sounds for Yesterday’s Films: Making Music for Silent Cinema. Palgrave Studies in Audio-Visual Culture . Palgrave Macmillan, Basingstoke, UK, pp. 45-63. ISBN 9781137466358

Audissino, Emilio (2013) Hollywood film music and ethnic diversity. In: Multicultural America: A Multimedia Encyclopedia. SAGE, Thousand Oaks, US, pp. 1101-1103. ISBN 978-145-221-683-6

Audissino, Emilio (2011) Il cinema: arte e mercificazione. Il caso delle colonne sonore 'pop' [Cinema: Art and Commodity. The Case of The ''Pop'' Soundtracks]. In: International doctoral Summer School 'Arts and Media 2' organised by the University Sorbonne Nouvelle - Paris 3, 6-10 June 2011, San Servolo (Venice), Italy.

Audissino, Emilio (2014) John Williams's film music. 'Jaws,' 'Star Wars,' 'Raiders of the Lost Ark,' and the return of the classical Hollywood music style. University of Wisconsin Press, Madison WI, USA. ISBN 9780299297343

Audissino, Emilio (2011) John Williams, Star wars and the canonization of Hollywood film music. In: Il canone cinematografico/The film canon. Forum, Udine, Italy, pp. 273-278. ISBN 978-88-8420-663-3

Audissino, Emilio (2010) John Williams, Star wars, and the canonization of Hollywood film music. In: 17th International Film Studies Conference 'Film Forum,', 16-18 March 2010, University of Udine, Italy,.

Audissino, Emilio (2012) John Williams, The Boston Pops Orchestra and film music in concert. In: Cinema, critique des images. Campanotto, Udine, Italy, pp. 230-235. ISBN 88-456-1288-6

Audissino, Emilio (2010) John Williams, The Boston Pops Orchestra and film music in concert. In: 12th International Doctoral Summer School 'Cinema and Contemporary Art 3', 28 June-9 July 2010, Sorbonne Nouvelle-Paris 3, Paris, France.

Audissino, Emilio (2014) Orchestrating a prejudice: European misunderstanding of the use of orchestrators in Hollywood. In: MaMI (Music and the Moving Image) Conference,, 30 May-1 June 2014, New York University, Steinhardt School of Music, New York, U.S.A.. (Unpublished)

Audissino, Emilio (2014) Overruling a romantic prejudice: forms and formats of film music in concert programs. In: Film in concert: film scores and their relation to classical concert music. VWH Verlag, Glücksstadt, Germany, pp. 25-44. ISBN 978-3-86488-060-5

Audissino, Emilio (2014) When the score tells more: music and connotations in Raiders of the Lost Ark. In: 20th SERCIA Conference, 'Movies and Music: National and Transnational Approaches'., 18-20 September 2014, Radboud University, Nijmegen, Netherlands. (Unpublished)

Audissino, Emilio (2013) The aesthetic cost of marketing. The economical motivation of pop songs in films. In: Pratiques et esthétiques. Le coût et la gratuité. L'Harmattan, Paris, France, pp. 41-46. ISBN 978-2-336-29175-8

Audissino, Emilio (2011) Émigrés and Hollywood film music: the cases of Max Steiner's Casablanca and Erich Wolfgang Korngold's The adventures of Robin Hood. In: 12th International Conference 'Da Ulisse a... In viaggio verso le terre felici.' [From Ulysses To... Journeys to the Lands of Happiness], 6-8 October 2011, University of Genoa, Imperia, Italy.

Audissino, Emilio (2011) Émigrés and the political connotations of Hollywood music: two case studies. In: Doctoral workshop 'Migrazioni e Migranti' [Migrations and Migrants], 30 June 2011, University of Pisa, Italy.

Audissino, Emilio and Zacharopulous, Konstantinos (2017) John Williams and contemporary film music. In: Contemporary Film Music: Investigating Cinema Narratives and Composition. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137573742 (In Press)

Auricchio, Nino, Borg, Paul and Whelan, Larry (2016) Cold waves. [Performance]

B

Bandoni, Michael and Auricchio, Nino (2015) Funkshone 'The The Yard'. [Audio]

Bandoni, Michael and Auricchio, Nino (2016) Funkshone 'The strut'. [Audio]

Borg, Paul (2016) Abstrk beats. [Audio]

Bourbon, Andrew, Capulet, Emilie and Zagorski-Thomas, Simon (2015) In modern dress. [Performance]

Bourbon, Andrew and Mcguinness, Sara (2015) The creative negotiation of a trans-national recorded sound: Grupo Lokito as a Congolese-Latin collaboration case study. In: Art of Record Production Conference 6-8th November 2015 Philidelphia, 6-8 November 2015, Philidelphia.

Bourbon, Andrew and Zagorski-Thomas, Simon (2017) The ecological approach to mixing audio: agency, activity and environment in the process of audio staging. Journal on the Art of Record Production, 11. ISSN 1754-9892

C

Campbell, William, Paterson, Justin and Toulson, Rob (2010) The effect of dynamic range compression on the psychoacoustic quality and loudness of commercial music. In: Proceedings of the Internoise 2010 Conference, 13-16 June 2010, Lisbon, Portugal.

