A

Armit, Bryan and Oliver, Paul G. ORCID: https://orcid.org/0000-0001-5551-5106 (2019) Crowdfunding and the DIY artist: the effects of web 2.0 on DIY music communities. SSRN electronic journal.

Auricchio, Nino (2017) Natural highs: timbre and chills in electronic dance music. In: Popular Music Studies Today. Systematische Musikwissenschaft. Springer VS, Wiesbaden, Germany, pp. 11-23. ISBN 9783658177409

B

Baker, Gavin (2018) Using a performative approach to textual analysis. In: London Critical 2018, 29 -30 June 2018, London. (Unpublished)

Baker, Gavin (2018) Pausing to (re)frame: using actioning and positive reflection in performative learning and teaching. In: Leap into Action: Critical Performative Pedagogies in Art & Design Education. Peter Lang, USA. (In Press)

Blaze, Patricia (2019) Dr Monique Charles - the after party. [Audio]

Bourbon, Andrew and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) The ecological approach to mixing audio: agency, activity and environment in the process of audio staging. Journal on the Art of Record Production, 11. ISSN 1754-9892

Bourbon, Andrew and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2016) Sonic cartoons and semantic audio processing: using invariant properties to create schematic representations of acoustic phenomena. In: 2nd AES Workshop on Intelligent Music Production, 13 September 2016, London, UK.

Brown, Katrina, Irvine, Rosanna and Sayer, Timothy (2014) what remains and is to come. [Composition]

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) Clashing Agencies – A Seeing Filmmaker Filming a Blind Painter. In: MeCCSA conference, January 2018, London.

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2015) Cognitive innovation in documentary film practice. In: Off the Lip: Transdisciplinary Approaches to Cognitive Innovation, 7-11 Sept 2015, Plymouth, UK.

C

Campbell, William, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and van der Linde, Ian (2017) Listener preferences for alternative dynamic-range-compressed audio configurations. Journal of the Audio Engineering Society, 65 (7/8). pp. 540-551. ISSN 1549-4950

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) Creating a rubato layer cake: performing and producing overdubs with expressive timing on a classical recording for 'solo' piano. Journal on the Art of Record Production, 11. ISSN 1754-9892

Capulet, Emilie (2017) Connecting policy to practice: from work-based learning to negotiated curriculum – a case-study. In: UWL Teaching and Learning Conference 2017, 29 June 2017, London, UK. (Unpublished)

Capulet, Emilie (2020) Henri Tomasi - complete solo piano works. [Audio]

Capulet, Emilie (2021) La musique pour piano d'Henri Tomasi: partitions inédites, travail éditorial et pratiques pianistiques / Henri Tomasi's solo piano music:unpublished manuscripts, editorial work and performance practices. In: Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)

Capulet, Emilie (2021) Le paradigme cinématographique dans la musique pour piano d'Henri Tomasi / The piano music of Henri Tomasi and the cinematic paradigm. In: Colloque International Henri Tomasi, Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)

Capulet, Emilie (2019) 'Perspectives on authenticity in the representation of classical music in contemporary fiction'. In: Representing 'Classical Music' in the Twenty-First Century Network Event, 2 Sep 2019, Exeter University.

Capulet, Emilie (2017) Preface to Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. In: Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. Repertoire Explorer. Musikproduction Höflich, Heidelberg, Germany.

Capulet, Emilie (2021) Watch for the laughs! The music of graphic scores. In: Play for Health Across the Lifespan: Stories from the Seven Ages of Play. Routledge, Abingdon, UK. ISBN 9780367472887

Capulet, Emilie (2019) "Why does music move us: music, health and wellbeing". In: 10th Annual Swindon Trauma Group Conference, 18 Oct 2019, Swindon, UK.

Capulet, Emilie (2021) The art of teaching the piano. In: Online Piano Workshop, 25 April 2021, Nicosia, Cyprus.

Capulet, Emilie (2019) The music of Henri Tomasi (1901-1971) and the cinematic paradigm. In: The Music of Henri Tomasi (1901-1971) and the Cinematic Paradigm, 11 July 2019, London.

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) The AHRC funded ‘Classical Music Hyper-Production & Practice-As-Research’ project: shaping the London College Of Music’s research agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Cartmell, Deborah, Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 and Whelehan, Imelda (2018) A brief history of the Association of Adaptation Studies. In: Where is Adaptation? Mapping Cultures, Texts and Contexts. John Benjamins Publishing Company. ISBN 9789027201492

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X [COMPOSITION]. [Composition]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X [STUDIO ALBUM]. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) Hhumann X at LSO St Luke's [LIVE ALBUM]. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X at LSO St Luke's, London, UK. [Performance]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) Call Thou Upon My Name Unto Eternity, And It Shall Never Fail. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Das Magische Theatre' at Chateau Papillon, St Moritz, Switzerland. [Show/Exhibition]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Duchlevova, Tereza (2019) Hhumann X at LSO St Luke's [VIDEO]. [Video]

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2020) Conservation and curation: theoretical and practical issues in the making of a national collection of British music videos 1966–2016. Alphaville: Journal of Film and Screen Media (19). pp. 160-177.

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2023) How long is a good story? Compressed narratives in British screen advertising since 1955. Alphaville (25).

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2020) Interview: Carrie Sutton. Alphaville: Journal of Film and Screen Media (19). pp. 203-210.

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2020) Interview: Kris P. Taylor. Alphaville: Journal of Film and Screen Media (19). pp. 195-202.

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2020) Interview: Sophie Muller. Alphaville: Journal of Film and Screen Media (19). pp. 211-218.

