Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2024) Cinephilia falls to earth: thinking the image after Daney. In: Serge Daney and Queer Cinephilia. Configurations of Film Series. Meson Press, Luneberg, Germany, pp. 119-146. ISBN 9783957960184 print 978357960191 online open access
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Abstract
This essay explores the posterity of Serge Daney’s writings by proposing a series of provisional categorizations in the manner of Daney, who often worked with tripartite distinctions. To think the image after Daney is here to think both in his aftermath and in his lineage (i.e. with him). It is to continue to think with the repertoire of concepts and approaches enshrined in his writing and to think with the conflicted practice of cinephilia that we find in his understanding of his own career as a critic. To think the image after Daney, I propose, is paradoxically to continue to think about the contemporary in a manner attentive to and following his own already retrospective disposition.
Item Type: | Book Section |
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Identifier: | 10.14619/0184 |
Keywords: | Serge Daney; cinephilia; queer |
Subjects: | Film and television |
Depositing User: | Garin Dowd |
Date Deposited: | 28 Feb 2024 09:37 |
Last Modified: | 23 Jul 2024 08:30 |
URI: | https://repository.uwl.ac.uk/id/eprint/11229 |
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