Campbell, William, Paterson, Justin and Toulson, Rob (2014) A quantitative evaluation of signal masking in summed and compressed audio. In: Innovation in music. Future Technology Press, Shoreham-by-Sea, UK, 20 - 31. ISBN 9780956151681

Capulet, Emilie (2015) Dementia and Music workshops at LCM. In: A4D Best Practice Music Symposium 2015 Musicianship and Access for Early-Stage Dementia - The Way Forward, 17 April 2015, London, UK.

Capulet, Emilie (2015) Lecture-recital. [Performance]

Capulet, Emilie (2015) Music and Dementia workshops: bridging the gap in music education. In: Changing Landscapes, Rethinking Practice: Teaching and Learning Conference, 29 June 2015, University of West London.

Capulet, Emilie (2014) Scholarly preface (in English and German) to the score of Camille Saint-Saëns' Symphony in A (Youth symphony). In: Saint-Saëns, Camille: Symphony in A (Youth symphony). Repertoire & Opera Explorer (1500). Musikproduktion Höflich, Munich, Germany, i-ii.

Capulet, Emilie (2014) Scholarly preface (in English and German) to the score of Gabriel Pierné's Viennoise op. 49bis for orchestra. In: Gabriel Pierné, Viennoise op. 49bis for orchestra. Repertoire & Opera Explorer (1569). Musikproduktion Höflich, Munich, Germany, i-ii. ISBN Publisher number: 1569 MPH, Musikproduktion Höflich

Capulet, Emilie (2013) Through the looking-glass: transmediality in musicalized narratives of the Modernist period. In: Transmediality and Transculturality. Winter Verlag, Heidelberg.

Capulet, Emilie (2016) The game of chamber music in dementia music therapy. In: Play in Healthcare for Adults. Routledge, Abingdon, UK, pp. 124-134. ISBN 9781315679846

Capulet, Emilie (2015) The piano music of Henri Tomasi. [Audio] (Unpublished)

Capulet, Emilie (2015) The piano music of Henri Tomasi. Toccata Classics, London (UK). (Unpublished)

Capulet, Emilie, Bourbon, Andrew, Zagorski-Thomas, Simon and Blier-Carruthers, Amy (2015) Creative hyper-production - experiments in classical music and live digital signal processing. In: Royal Musical Association 51st Annual Conference, 9-11th September 2015, Birmingham, UK.

Capulet, Emilie and Zagorski-Thomas, Simon (2017) Creating a rubato layer cake: performing and producing overdubs with expressive timing on a classical recording for 'solo' piano. Journal on the Art of Record Production, 11. ISSN 1754-9892

Carr, Marcia (2016) ‘Learning to learn,’ a unique introduction to the Feldenkrais Method of Awareness through Movement created by Garet Newell. In: ‘Learning to Learn,’ a unique introduction to the Feldenkrais Method of Awareness through Movement created by Garet Newell., 25-27 April 2016, London, UK. (Unpublished)

Carr, Marcia (2016) Making the impossible possible: Feldenkrais and the impact upon the training of the actor/singer at London College of Music. In: The Feldenkrais Method in Music, Dance, Movement, and Creative Practice 'Making the Impossible Possible': The Feldenkrais Method in Music, Dance, Movement, and Creative Practice, 30th April 2016, The University of West London, West Hall, St Mary's Campus, Ealing. (Submitted)

Castells-Delgado, Antonio (2011) 1.60.3600. [Audio]

Castells-Delgado, Antonio (2016) 2045: the year man becomes immortal? [Performance]

Castells-Delgado, Antonio (2012) 'Campos de Oro', Spanish operatic translation of Sting's hit song 'Fields of Gold'. [Audio]

Castells-Delgado, Antonio (2011) Creation. [Audio]

Castells-Delgado, Antonio (2012) Life from Light. [Composition]

Castells-Delgado, Antonio (2014) Life from Light. [Performance]

Castells-Delgado, Antonio (2012) Life from Light. [Performance]

Castells-Delgado, Antonio (2013) Life from Light. [Audio]

Castells-Delgado, Antonio (2013) Life from light. [Video]

Castells-Delgado, Antonio (2008) Live from Bush Hall. [Audio]

Castells-Delgado, Antonio (2008) The Momo Live Show. [Performance] (Unpublished)

Castells-Delgado, Antonio (2008) The Momo Live Show. [Performance] (Unpublished)

Castells-Delgado, Antonio (2011) Motherland. [Audio]

Castells-Delgado, Antonio (2011) Ob. [Audio]

Castells-Delgado, Antonio (2011) Piano Works. [Audio]

Castells-Delgado, Antonio (2016) Slaves of Time. [Audio]

Castells-Delgado, Antonio (2007) Unharmed. [Audio]

G

Gamalova, Devorina (2006) The role of music in the spiritual life considered in the light of the orthodox Christian tradition. Doctoral thesis, University of West London.

Gill, Caroline (2015) Contemporary composers: Francis Pott. Gramophone, 93 (1130). pp. 78-79.