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2015) Not another article on the author! God and auteurs in moving image analysis: last call for a long overdue paradigm shift. Music Sound and the Moving Image, 9 (2). pp. 145-162. ISSN 1753-0768

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2017) The dancing eyes of the director: choreographers, dance cultures, and film genres in British music video 1979–2016. Music Sound and the Moving Image, 11 (1). pp. 37-62. ISSN 1753-0768

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2014) The fine art of commercial freedom: British music videos and film culture. Scope, 26. ISSN 1465-9166

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2022) The screen advertising production industry: SIC codes and screen industries mapping. Media Industries, 9 (1).

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 and Smith, Justin (2020) Dancing and dreaming: “Fifty years of British music video” in Havana. Alphaville: Journal of Film and Screen Media (19). pp. 184-194.

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 Dancing and dreaming: 50 years of British music video in Havana. [Video] (Unpublished)

Challis, Ben, Kang, Angela, Rimmer, Rachel and Hildred, Mark (2017) Enabling active interaction with music and sound in multisensory environments. EAI Endorsed Transactions on Creative Technologies, 4 (11). e3. ISSN 2409-9708

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Grime Labour. Soundings Journal, 68. ISSN 1362-6620

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2016) UK hip-hop, grime and the city: the aesthetics and ethics of London's rap scenes. The London Journal: A Review of Metropolitan Society Past and Present, 41 (2). pp. 192-194. ISSN 0305-8034

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Are you grime or part-time?! Reviewing race & ‘realness’ in Britain’s grime scene. In: Rope A Dope 4: Hip-hop Studies Symposium, 27 Jul 2018, Bristol, England. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Are you grime or part-time?! Reviewing race and ‘realness’ in Britain’s grime scene. In: Relating Worlds of Racism: Dehumanisation, Belonging, and the Normativity of European Whiteness. Palgrave Macmillan, Springer, Basingstoke, Hampshire, pp. 299-327. ISBN 9783319789897

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) BBC - BCRC: boy better check! - Broadcasters commitment to researcher credibility. In: The 2nd International Conference of the Interdisciplinary Network for the Study of Subcultures, Popular Music and Social Change: Writing the noise: the politics and history of subcultural music, 6-7 Sep 2018, Reading, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2019) Black Atlantic live performance practice. In: Sound System Outernational 5 - Sounds in the City, 04-07 Apr 2019, Napoli, Italy. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) Corbynism as organism. In: Labour Party Conference and The World Transformed: 'The Corbyn Effect: Two Years On', 23-27 Sep 2017, Brighton, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Corbynism as organism - Grenfell & the Windrush. In: Corbynism : A day making new kinds of Labour politics, 06 Jun 2018, Lewes, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) Generation grime. In: The Corbyn Effect. Lawrence & Wishart Ltd. ISBN 9781912064687

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2016) Grime central! Subterranean ground-in grit engulfing manicured mainstream spaces. In: Blackness in Britain. Routledge Research in Race and Ethnicity. Routledge, Taylor and Francis Group, Oxon, UK, pp. 89-99. ISBN 9781138840638

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) Grime launches a revolution in youth politics. The Conversation.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Grime's gigabytes. In: Guest lecture at the London Metropolitan University, 16 Jan 2018, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) Grime's gigabytes: the digital space connected to place. In: Crossing Borders: Marginality and opportunity in contemporary British urban youth culture, 17 Aug 2017, Cambridge, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) #Grime4Corbyn is here to stay – and it could be the start of something huge. New Statesman, London, UK.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) #GrimeDoctor & #Grime4Corbyn speak! UNSPECIFIED, United Kingdom. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Inside grime. In: Inside Grime: NYU in London, 08 Oct 2018, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Its.a(n.East).Lon.don.thing. Its a London thing. In: Popular Music - Grime: Beyond the borders and into the hinterlands?, 05 Dec 2018, Birmingham, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2019) Reggae remix = grime time: recontextualising cultural aurality through new soundscape. In: 6th Biennial Global Reggae Conference, 13-16 Feb 2019, Kingston, Jamaica. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Reggae remix = grime time: recontextualising cultural aurality through new soundscapes. In: RGS-IBG international conference hosted at Cardiff University, 31 Aug 2018, Cardiff, Wales. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) Reggae remix = grime time: recontextualising cultural aurality through new soundscapes. In: Reggae Research Network, hosted by Liverpool University, 18-19 May 2017, Liverpool, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Retheorising genre: musicological discourse analysis (MDA) through the lens of grime, Afrobeats, UK funky/tribal house and grimy garage. In: Second international symposium on African musics - African music in the Twenty-first century: challenges and directions: University of Ghana, Legon, 09-12 Aug 2018, Ghana. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Straight outta 'nowhere', straight into Nike: grime & the expression of identity. In: Crosstown Traffic 2018. A joint conference (IASPM UK&I, ASARP, Dancecult and ISMMS) at University of Huddersfield, 03-05 Sep 2018, Huddersfield, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) What I know about... bringing grime music to academia. Pride Magazine, United Kingdom.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2016) Wheeel up! Inside grime. In: Kingston University Lectures, 1 Dec 2016, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Where are the women in grime? Precious Online, United Kingdom.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Will the first ladies of grime please stand up? The Voice, London, UK.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2016) Young Thug - devil in a blue dress? GRM Daily, United Kingdom.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2016) The politics of grime. In: Black History Month: The Politics of Grime, 17 Oct 2016, Leeds University Student Union. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) A road less travelled - the grimy windy path. University of Warwick, Warwick, UK.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 and Back, Les (2018) Why music matters for sociology: conversation with Prof. Les Back. UNSPECIFIED. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 and Back, Les (2017) Why music matters for sociology: conversation with Prof. Les Back. UNSPECIFIED. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 and Baker, Daniel (2016) Story lounge: Daniel Baker and Monique Charles. In: WMG Late: Rise Up, 1 Dec 2016, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127, Hammond Perry, Kennetta, Ford, Tanisha C. and Johnson, Azeezat (2018) Locating Black British women in the archive, creating spaces for Black British women in the nation. In: Caribbean Women (Post) Diaspora: African/Caribbean Interconnections: London South Bank University, 12-14 Jul 2018, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127, Lawrence, Tim, Berry, Josephine and Leal, Ernesto (2018) Creativity, collectivity, convergence! New York city party culture 1970-83. UNSPECIFIED. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127, Long, Paulette, Cross, Sandra and Mohamad, Munira (2017) Women on record. In: The Reggae Research Network conference: Reggae Futures Day 2: Bass Culture, 2-3 Nov 2017, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 and Riley, Mykaell (2017) My time: an interview with Mykaell Riley about my PhD on grime. UNSPECIFIED. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127, Sobel, Alex, Anderssen, Li, O’Neill, Martin, Lawrence, Mathew, Stafford, James and Sutcliffe-Braithwaite, Florence (2017) Conference conversations: Alex Sobel, Monique Charles, Li Anderssen, Mathew Lawrence. In: Labour Party Conference, 24-27 Sep 2017, Brighton, UK.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 and Sutcliffe-Braithwaite, Florence (2017) Conference conversations: Monique Charles on Corbyn and grime. Lawrence and Wishart, London, UK.

