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Amir Shahkarami, Sayed Najmedin (2013) The pre-production phase in the making of Iranian full-length animated films 1979-2012. Doctoral thesis, University of West London.

Athanasopoulou, Katerina (2005) Sweet salt. [Video]

Audissino, Emilio (2013) Archival research and film music: the case of the Boston Pops Orchestra. Journal of Film Music, 6 (2). pp. 147-163. ISSN 1087-7142

Audissino, Emilio (2014) Bicycles, airplanes and Peter Pans: flying scenes in Steven Spielberg's films. CINEJ Cinema Journal, 3 (2). pp. 104-120. ISSN 2158-8724

Audissino, Emilio (2015) Due note di credibilita. John Williams e Lo squalo [Two notes of credibility. John Williams and Jaws]. Cinergie (7). pp. 36-44. ISSN 2280-9481

Audissino, Emilio (2012) Italian "doppiaggio". Dubbing in Italy: some notes and (in)famous examples. Italian Americana, 30 (1). pp. 22-32. ISSN 0096-8846

Audissino, Emilio (2011) John Williams, Star Wars and the canonization of Hollywood film music. In: Il Canone Cinematografico/The Film Canon. Forum, Udine, Italy, pp. 273-278. ISBN 9788884206633

Audissino, Emilio (2012) John Williams, The Boston Pops Orchestra and film music in concert. In: Cinema, critique des images. Campanotto, Udine, Italy, pp. 230-235. ISBN 88-456-1288-6

Audissino, Emilio (2015) The 'Ancrage' effect of film on music in film-music concert pieces. In: Listening Cinematically, 25-26 June 2015, Royal Holloway, University of London. (Unpublished)

Audissino, Emilio (2014) Building an emotive framework: the macro-emotive function of film music. In: Music for Audio-Visual Media Conference, 4-6 Sep 2014, Leeds, UK. (Unpublished)

Audissino, Emilio (2014) Creative energy without creative industry: Mario Bava. In: 9th NECS (European Network for Cinema and Media Studies) Conference, 19-21 June 2014, Milan, Italy. (Unpublished)

Audissino, Emilio (2014) Dubbing as a formal interference: reflections and examples. In: Media and Translation: An Interdisciplinary Approach. Bloomsbury Academic, New York, USA, pp. 97-118. ISBN 9781623566463

Audissino, Emilio (2014) Film dubbing as adaptation and (forced?) assimilation. In: The Humanities 7th Annual Postgraduate Conference, 31 Mar 2014, Southampton, UK. (Unpublished)

Audissino, Emilio (2014) Film music and multimedia: an immersive experience and a throwback to the past. In: Jahrbuch Immersiver Medien 2014: Sounds, Music & Soundscapes. Schüren Verlag, Marburg, Germany, pp. 46-56. ISBN 9783894728960

Audissino, Emilio (2014) Golden Age 2.0: John Williams and the revival of the symphonic film score. In: Film in Concert: Film Scores and Their Relation to Classical Concert Music. VWH Verlag, Glücksstadt, Germany, pp. 109-124. ISBN 9783864880605

Audissino, Emilio (2016) Gottfried Huppertz's metropolis: the acme of 'cinema music'. In: Today’s Sounds for Yesterday’s Films: Making Music for Silent Cinema. Palgrave Studies in Audio-Visual Culture. Palgrave Macmillan, Basingstoke, UK, pp. 45-63. ISBN 9781137466358

Audissino, Emilio (2013) Hollywood film music and ethnic diversity. In: Multicultural America: A Multimedia Encyclopedia. SAGE, Thousand Oaks, US, pp. 1101-1103. ISBN 978-145-221-683-6

Audissino, Emilio (2013) Il cinema è la morte al lavoro [Cinema is death at work]. In: Immagini della morte [Images of Death], 19 April 2013, University of Pisa, Italy. (Unpublished)

Audissino, Emilio (2009) Il cinema, l'automobile e la morte al lavoro [Cinema, cars and death at work]. In: 10th International Conference 'Da Ulisse a... Il viaggio in auto: mito e attualità' [From Ulysses To... Car Travelling: Myth and Contemporaneity], 01-03 Oct 2009, University of Genoa, Imperia, Italy.

