Items where Subject is "Film and television > Screen studies"

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Number of items at this level: 24.

B

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2018) Bypassing the supercrip trope in documentary representations of blind visual artists. Disability Studies Quarterly, 38 (3). ISSN 1041-5718

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2018) Introduction: Intersecting Documentary and Cognitive Theory. In: Cognitive Theory and Documentary Film. Palgrave Macmillan. (In Press)

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2018) June’s Patchwork. [Video]

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2016) Pornography: The Musical – performativity on the margin. In: Sex and the Cinema Conference, 10-11 Dec 2016, Kent University, UK. (Unpublished)

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2017) Spectatorship and alternative portrayals of blindness. In: Documentary and Disability. Palgrave Macmillan, Basingstoke, UK, pp. 61-77. ISBN 9781137598943

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2018) The Terry Fragments. [Video]

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2018) The benefits of content analysis for filmmakers. Studies in Australasian Cinema, 12 (2-3). pp. 150-161. ISSN 1750-3175

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2017) A cognitive framework of documentary spectatorship. In: Film-Philosophy Conference, 3-6 July 2017, Lancaster University, UK. (Unpublished)

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2018) A social cognition approach to stereotyping in documentary. In: Cognitive Theory and Documentary Film. Palgrave Macmillan, pp. 263-280. ISBN 978-3-319-90332-3

Brylla, Catalin ORCID: 0000-0003-0602-5818 and Kramer, Mette (2017) Cognitive film studies and four approaches to documentary film. In: Society for Cognitive Studies of the Moving Images (SCSMI) Conference, 11-14 June 2017, Aalto University, Helsinki, Finland. (Unpublished)

Brylla, Catalin ORCID: 0000-0003-0602-5818 and Kramer, Mette (2018) A pragmatic framework for the cognitive study of documentary. Projections: The Journal for Movies and Mind, 12 (2). pp. 159-180. ISSN 1934-9688

C

Caston, Emily (2014) The fine art of commercial freedom: British music videos and film culture. Scope, 26. ISSN 1465-9166

D

Dowd, Garin ORCID: 0000-0001-6435-640X (2018) Cinephilia falls to Earth: thinking the image after Daney. In: Changer, échanger: Serge Daney. Workshop 1 of Serge Daney and Queer Cinephilia (AHRC network), 27-28 Sept 2018, Paris (INHA). (Unpublished)

F

Fales, Ludovica (2015) Immersed into our clothes. Are wearable technologies a potential gateway to extra-virtual immersion? Cinergie. Il Cinema e le altre arti., 8. pp. 89-98. ISSN 2280-9481

Fales, Ludovica (2018) Tahrir Square: a space extended to the people watching it. In: Body Images in the Post-Cinematic Scenario: The Digitization of the Body. Post-Cinema & Digital Cultures. Mimesis International, Sesto San Giovanni (MI), Italy. ISBN 9788869771095

H

Hester, Helen (2017) Perverting the explicit: Catherine Breillat’s visual vocabulary of desire. In: Tainted Love: Screening Sexual Perversities. I.B. Tauris, London, UK.

Hester, Helen (2018) Spectacular sex: in/visible pleasures and practices in visual media. In: Sites of the Non-eventual. Artwin Gallery, Moscow. (In Press)

Hester, Helen (2018) Vampire, cannibal, iconoclast: displacing genitality and desecrating genre. In: Iconoclasm: The Making and Breaking of Images. McGill-Queen's University Press, Montreal. (In Press)

N

Nardelli, Matilde (2017) Light and liminal: Marinella Pirelli’s expanded cinema. In: Italian Independent Cinema. Fairleigh Dickinson University Press, Madison, NJ. (In Press)

Nardelli, Matilde (2017) The small, the large and the moving: Bruno Munari and cinema. In: Bruno Munari: The Lightness of Art. Italian Modernities Series. Peter Lang, Oxford, UK, pp. 253-291. ISBN 9783034319379

S

Sholl, Robert (2016) Improvisation to 'The unmasking scene for Rupert Julian's The Phantom of the Opera (1925)'. [Performance]

Sholl, Robert (2016) Improvisation to James Sibley Watson and Melville Webber's 'The Fall of the House of Usher' (1929, silent film). [Performance]

Sholl, Robert (2018) The unmasking scene: improvisation in context. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Strong, Jeremy (2018) James Bond uncovered. Palgrave Macmillan, London, UK.

This list was generated on Tue Dec 11 15:31:27 2018 UTC.

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