A

Audissino, Emilio (2013) Archival research and film music: the case of the Boston Pops Orchestra. Journal of Film Music, 6 (2). pp. 147-163. ISSN 1087-7142

Auricchio, Nino and Borg, Paul (2016) New modular synthesizers and performance practice. In: SAE 2nd Synthposium, 14 Nov 2016, Melbourne, Australia. (Unpublished)

B

Barbosa, Alvaro and Cordeiro, Joao ORCID: https://orcid.org/0000-0002-0161-7139 (2011) The influence of perceptual attack times in networked music performance. In: Audio Engineering Society 44th International Conference - Audio Networking, 18 - 20 November 2011, Sand Diego, USA.

C

Capulet, Emilie (2021) La musique pour piano d'Henri Tomasi: partitions inédites, travail éditorial et pratiques pianistiques / Henri Tomasi's solo piano music:unpublished manuscripts, editorial work and performance practices. In: Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)

Capulet, Emilie (2021) Le paradigme cinématographique dans la musique pour piano d'Henri Tomasi / The piano music of Henri Tomasi and the cinematic paradigm. In: Colloque International Henri Tomasi, Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)

Capulet, Emilie (2021) Watch for the laughs! The music of graphic scores. In: Play for Health Across the Lifespan: Stories from the Seven Ages of Play. Routledge, Abingdon, UK. ISBN 9780367472887 (In Press)

Capulet, Emilie (2021) The art of teaching the piano. In: Online Piano Workshop, 25 April 2021, Nicosia, Cyprus.

Capulet, Emilie (2019) The music of Henri Tomasi (1901-1971) and the cinematic paradigm. In: The Music of Henri Tomasi (1901-1971) and the Cinematic Paradigm, 11 July 2019, London.

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) The AHRC funded 'Classical Music Hyper-Production & Practice-As-Research' project: shaping the London College of Music's Research Agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) The AHRC funded ‘Classical Music Hyper-Production & Practice-As-Research’ project: shaping the London College Of Music’s research agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X [STUDIO ALBUM]. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) Hhumann X at LSO St Luke's [LIVE ALBUM]. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X at LSO St Luke's, London, UK. [Performance]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Das Magische Theatre' at Chateau Papillon, St Moritz, Switzerland. [Show/Exhibition]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2016) Video of the performance of '2045: The Year Man Becomes Immortal' at Cowdray Park on the 9th of July 2016. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2016) Video of the performance of '2045: The Year Man Becomes Immortal?' at St. James's Piccadilly on the 6th of July 2016. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Duchlevova, Tereza (2019) Hhumann X at LSO St Luke's [VIDEO]. [Video]

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 Dancing and dreaming: 50 years of British music video in Havana. [Video] (Unpublished)

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2014) The fine art of commercial freedom: British music videos and film culture. Scope, 26. ISSN 1465-9166

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 and Smith, Justin (2020) Dancing and dreaming: “Fifty years of British music video” in Havana. Alphaville: Journal of Film and Screen Media (19). pp. 184-194.

Challis, Ben, Kang, Angela, Rimmer, Rachel and Hildred, Mark (2017) Enabling active interaction with music and sound in multisensory environments. EAI Endorsed Transactions on Creative Technologies, 4 (11). e3. ISSN 2409-9708

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2019) Black Atlantic live performance practice. In: Sound System Outernational 5 - Sounds in the City, 04-07 Apr 2019, Napoli, Italy. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2019) Grime and spirit: on a hype! Open Cultural Studies, 3 (1). pp. 107-125. ISSN 2451-3474

Cordeiro, Joao ORCID: https://orcid.org/0000-0002-0161-7139 (2014) FuXi: a fish-driven instrument for real-time music performance. In: Proceeding INTER-FACE: 2nd International Conference on Live Interfaces 2014, 22-23 November 2014, Lisbon, Portugal.

D

De Commarque, Cyril and Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Artificialis' at the Saatchi Gallery, London, UK. [Show/Exhibition]

Douglas, Kitrina (2022) Black is the night: masking and unmasking, social science research, and what a song might bring. International Review of Qualitative Research. p. 194084472211310. ISSN 1940-8447

Douglas, Kitrina and Carless, David (2021) Evoking embodied presence: these things, songwriting, filmmaking, and borrowing a performative trick from Bob Dylan. International Review of Qualitative Research, 14 (2). pp. 313-324. ISSN 1940-8447

H

Henson, David (2019) What do you mean, just speak it? LCME Magazine (4). pp. 4-7.

K

Kubiak, Agata (2019) Creativity in new music for strings: under which circumstances does creative change occur in different types of performer-composer collaborations. Doctoral thesis, University of West London.

M

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2021) Improvising sabor: Cuban dance music in New York by Sue Miller. Ethnomusicology Forum. ISSN 1741-1912

Moralis, Christos (2019) Live popular Electronic music ‘performable recordings’. Doctoral thesis, Univeristy of West London.

O

Osbon, David (2017) Nelson overture. [Performance]

Osbon, David (2019) Poster from world premiere performance. [Performance]

Osbon, David (2019) Poster of performance in Louisville, Kentucky. [Performance]

Osbon, David (2019) Poster of performance in Valletri, Italy. [Performance]

Osbon, David (2017) Sonata for cello and piano. [Performance]

Ottewill, Jim and Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) 10 things we learned about UK grime with Dr Monique Charles. The Institute of Contemporary Music Performance.