Audissino, Emilio (2011) Il cinema: arte e mercificazione. Il caso delle colonne sonore 'pop' [Cinema: art and commodity. The case of the 'pop' soundtracks]. In: International Doctoral Summer School 'Arts and Media 2', 06-10 Jun 2011, San Servolo (Venice), Italy. (Unpublished)

Audissino, Emilio (2017) John Williams and contemporary film music. In: Contemporary Film Music: Investigating Cinema Narratives and Composition. Palgrave Macmillan, Basingstoke, UK, pp. 221-236. ISBN 9781137573742

Audissino, Emilio (2014) John Williams's film music. 'Jaws,' 'Star Wars,' 'Raiders of the Lost Ark,' and the return of the classical Hollywood music style. University of Wisconsin Press, Madison WI, USA. ISBN 9780299297343

Audissino, Emilio (2010) John Williams, Star wars, and the canonization of Hollywood film music. In: 17th International Film Studies Conference 'Film Forum', 16-18 Mar 2010, University of Udine, Italy.

Audissino, Emilio (2010) John Williams, The Boston Pops Orchestra and film music in concert. In: 12th International Doctoral Summer School 'Cinema and Contemporary Art 3', 28 Jun - 09 Jul 2010, Sorbonne Nouvelle-Paris 3, Paris, France.

Audissino, Emilio (2010) L'infanzia nel cinema di Steven Spielberg [Childhood in Steven Spielberg's cinema]. Ennepilibri, Imperia, Italy. ISBN 9788879082952

Audissino, Emilio (2013) Motion picture. In: Multicultural America. A Multimedia Encyclopedia. SAGE, Thousand Oaks, CA, pp. 1492-1496. ISBN 978-145-221-683-6

Audissino, Emilio (2014) Orchestrating a prejudice: European misunderstanding of the use of orchestrators in Hollywood. In: MaMI (Music and the Moving Image) Conference, 30 May - 01 Jun 2014, New York, USA. (Unpublished)

Audissino, Emilio (2014) When the score tells more: music and connotations in Raiders of the Lost Ark. In: 20th SERCIA Conference, 'Movies and Music: National and Transnational Approaches', 18-20 Sep 2014, Nijmegen, Netherlands. (Unpublished)

Audissino, Emilio (2013) The aesthetic cost of marketing. The economical motivation of pop songs in films. In: Pratiques et esthétiques. Le coût et la gratuité. L'Harmattan, Paris, France, pp. 41-46. ISBN 978-2-336-29175-8

Audissino, Emilio (2010) The meaning of flight in Steven Spielberg's films. In: 11th International Conference 'Da Ulisse a... Il viaggio aereo tra fantasia e realtà [From Ulysses To... Air Travelling between Fantasy and Reality], 7-9 October 2010, University of Genoa, Imperia, Italy.

Audissino, Emilio (2011) Émigrés and Hollywood film music: the cases of Max Steiner's Casablanca and Erich Wolfgang Korngold's The Adventures of Robin Hood. In: 12th International Conference 'Da Ulisse a... In viaggio verso le terre felici.' [From Ulysses To... Journeys to the Lands of Happiness], 06-08 Oct 2011, Imperia, Italy. (Unpublished)

Audissino, Emilio (2011) Émigrés and the political connotations of Hollywood music: two case studies. In: Doctoral workshop 'Migrazioni e Migranti' [Migrations and Migrants], 30 June 2011, Pisa, Italy. (Unpublished)

Ayisi, Florence and Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2014) See me, know me – cultural expressions of Cameroonian women. Stimulus Respond, Africa. pp. 36-43. ISSN 1746-8086

Ayisi, Florence and Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2014) Documentary practice and the resistance to cultural norms. In: Football and Communities of Resistance Conference, 12 Jun 2014, Manchester, UK. (Unpublished)

Ayisi, Florence and Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2016) Zanzibar soccer dreams. [Video]

Ayisi, Florence and Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2011) A cognitive-hermeneutical approach to audience reception of 'Sisters in Law'. In: Women and Film in Africa Conference: Overcoming Social Barriers, 19-20 Nov 2011, London, UK. (Unpublished)