Chiappinelli, Massinilliano and Osbon, David (2018) Anthems After Prometheus interview. Accademia Musicale Roma Castelli, Rome, Italy.

Coles, Tim, Garcia, Giselle ORCID: https://orcid.org/0000-0002-2715-876X, O'Malley, Evelyn and Turner, Cathy (2022) Experiencing event management during the coronavirus pandemic: a public sector perspective. Frontiers in Sports and Active Living, 3.

D

De Commarque, Cyril and Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Artificialis' at the Saatchi Gallery, London, UK. [Show/Exhibition]

E

Efthymiou, Litha (2017) Devising an opera: Myisi. Contemporary Music Review, 35 (6). pp. 599-611. ISSN 0749-4467

Efthymiou, Litha and Hornby, Emma (2020) New music inspired by old Hispanic chant. Context Journal of Music Research (45). pp. 61-73. ISSN 1038-4006

Efthymiou, Litha and Scheuregger, Martin (2021) Audience perception in experiential embodied music theatre: a practice-based case study. Act Zeitschrift für Musik und Performance (10). pp. 1-29.

Efthymiou, Litha and Scheuregger, Martin Scheuregger (2020) Composer-composer collaboration and the difficulty of intradisciplinarity. Airea: Arts and Interdisciplinary Research, 2. pp. 23-35.

Efthymiou, Litha (2013) Bustling. [Composition] (Unpublished)

Efthymiou, Litha (2021) Composer-composer collaboration and the difficulty of intradisciplinarity. In: Noise Floor: Experimental Music and Moving Image, 11-12 May 2021, Staffordshire University. (Unpublished)

Efthymiou, Litha (2021) Composing Gestures. In: Framing the Normal: Examining Embodied and Artistic Practices in Musicians’ Movement Repertoire., 3-4 May 2021, Arts Campus DeSingel, Antwerp, Belgium, Antwerp Research Institute for the Arts: University and Royal Conservatoire of Antwerp. (Unpublished)

Efthymiou, Litha (2012) Egg Soldiers. [Composition] (Unpublished)

Efthymiou, Litha (2017) Iberian Refractions. [Composition]

Efthymiou, Litha (2015) Kalyani. [Composition]

Efthymiou, Litha (2016) Let Him Kiss Me With The Kiss of His Mouth. [Composition] (Unpublished)

Efthymiou, Litha (2017) Moments Held. [Composition] (Unpublished)

Efthymiou, Litha (2019) Moon From Earth. [Composition] (Unpublished)

Efthymiou, Litha (2019) Old Hispanic Chant and New Music. In: Music and Disruptive Pasts: Between Popular and the Arcane., 21-22 August 2019, Open University. (Unpublished)

Efthymiou, Litha (2018) Present Shadows. [Composition]

Efthymiou, Litha (2018) Reimagining the Old Hispanic Liturgy. In: Music, Medievalism, and Modernism: Between Old and New., 24-25 May 2018, University of Huddersfield,. (Unpublished)

Efthymiou, Litha (2019) Reimagining the Old Hispanic Liturgy: A gesture based approach to composition. In: ENIM 2019, 14 - 16 Nov 2019, Universidade Nova de Lisboa. (Unpublished)

Efthymiou, Litha (2016) Rituals to Mould Her With. [Composition] (Unpublished)

Efthymiou, Litha (2017) Riversong. [Composition] (Unpublished)

Efthymiou, Litha (2012) States of Ice: Diamond Dust. [Composition]

Efthymiou, Litha (2015) Tread Softly. [Composition]

Efthymiou, Litha (2018) Waves. [Composition] (Unpublished)

Efthymiou, Litha and Scheuregger, Martin (2019) I Only Know I Am. [Composition] (Unpublished)

Ewald, Julie and Oliver, Paul G. ORCID: https://orcid.org/0000-0001-5551-5106 (2017) UK copyright and the limits of UK music sampling. Social Sciences Research Network.

