Audissino, Emilio (2013) Archival research and film music: the case of the Boston Pops Orchestra. Journal of Film Music, 6 (2). pp. 147-163. ISSN 1087-7142
Auricchio, Nino and Borg, Paul (2016) New modular synthesizers and performance practice. In: SAE 2nd Synthposium, 14 Nov 2016, Melbourne, Australia. (Unpublished)
Barbosa, Alvaro and Cordeiro, Joao ORCID: https://orcid.org/0000-0002-0161-7139
(2011)
The influence of perceptual attack times in networked music performance.
In: Audio Engineering Society 44th International Conference - Audio Networking, 18 - 20 November 2011, Sand Diego, USA.
Capulet, Emilie (2021) La musique pour piano d'Henri Tomasi: partitions inédites, travail éditorial et pratiques pianistiques / Henri Tomasi's solo piano music:unpublished manuscripts, editorial work and performance practices. In: Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)
Capulet, Emilie (2021) Le paradigme cinématographique dans la musique pour piano d'Henri Tomasi / The piano music of Henri Tomasi and the cinematic paradigm. In: Colloque International Henri Tomasi, Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)
Capulet, Emilie (2021) Watch for the laughs! The music of graphic scores. In: Play for Health Across the Lifespan: Stories from the Seven Ages of Play. Routledge, Abingdon, UK. ISBN 9780367472887 (In Press)
Capulet, Emilie (2021) The art of teaching the piano. In: Online Piano Workshop, 25 April 2021, Nicosia, Cyprus.
Capulet, Emilie (2019) The music of Henri Tomasi (1901-1971) and the cinematic paradigm. In: The Music of Henri Tomasi (1901-1971) and the Cinematic Paradigm, 11 July 2019, London.
Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320
(2017)
The AHRC funded 'Classical Music Hyper-Production & Practice-As-Research' project: shaping the London College of Music's Research Agenda.
In: UWL Research Conference 2017, 30 June 2017, London, UK.
(Unpublished)
Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320
(2017)
The AHRC funded ‘Classical Music Hyper-Production & Practice-As-Research’ project: shaping the London College Of Music’s research agenda.
In: UWL Research Conference 2017, 30 June 2017, London, UK.
(Unpublished)
Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411
(2018)
Hhumann X [STUDIO ALBUM].
[Audio]
Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411
(2019)
Hhumann X at LSO St Luke's [LIVE ALBUM].
[Audio]
Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411
(2018)
Hhumann X at LSO St Luke's, London, UK.
[Performance]
Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411
(2019)
'Das Magische Theatre' at Chateau Papillon, St Moritz, Switzerland.
[Show/Exhibition]
Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411
(2016)
Video of the performance of '2045: The Year Man Becomes Immortal' at Cowdray Park on the 9th of July 2016.
[Video]
Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411
(2016)
Video of the performance of '2045: The Year Man Becomes Immortal?' at St. James's Piccadilly on the 6th of July 2016.
[Video]
Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Duchlevova, Tereza
(2019)
Hhumann X at LSO St Luke's [VIDEO].
[Video]
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
Dancing and dreaming: 50 years of British music video in Havana.
[Video]
(Unpublished)
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
(2014)
The fine art of commercial freedom: British music videos and film culture.
Scope, 26.
ISSN 1465-9166
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 and Smith, Justin
(2020)
Dancing and dreaming: “Fifty years of British music video” in Havana.
Alphaville: Journal of Film and Screen Media (19).
pp. 184-194.
Challis, Ben, Kang, Angela, Rimmer, Rachel and Hildred, Mark (2017) Enabling active interaction with music and sound in multisensory environments. EAI Endorsed Transactions on Creative Technologies, 4 (11). e3. ISSN 2409-9708
Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127
(2019)
Black Atlantic live performance practice.
In: Sound System Outernational 5 - Sounds in the City, 04-07 Apr 2019, Napoli, Italy.