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Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2004) How are film endings shaped by their socio-historical context? Part 1. Image and Narrative, 4 (2). ISSN 1780-678X

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2004) How are film endings shaped by their socio-historical context? Part 2. Image and Narrative, 5 (1). ISSN 1780-678X

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Ayisi, Florence (2013) The politics of representation and audience reception: alternatives visions of Africa. Research in African Literatures, 44 (2). pp. 125-141. ISSN 0034-5210

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2013) Blindness and the everyday: a documentary perspective. In: Ordinary/Everyday/Quotidian Conference, 26-27 Sep 2013, University of York, UK. (Unpublished)

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2015) Cognitive innovation in documentary film practice. In: Off the Lip: Transdisciplinary Approaches to Cognitive Innovation, 7-11 Sept 2015, Plymouth, UK.

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2013) Conceptualising practice-as-research in media through cross‐disciplinary approaches to audience reception. In: Theorising Practice, Practicing Theory, 23 Apr 2013, University of Roehampton, UK.

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2014) 'Documentary and (Dis)ability' symposium, University of Surrey, United Kingdom, 20 September 2013. Discussion Paper. Taylor & Francis.

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2015) Documentary film practice and the alterity of the disabled individual. In: Disability and Disciplines: The International Conference on Educational, Cultural, and Disability Studies, 01-02 July 2015, Liverpool, UK. (Unpublished)

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2015) Focusing on the ordinary: alternative visions of disability. In: Rethinking Disability on Screen, 14 May 2015, York, UK. (Unpublished)

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2017) Mediating subjectivity through materiality in documentary practice. In: Conditions of Mediation: Phenomenological Perspectives on Media. Peter Lang, Oxford, UK, pp. 223-236. ISBN 9781433137297

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2015) The documentary film "praxis" of cognitive film theory. In: Society for Cognitive Studies of the Moving Images (SCSMI) Conference, 17-20 Sept 2015, London, UK. (Unpublished)

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2014) The domestication of disability stereotypes through film. In: Domestic Imaginaries: Homes in Film, Literature and Popular Culture Symposium, 21 Jan 2014, Nottingham, UK. (Unpublished)

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2014) An ethnophenomenographic approach to subjectivity. In: Directions and Connections across Anthropology, 24 Jun 2014, London, UK. (Unpublished)

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2011) The paratext in "Dexter". In: Television Narratives Symposium, 28 May 2011, University of York, UK. (Unpublished)

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2013) The representation of blindness in media. In: Documentary and (Dis)ability Symposium, 20 Sep 2013, University of Surrey, UK. (Unpublished)

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2004) A touch of colour. [Video]

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Ayisi, Florence (2013) Development through trans-national filmmaking. In: Evidence-Based International Development Day, 23 May 2013, Llandrindod Wells, UK. (Unpublished)

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Ayisi, Florence (2016) Zanzibar community impact study. [Artefact]

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Hughes, Helen (2017) Documentary and disability. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137598936

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Kramer, Mette (2018) Cognitive theory and documentary film. Palgrave Macmillan, Basingstoke, UK. ISBN 9783319903316

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Carr, Marcia (2016) Making the impossible possible: Feldenkrais and the impact upon the training of the actor/singer at London College of Music. In: 'Making the Impossible Possible': The Feldenkrais Method in Music, Dance, Movement, and Creative Practice, 30 Apr 2016, London, UK. (Unpublished)

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) Call Thou Upon My Name Unto Eternity, And It Shall Never Fail. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2014) Life from Light. [Performance]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2013) Life from light. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Chen, Pengyou (2017) 2045 - 01 Overture. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Chen, Pengyou (2017) 2045 - 02 Gold. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Chen, Pengyou (2017) 2045 - 03 Slaves of Time. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Duchlevova, Tereza (2019) Hhumann X at LSO St Luke's [VIDEO]. [Video]

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2020) Conservation and curation: theoretical and practical issues in the making of a national collection of British music videos 1966–2016. Alphaville: Journal of Film and Screen Media (19). pp. 160-177.

