Items where Subject is "Music/audio technology"

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Group by: Creators | Item Type
Number of items at this level: 59.

Article

Campbell, William, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and van der Linde, Ian (2017) Listener preferences for alternative dynamic-range-compressed audio configurations. Journal of the Audio Engineering Society, 65 (7/8). pp. 540-551. ISSN 1549-4950

Donati, Eugenio and Chousidis, Christos ORCID: https://orcid.org/0000-0003-3762-8208 (2022) Electroglottography based real-time voice-to-MIDI controller. Neuroscience Informatics, 2 (2). p. 100041. ISSN 2772-5286

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2018) Hip-hop pedagogy as production practice: reverse-engineering the sample-based aesthetic. Journal of Popular Music Education, 2 (3). pp. 45-63. ISSN 2397-6721

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 and Skinner, Glenn (2021) Bass | the wider frontier: low-end stereo placement for headphone listening. Journal On The Art of Record Production, 12. pp. 87-103. ISSN 1754-9892

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Kadel, Oliver (2022) Audio for extended realities: a case-study informed exposition. Convergence: The International Journal of Research Into New Media Technologies. ISSN 1354-8565 (Submitted)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, Rob and Hepworth-Sawyer, Russell (2019) User-influenced/machine-controlled playback: the variPlay music app format for interactive recorded music. Arts, 8 (3). p. 112. ISSN 2076-0752

Sayer, Timothy (2013) Dynamic scores: extending the parameter space of live performance. Scene, 1 (2). pp. 247-256. ISSN 2044-3714

Book Section

Llewellyn, Gareth and Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2021) Towards 6DOF: 3D Audio for virtual, augmented and mixed realities. In: 3-D Audio. Perspectives on Music Production. Routledge, NYC, USA. ISBN 9781138590069

Meynell, Anthony ORCID: https://orcid.org/0000-0003-1302-7563 (2020) How does vintage equipment fit into a modern working process? In: The Bloomsbury Handbook of Music Production. Bloomsbury handbooks. Bloomsbury, pp. 89-108. ISBN 9781501334023

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Llewellyn, Gareth (2019) Producing 3-D audio. In: Producing Music. Perspectives on Music Production. Routledge, Taylor and Francis, London & New York. ISBN 9780415789219

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2019) Transforming digital music: investigating interactive playback. In: Reimagining & performing data. University of Glasgow, Glasgow, UK, pp. 41-43. ISBN 9781527242937

Sayer, Timothy (2019) Using electroencephalography to explore cognitive-cultural networks and ecosystemic performance environments for improvisation. In: Innovation In Music: performance, production, technology and business. Routledge, New York. ISBN 9781138498211

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2019) Haydn in modern dress: applying experimental contemporary production techniques to the classical repertoire. In: The Art of Record Production: Creative Practice in the Studio. Ashgate Popular and Folk Music. Routledge Press, Abingdon, UK, pp. 185-201. (Submitted)

Conference or Workshop Item

Auricchio, Nino and Borg, Paul (2016) New modular synthesizers and performance practice. In: SAE 2nd Synthposium, 14 Nov 2016, Melbourne, Australia. (Unpublished)

Barbosa, Alvaro and Cordeiro, Joao ORCID: https://orcid.org/0000-0002-0161-7139 (2011) The influence of perceptual attack times in networked music performance. In: Audio Engineering Society 44th International Conference - Audio Networking, 18 - 20 November 2011, Sand Diego, USA.

Bourbon, Andrew and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2016) Sonic cartoons and semantic audio processing: using invariant properties to create schematic representations of acoustic phenomena. In: 2nd AES Workshop on Intelligent Music Production, 13 September 2016, London, UK.

Cordeiro, Joao ORCID: https://orcid.org/0000-0002-0161-7139 (2014) FuXi: a fish-driven instrument for real-time music performance. In: Proceeding INTER-FACE: 2nd International Conference on Live Interfaces 2014, 22-23 November 2014, Lisbon, Portugal.