Glover, Martin (2005) Iron Age mass. [Composition]

Glover, Martin (2005) The ridge on the slope: for string quartet. [Composition]

H

Hagan, Daniel (2015) The making of a festival. UNSPECIFIED. (Unpublished)

Henning, Michelle and Hyder, Rehan (2016) Bristol: urban space and underground music cultures. In: Ten Cities: Public Sphere, Urban Space. Spector, Goethe Institute, Leipzig, Germany. (In Press)

Henning, Michelle and Hyder, Rehan (2014) Locating the 'Bristol sound': archiving music as everyday life. In: Sites of Popular Music Heritage: Memories, Histories, Places. Routledge, London, UK, pp. 97-111. ISBN 9780415824507

Henson, David (2017) Musical theatre in the 21st century: keeping an open mind. In: LCM Examiners Conference, 11 Feb 2017, Ealing, UK. (Unpublished)

Henson, David (2007) Musical theatre: exploring the world through song. In: Musical theatre: exploring the world through song. LAMDA, London, pp. 54-95. ISBN 978-0-9557687-0-5

Henson, David (2016) You’re not the star yet!: An audition workshop. In: Audition Workshop, 12th October 2016, Manchester. (Unpublished)

Henson, David and Zagorski-Thomas, Simon (2016) Setting the agenda: the theory of popular music practice. In: Perspectives and practices in popular music education. pmperspectivesbook@gmail.com, London, UK. (Unpublished)

Holopainen, Tuomas and Williams, Pip (2015) Endless forms most beautiful. [Audio]

Holopainen, Tuomas and Williams, Pip (2014) Music inspired by the life and times of Scrooge. [Audio]

Howard, John (2003) African toccata. [Composition]

Howard, John (2005) Touched with fire. [Composition]

Howard, John (2002) The splendour falls. [Composition]

J

JackOut, (2009) Saturnalia. [Audio]

L

Laney, Robin, Samuels, Robert and Capulet, Emilie (2015) Cross entropy as a measure of musical contrast. Mathematics and Computation in Music. pp. 193-198.

Laney, Robin, Samuels, Robert and Capulet, Emilie (2015) Entropy as a measure of musical contrast. In: Fifth Biennial International Conference on Mathematics and Computation in Music (MCM2015), 22-25 June 2015, London, UK.

Leigh, D. (2006) John Foxx: Cathedral oceans. [Video]

M

Matharu, S. S. (2006) Anhad. [Composition]

McBirnie, Andrew (2004) Prayer: for solo oboe. [Composition]

McBirnie, Andrew (2005) Ritornel: for mixed septet. [Composition]

McBirnie, Andrew (2002) The moon by night: for alto flute and piano. [Composition]

Mcguinness, Sara (2015) Cohesion and fracture - trans-Atlantic groove: musical commonalities in Cuban Son and Congolese Rumba. In: IASPM Biennal Conference, UniCamp, Brazil, 28 June-3 July 2015, Unicamp, Brazil. (Submitted)

Mcguinness, Sara (2016) Congolese and Cuban Music Workshop at Cardiff University. In: Cardiff University 12 February 2016 – workshop day on Congolese and Cuban Music with a participatory performance in the evening, 12 Feb 2016, Cardiff, Wales. (Unpublished)

Mcguinness, Sara (2015) Cuban Big Band Workshop day. In: Workshop day in Cuban Big Band for all Postgraduate and Undergraduate Jazz students., 10 July 2015, London, UK. (Unpublished)

Mcguinness, Sara (2016) Cuban music workshops in Rome. In: Workshop in ritmica cubana, 27 April 2016, Rome, Italy. (Unpublished)

Mcguinness, Sara (2015) Curious Knowledge Weekend, Kings Cross Quarter, London, September 2015 Day of open workshops and performances in Cuban music. In: Curious Knowledge Weekend, Kings Cross, 30 August 2015, London, UK. (Unpublished)

Mcguinness, Sara (2015) Dancing to the same beat. New Vistas, 1 (2). pp. 10-15. ISSN 2056-967X

Mcguinness, Sara (2015) Delivering music education in the Saharawi Refugee Camps. Forte Magazine, 2015 (1). p. 14.

Mcguinness, Sara (2015) From Ndombolo to Scooby-Doo: Congolese musicians in the UK re-create home whilst finding their own voice. In: 31st European Seminar in Ethnomusicology, 16th-20th September 2015, Limerick, Ireland.

Mcguinness, Sara (2012) GRUPO LOKITO: a practice-based investigation into contemporary links between Congolese and Cuban popular music. Doctoral thesis, School of Oriental and African Studies.

Mcguinness, Sara (2015) Grupo Lokito at the Rugby World Cup, Olympic Park, Stratford, London. 24,26 Sept 2015. [Performance]

Mcguinness, Sara (2015) Grupo Lokito live at African Utopia Festival, South Bank Centre, London. 12 September 2015. [Performance]

Mcguinness, Sara (2015) Grupo Lokito live at Musicport Festival, Whitby, Yorkshire 18 October 2015. [Performance]

Mcguinness, Sara (2015) Grupo Lokito live at Rhythmtree Festival, Isle of Wight 18 July 2015. [Performance]

Mcguinness, Sara (2015) Grupo Lokito live at Vamos Festival, Leeds, Yorkshire. 1 August 2015. [Performance]

Mcguinness, Sara (2015) Grupo Lokito live at West Dean Chili Fiesta, West Sussex. 6 August 2015. [Performance]

Mcguinness, Sara (2015) Grupo Lokito live at the International Eisteddfod, Llangollen, North Wales. 11 July 2015. [Performance]

Mcguinness, Sara (2015) Grupo Lokito: a practice as research project into the Congo-Cuba link. [Audio]

Mcguinness, Sara (2015) Interview on "An evening with Rosilio", Radio Progreso, Cuba. UNSPECIFIED. (Unpublished)

Mcguinness, Sara (2016) Isn’t it easier to just play? The practicalities of documenting a cross-cultural collaboration: a musician’s perspective. In: IMR/BFE/IASPM Study day "Researching Music: Interviewing, Ethnography, and Oral History", 06 June 2016, Senate House, University of London. (Unpublished)

Mcguinness, Sara (2014) Making music for freedom. Western Sahara Review, 3. pp. 19-21.

