Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2025) Improvisation at Keeble College, University of Oxford 30 January 2025. [Arts Related non-text Outputs]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645, Norton, Charlie and McCready, Anna (2024) Switched on Messiaen: what affordances might CEMIs offer to deliver an alternative sonic manifestation of the stymied aspirations of the proto-spectralist movement? [Arts Related non-text Outputs]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2024) Josephin ‘Sâr’ Péladan, Charles Tournemire and apocalyptic mysticism. In: Art, Music, and Mysticism at the Fin de Siècle Seeing and Hearing the Beyond. Routledge. ISBN 9781032145662

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2024) “Joséphin ‘Sâr’ Péladan, Charles Tournemire and apocalyptic mysticism,” Art, Music, and Mysticism at the fin-de-siècle: Seeing and Hearing the Beyond, ed. Corrinne Chong and Michelle Foot (New York: Routledge), pp. 62-95. In: Art, Music, and Mysticism at the fin-de-siècle: Seeing and Hearing the Beyond. Routledge Research in Art History. Routledge, New York and London, pp. 62-95. ISBN 1032145668

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2024) “Artistic practice as Embodied Learning: Reconnecting Pedagogy, Improvisation, and Composition,” Rethinking the Teaching of Music Performance in Higher Level Institutions. In: Rethinking the Teaching of Music Performance in Higher Level Institutions. Open book, Cambridge, UK, pp. 135-164.

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2024) Artistic practice as Embodied Learning: Reconnecting Pedagogy, Improvisation, and Composition. In: Teaching Music Performance in Higher Education Exploring the Potential of Artistic Research. Open Book Press, pp. 135-164. ISBN 9781805112754

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2024) Olivier Messiaen: A Critical Biography. Reaktion Press, London. ISBN 9781789148657

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2024) Olivier Messiaen: A Critical Biography. Reaktion, London, UK.

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2024) Improvisation. [Arts Related non-text Outputs]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2024) Les Ombres du Fantôme. [Audio]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2024) Organ improvisation for the unmasking scene for The Phantom of the Opera (1925). [Arts Related non-text Outputs]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2024) Robert Sholl Piano Improvisation to The Phantom of the Opera Unmasking Scene. [Composition]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645, Visser, Andy and McCready, Anna (2024) Les ombres du Fântome: Improvisation, recording, production and the collective imagination in artistic research. In: Royal Musical Association 150 Conference, 11-13 September 2024, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2024) Les ombres du Fântome: Improvisation, recording, production and the collective imagination in artistic research. In: Royal Musical Association Organ Conference, 6 September 2024, London, UK. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 and Ledoux, Caroline (2023) Lot in Sodom (1932) dir. James Sibley Watson, piano improvisation by Robert Sholl. [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645, Ledoux, Caroline and McCready, Anna (2023) La Passion de Jeanne d'Arc, end (1928) dir. C.T. Dreyer, piano improvisation by Robert Sholl. [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645, Ledoux, Caroline and McCready, Anna (2023) "The Furies" from Crime Without Passion (1934), piano improvisation by Robert Sholl. [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 and Ledoux, Caroline (2023) Arrival of Count Orlok from Nosferatu (1922), piano improvisation by Robert Sholl. [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 and ledoux, Caroline (2023) Georges Méliès, Un Homme de tête (1898): piano improvisation by Robert Sholl. [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 and Ledoux, Caroline (2023) The Skeleton Dance (Walt Disney, 1929), piano improvisation by Robert Sholl. [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 and Ledoux, Caroline (2023) Ben-Hur: A Tale of the Christ, live improvisation by Robert Sholl with sound effects by Caroline Ledoux. [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 and Ledoux, Caroline (2023) Aurora Australia II - Hommage à Arvo Pärt. [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 and Ledoux, Caroline (2023) Georges Méliès: La Lune à un mètre, also known as The Astronomer’s Dream (1898). [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 and Ledoux, Caroline (2023) L'Homme à la tête en caoutchouc (The Man with the Rubber Head). [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 and Ledoux, Caroline (2023) Mole and Music. [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 and Ledoux, Ledoux (2023) Spider vs Spider. [Video]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645, Visser, Andy, Exarchos, Michail and McCready, Anna (2022) ‘In the Torture Chamber’: improvisation, recording, production and the collective imagination in artistic research. In: European Platform for Artistic Research in Music - EPARM 2022, 7-9 April 2022, London, UK. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2021) Maria's Dance from Metropolis (1927) dir. Fritz Lang, improvisation by Robert Sholl. [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2021) Improvisation - Robert Sholl, Exeter College, University of Oxford. [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2021) The Feldenkrais Method in Creative Practice: dance, music, and theatre. Bloomsbury, London. ISBN The Feldenkrais Method in Creative Practice: dance, music, and theatre