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2023) Danny Kleinman interview. Alphaville (25). pp. 129-138. ISSN 2009-4078

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2023) Georgia Hudson: Interview. Alphaville (25). pp. 123-128. ISSN 2009-4078

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2019) Introduction: hidden screen industries – British music video and absent bodies. Journal of British Cinema and Television, 16 (4). pp. 484-491. ISSN 1743-4521

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2015) Not another article on the author! God and auteurs in moving image analysis: last call for a long overdue paradigm shift. Music Sound and the Moving Image, 9 (2). pp. 145-162. ISSN 1753-0768

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2017) The dancing eyes of the director: choreographers, dance cultures, and film genres in British music video 1979–2016. Music Sound and the Moving Image, 11 (1). pp. 37-62. ISSN 1753-0768

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2014) The fine art of commercial freedom: British music videos and film culture. Scope, 26. ISSN 1465-9166

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2017) ‘The first cut is the deepest’: excerpts from a focus group on editing music videos, with explanatory historical and theoretical notes. Music Sound and the Moving Image, II (I).

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2019) The pioneers get shot: music video, independent production and cultural hierarchy in Britain. Journal of British Cinema and Television, 16 (4). pp. 545-570. ISSN 1743-4521

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 and Smith, Justin (2017) Fifty years of British music video: introduction. Music Sound and the Moving Image, II (I).

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 Dancing and dreaming: 50 years of British music video in Havana. [Video] (Unpublished)

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2018) Power to the people: fifty years of British music video 1966-2016. UNSPECIFIED.

Clarke, Lucy Louise (2023) Investigating the Gendered Behaviours Displayed by Influential Disney, Marvel and Star Wars Protagonists and Examining the Link Between Children’s Engagement with these Franchises and their Play Behaviour. Doctoral thesis, University of West London.

Cole, Louise ORCID: https://orcid.org/0000-0002-2629-5973 (2004) Film Review of: Dance, girl, dance (1940) directed by Dorothy Arzner. Senses of Cinema (33). ISSN 1443-4059

Cole, Louise ORCID: https://orcid.org/0000-0002-2629-5973 (2005) Lost cinemas. [Performance] (Unpublished)

Crewe, Jon ORCID: https://orcid.org/0000-0002-4108-1551 (2022) ‘Last night, locked in…’: narrative fiction and embedded filmmaking as a response to, and a reflection on the existential impact of domestic confinement during the COVID-19 lockdowns. Screenworks: The peer-reviewed online publication of practice research in screen media, 12 (1). ISSN 2514-3123

Crewe, Jonathon ORCID: https://orcid.org/0000-0002-4108-1551 (2018) Surrey new writers festival: writing for film and television. In: Surrey New Writers Festival 2018, 2 Jun 2018, Guildford.

D

Daly, Fergus and Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2003) Leos Carax. French Film Directors. Manchester University Press, Manchester, UK. ISBN 9780719063152

Devas, Angela (2005) How to be a hero: space, place and masculinity in The 39 Steps (Hitchcock, UK, 1935). Journal of Gender Studies, 14 (1). pp. 45-54. ISSN 1465-3869

Douglas, Kitrina and Carless, David (2018) The long run: a story about filmmaking as qualitative research. Qualitative Inquiry, 26 (3-4). pp. 281-290. ISSN 1077-8004

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2014) And the ship sails on. Radical Philosophy (184). pp. 46-49. ISSN 0300-211x

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2018) Cinephilia falls to Earth: thinking the image after Daney. In: Changer, échanger: Serge Daney. Workshop 1 of Serge Daney and Queer Cinephilia (AHRC network), 27-28 Sept 2018, Paris (INHA). (Unpublished)

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2024) Cinephilia falls to earth: thinking the image after Daney. In: Serge Daney and Queer Cinephilia. Configurations of Film Series. Meson Press, Luneberg, Germany, pp. 119-146. ISBN 9783957960184 print 978357960191 online open access

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2003) Karaoke Beckett, or Jeremy Irons, mimicry and travesty in Ohio impromptu on film. Samuel Beckett Today/Aujourd'hui, 13 (1). pp. 169-182. ISSN 0927-3131