Mcguinness, Sara (2016) Sarabanda live at Ronnie Scotts Jazz Club. [Performance]

Mcguinness, Sara (2015) Teaching Sound Recording in the Saharawi Refugee Camps. UNSPECIFIED. (Unpublished)

Mcguinness, Sara (2016) Transatlantic beats: common ground in Congolese and Cuban dance music. In: British Forum for Ethnomusicology Annual Conference 2016, 14-17 April 2016, Chatham, Kent.

Mcguinness, Sara, Ndelo, Jose Hendrix and Alegria, Elpidio (2010) Esengo Ya Ko Bina! By Grupo Lokito. [Audio]

Mead, P. (2002) George Crumb: the complete piano music. [Audio]

Mead, P. (2005) Horacio Vaggione and the piano: an introduction to his mature piano style. Contemporary Music Review, 24 (4-5). pp. 365-370. ISSN 0749-4467

Mycroft, Josh and Paterson, Justin (2011) Activity flow in music equalization: the cognitive and creative implications of interface design. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

Myers, Pamela (2014) How a painful operation inspired the 18th century equivalent of a horror movie soundtrack. The Conversation.

Myers, Pamela (2014) Sounds like Christmas: why advertisers are all ears this year. The Conversation.

N

Nash, Jez (2015) Motormouth: "Long way to grandma's". [Audio]

Number, The (2007) The making of quiet things. [Audio]

O

Osbon, David (2016) Austrian premiere of Cello sonata. [Performance]

Osbon, David (2012) Bodies in motion. [Performance]

Osbon, David (2015) Bone ties. [Composition]

Osbon, David (2016) Cadenza for solo violin and live electronic. [Composition]

Osbon, David (2016) Cello sonata. [Composition] (Unpublished)

Osbon, David (2016) Cello sonata world premiere. [Performance]

Osbon, David (2013) Classic shock. UNSPECIFIED.

Osbon, David (2016) Color Duo final Hemisphaeria performance before CD recording. [Performance]

Osbon, David (2016) Color Duo performance of Hemisphaere Project. [Performance]

Osbon, David (2016) Five Hommages by David Osbon. [Performance]

Osbon, David (2013) Grumo Festival 2013. [Performance]

Osbon, David (2015) Half man - half goat. [Composition]

Osbon, David (2016) Hemisphaera project. [Performance]

Osbon, David (2016) Hemisphaere project. [Performance]

Osbon, David (2016) [Performance in Hungary]. [Performance]

Osbon, David (2016) Performance of 5 hommages. [Performance]

Osbon, David (2016) Performance of Three songs for saxophone and piano. [Performance]

Osbon, David (2010) Piano sonata 3. [Composition]

Osbon, David (2016) Second performance in the Hemisphaera project. [Performance]

Osbon, David (2016) Sonata for cello and piano. [Audio]

Osbon, David (2012) Suite for cello and piano. [Composition]

Osbon, David (2015) Three songs. [Composition]

Osbon, David (2016) Transmedia intertextuality - Does it work in performance? Follow the Sun as a proof of concept project. International Journal of Music and Performing Arts, 4 (1). pp. 21-24. ISSN 2374-2690

Osbon, David (2014) Violin concerto. [Composition] (Unpublished)

Osbon, David (2014) Violin concerto. [Audio]

Osbon, David (2011) The spirits of Sabate. [Composition]

Osbon, David and Evans, Alex (2014) From Vox Rosa to Follow the Sun. In: Performing arts, public places. DAKAM, Ankara. ISBN 9786055120979

Osbon, David, Russell, Nino and Broder, Jonathan (2016) Follow the Sun 1st interlude/pause. [Video]

Osbon, David, Russell, Nino and Broder, Jonathan (2016) Follow the Sun interlude/pause 3. [Video]

Osbon, David and Schwarz, Timothy (2016) Electro-acoustic composition workshop and concert. In: Electronic Music event, 23rd May 2016, Vienna, Austria. (Unpublished)

Osbon, David, Schwarz, Timothy and Broder, Jonathan (2016) Views from practice: Follow the Sun. In: College Music Society Conference 2016, 26 Oct 2016, Santa Fe, New Mexico. (Unpublished)

P

Paterson, Justin (2014) Contemporary approaches to programming drums. In: Proceedings of the 137th Audio Engineering Society Convention, 10-13 October 2014, Los Angeles, US. (Unpublished)

Paterson, Justin (2011) Creative abuse in time stretching. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

Paterson, Justin (2008) Cutting tracks, making CDs: a comparative study of audio time-correction techniques in the desktop age. Journal on the Art of Record Production (4). ISSN 1754-9892

Paterson, Justin (2011) Drum and percussion programming. In: Proceedings of the 131st Audio Engineering Society Convention, 13-16 October 2011, New York City, US. (Unpublished)

Paterson, Justin (2012) Drum and percussion programming. In: Proceedings of the 132nd Audio Engineering Society Convention, 27-30 April 2012, Budapest, Hungary. (Unpublished)

Paterson, Justin (2013) Drum programming. In: Proceedings of the 134th Audio Engineering Society Convention, 3-6 May 2013, Rome, Italy. (Unpublished)

Paterson, Justin (2013) Free improv - the hard way. In: Proceedings of the 134th Audio Engineering Society Convention, 4-7 May 2013, Rome, Italy.