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2018) Hip-hop pedagogy as production practice: reverse-engineering the sample-based aesthetic. Journal of Popular Music Education, 2 (3). pp. 45-63. ISSN 2397-6721

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2019) Hip-hop time machine - re-imagining the ‘phonographic’ in sample-based hip-hop record production: research design for contemporary forms of creative audio practice. New Vistas, 4 (2). pp. 22-27. ISSN 2056-967X

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2019) Sample magic: (Conjuring) phonographic ghosts and meta-illusions in contemporary hip-hop production. Popular Music, 39 (1). pp. 33-53. ISSN 0261-1430

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2020) Sonic necessity and compositional invention in #BluesHop: composing the blues for sample-based hip hop. Journal of Popular Music Studies, 32 (3). pp. 99-119. ISSN 1524-2226

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 and Skinner, Glenn (2021) Bass | the wider frontier: low-end stereo placement for headphone listening. Journal On The Art of Record Production, 12. pp. 87-103. ISSN 1754-9892

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2019) Boom bap ex machina: hip-hop aesthetics and the Akai MPC. In: Producing Music. Perspectives on Music Production. Routledge, New York. ISBN 9780415789219

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2021) Making records within records: manufacturing phonographic ‘otherness’ in sample-based Hip Hop production. In: Innovation In Music. Taylor & Francis, Routledge, Focal Press. ISBN 9780367363352

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2020) ‘Past’ masters, present beats: exponential sound staging as sample-based (re)mastering in contemporary hip hop practice. In: Perspectives On Music Production: Mastering in Music. Taylor & Francis/Routledge, Focal Press, Bushey. ISBN 9780367227197

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2019) (Re)engineering the cultural object: sonic pasts in hip-hop’s future. In: Innovation In Music: Performance, Production, Technology and Business. Routledge, New York. ISBN 9781138498211

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2022) Reimagining the ‘phonographic’ in sample-based hip-hop production: making records within records. Doctoral thesis, University of West London.

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2020) Synth sonics as stylistic signifiers in sample-based hip-hop: synthetic aesthetics from ‘old-school’ to trap. In: Synthesisers: Meaning though Sonics. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 36-68. ISBN 9781527550025

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2020) Audio processing. In: The Bloomsbury Handbook of Music Production. Bloomsbury handbooks. Bloomsbury, USA, pp. 1-18. ISBN 9781501334023

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Fales, Ludovica (2015) Immersed into our clothes. Are wearable technologies a potential gateway to extra-virtual immersion? Cinergie. Il Cinema e le altre arti., 8. pp. 89-98. ISSN 2280-9481

Fales, Ludovica (2014) Real time memories of a revolution: the '18 Days in Egypt' interactive platform as instant archive. In: Cinema and Art as Archive: Form, Medium, Memory. Cinema and Contemporary Art (1). Mimesis International, Sesto San Giovanni (MI), pp. 245-264. ISBN 9788857523552

Fales, Ludovica (2018) Tahrir Square: a space extended to the people watching it. In: Body Images in the Post-Cinematic Scenario: The Digitization of the Body. Post-Cinema & Digital Cultures. Mimesis International, Sesto San Giovanni (MI), Italy. ISBN 9788869771095

H

Hagan, Daniel (2019) How do the promoters of independent UK music festivals organise and implement events? Doctoral thesis, University of West London.

Hagan, Daniel (2017) Suppose they gave a festival and nobody came. In: Locating Imagination, 5-7 April 2017, Rotterdam, Netherlands. (Unpublished)

Harvard, Paul (2018) Good. [Performance] (Unpublished)

Henson, David (2019) What do you mean, just speak it? LCME Magazine (4). pp. 4-7.

Henson, David (2017) Musical theatre in the 21st century: keeping an open mind. In: LCM Examiners Conference, 11 Feb 2017, Ealing, UK. (Unpublished)

Henson, David (2016) You're not the star yet!: An audition workshop. In: Audition Workshop, 12 Oct 2016, Manchester, UK. (Unpublished)

Henson, David, Webber, AL and Rice, T (2021) EVITA the Musical. [Performance]

Henson, David and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2019) Setting the agenda: theorizing popular music education practice. In: The Bloomsbury Handbook of Popular Music Education: Perspectives and Practices. Bloomsbury Academic, London, UK. ISBN 9781350049413

L

Llewellyn, Gareth and Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2021) Towards 6DOF: 3D Audio for virtual, augmented and mixed realities. In: 3-D Audio. Perspectives on Music Production. Routledge, NYC, USA. ISBN 9781138590069

Lord, Jocelyne Francesca Corinne (2022) The phenomenal rise of periphonic record production: a practice-based, musicological investigation of periphonic recomposition and mix aesthetics for binaural reproduction. Doctoral thesis, University of West London.

M

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2021) Improvising sabor: Cuban dance music in New York by Sue Miller. Ethnomusicology Forum. ISSN 1741-1912

Meynell, Anthony ORCID: https://orcid.org/0000-0003-1302-7563 (2020) How does vintage equipment fit into a modern working process? In: The Bloomsbury Handbook of Music Production. Bloomsbury handbooks. Bloomsbury, pp. 89-108. ISBN 9781501334023

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O'Malley, Evelyn, Turner, Cathy and Garcia, Giselle ORCID: https://orcid.org/0000-0002-2715-876X (2023) “Mundane” performance: theatre outdoors and earthly pleasures. Critical Stages.

Oliver, Paul G. ORCID: https://orcid.org/0000-0001-5551-5106 (2010) The DIY artist: issues of sustainability within local music scenes. Management Decision, 48 (9). pp. 1422-1432. ISSN 0025-1747

Oliver, Paul G. ORCID: https://orcid.org/0000-0001-5551-5106, McLean, Rachel and Wainwright, David (2010) The myths of empowerment through information communication technologies: an exploration of the music industries and fan bases. Management Decision, 48 (9). pp. 1365-1377. ISSN 0025-1747

Oliver, Paul G. ORCID: https://orcid.org/0000-0001-5551-5106 (2009) Self-sufficiency and the DIY Artist: managing creative activities within local music scenes by adopting new technologies. VDM Verlag, Germany. ISBN 9783639183252

Oliver, Paul G. ORCID: https://orcid.org/0000-0001-5551-5106 and Clayes, Emma (2014) Issues of using information communication technologies in higher education. In: European Conference of Social Media, 10 - 11 July 2014, Brighton.