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2021) The Feldenkrais method in creative practice: dance, music and theatre. Bloomsbury. ISBN 9781350158382

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2021) Feldenkrais, Freud, Lacan, and Gould: how to love thyself not as thy neighbour. In: The Feldenkrais method in creative practice: dance, music, and theatre. Bloomsbury Methuen, London, UK, pp. 38-54. ISBN 9781350158382

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2021) Series of 8 concerts: The Complete Organ Symphonies of Louis Vierne, complete organ works of Maurice Duruflé, organ works of Charles Tournemire with chamber music and songs by Vierne. [Performance]

McMurtry, Leslie and Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2021) Shattered! [Audio]

Parsons, George and Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2020) James MacMillan studies. Cambridge Composer Studies series. Cambridge University Press, UK. ISBN 9781108492539

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2020) Exquisite violence: imagery, embodiment and transformation in MacMillan. In: James MacMillan Studies. Cambridge University Press, Cambridge, UK, pp. 87-110. ISBN 9781108492539

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2020) 150: The complete symphonies of Louis Vierne with major organ works of Charles Tournemire (and chamber music). A series for 150th anniversaries of these composers’ births. Arundel Cathedral. [Show/Exhibition]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2020) James Sibley Watson’s The Fall of The House of Usher: Surrealism—improvisation—complementary serendipities. Perspectives of New Music, 58 (1). pp. 23-69. ISSN 0031–6016

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2019) Inscapes of musical listening: sensing/feeling/imagining. Naxos Musicology International.

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2019) Jean-Louis Florentz: Ethiopian music into spectralism. In: Amercian Musicological Society Conference, 30 October - 3 November 2019, Boston, Mass., USA. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2019) Feldenkrais’s touch, Ephram’s laughter, Gould’s sensorium: listening and musical practice between thinking and doing. Journal of the Royal Musical Association, 144 (2). pp. 397-428. ISSN 0269-0403

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2019) Spectral music in Nordic Noir. In: Spectralisms Conference, IRCAM,, 12-14 June 2019, Paris, France. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2019) Jean-Louis Florentz and spectralism. In: The Oxford Handbook to Spectralism. Th Oxford Handbooks to Music. Oxford University Press, New York.

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2019) Olivier Messiaen: spectralist. In: The Oxford Handbook to Spectralism. Oxford Music Handbooks. Oxford University Press.

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2018) BBC Prom 10 programme Note: Charles-Marie Widor. BBC, https://www.bbc.co.uk/events/erhn5v. (In Press)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2018) The unmasking scene: improvisation in context. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2018) Exhibiting the phantom: improvisations for an unmasking. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2018) Messiaen and surrealism: ethnography and the poetics of excess. In: Surrealism and Music in France, 1924-1952: Interdisciplinary and International Contexts, 8 June 3018, London. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2018) Arvo Pärt, passio and spirituality. UNSPECIFIED.

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2017) Olivier Messaien and Charles Tournemire: the organ as the voice of God. In: RCO Organ Forum 2017 - a celebration of Olivier Messiaen, 28 October 2017, Royal Academy of Music, London. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2017) Messiaen and Pärt. In: Monastic Musicians Conference, 3 October 2017, Belmont Abbey Hereford. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2017) James Sibley Watson’s the fall of the house of usher: improvisation – images - complementary serendipities. In: Research Events Royal Academy of Music, 29 September 2017, Royal Academy of Music - Duke's Hall. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2017) Recital at the Cathedral of Notre-Dame de Paris. [Performance] (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2017) Pärt and the sound of one-hand clapping. In: Arvo Pärt's White Light: Media, Culture, Politics. Cambridge University Press, Cambridge, UK, pp. 47-73. ISBN 9781107182899

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2017) Jean-Louis Florentz: hospitality and spectralism. In: European Musical Analysis Conference, 28 June - 1 July 2017, Strasbourg France. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2017) Olivier Messiaen complete organ works 7. [Performance] (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2017) Olivier Messiaen complete organ works 6. [Performance] (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2017) The Feldenkrais method. New Vistas, 3 (1). pp. 28-33. ISSN 2056-9688