Paterson, Justin (2006) "Killing spillage": an algorithm to reduce microphone spillage and improve phase coherence. In: Proceedings of the 2nd Art of Record Production Conference, 8-10 September 2006, Edinburgh, UK.

Paterson, Justin (2015) MTF research network. In: Music Tech Fest, 29 May-1 June 2015, Umeå, Sweden. (Unpublished)

Paterson, Justin (2016) Mixing in the box. In: Mixing Music. Perspectives On Music Production . Routledge, New York, USA, pp. 77-93. ISBN 9781138218734

Paterson, Justin (2007) Phase experiments in multi-microphone recordings: a practical exploration. Journal of the Art of Record Production (1). ISSN 1754-9892

Paterson, Justin (2007) "Set phasors to stun": an algorithm to improve phase coherence on transients in multi-microphone recordings. In: Proceedings of the International Congress on Acoustics 2007, 2-7 September 2007, Madrid, Spain.

Paterson, Justin (2015) Something Jaggy. [Audio]

Paterson, Justin (2014) Wavefondler — a multi-touch interface for iPad to control audio on a host computer via a visualization of the waveform. In: Innovation in music 2013. Future Technology Press, Shoreham-by-Sea, UK, pp. 67-78. ISBN 978-0-9561516-8-1

Paterson, Justin (2012) What Is the worth of pre-DSP 'traditional' production values in the contemporary manipulation-oriented context? In: Proceedings of the 132nd Audio Engineering Society Convention, 27-30 April 2012, Budapest, Hungary.

Paterson, Justin (2011) What constitutes innovation in music production? In: Proceedings of the 131st Audio Engineering Society Convention, 21-24 October 2011, New York City, US.

Paterson, Justin (2013) The art of drum programming. In: Proceedings of the 135th Audio Engineering Society Convention, 17-20 October 2013, New York City, US. (Unpublished)

Paterson, Justin (2015) The drum programming handbook: the complete guide to creating great rythm tracks. Backbeat Books, London, UK. ISBN 9781480392878

Paterson, Justin (2011) The preset is dead; long live the preset. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

Paterson, Justin (2015) A study, exploration and development of the interaction of music production techniques in a contemporary desktop setting. Doctoral thesis, University of West London.

Paterson, Justin (2015) A study, exploration and development of the interaction of music production techniques in a contemporary desktop setting. Doctoral thesis, University of West London.

Paterson, Justin and Toulson, Rob (2015) Interactive digital music: enhancing listener engagement with commercial music. In: Innovation in Music II. KES Transactions on Innovation in Music, 2 . Future Technology Press, Shoreham-by-Sea, UK, pp. 193-209. ISBN 9781911108047

Paterson, Justin and Toulson, Rob (2015) An app for interactive music playback. In: Music Tech Fest, 18-21 Sept 2015, Ljubjana, Slovenia. (Unpublished)

Paterson, Justin and Toulson, Rob (2015) An app for interactive music playback. In: Music Interaction Design Symposium, 16 Mar 2016, Birmingham, UK. (Unpublished)

Paterson, Justin and Toulson, Rob (2016) The interactive album app. In: Music Interaction Design (MiXD) symposium, 16 Mar 2016, Birmingham, UK.

Paterson, Justin, Toulson, Rob, Lexer, Sebastian and Webster, Tim (2015) Red Planet EP. Apple Inc..

Paytress, M. (2006) Break it up: Patti Smith’s 'Horses' and the remaking of rock’n’roll. Portrait Books. ISBN 0749951079

Paytress, M. (2005) I was there: gigs that changed the world. Cassell Illustrated. ISBN 1844035123

Paytress, M. (2007) The Pink Floyd. EMAP Magazines.

Paytress, M. (2004) Vicious: the art of dying young. Sanctuary Publishing. ISBN 1860745806

Pipe, Liz (2016) Commercialism in Music Education: is creativity at the heart of the art? In: IASPM UK & Ireland Conference 2016: Creativity: Practice and Praxis, 8-10 Sep 2016, Brighton, UK. (Unpublished)

Pipe, Liz (2015) Express yourself: expressive gesture and non-verbal communication skills in popular music performance. New Vistas, 1 (2). pp. 34-39. ISSN 2056-967X

Pipe, Liz (2016) Expressive gesture and non-verbal communication in popular music performance. In: Seventh Conference of the International Society for Gesture Studies: Gesture – Creativity – Multimodality, 18 - 22 July 2016, Paris, France. (Unpublished)

Pipe, Liz (2016) Expressive gesture and non-verbal communication skills in popular music performance pedagogy. In: Performance Studies Network International Conference, 14th - 17th July 2016, Bath, UK. (Unpublished)

Pipe, Liz (2015) The use of expressive gesture and non-verbal communication skills in popular music performance pedagogy. In: Research in Popular Music Education: A One-Day Symposium, 23rd July 2015, Huddersfield, United Kingdom. (Unpublished)