Osbon, David (2016) Transmedia intertextuality - Does it work in performance? Follow the Sun as a proof of concept project. International Journal of Music and Performing Arts, 4 (1). pp. 21-24. ISSN 2374-2690

Osbon, David (2018) 5 hommages. [Composition]

Osbon, David (2018) 5 hommages for violin and piano. [Composition]

Osbon, David (2018) Anthems after Prometheus. [Audio]

Osbon, David (2020) Dearly Ransomed Soul. [Composition]

Osbon, David (2018) Interview on national public radio (USA). WVIA, Scranton PA, USA.

Osbon, David (2018) Into the sun. [Composition]

Osbon, David (2018) Into the sun... [Composition]

Osbon, David (2018) Liberty. [Composition] (Submitted)

Osbon, David (2020) Liberty for symphony orchestra. [Composition]

Osbon, David (2019) Poster from world premiere performance. [Performance]

Osbon, David (2019) Poster of performance in Louisville, Kentucky. [Performance]

Osbon, David (2019) Poster of performance in Valletri, Italy. [Performance]

Osbon, David (2020) The Prometheus Sonata. [Composition]

Osbon, David (2018) Prometheus sonata. [Composition] (In Press)

Osbon, David (2018) Still waiting for the revolution... [Composition]

Osbon, David (2019) Still waiting for the revolution... for piano trio. [Composition]

Osbon, David, Schwarz, Timothy and Broder, Jonathan (2016) Views from practice: Follow the Sun. In: College Music Society Conference 2016, 26 Oct 2016, Santa Fe, New Mexico. (Unpublished)

Ottewill, Jim and Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) 10 things we learned about UK grime with Dr Monique Charles. The Institute of Contemporary Music Performance.

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Parsons, George and Sholl, Robert (2020) James MacMillan studies. Cambridge Composer Studies series. Cambridge University Press, UK. ISBN 9781108492539

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Norton, Charlie and Pratt, Daniel (2024) Performance Mapping and Control; Enhanced Musical Connections and a Strategy to Optimise Flow-State. In: Innovation in Music: Technology and Creativity. Innovation in Music. Routledge, Taylor and Francis, London, UK; New York, USA. ISBN 978–0–367–6 3337–0

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, Rob and Hepworth-Sawyer, Russell (2019) User-influenced/machine-controlled playback: the variPlay music app format for interactive recorded music. Arts, 8 (3). p. 112. ISSN 2076-0752

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2021) 3-D audio. Perspectives on Music Production. Routledge. ISBN 9781138590069

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2019) A History of music and technology. BBC World Service, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2017) Listener preferences for alternative dynamic-range-compressed audio configurations. In: Cambridge Hearing Group, 05 Nov 2017, University of Cambridge, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Kadel, Oliver (2019) Immersive audio post-production for 360° video: workflow case studies. In: Audio Engineering Society Conference: 2019 AES International Conference on Immersive and Interactive Audio, 27-29 March 2019, York, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Llewellyn, Gareth (2019) Producing 3-D audio. In: Producing Music. Perspectives on Music Production. Routledge, Taylor and Francis, London & New York. ISBN 9780415789219

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) Get inside the music: connecting artists and audiences through interactive apps. In: Audio Engineering Society Convention 145, 17-20 Oct 2018, New York City, US.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) Interactive recorded music: past, present, and future. In: Audio Engineering Society Convention 145, 17-20 Oct 2018, New York City, US.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) Live-market evaluation of interactive music apps. In: IASPM: Crosstown Traffic: Popular Music Theory and Practice, 3-5 Sept 2018, Huddersfield, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2019) Transforming digital music: investigating interactive playback. In: Reimagining & performing data. University of Glasgow, Glasgow, UK, pp. 41-43. ISBN 9781527242937

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) The interactive album app. In: 4th Workshop on Intelligent Music Production, 14 Sept 2018, Huddersfield, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) variPlay record of the day guest blog - BPI innovation hub. Discussion Paper. British Phonographic Industry, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) variPlay: the next generation of interactive music. In: BPI Innovation Hub, 11 Sept 2018, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, E. Rob and Hepworth-Sawyer, Russ (2018) Mastering music for multi-stem and interactive applications. In: AES UK Mastering Conference 2018, 22-23 Sept 2018, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E.Rob (2018) Plan. [Artefact]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, E.Rob and Ofenbach, (band) (2019) Ofenbach variPlay. [Artefact]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, E.Rob and Sariñana, Ximena (2018) Ximena sariñana variPlay. [Artefact]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2020) Quanta / Signal / Noise. [Artefact]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Visser, Andy (2021) HAPPIE: the haptic audio-production pipeline. In: Conference of New Interfaces for Musical Expression, 1-4 June 2021, Shanghai, China. (Submitted)

Pickering, Kenneth and Henson, David (2021) A teacher's guide to musical theatre. Musical Theatre Guide. Bloomsbury Publishing, Methuen Drama, London. ISBN 9781350213937

Pipe, Liz (2019) "I see you baby...": expressive gesture and nonverbal communication in popular music performance education. In: The Bloomsbury Handbook of Popular Music Education: Perspectives and Practices. Bloomsbury Academic, London, UK. ISBN 9781350049413

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2021) Adapting Copla: the interplay of languages in making The Copla Musical. European Journal of Theatre and Performance, 3 (SEPT). pp. 214-255. ISSN 2664-1860

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2015) The Copla Musical: Exploring intercultural exchanges between English and Spanish musical theatre. Acotaciones, 34 (2015). pp. 53-81. ISSN 2444-3948

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2017) El musical del siglo XXI. Fundación Juan March, Ensayos de teatro musical español.