Cordeiro, Joao ORCID: https://orcid.org/0000-0002-0161-7139 (2008) pDaniM: a case study around interactive processes for expressive music generation in the computer animation production pipeline. In: Proceedings of ARTECH 2008, 4th International Conference on Digital Arts, 7-8 November 2008, Oporto, Portugal.

Cordeiro, Joao ORCID: https://orcid.org/0000-0002-0161-7139, Barbosa, Alvaro, Martins, Luis Gustavo and Gomes, Jose Alberto (2014) The foundation of soundscape lab in Macau. In: Tecniacustica 2014 - EUROPEAN SYMPOSIUM ON SMART CITIES AND ENVIRONMENTAL ACOUSTICS, 29 - 31 October 2014, Murcia, Spain.

Cordeiro, Joao ORCID: https://orcid.org/0000-0002-0161-7139, Gomes, Jose Alberto and Goncalves, Miguel (2014) Promoting awareness for the acoustic phenomenon: a survey of pedagogical practices and research projects developed at EA/CITAR. In: Invisible Places Sounding Cities - Sound, Urbanism and Sense of Place, 18 - 20 July 2014, Viseu, Portugal.

Drignei, Ovidiu-Ionut (2022) Level design based on sound analysis. In: School of Computing and Engineering Research and Industry Day 2022, 29 Jun 2022, London, United Kingdom. (Unpublished)

Norton, Charlie, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Pratt, Daniel (2022) Musical connections and enhanced performance control; a strategy to reduce complexity. In: Innovation in Music conference, 17-19 Jun 2022, Stockholm, Sweden. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2017) Listener preferences for alternative dynamic-range-compressed audio configurations. In: Cambridge Hearing Group, 05 Nov 2017, University of Cambridge, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Kadel, Oliver (2019) Immersive audio post-production for 360° video: workflow case studies. In: Audio Engineering Society Conference: 2019 AES International Conference on Immersive and Interactive Audio, 27-29 March 2019, York, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Sholl, Robert, Visser, Andy, Exarchos, Michail and McCready, Anna (2022) ‘In the Torture Chamber’: improvisation, recording, production and the collective imagination in artistic research. In: European Platform for Artistic Research in Music - EPARM 2022, 7-9 April 2022, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) Get inside the music: connecting artists and audiences through interactive apps. In: Audio Engineering Society Convention 145, 17-20 Oct 2018, New York City, US.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) Interactive recorded music: past, present, and future. In: Audio Engineering Society Convention 145, 17-20 Oct 2018, New York City, US.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) Live-market evaluation of interactive music apps. In: IASPM: Crosstown Traffic: Popular Music Theory and Practice, 3-5 Sept 2018, Huddersfield, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) The interactive album app. In: 4th Workshop on Intelligent Music Production, 14 Sept 2018, Huddersfield, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) variPlay: the next generation of interactive music. In: BPI Innovation Hub, 11 Sept 2018, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, E. Rob and Hepworth-Sawyer, Russ (2018) Mastering music for multi-stem and interactive applications. In: AES UK Mastering Conference 2018, 22-23 Sept 2018, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Visser, Andy (2022) HAPPIE project: haptic authoring pipeline for the production of immersive experiences. In: Innovation in Music conference, 17-19 Jun 2022, Stockholm, Sweden. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Visser, Andy (2021) HAPPIE: the haptic audio-production pipeline. In: Conference of New Interfaces for Musical Expression, 1-4 June 2021, Shanghai, China. (Submitted)

Pratt, Daniel and Bourbon, Andrew (2019) Life in between phase: understanding and manipulating microphone relationships with visual tools. In: The 12th Art of Record Production Conference (ARP2017) – Mono: Stereo:Multi, 1-3 Dec 2017, Royal College of Music, Stockholm, Sweden.