Pipe, Liz (2015) The use of gesture and character in popular music performance. In: 18th Biennial IASPM Conference; Back to the Future: Popular Music and Time, 29 June - 03 July 2015, Campinas, Brazil. (Unpublished)

Pott, Francis (1989) Amore Langueo. [Performance]

Pott, Francis (2009) 'Balulalow’ and ‘Lament’. [Composition]

Pott, Francis (2017) Cantus Maris. [Performance]

Pott, Francis (1999) Christus. [Composition]

Pott, Francis (2015) Empyrean. [Audio]

Pott, Francis (2014) Hands across the darkness. [Composition]

Pott, Francis (2000) I sing of a maiden. [Performance]

Pott, Francis (2015) 'If I were going there, I wouldn't start from here'. New Vistas, 1 (1). pp. 32-36. ISSN 2056-9688

Pott, Francis (2016) Laudate dominum. [Composition]

Pott, Francis (2016) Laudes. [Composition]

Pott, Francis (2011) Mass for eight parts. [Composition]

Pott, Francis (2006) Meditations and remembrances. [Composition]

Pott, Francis (2015) Nigra sum sed Formosa. [Composition]

Pott, Francis (2013) Sentinel. [Composition]

Pott, Francis (2015) Sonata for viola and piano (30'00"). [Composition]

Pott, Francis (2015) Tenebrae. [Composition] (Unpublished)

Pott, Francis (2013) There is no rose of such virtue. [Performance]

Pott, Francis (2000) Toccata for organ. [Composition]

Pott, Francis (2016) Toccata for piano solo. [Composition]

Pott, Francis (2010) Variations on a Burns Air – scherzo finale. [Composition]

Pott, Francis (2008) When David heard that Absalom was slain. [Composition]

Pott, Francis (2008) 'An awkward reverence': composing oneself in the 21st-century Anglican Church. Doctoral thesis, University of West London.

Pott, Francis (2016) An awkward reverence: composing oneself in the twenty-first-century Anglican church. In: Contemporary Music and Spirituality. Routledge, Abingdon, UK, pp. 289-310. ISBN 9781409440581

Pott, Francis (2015) A babe is born all of a May. [Composition]

Pott, Francis (2007) The cloud of unknowing. [Composition]

Pott, Francis (2015) The lost wand. [Performance]

Pott, Francis and Barnes, Philip (2016) 1-hour radio interview recorded on 12 February 2016 containing complete broadcasts of three choral works. Interviewer: Philip Barnes, conductor of the St Louis Chamber Chorus, USA. Radio Station: Radio Arts Foundation of St Louis [RAFSTL]. Series: 'Re-choired Listening.'. [Audio]

Pott, Francis, Brown, Roger and Mitchell, Kathryn (2012) [Professorial lecture series 2011-2012 - highlights]. [Video] (Unpublished)

Pott, Francis and Crossman, Samuel (2003) My song is Love Unknown: sacred anthem for soloists, double chorus and organ (17 minutes). [Composition]

Pott, Francis and Thomas, R. S. (2015) 'Word'. [Composition]

Proctor, Sam (2014) Crossharbour - Crossharbour. [Audio]

Proctor, Sam (2014) Crossharbour peformance at 2014 Cambridge Folk Festival. [Performance]

Proctor, Sam (2013) Crossharbour performance at Temple Bar Tradfest. [Performance]

R

Ramacciotti, Paolo (2016) Elektron Elohim: a cosmic oratorio for soloists, chamber choir, electric guitars and keyboard synthesisers. Doctoral thesis, University of West London.

Ramshaw, P. (2005) Is music production now a composition process? In: The Art of Record Production Conference, University of Westminster, 17-18 September 2005, London, UK.

Ramshaw, P. (2006) Lost in music: understanding the hermeneutic overlap in musical composition, performance and improvisation. In: 5th International Music Theory Conference: 'Principles of Music Composing: Creative Process'. Lithuanian Academy of Music and Theatre, Vilnius, pp. 138-147. ISBN 9986503639

Ramshaw, P. (2007) Things that are not: an ontology of (de)composition. In: The Proceedings of the 7th International Music Theory Conference, Principles of Musical Composition - Musical Text, 9-11 May 2007, Vilnius, Lithuania.

Rigby, Simon (2015) Band of the Coldstream Guards and LCM Camerata collaborative concert, 2015. [Performance] (Unpublished)

Rigby, Simon (2016) Band of the Coldstream Guards, LCM Camerata, and LCM Chorus Collaborative Concert, 2016. [Performance]

Rigby, Simon (2016) LCM Camerata with players of the English Chamber Orchestra, 2016. [Performance]

Rigby, Simon (2000) Piano Concerto. [Composition] (Unpublished)

Rigby, Simon (2003) Piano Quintet. [Composition] (Unpublished)

Rigby, Simon (2009) Piano Sextet. [Composition] (Unpublished)

Rigby, Simon (2002) Quartet. [Composition] (Unpublished)

Rigby, Simon (2009) Searching for Lambs. [Composition]

Rigby, Simon (2012) Vamping Haydn. [Composition]

Robinson, Paul (2003) Chamber concerto. [Composition]

Robinson, Paul (2002) Eris. [Composition]

Robinson, Paul (2007) La passion de Jeanne d'Arc. [Composition]

Robinson, Paul (2002) A Summa Caelo. [Composition]

Rudnick, Peter (2015) British premiere of Ongilash by Luis Zubillaga. [Performance]

Rudnick, Peter (2016) Profile of an innovator: Torbjörn Hultmark. The Brass Herald (64).