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2024) The Queerness of Copla: musical hope for the Spanish LGBTQ. In: Anthology on Gender and Sexuality in Musical Theatre. Intellect, Chicago, USA, pp. 249-267. ISBN 978-1-78938-619-6

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 and Yeni, Naz (2018) In conversation: Alejandro Postigo and Naz Yeni. Book 2.0, 8 (1-2). pp. 85-100. ISSN 2042-8022

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2016) New insights into the notion of interculturalism and hybridity in musical theatre. In: Music on Stage Volume 2. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 96-110. ISBN 9781443896863

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2015) Rediscovering Spanish musical theatre: exploring an intercultural adaptation of Copla. In: Music on Stage. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 184-197. ISBN 9781443876032

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2019) The evolution of musical theatre in Spain throughout the 20th and 21st centuries. In: Reframing the Musical: Race, Culture, and Identity. Red Globe Press, Springer Nature, London, UK, pp. 111-128. ISBN 9781352004397

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2018) A political evolution of Copla. In: Music on Stage Volume III. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 155-171. ISBN 9781527511613

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2020) At First Light. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2021) Christus. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2021) Concerto for violin and orchestra. [Composition] (Unpublished)

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2018) La Chiesa del Sole. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2021) Surrexit Hodie. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2016) An awkward reverence: composing oneself in the twenty-first-century Anglican church. In: Contemporary Music and Spirituality. Routledge, Abingdon, UK, pp. 289-310. ISBN 9781409440581

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622, Shakespeare, William, Meynell, Alice, Herrick, Robert, Dickinson, Emily, Flecker, James Elroy and Browning, Elizabeth Barrett (2017) Ardor Amoris. [Composition] (In Press)

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 and Thomas, Edward (2017) Early one morning. [Composition] (In Press)

Pratt, Daniel and Bourbon, Andrew (2019) Life in between phase: understanding and manipulating microphone relationships with visual tools. In: The 12th Art of Record Production Conference (ARP2017) – Mono: Stereo:Multi, 1-3 Dec 2017, Royal College of Music, Stockholm, Sweden.

Pratt, Daniel, Hoose, Shane and Gordon, Wellington (2019) Transnational flow in cloud-based music production: organisational communication and collaboration between Australia and America. In: The 12th Art of Record Production Conference (ARP2017) – Mono: Stereo:Multi, 1-3 Dec 2017, Royal College of Music, Stockholm, Sweden.

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Rudnick, Peter (2016) Profile of an innovator: Torbjörn Hultmark. The Brass Herald (64). ISSN 1746-1472

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Sayer, Timothy (2013) Dynamic scores: extending the parameter space of live performance. Scene, 1 (2). pp. 247-256. ISSN 2044-3714

Sayer, Timothy (2015) Cognition and improvisation: some implications for live coding. In: First International Conference on Live Coding (ICLC2015), 13-15 July 2015, Leeds.

Sayer, Timothy (2014) Hypnagogia and improvisation: interfacing with reflexive/volitional behaviour. In: INTER-FACE: International Conference on Live Interfaces (ICLI 2014), 19-23 Nov 2014, Lisbon, Portugal.

Sayer, Timothy (2017) Mondrisonic. [Composition]

Sayer, Timothy (2014) Non-thinking music making: a proposed methodology to emancipate improvisation. In: 9th Conference on Interdisciplinary Musicology – CIM14, 03-06 Dec 2014, Staatliches Institut für Musikforschung, Berlin, Germany.

Sayer, Timothy (2019) Using electroencephalography to explore cognitive-cultural networks and ecosystemic performance environments for improvisation. In: Innovation In Music: performance, production, technology and business. Routledge, New York. ISBN 9781138498211

Sayer, Timothy and Irvine, Rosanna (2018) Breath Pieces. [Composition]

Sayer, Timothy, Tetkov, Kordian, Lord, Matthew and Lee, Stewart (2018) Bristol Fashion. [Audio]

Scales, Paula J. (2017) Developing movement skills in performing arts: an investigation to stimulate a more creative, imaginative and sensitive movement skill engagement through a democratically orientated approach. In: UWL Doctoral Students' Conference, 24 May 2017, London, UK. (Unpublished)

Sholl, Robert (2019) Feldenkrais’s touch, Ephram’s laughter, Gould’s sensorium: listening and musical practice between thinking and doing. Journal of the Royal Musical Association, 144 (2). pp. 397-428. ISSN 0269-0403

Sholl, Robert (2019) Inscapes of musical listening: sensing/feeling/imagining. Naxos Musicology International.

Sholl, Robert (2020) James Sibley Watson’s The Fall of The House of Usher: Surrealism—improvisation—complementary serendipities. Perspectives of New Music, 58 (1). pp. 23-69. ISSN 0031–6016

Sholl, Robert (2018) Arvo Pärt, passio and spirituality. UNSPECIFIED.

Sholl, Robert (2018) BBC Prom 10 programme Note: Charles-Marie Widor. BBC, https://www.bbc.co.uk/events/erhn5v. (In Press)

Sholl, Robert (2014) Educating Isaac. In: Educating Isaac, 27 April 2014, BBC Radio on iPlayer.

