Paris and its doubles: Deleuze/Rivette

Dowd, Garin ORCID: (2009) Paris and its doubles: Deleuze/Rivette. Deleuze Studies, 3 (2). pp. 185-206. ISSN 1750-2241

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This essay sets out from the premise that the films of Jacques Rivette merit sustained reconsideration in the framework provided by Deleuze’s Cinema 2: The Time-Image. Rivette’s approach to what his own first feature-length film, Paris nous appartient, identifies a paradox of location-dislocation in respect of the city of Paris. On this basis the article seeks to add to the readings undertaken by Deleuze himself and, in the light of Rivette’s cine-thinking, to examine in tandem films to which Deleuze directly responded, such as Pont du nord, and later post-Deleuze renegotiations of the city such as Secret Défense.

Item Type: Article
Identifier: 10.3366/E1750224109000580
Subjects: Film and television
Depositing User: Garin Dowd
Date Deposited: 01 Dec 2014 16:49
Last Modified: 06 Feb 2024 15:42

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