(Unpublished)
Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127
(2019)
Grime and spirit: on a hype!
Open Cultural Studies, 3 (1).
pp. 107-125.
ISSN 2451-3474
Cordeiro, Joao ORCID: https://orcid.org/0000-0002-0161-7139
(2014)
FuXi: a fish-driven instrument for real-time music performance.
In: Proceeding INTER-FACE: 2nd International Conference on Live Interfaces 2014, 22-23 November 2014, Lisbon, Portugal.
De Commarque, Cyril and Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411
(2019)
'Artificialis' at the Saatchi Gallery, London, UK.
[Show/Exhibition]
Douglas, Kitrina (2022) Black is the night: masking and unmasking, social science research, and what a song might bring. International Review of Qualitative Research. p. 194084472211310. ISSN 1940-8447
Douglas, Kitrina and Carless, David (2021) Evoking embodied presence: these things, songwriting, filmmaking, and borrowing a performative trick from Bob Dylan. International Review of Qualitative Research, 14 (2). pp. 313-324. ISSN 1940-8447
Henson, David (2019) What do you mean, just speak it? LCME Magazine (4). pp. 4-7.
Kubiak, Agata (2019) Creativity in new music for strings: under which circumstances does creative change occur in different types of performer-composer collaborations. Doctoral thesis, University of West London.
McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235
(2021)
Improvising sabor: Cuban dance music in New York by Sue Miller.
Ethnomusicology Forum.
ISSN 1741-1912
Moralis, Christos (2019) Live popular Electronic music ‘performable recordings’. Doctoral thesis, Univeristy of West London.
Osbon, David (2017) Nelson overture. [Performance]
Osbon, David (2019) Poster from world premiere performance. [Performance]
Osbon, David (2019) Poster of performance in Louisville, Kentucky. [Performance]
Osbon, David (2019) Poster of performance in Valletri, Italy. [Performance]
Osbon, David (2017) Sonata for cello and piano. [Performance]
Ottewill, Jim and Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127
(2018)
10 things we learned about UK grime with Dr Monique Charles.
The Institute of Contemporary Music Performance.
Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Norton, Charlie and Pratt, Daniel
(2023)
Performance mapping and control; enhanced musical connections and a strategy to optimise flow-state.
In:
Innovation in Music: An international perspective.
Innovation in Music.
Routledge, Taylor and Francis, London, UK; New York, USA.
(In Press)
Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Sholl, Robert, Visser, Andy, Exarchos, Michail and McCready, Anna
(2022)
‘In the Torture Chamber’: improvisation, recording, production and the collective imagination in artistic research.
In: European Platform for Artistic Research in Music - EPARM 2022, 7-9 April 2022, London, UK.
(Unpublished)
Pipe, Liz (2019) "I see you baby...": expressive gesture and nonverbal communication in popular music performance education. In: The Bloomsbury Handbook of Popular Music Education: Perspectives and Practices. Bloomsbury Academic, London, UK. ISBN 9781350049413
Pipe, Liz (2018) The role of gesture and non-verbal communication in popular music performance, and its application to curriculum and pedagogy. Doctoral thesis, University of West London.
Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622
(2017)
Francis Pott: Organ Works.
[Audio]
Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622
(2017)
La Chiesa del Sole.
[Performance]
Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622
(2017)
Laudes.
[Performance]
Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622
(2017)
Prelude and Fugue on 'Iste Confessor' [= No.1 of 'Three Hymn Tune Fantasias', 2013]. 25'00".
[Performance]
Sayer, Timothy (2013) Dynamic scores: extending the parameter space of live performance. Scene, 1 (2). pp. 247-256. ISSN 2044-3714
Sayer, Timothy (2014) Non-thinking music making: a proposed methodology to emancipate improvisation. In: 9th Conference on Interdisciplinary Musicology – CIM14, 03-06 Dec 2014, Staatliches Institut für Musikforschung, Berlin, Germany.