P

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Norton, Charlie and Pratt, Daniel (2023) Performance mapping and control; enhanced musical connections and a strategy to optimise flow-state. In: Innovation in Music: An international perspective. Innovation in Music. Routledge, Taylor and Francis, London, UK; New York, USA. (In Press)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Sholl, Robert, Visser, Andy, Exarchos, Michail and McCready, Anna (2022) ‘In the Torture Chamber’: improvisation, recording, production and the collective imagination in artistic research. In: European Platform for Artistic Research in Music - EPARM 2022, 7-9 April 2022, London, UK. (Unpublished)

Pipe, Liz (2019) "I see you baby...": expressive gesture and nonverbal communication in popular music performance education. In: The Bloomsbury Handbook of Popular Music Education: Perspectives and Practices. Bloomsbury Academic, London, UK. ISBN 9781350049413

Pipe, Liz (2018) The role of gesture and non-verbal communication in popular music performance, and its application to curriculum and pedagogy. Doctoral thesis, University of West London.

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Francis Pott: Organ Works. [Audio]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) La Chiesa del Sole. [Performance]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Laudes. [Performance]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Prelude and Fugue on 'Iste Confessor' [= No.1 of 'Three Hymn Tune Fantasias', 2013]. 25'00". [Performance]

S

Sayer, Timothy (2013) Dynamic scores: extending the parameter space of live performance. Scene, 1 (2). pp. 247-256. ISSN 2044-3714

Sayer, Timothy (2014) Non-thinking music making: a proposed methodology to emancipate improvisation. In: 9th Conference on Interdisciplinary Musicology – CIM14, 03-06 Dec 2014, Staatliches Institut für Musikforschung, Berlin, Germany.

Sayer, Timothy, Tetkov, Kordian, Lord, Matthew and Lee, Stewart (2018) Bristol Fashion. [Audio]

Sholl, Robert (2020) 150: The complete symphonies of Louis Vierne with major organ works of Charles Tournemire (and chamber music). A series for 150th anniversaries of these composers’ births. Arundel Cathedral. [Show/Exhibition]

Sholl, Robert (2018) Arvo Pärt, passio and spirituality. UNSPECIFIED.

Sholl, Robert (2014) Educating Isaac. In: Educating Isaac, 27 April 2014, BBC Radio on iPlayer.

Sholl, Robert (2018) Exhibiting the phantom: improvisations for an unmasking. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Sholl, Robert (2017) The Feldenkrais method. New Vistas, 3 (1). pp. 28-33. ISSN 2056-9688

Sholl, Robert (2019) Feldenkrais’s touch, Ephram’s laughter, Gould’s sensorium: listening and musical practice between thinking and doing. Journal of the Royal Musical Association, 144 (2). pp. 397-428. ISSN 0269-0403

Sholl, Robert (2016) Improvisation to 'The unmasking scene for Rupert Julian's The Phantom of the Opera (1925)'. [Performance]

Sholl, Robert (2016) Improvisation to James Sibley Watson and Melville Webber's 'The Fall of the House of Usher' (1929, silent film). [Performance]

Sholl, Robert (2019) Inscapes of musical listening: sensing/feeling/imagining. Naxos Musicology International.

Sholl, Robert (2017) International Recital Series: recital at St John's Smith Square, London. [Performance] (Unpublished)

Sholl, Robert (2020) James Sibley Watson’s The Fall of The House of Usher: Surrealism—improvisation—complementary serendipities. Perspectives of New Music, 58 (1). pp. 23-69. ISSN 0031–6016

Sholl, Robert (2017) James Sibley Watson’s the fall of the house of usher: improvisation – images - complementary serendipities. In: Research Events Royal Academy of Music, 29 September 2017, Royal Academy of Music - Duke's Hall. (Unpublished)

Sholl, Robert (2017) Messiaen and Pärt. In: Monastic Musicians Conference, 3 October 2017, Belmont Abbey Hereford. (Unpublished)

Sholl, Robert (2016) Olivier Messiaen complete organ works 4. [Performance] (Unpublished)

Sholl, Robert (2016) Olivier Messiaen complete organ works 5. [Performance] (Unpublished)

Sholl, Robert (2017) Olivier Messiaen complete organ works 6. [Performance] (Unpublished)

Sholl, Robert (2017) Olivier Messiaen complete organ works 7. [Performance] (Unpublished)

Sholl, Robert (2017) Recital at the Cathedral of Notre-Dame de Paris. [Performance] (Unpublished)

Sholl, Robert (2015) Westminster Abbey organ recital 6 December 2015. [Performance] (Unpublished)

Spagnolo, Simone (2018) Touch-less: wearable music and the score-theatre. Studies in Musical Theatre, 11 (2). pp. 147-164. ISSN 1750-3159

Spagnolo, Simone and Trischitta, Giordano (2018) Polymath. [Composition]

Stanbury, Christopher (2017) Playing the changes: rediscovering the lexicon of electronic organ performance practice from 1943 to 2015. Doctoral thesis, University of West London.

T

Totoli, Alessandra and Spagnolo, Simone (2015) Vocalisations with movement (Vocalizzi con movimento). Edizioni Casa Musicale Cav. Quinto Fabio, Salerno (Italy), Salerno, italy.

Z

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2019) Haydn in modern dress: applying experimental contemporary production techniques to the classical repertoire. In: The Art of Record Production: Creative Practice in the Studio. Ashgate Popular and Folk Music. Routledge Press, Abingdon, UK, pp. 185-201. (Submitted)