Bordwell, D. (2008) Poetics of Cinema. USA: Routledge
Bordwell, D. (2011) 'Never the Twain Shall Meet: Why can’t cinephiles and academics just get along?' Filmcomment [online]. Available from https://www.filmcomment.com/article/never-the-twain-shall-meet (Accessed: 13/1/2022)
Carter, P. (2010) Interest: The Ethics of Invention. In: Barrett, E., & Bolt, B., eds, Practice as research: approaches to creative arts enquiry. London: I.B. Tauris. Available at http://public.eblib.com/choice/publicfullrecord.aspx?p=676435.
Conard, M.T., ed, (2006a) The Philosophy of Film Noir. USA: University of Kentucky Press
Conard, M.T. (2006b) Nietzsche and the Meaning and Definition of Noir. In: Conard, M.T., ed, The Philosophy of Film Noir. USA: University of Kentucky Press
Conard, M.T., ed, (2007) The Philosophy of Neo-Noir. USA: University of Kentucky Press
Coplan, A. (2004) 'Empathic Engagement with Narrative Fictions'. The Journal of Aesthetics and Art Criticism. 62 (2), pp.141-152
Coplan, A. (2011) Understanding Empathy: Its Features and Effects. In: Coplan, A. and Goldie, P., eds, Empathy: Philosophical and Psychological Perspectives. USA: Oxford University Press
Crofts, C. (2017) 'Can Fiction Film Be Research' Screenworks [online]. Available from https://screenworks.org.uk/can-fiction-film-be-research. (Accessed: 9/8/2021)
Eder, J. (2010) 'Understanding Characters'. Projections. The Journal for Movies and Mind. 4 (1), pp.16-40.
Holt, J. (2006) A Darker Shade: Realism in Neo-Noir. In: Conard, M.T., ed, The Philosophy of Film Noir. USA: University of Kentucky Press
Knudsen, E. (2016) 'The Total Filmmaker: thinking of screenwriting, directing
and editing as one role'. New Writing, 13 (1), pp.109-129
Leavy, P. (2014) Method Meets Art, Second Edition: Arts-Based Research Practice. New York: Guilford Publications.
Locke, J. (1998) An Essay Concerning Human Understanding. USA: Oxford University Press
Memento (Christopher Nolan, 2000, USA)
Panek, E. (2006). 'The Poet and the Detective: Defining the Psychological Puzzle Film'. Film Criticism, 31 (1/2), pp.62-88
Research Excellence Framework (2018) Draft guidance on submissions. United Kingdom: ref.ac.uk. Available from https://www.ref.ac.uk/media/1016/draft-guidance-on-submissions-ref-2018_1.pdf
Sanders, M.S. (2006) Film Noir and the Meaning of Life. In: Conard, M.T., ed, The Philosophy of Film Noir. USA: University of Kentucky Press
Smith, B. (2007) John Locke, Personal Identity, and Memento. In: Conard, M.T., ed, The Philosophy of Neo-Noir. USA: University of Kentucky Press
Spicer, A. (2007) Problems of Memory and Identity in Neo-Noir's Existentialist Antihero. In: Conard, M.T., ed, The Philosophy of Neo-Noir. USA: University of Kentucky Press
Sullivan, G. (2009) Making Space: The purpose and place of practice-led research. In: Smith, H., and Dean, R.T., eds, Practice-led research, research-led practice in the creative arts. U.K. Edinburgh University Press
Tan, E.S. (2018) 'A psychology of the film' Palgrave Commun, 82 (4). Available at https://www.nature.com/articles/s41599-018-0111-y
Lists
Lists
ORCID: https://orcid.org/0000-0002-4108-1551
(2022)
‘Last night, locked in…’: narrative fiction and embedded filmmaking as a response to, and a reflection on the existential impact of domestic confinement during the COVID-19 lockdowns.
Screenworks: The peer-reviewed online publication of practice research in screen media, 12 (1).
ISSN 2514-3123