Sholl, Robert (2018) Exhibiting the phantom: improvisations for an unmasking. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Sholl, Robert (2020) Exquisite violence: imagery, embodiment and transformation in MacMillan. In: James MacMillan Studies. Cambridge University Press, Cambridge, UK, pp. 87-110. ISBN 9781108492539

Sholl, Robert (2021) The Feldenkrais method in creative practice: dance, music and theatre. Bloomsbury. ISBN 9781350158382

Sholl, Robert (2021) Feldenkrais, Freud, Lacan, and Gould: how to love thyself not as thy neighbour. In: The Feldenkrais method in creative practice: dance, music, and theatre. Bloomsbury Methuen, London, UK, pp. 38-54. ISBN 9781350158382

Sholl, Robert (2016) Improvisation to 'The unmasking scene for Rupert Julian's The Phantom of the Opera (1925)'. [Performance]

Sholl, Robert (2016) Improvisation to James Sibley Watson and Melville Webber's 'The Fall of the House of Usher' (1929, silent film). [Performance]

Sholl, Robert (2017) International Recital Series: recital at St John's Smith Square, London. [Performance] (Unpublished)

Sholl, Robert (2016) James Sibley Watson’s 'The fall of the house of Usher' (1928): improvisation – images - complementary serendipities. In: UNSPECIFIED. (Unpublished)

Sholl, Robert (2017) James Sibley Watson’s the fall of the house of usher: improvisation – images - complementary serendipities. In: Research Events Royal Academy of Music, 29 September 2017, Royal Academy of Music - Duke's Hall. (Unpublished)

Sholl, Robert (2019) Jean-Louis Florentz and spectralism. In: The Oxford Handbook to Spectralism. Th Oxford Handbooks to Music. Oxford University Press, New York.

Sholl, Robert (2019) Jean-Louis Florentz: Ethiopian music into spectralism. In: Amercian Musicological Society Conference, 30 October - 3 November 2019, Boston, Mass., USA. (Unpublished)

Sholl, Robert (2016) Jean-Louis Florentz: hospitality and spectralism. In: Spectralisms, 15-16 March 2017, Oxford. (Unpublished)

Sholl, Robert (2017) Jean-Louis Florentz: hospitality and spectralism. In: European Musical Analysis Conference, 28 June - 1 July 2017, Strasbourg France. (Unpublished)

Sholl, Robert (2017) Messiaen and Pärt. In: Monastic Musicians Conference, 3 October 2017, Belmont Abbey Hereford. (Unpublished)

Sholl, Robert (2018) Messiaen and surrealism: ethnography and the poetics of excess. In: Surrealism and Music in France, 1924-1952: Interdisciplinary and International Contexts, 8 June 3018, London. (Unpublished)

Sholl, Robert (2017) Olivier Messaien and Charles Tournemire: the organ as the voice of God. In: RCO Organ Forum 2017 - a celebration of Olivier Messiaen, 28 October 2017, Royal Academy of Music, London. (Unpublished)

Sholl, Robert (2016) Olivier Messiaen complete organ works 4. [Performance] (Unpublished)

Sholl, Robert (2016) Olivier Messiaen complete organ works 5. [Performance] (Unpublished)

Sholl, Robert (2017) Olivier Messiaen complete organ works 6. [Performance] (Unpublished)

Sholl, Robert (2017) Olivier Messiaen complete organ works 7. [Performance] (Unpublished)

Sholl, Robert (2019) Olivier Messiaen: spectralist. In: The Oxford Handbook to Spectralism. Oxford Music Handbooks. Oxford University Press.

Sholl, Robert (2017) Recital at the Cathedral of Notre-Dame de Paris. [Performance] (Unpublished)

Sholl, Robert (2016) Sheridan Tongue’s music for silent witness: new perspectives on Pärtian tintinnabulation. In: Sounding the Sacred, 1-4 May 2016, New York Fordham University Campus. (Unpublished)

Sholl, Robert (2019) Spectral music in Nordic Noir. In: Spectralisms Conference, IRCAM,, 12-14 June 2019, Paris, France. (Unpublished)

Sholl, Robert (2015) Stop it, I like it! Embodiment, masochism and listening for traumatic pleasure. In: Thresholds of Listening: Sound, Technics, Space. Fordham University Press, New York, USA, pp. 152-174. ISBN 9780823264377

Sholl, Robert (2015) Westminster Abbey organ recital 6 December 2015. [Performance] (Unpublished)

Sholl, Robert (2018) The unmasking scene: improvisation in context. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Sloan, Cathy (2017) Aestheticizing addiction to generate change. Performance Research, 22 (6). pp. 68-72. ISSN 1352-8165

Sloan, Cathy (2018) Understanding spaces of potentiality in applied theatre. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (4). pp. 582-597. ISSN 1356-9783

Sloan, Cathy (2021) The ‘pop-up’ recovery arts café: growing resilience through the staging of recovery community. Research in Drama Education: The Journal of Applied Theatre and Performance, 26 (1). pp. 9-23. ISSN 1356-9783

Sloan, Cathy (2014) From ‘Substance Misuse the Musical’ to ‘Double Whammy’: the affect of Outside Edge Theatre Company. In: Addiction and Performance. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 214-233. ISBN 9781443856577

Spagnolo, Simone (2018) Touch-less: wearable music and the score-theatre. Studies in Musical Theatre, 11 (2). pp. 147-164. ISSN 1750-3159

Spagnolo, Simone (2016) Unsaid by the mouth, but spoken by the drums. Journal of the Institute of Composing, 9.

Spagnolo, Simone (2018) De-lirious marks: on the rationality of marking and irrationality of the arts. In: Assessment Symposium, 3 Mar 2018, Cambridge, UK. (Unpublished)

Spagnolo, Simone (2015) Each tale chases another: metaphorical representations, non-linearity and openness of narrative structure in Italian opera from post-WWII to It makes no difference. Doctoral thesis, Trinity Laban Conservatoire / City University.