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2010) "Our day will come": Histoire de Marie et Julien in the light of Les filles du feu. Australian Journal of French Studies, 47 (2). pp. 171-183. ISSN 0004-9468

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2009) Paris and its doubles: Deleuze/Rivette. Deleuze Studies, 3 (2). pp. 185-206. ISSN 1750-2241

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2010) Pedagogies of the image between Daney and Deleuze. New Review of Film and Television Studies, 8 (1). pp. 41-56. ISSN 1740-0309

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2014) Shot/reverse shot. Radical Philosophy (180). pp. 55-58. ISSN 0300-211X

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2009) Apprenticeship, Philosophy, and the 'secret Pressures of the Work of Art' in Deleuze, Beckett, Proust and Ruiz; or Remaking the Recherche. In: Beckett's Proust/Deleuze's Proust. Palgrave Macmillan, Basingstoke, UK, pp. 89-103. ISBN 9780230201415

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2015) Dislocations: framing and agency between cinema and architecture. In: University of Salford, School of Arts and Media, 09 Dec 2015, Manchester, UK. (Unpublished)

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2016) From Murphy’s "microcosmopolitans" to Castro’s "micro-mensajes": metropolitan, national and ontological dislocations - with screening of Castro and interview with the director. In: London Beckett Seminar, 9 Dec 2016, London, England. (Unpublished)

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2013) Image and representation in Bergson. In: Understanding Bergson, understanding modernism. Understanding philosophy, understanding modernism. Bloomsbury, London and New York, pp. 25-26. ISBN 9781441172211

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2006) Ohio impromptu, genre and Beckett on film. In: Genre Matters: Essays in Theory and Criticism. Intellect Books, Bristol, UK, pp. 69-84. ISBN 9781841501079

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2011) Re-play: Conducts of time x 4 (interstitial pedagogies). In: The Future, Nov 2011, David Roberts Art Foundation. (Unpublished)

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2009) Serge Daney: film, theory and philosophy. In: Film, Theory and Philosophy: The Key Thinkers. Acumen Press, London, UK, pp. 122-133. ISBN 9781844651856

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2014) The movement-image, the time-image and the paradoxes of literary and other modernisms. In: Understanding Deleuze, Understanding Modernism. Understanding Philosophy, Understanding Modernism. Bloomsbury Academic, London & New York, pp. 90-109. ISBN 9781623563493

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2015) The problem of the any-space-whatever between Deleuze's Cinema and Beckett's prose. In: Beckett and Deleuze. Palgrave Macmillan, Basingstoke UK, pp. 152-168. ISBN 9781137481139

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Fales, Ludovica (2015) Immersed into our clothes. Are wearable technologies a potential gateway to extra-virtual immersion? Cinergie. Il Cinema e le altre arti., 8. pp. 89-98. ISSN 2280-9481

H

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2015) Museum media. The International Handbooks of Museum Studies, 3. Wiley-Blackwell, Oxford, UK. ISBN 9781405198509

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2014) Exchanging bodily fluids: transubstantiations in contemporary pornography. Interalia: A Journal of Queer Studies (9). pp. 127-145. ISSN 1689-6637

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2013) No new pleasures: notes on Larry Clark's 'Impaled'. One+One: Filmmakers’ Journal (10). pp. 21-26.

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2014) Beyond explicit: pornography and the displacement of sex. State University of New York Press, New York, USA. ISBN 9781438449616

Hughes, Helen and Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2013) Symposium organisation: Documentary and (Dis)ability symposium. UNSPECIFIED, University of Surrey.

M

Milne, Mike (2016) The transformation of television sport: new methods, new rules. Palgrave Global Media Policy and Business. Palgrave Macmillan, Basingstoke, UK. ISBN 978113755104

Myers, Pamela (2015) Cannes Lions 2015: the judges verdicts. Campaign Magazine.

Myers, Pamela (2015) From bladder stones to brand sound. New Vistas, 1 (2). pp. 22-25. ISSN 2056-967X

Myers, Pamela (2014) How a painful operation inspired the 18th century equivalent of a horror movie soundtrack. The Conversation.