Sayer, Timothy, Tetkov, Kordian, Lord, Matthew and Lee, Stewart (2018) Bristol Fashion. [Audio]
Sholl, Robert (2020) 150: The complete symphonies of Louis Vierne with major organ works of Charles Tournemire (and chamber music). A series for 150th anniversaries of these composers’ births. Arundel Cathedral. [Show/Exhibition]
Sholl, Robert (2018) Arvo Pärt, passio and spirituality. UNSPECIFIED.
Sholl, Robert (2014) Educating Isaac. In: Educating Isaac, 27 April 2014, BBC Radio on iPlayer.
Sholl, Robert (2018) Exhibiting the phantom: improvisations for an unmasking. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)
Sholl, Robert (2017) The Feldenkrais method. New Vistas, 3 (1). pp. 28-33. ISSN 2056-9688
Sholl, Robert (2019) Feldenkrais’s touch, Ephram’s laughter, Gould’s sensorium: listening and musical practice between thinking and doing. Journal of the Royal Musical Association, 144 (2). pp. 397-428. ISSN 0269-0403
Sholl, Robert (2016) Improvisation to 'The unmasking scene for Rupert Julian's The Phantom of the Opera (1925)'. [Performance]
Sholl, Robert (2016) Improvisation to James Sibley Watson and Melville Webber's 'The Fall of the House of Usher' (1929, silent film). [Performance]
Sholl, Robert (2019) Inscapes of musical listening: sensing/feeling/imagining. Naxos Musicology International.
Sholl, Robert (2017) International Recital Series: recital at St John's Smith Square, London. [Performance] (Unpublished)
Sholl, Robert (2020) James Sibley Watson’s The Fall of The House of Usher: Surrealism—improvisation—complementary serendipities. Perspectives of New Music, 58 (1). pp. 23-69. ISSN 0031–6016
Sholl, Robert (2017) James Sibley Watson’s the fall of the house of usher: improvisation – images - complementary serendipities. In: Research Events Royal Academy of Music, 29 September 2017, Royal Academy of Music - Duke's Hall. (Unpublished)
Sholl, Robert (2017) Messiaen and Pärt. In: Monastic Musicians Conference, 3 October 2017, Belmont Abbey Hereford. (Unpublished)
Sholl, Robert (2016) Olivier Messiaen complete organ works 4. [Performance] (Unpublished)
Sholl, Robert (2016) Olivier Messiaen complete organ works 5. [Performance] (Unpublished)
Sholl, Robert (2017) Olivier Messiaen complete organ works 6. [Performance] (Unpublished)
Sholl, Robert (2017) Olivier Messiaen complete organ works 7. [Performance] (Unpublished)
Sholl, Robert (2017) Recital at the Cathedral of Notre-Dame de Paris. [Performance] (Unpublished)
Sholl, Robert (2015) Westminster Abbey organ recital 6 December 2015. [Performance] (Unpublished)
Spagnolo, Simone (2018) Touch-less: wearable music and the score-theatre. Studies in Musical Theatre, 11 (2). pp. 147-164. ISSN 1750-3159
Spagnolo, Simone and Trischitta, Giordano (2018) Polymath. [Composition]
Stanbury, Christopher (2017) Playing the changes: rediscovering the lexicon of electronic organ performance practice from 1943 to 2015. Doctoral thesis, University of West London.
Totoli, Alessandra and Spagnolo, Simone (2015) Vocalisations with movement (Vocalizzi con movimento). Edizioni Casa Musicale Cav. Quinto Fabio, Salerno (Italy), Salerno, italy.
Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320
(2019)
Haydn in modern dress: applying experimental contemporary production techniques to the classical repertoire.
In:
The Art of Record Production: Creative Practice in the Studio.
Ashgate Popular and Folk Music.
Routledge Press, Abingdon, UK, pp. 185-201.
(Submitted)