Items where Subject is "Music > Musicology"

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Number of items at this level: 8.


Capulet, Emilie (2017) Preface to Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. In: Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. Repertoire Explorer . Musikproduction Höflich, Heidelberg, Germany.

Capulet, Emilie and Zagorski-Thomas, Simon (2017) The AHRC funded ‘Classical Music Hyper-Production & Practice-As-Research’ project: shaping the London College Of Music’s research agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)


Montano, Ed and Zagorski-Thomas, Simon (2014) Production technologies and studio practice in electronic dance music culture: guest editors' introduction. Dancecult, 6 (1). pp. 1-7. ISSN 1947-5403


Zagorski-Thomas, Simon (2017) Directions in music by Miles Davis: using the ecological approach to perception and embodied cognition to analyse the creative use of recording technology in Bitches Brew. Technology and Culture. ISSN 0040-165X (In Press)

Zagorski-Thomas, Simon (2016) How is theoretical research meeting the challenges of pedagogy in the field of record production? In: Music, Technology and Education: Critical Perspectives. Routledge, Oxford, UK, pp. 67-84. ISBN 9781472426208

Zagorski-Thomas, Simon (2012) Musical meaning and the musicology of record production. Beiträge zur Popularmusikforschung, 38. pp. 135-147.

Zagorski-Thomas, Simon (2017) Timbre as text: the cognitive roots of intertextuality. In: The Pop Palimpsest: Intertextuality in Recorded Popular Music. University of Michigan Press, Ann Arbor, Michigan, USA. (In Press)

Zagorski-Thomas, Simon (2017) The spectromorphology of recorded popular music: the shaping of sonic cartoons through record production. In: The Relentless Pursuit of Tone: Timbre and Popular Music. Oxford University Press, New York, USA. (In Press)

This list was generated on Sun Dec 17 01:57:30 2017 UTC.