Myers, Pamela (2015) Radio and television programme development, innovation and production in the UK. In: Radio & Television Programme Development, Innovation and Production in the UK, July 2015, London, UK. (Unpublished)

N

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2014) No end to the end: the desert as eschatology in late modernity. Tate Papers (22). ISSN 1753-9854

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2024) Outside Television: Fellini on Exposure and Attention in the Age of Abundance. Screen, 65 (1). pp. 25-46. ISSN 0036-9543

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Antonioni and the aesthetics of impurity: remaking the image in the 1960s. Edinburgh University Press, Edinburgh, UK. ISBN 9781474444040

O

Olsen, Dennis and Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2023) The Joy of Guests: a podcast journey. An interview with Jeremy Strong. New Vistas, 9 (1). pp. 18-21. ISSN 2056-967X

P

Penn, Louise ORCID: https://orcid.org/0000-0002-2629-5973 (2017) Formula sleuthing from four just men. In: Playboys, Spies and Private Eyes. Quoit Media Limited. ISBN 9781911537038

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2018) They that put their trust in the Lord. [Performance] (Unpublished)

S

Sholl, Robert (2016) Improvisation to 'The unmasking scene for Rupert Julian's The Phantom of the Opera (1925)'. [Performance]

Sholl, Robert (2018) The unmasking scene: improvisation in context. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Stevenson, Lesley, Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X and Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2006) Genre matters: essays in theory and criticism. Intellect Books, Bristol, UK. ISBN 1841501077

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2020) Character adaptations: recurrence and return. Adaptation, 14 (1). pp. 109-135. ISSN 1755-0637

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2024) Continuation and Desperation in Contemporary Multi-Season Television Drama. Adaptation. ISSN 1755-0637

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2006) Crews, squads, sevens, elevens and dozens: the team film genre. Kinema: a Journal of Audio-Visual Media, 26. pp. 39-54. ISSN 1192-6252

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2019) Introduction. Adaptation, 12 (2). pp. 67-68. ISSN 1755-0637

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2011) Reconstructing the rose or how joining the dots (generally) makes the picture. Literature/Film Quarterly, 39 (4). pp. 297-305. ISSN 0090-4260

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2019) Straight to the source? Where adaptations, artworks, historical films, and novels connect. Adaptation, 12 (2). pp. 165-184. ISSN 1755-0645

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2008) Team films in adaptation: remembered stories and forgotten books. Adaptation, 1 (1). pp. 44-57. ISSN 1755-0637

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2006) Tess, Jude, and the Problem of Adapting Hardy. Literature/Film Quarterly, 34 (3). pp. 195-203. ISSN 0090-4260

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2015) Time, tide and narrative: adapting chronology in Master and Commander: The Far Side of the World. Coriolis: An Interdisciplinary Journal of Maritime Studies, 5 (2). pp. 1-19. ISSN 2163-8381

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2015) The 'Wandering Jew': history, fiction and adaptation. New Vistas, 1 (1). pp. 24-31. ISSN 2056-9688

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2014) BBC America's Fleming and the trouble with author biopics. The Conversation.

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2019) Fleming, adaptation, and the author biopic. In: A Companion to the Biopic. Wiley Blackwell, Oxford, pp. 233-246. ISBN 9781119554813

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2014) Rabbits are not the only meat, so why the fury over Jeanette Winterson's fluffy meal? The Conversation.

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2013) Sweetening Jane: equivalence through genre, and the problem of class in Austen adaptations. In: Global Jane Austen: Pleasure, Passion, and Possessiveness in the Jane Austen Community. Palgrave Macmillan, Basingstoke, UK, pp. 83-102. ISBN 9781137034434

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2013) Talking teams: dialogue and the team film formula. In: Film Dialogue. Columbia University Press, New York, USA, pp. 70-84. ISBN 9780231165631

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (1997) The mimetic fallacy: why adaptations disappoint. In: Trasvases Culturales: Literatura, Cine, Traduccion 2. Universidad del Pais Vasco, Lejona, Spain, pp. 351-359. ISBN 8460094138

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Zubillaga, Luciano (2013) Cosas por venir. [Video]

Zubillaga, Luciano (2009) Music for a missing film. [Video]

Zubillaga, Luciano (2012) The arousing of thought. [Video]