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2017) International Recital Series: recital at St John's Smith Square, London. [Performance] (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2016) Olivier Messiaen complete organ works 5. [Performance] (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2016) Improvisation to 'The unmasking scene for Rupert Julian's The Phantom of the Opera (1925)'. [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2016) Improvisation to James Sibley Watson and Melville Webber's 'The Fall of the House of Usher' (1929, silent film). [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2016) Olivier Messiaen complete organ works 4. [Performance] (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2016) Searching for the elusive obvious: memory, forgiveness, catharsis, and transcendence in contemporary spiritual music. In: Contemporary Music and Spirituality. Routledge, Abingdon, UK, pp. 229-257. ISBN 9781409440581

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2016) Olivier Messiaen complete organ works 3. [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2016) Olivier Messiaen complete organ works 2. [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2016) Olivier Messiaen complete organ works 1. [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2016) Sheridan Tongue’s music for silent witness: new perspectives on Pärtian tintinnabulation. In: Sounding the Sacred, 1-4 May 2016, New York Fordham University Campus. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2016) James Sibley Watson’s 'The fall of the house of Usher' (1928): improvisation – images - complementary serendipities. In: UNSPECIFIED. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2016) Jean-Louis Florentz: hospitality and spectralism. In: Spectralisms, 15-16 March 2017, Oxford. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2016) Hospitality and translation in Florentz's work. In: L’œuvre de Jean-Louis Florentz, 28-29 Jan 2016, Lyon, France. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2015) Westminster Abbey organ recital 6 December 2015. [Performance] (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2015) Stop it, I like it! Embodiment, masochism and listening for traumatic pleasure. In: Thresholds of Listening: Sound, Technics, Space. Fordham University Press, New York, USA, pp. 152-174. ISBN 9780823264377

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2015) Lacan, Feldenkrais and Gould: how to love thyself not as thy neighbour. In: Re-Storing Performance Conference, June 2015, Bath, UK. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2015) Improvisations to films by James Sibley Watson. [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2015) Recital at Westminster Abbey. [Performance]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2014) "How do you like your counterpoint, sir?": music pedagogy beyond therapy. In: EUROMAC 2014, 17-20 Sep 2014, Leuven, Belgium. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2014) Jean-Louis Florentz: spectral musician of an imaginary organ. In: Jean-Louis Florentz: visions d’ailleurs, July 2014, London, UK. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2014) Educating Isaac. In: Educating Isaac, 27 April 2014, BBC Radio on iPlayer.

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2014) Interviewed for BBC Radio 3 Sunday Feature: Educating Isaac. [Show/Exhibition]

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2014) Olivier Messiaen and Jean-Louis Florentz: vibrations harmoniques. In: Visions of the Beyond: French organ music around Olivier Messiaen, 29 March 2014, London, UK. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2013) Olivier Messiaen: the organ as the God's mouthpiece. In: Lecture Recital, 28 November 2013, London, UK. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2013) Catholicism and catharsis: the sublime, the apocalyptic and ecstasy in the music of Charles Tournemire and Olivier Messiaen. In: FMCS Conference, 14-16 Feb 2013, New Haven, USA. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2012) Arvo Pärt: Embodiment – Enchantment – Transcendence. In: Music and the Body Conference, 9-11 March 2012, Hong Kong. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2012) Thresholds: Rethinking Spirituality through Music. By Marcel Cobussen. Music and Letters, 93 (1). pp. 90-93. ISSN 1477-4631

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2012) Arvo Pärt and spirituality. In: The Cambridge Companion to Arvo Pärt. Cambridge Companions to Music. Cambridge University Press, Cambridge, UK, pp. 140-158. ISBN 9780521279109

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2011) The shock of the positive: Olivier Messiaen, St Francis and redemption through modernity. In: Resonant Witness: Conversations between Music and Theology. Eerdmans, Cambridge, UK. ISBN 9780802862778

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2011) Rites of passage: Messiaen and Boulez on Le Sacre du Printemps. In: Pierre Boulez in Context, 02-03 Oct 2011, London, UK. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2010) Olivier Messiaen and the Avant-garde poetics of the Messe de la Pentecôte. In: Messiaen the Theologian. Ashgate, Farnham, UK, pp. 199-222. ISBN 9780754666400

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2008) Messiaen studies. Cambridge University Press, Cambridge, UK. ISBN 9780521839815

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2007) Olivier Messiaen, the avant-garde, and the Messe de la Pentecôte. In: Boston Messiaen Project Conference, Nov 2007, Boston, USA. (Unpublished)

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2007) Making the invisible visible: the theology, culture and practice of Olivier Messiaen's improvisation. Boston University Messiaen Project.

Sholl, Robert ORCID: https://orcid.org/0000-0001-9734-2645 (2007) Review of Alan Fraser's The craft of piano playing: a new approach to piano technique. Music and Letters, 88 (1). pp. 190-192. ISSN 1477-4631