Pratt, Daniel, Hoose, Shane and Gordon, Wellington (2019) Transnational flow in cloud-based music production: organisational communication and collaboration between Australia and America. In: The 12th Art of Record Production Conference (ARP2017) – Mono: Stereo:Multi, 1-3 Dec 2017, Royal College of Music, Stockholm, Sweden.

Sayer, Timothy (2015) Cognition and improvisation: some implications for live coding. In: First International Conference on Live Coding (ICLC2015), 13-15 July 2015, Leeds.

Sayer, Timothy (2014) Hypnagogia and improvisation: interfacing with reflexive/volitional behaviour. In: INTER-FACE: International Conference on Live Interfaces (ICLI 2014), 19-23 Nov 2014, Lisbon, Portugal.

Sayer, Timothy (2014) Non-thinking music making: a proposed methodology to emancipate improvisation. In: 9th Conference on Interdisciplinary Musicology – CIM14, 03-06 Dec 2014, Staatliches Institut für Musikforschung, Berlin, Germany.

Book

Hepworth-Sawyer, Russell, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob, eds. (2021) Innovation in music: future possibilities. Routledge, Taylor and Francis, Focal Press, London, New York. ISBN 9780367363352

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Hepworth-Sawyer, Russell, Hodgson, Jay and Toulson, Rob, eds. (2019) Innovation in music: performance, production, technology and business. Perspectives on Music Production. Routledge, New York, US and Abingdon, UK. ISBN 9781138498211

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2021) 3-D audio. Perspectives on Music Production. Routledge. ISBN 9781138590069

Thesis

Lord, Jocelyne Francesca Corinne (2022) The phenomenal rise of periphonic record production: a practice-based, musicological investigation of periphonic recomposition and mix aesthetics for binaural reproduction. Doctoral thesis, University of West London.

Meynell, Anthony ORCID: https://orcid.org/0000-0003-1302-7563 (2017) How recording studios used technology to invoke the psychedelic experience: the difference in staging techniques in British and American recordings in the late 1960s. Doctoral thesis, University of West London.

Stanbury, Christopher (2017) Playing the changes: rediscovering the lexicon of electronic organ performance practice from 1943 to 2015. Doctoral thesis, University of West London.

Report

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) variPlay record of the day guest blog - BPI innovation hub. Discussion Paper. British Phonographic Industry, UK.

Artefact

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E.Rob (2018) Plan. [Artefact]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, E.Rob and Ofenbach, (band) (2019) Ofenbach variPlay. [Artefact]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, E.Rob and Sariñana, Ximena (2018) Ximena sariñana variPlay. [Artefact]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2020) Quanta / Signal / Noise. [Artefact]

Performance

Szafranski, Bartosz and Cork, Jo (2017) Sensate. [Performance]

Szafranski, Bartosz, Thomas, Maureen, Salihbegovic, Fahrudin and Cork, Jo (2016) WE. [Performance]

Video

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) Call Thou Upon My Name Unto Eternity, And It Shall Never Fail. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Duchlevova, Tereza (2019) Hhumann X at LSO St Luke's [VIDEO]. [Video]

Toulson, Rob, Patel, Shreepali and Foster, Sarah Kayte (2015) Red Planet App - tutorial / user guide. [Video]

Audio

Castells Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X [STUDIO ALBUM]. [Audio]

Castells Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) Hhumann X at LSO St Luke's [LIVE ALBUM]. [Audio]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 and Barnes, Philip (2016) 1-hour radio interview recorded on 12 February 2016 containing complete broadcasts of three choral works. Interviewer: Philip Barnes, conductor of the St Louis Chamber Chorus, USA. Radio Station: Radio Arts Foundation of St Louis [RAFSTL]. Series: 'Re-choired Listening.'. [Audio]

Sayer, Timothy, Tetkov, Kordian, Lord, Matthew and Lee, Stewart (2018) Bristol Fashion. [Audio]

Other

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2019) A History of music and technology. BBC World Service, UK.

This list was generated on Sun Dec 4 23:07:33 2022 UTC.

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