Spagnolo, Simone (2014) Even you, lights, cannot hear me. [Composition] (Unpublished)

Spagnolo, Simone (2018) Faust, Alberta. [Composition] (Unpublished)

Spagnolo, Simone (2017) Non ho dormito in questa notte mai. [Composition] (Unpublished)

Spagnolo, Simone (2016) Teatro Polidittico: classics-inspired contemporary Italian opera and the concept of openness. In: Italy and the Classics, APGRD (Archive of Performances of Greek and Roman Drama), 10th June 2016, University of Oxford. (Unpublished)

Spagnolo, Simone (2015) Touch-less: wearable graphic scores for acting singer. In: SongArt Symposium, 26 Jun 2015, Central School of Speech and Drama, London. (Unpublished)

Spagnolo, Simone (2017) The colour blue. [Composition] (Unpublished)

Spagnolo, Simone (2015) The colour blue. A musico-theatrical metonymy. In: SongArt Symposium, 27 Jun 2015, Central School of Speech and Drama, London. (Unpublished)

Spagnolo, Simone and Johnson, Graham (2013) Musical saw. In: The New Grove Dictionary of Musical Instruments. Oxford University Press.

Spagnolo, Simone and Trischitta, Giordano (2018) Polymath. [Composition]

Sparling, Steven (2017) Campus Press, reflexivity, and broadening employability. In: UWL Teaching and Learning Conference 2017, 29 June 2017, London, UK. (Unpublished)

Sparling, Steven (2017) Don't put your daughter on the stage Mrs Worthington; or, precarity and the performing arts. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Sparling, Steven (2016) Use of peer-review in performance practice. In: UWL Teaching and Learning Conference 2016, 28 June 2016, London, UK. (Unpublished)

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2020) Character adaptations: recurrence and return. Adaptation, 14 (1). pp. 109-135. ISSN 1755-0637

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2020) Adapting Pagnol and Provence. In: Intercultural Screen Adaptation: British and Global Case Studies. Edinburgh University Press, pp. 11-25. ISBN 9781474452038

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Totoli, Alessandra and Spagnolo, Simone (2015) Vocalisations with movement (Vocalizzi con movimento). Edizioni Casa Musicale Cav. Quinto Fabio, Salerno (Italy), Salerno, italy.

Toulson, Rob, Patel, Shreepali and Foster, Sarah Kayte (2015) Red Planet App - tutorial / user guide. [Video]

Toulson, Rob and Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2016) A new interactive music format for enhancing listener engagement with recorded music. In: 11th Art of Record Production Conference, 2-4 Dec 2016, Aalborg, Denmark. (Unpublished)

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Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) Directions in music by Miles Davis: using the ecological approach to perception and embodied cognition to analyse the creative use of recording technology in Bitches Brew. Technology and Culture, 59 (4). pp. 850-874. ISSN 0040-165X

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2022) Le Grand Kallé and African jazz—“Indépendance Cha Cha” (1960). In: One-Track Mind: Capitalism, Technology, and the Art of the Pop Song. Taylor and Francis, Routledge, London, UK, pp. 11-26. ISBN 9781003093206

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2016) The influence of recording technology and practice on popular music performance in the recording studio in Poland between 1960 and 1989. Polish Sociological Review, 2016 (196). ISSN 1231-1413

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) Analysing the product of recorded musical activity. In: The Routledge Companion to Popular Music Analysis: Expanding Approaches. Routledge music companions. Routledge, Taylor and Francis, New York. ISBN 9781138683112

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2019) Haydn in modern dress: applying experimental contemporary production techniques to the classical repertoire. In: The Art of Record Production: Creative Practice in the Studio. Ashgate Popular and Folk Music. Routledge Press, Abingdon, UK, pp. 185-201. (Submitted)

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2016) How is theoretical research meeting the challenges of pedagogy in the field of record production? In: Music, Technology and Education: Critical Perspectives. Routledge, Oxford, UK, pp. 67-84. ISBN 9781472426208

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2022) Practical musicology. 21st Century Music Practices. Bloomsbury Academic Publishing, New York. ISBN 9781501357794

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2020) Recorded music. In: The Bloomsbury Handbook of Music Production. Bloomsbury handbooks. Bloomsbury Academic Press, New York. ISBN 9781501334023

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2020) Studio practice and organization in rock music. In: The Bloomsbury Handbook of Rock Music Research. Bloomsbury handbooks. Bloomsbury Academic Press, New York. ISBN 9781501330469

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) Timbre as text: the cognitive roots of intertextuality. In: The Pop Palimpsest: Intertextuality in Recorded Popular Music. University of Michigan Press, Ann Arbor, Michigan, USA, pp. 273-290. ISBN 9780472130672

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2015) An analysis of space, gesture and interaction in Kings of Leon's 'Sex On Fire' (2008). In: Song Interpretation in 21st-Century Pop Music. Ashgate Popular and Folk Music Series. Ashgate, Farnham, UK, pp. 115-132. ISBN 9781472428004

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2014) The musicology of record production. Cambridge University Press, Cambridge, UK. ISBN 9781107075641

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2022) The space of the record: something happening somewhere. In: The Bloomsbury Handbook of Popular Music, Space and Place. Bloomsbury handbooks. Bloomsbury Academic Press, New York, pp. 229-240. ISBN 978-1-5013-3628-7

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) The spectromorphology of recorded popular music: the shaping of sonic cartoons through record production. In: The Relentless Pursuit of Tone: Timbre and Popular Music. Oxford University Press, New York, USA. ISBN 9780199985227