S

Sholl, Robert (2012) Arvo Pärt and spirituality. In: Cambridge Companion to Arvo Pärt. Cambridge University Press. ISBN 9780521279109

Sholl, Robert (2012) Arvo Pärt: Embodiment – Enchantment – Transcendence. In: Music and the Body Conference, 9-11 March 2012, Hong Kong. (Unpublished)

Sholl, Robert (2013) Catholicism and catharsis: the sublime, the apocalyptic and ecstasy in the music of Charles Tournemire and Olivier Messiaen. In: FMCS conference, 14-16 February 2013, New Haven, USA. (Unpublished)

Sholl, Robert (2016) Hospitality and translation in Florentz’s work. In: Lyon Florentz Conference, March 2016, Lyon, France. (Unpublished)

Sholl, Robert (2014) “How do you like your counterpoint, sir?”: music pedagogy beyond therapy. In: EUROMAC 2014, 17-20 September 2014, Leuven, Holland. (Unpublished)

Sholl, Robert (2015) Improvisations to films by James Sibley Watson. [Performance]

Sholl, Robert (2014) Interviewed for BBC Radio 3 Sunday Feature: Educating Isaac. [Show/Exhibition]

Sholl, Robert (2014) Jean-Louis Florentz: spectral musician of an imaginary organ. In: Jean-Louis Florentz: visions d’ailleurs, July 2014, London, UK. (Unpublished)

Sholl, Robert (2015) Lacan, Feldenkrais and Gould: how to love thyself not as thy neighbour. In: Re-Storing Performance Conference, June 2015, Bath, UK. (Unpublished)

Sholl, Robert (2007) Making the invisible visible: the theology, culture and practice of Olivier Messiaen's Improvisation. Boston University Messiaen Project.

Sholl, Robert (2007) Messiaen studies. Cambridge University Press. ISBN 9780521839815

Sholl, Robert (2014) Olivier Messiaen and Jean-Louis Florentz: vibrations harmoniques. In: Visions of the Beyond: French organ music around Olivier Messiaen, 29 March 2014, London, UK. (Unpublished)

Sholl, Robert (2010) Olivier Messiaen and the Avant-garde poetics of the Messe de la Pentecôte. In: Messiaen the Theologian. Ashgate. ISBN 9780754666400

Sholl, Robert (2016) Olivier Messiaen complete organ works 1. [Performance]

Sholl, Robert (2007) Olivier Messiaen, the avant-garde, and the Messe de la Pentecôte. In: Boston Messiaen Project Conference, November 2007, Boston, U.S.A..

Sholl, Robert (2013) Olivier Messiaen: the organ as the God’s mouthpiece. In: Lecture Recital, 28 November 2013, London, UK. (Unpublished)

Sholl, Robert (2017) Pärt and the sound of one hand clapping. In: Arvo Pärt's White Light: Media, Culture, Politics. Cambridge University Press, Cambridge, UK. ISBN 9781107182899 (In Press)

Sholl, Robert (2015) Recital at Westminster Abbey. [Performance]

Sholl, Robert (2007) Review of Alan Fraser's The craft of piano playing: a new approach to piano technique. Music and Letters, 88 (1). pp. 190-192. ISSN 1477-4631

Sholl, Robert (2011) Rites of passage: Messiaen and Boulez on Le Sacre du Printemps. In: Pierre Boulez in Context, 2-3 October 2011, London, UK. (Unpublished)

Sholl, Robert (2016) Searching for the elusive obvious: memory, forgiveness, catharsis, and transcendence in contemporary spiritual music. In: Contemporary Music and Spirituality. Routledge, Abingdon, UK, pp. 229-257. ISBN 9781409440581

Sholl, Robert (2015) Stop it, I like it! Embodiment, masochism and listening for traumatic pleasure. In: Thresholds of Listening: Sound, Technics, Space. Fordham University Press, New York, USA, pp. 152-174. ISBN 9780823264377

Sholl, Robert (2012) Thresholds: rethinking spirituality through music. Music and Letters, 93 (1). pp. 90-93. ISSN 1477-4631

Sholl, Robert (2011) The shock of the positive: Olivier Messiaen, St Francis and redemption through modernity. In: Resonant Witness: Conversations between Music and Theology. Eerdmans. ISBN 9780802862778

T

Toulson, Rob, Paterson, Justin and Campbell, William (2014) Evaluating harmonic and intermodulation distortion of mixed signals processed with dynamic range compression. In: Innovation in music 2013. Future Technology Press, Shoreham-by-Sea, UK, pp. 224-246. ISBN 978-0-9561516-8-1

W

Weber, David (2016) A long sell: the disproportionate appeal of Frank Bridge's musicto familiar listeners, and its impact upon his reception, 1912-36. Doctoral thesis, University of West London.

Whitbourn, James (2015) Anne Frank in musical portraiture. Doctoral thesis, University of West London.

Z

Zagorski-Thomas, Simon (2014) Bath Spa invited research seminar. In: Guest Research Lecture, 8th Jan 2014, Bath Spa University. (Unpublished)

Zagorski-Thomas, Simon (2015) Developing the formal structures of artistic practice-as-research. New Vistas, 1 (2). pp. 28-32. ISSN 2056-967X

Zagorski-Thomas, Simon (2006) Functional staging through the use of production techniques in late 20th century African and Cuban popular music recordings. In: Proceedings of the 2006 International Art of Record Production Conference, 8-10 September 2006, University of Edinburgh.

Zagorski-Thomas, Simon (2014) How could musicology help me become a better record producer?: tensions between the vocational and the theoretical in music pedagogy. In: SEMPRE Music Education & Technology Conference, 3 - 4 April 2014, London, UK.

Zagorski-Thomas, Simon (2014) Invited speaker at Sonic Signatures Symposium. In: Sonic Signatures Symposium, 9 - 11th April 2014, Aalborg, Denmark. (Unpublished)

Zagorski-Thomas, Simon (2014) Keynote speech for Huddersfield University's Popular Music Studies Research Centre. In: Keynote Speech at the Popular Music Studies Research Centre launch, 15th Jan 2014, Huddersfield, UK. (Unpublished)

Zagorski-Thomas, Simon (2014) Performance in the studio: an educational workshop. In: Performance Studies Network Conference, 17th - 20th July 2014, Cambridge, UK. (Unpublished)

Zagorski-Thomas, Simon (2014) Pop Akademie Mannhein annual visiting professorial lecture. In: Annual Visiting Professorial Lecture, 14th October 2014, Baden-Wuerttemberg, Germany. (Unpublished)

Zagorski-Thomas, Simon (2010) Real and unreal performances: the interaction of recording technology and rock drum kit performance. In: Musical Rhythm in the Age of Digital Reproduction. Ashgate, Farnham, UK, pp. 195-212. ISBN 9781409403401

Zagorski-Thomas, Simon (2014) Recording Aesthetics Plenary Panel. In: Art of Record production Conference, 4th - 6th December 2014, Oslo, Norway. (Unpublished)

Zagorski-Thomas, Simon (2014) SOAS guest lecture. In: Guest Lecture, 14th Jan 2014, SOAS, University of London. (Unpublished)

Zagorski-Thomas, Simon (2014) Sex on fire: a case study of how different forms of graphic representation can influence analysis. In: EuroMAC (European Music Analysis Conference), 17- 21 September 2014, Leuven, Belgium. (Unpublished)

Zagorski-Thomas, Simon (2016) Sonic cartoons. In: Sound As Popular Culture. Massachusetts Institute of Technology Press, Cambridge, MA, pp. 403-410. ISBN 9780262033909

Zagorski-Thomas, Simon (2012) The US vs the UK sound: meaning in music production in the 1970s. In: The Art of Record Production: An Introductory Reader for a New Academic Field. Ashgate. ISBN 9781409406785

Zagorski-Thomas, Simon (2006) "We don't write songs, we write records": a compositional methodology based on late 20th century popular music. In: Proceedings of the 2006 International Computer Music Conference, 6-11 Nov 2006, New Orleans, USA.

Zagorski-Thomas, Simon (2015) An analysis of space, gesture and interaction in Kings of Leon's 'Sex On fire' (2008). In: Song Interpretation in 21st-Century Pop Music. Ashgate Popular and Folk Music Series . Ashgate, Farnham, UK, pp. 115-132. ISBN 9781472428004

Zagorski-Thomas, Simon (2016) The influence of recording technology and practice on popular music performance in the recording studio in Poland between 1960 and 1989. Polish Sociological Review, 2016 (196). ISSN 1231-1413

Zagorski-Thomas, Simon (2014) The musicology of record production book tour (1). In: The Musicology of Record Production Book Tour, 15th October 2014, Berlin, Germany. (Unpublished)

Zagorski-Thomas, Simon (2014) The musicology of record production book tour (2). In: The Musicology of Record Production Book Tour, 16th October 2014, Dalarna, Sweden. (Unpublished)

Zagorski-Thomas, Simon (2014) The musicology of record production book tour (3). In: The Musicology of Record Production Book Tour, 17th October 2014, Stockholm, Sweden. (Unpublished)

Zagorski-Thomas, Simon (2014) The musicology of record production book tour (4). In: The Musicology of Record Production Book Tour, 20th October 2014, Copenhagen, Denmark. (Unpublished)

Zagorski-Thomas, Simon (2014) The musicology of record production. Cambridge University Press, Cambridge, UK. ISBN 9781107075641

Zagorski-Thomas, Simon (2010) The stadium in your bedroom: functional staging, authenticity and the audience-led aesthetic in record production. Popular Music, 29 (2). pp. 251-266. ISSN 0261-1430

Zagorski-Thomas, Simon (2007) The study of groove. Ethnomusicology Forum, 16 (2). pp. 327-335. ISSN 1741-1920

Zolinsky, Andrew (2001) Old, new, borrowed and blue – a three concert series including British/London premieres of works by American and Dutch composers. [Performance]

Zolinsky, Andrew (2006) Piano music from Zurich: 1870-1930. [Audio]

Zolinsky, Andrew (2006) Unsuk Chin: Piano concerto: London première. [Performance]

Zolinsky, Andrew (2002) The sunpainter's delight: piano music of Walter Baer. [Audio]

This list was generated on Tue Apr 25 18:31:07 2017 UTC.

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