Items where Subject is "Film and television > Film theory"

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Jump to: B | C | D | F | H | S
Number of items at this level: 23.

B

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2018) Bypassing the supercrip trope in documentary representations of blind visual artists. Disability Studies Quarterly, 38 (3). ISSN 1041-5718

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2018) Clashing Agencies – A Seeing Filmmaker Filming a Blind Painter. In: MeCCSA conference, January 2018, London.

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2017) Critical practice-led research in documentary. In: Creative Practice-Research Workshop, 7 July 2017, Bournemouth University, UK. (Unpublished)

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2017) Documentary and Disability. In: Visible Evidence Conference, August 2017, Buenos Aires.

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2018) Introduction: Intersecting Documentary and Cognitive Theory. In: Cognitive Theory and Documentary Film. Palgrave Macmillan. (In Press)

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2018) Performativity on the margin: Pornography: The Musical (2003). Film Studies, 18 (1). ISSN 1469-0314

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2017) Spectatorship and alternative portrayals of blindness. In: Documentary and Disability. Palgrave Macmillan, Basingstoke, UK, pp. 61-77. ISBN 9781137598943

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2016) Undoing blindness stereotypes through embodied experience in documentary. In: Embodied Methodologies – Practice Based Conference, 04-05 Nov 2016, Royal Holloway, UK. (Unpublished)

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2018) The benefits of content analysis for filmmakers. Studies in Australasian Cinema, 12 (2-3). pp. 150-161. ISSN 1750-3175

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2017) The bricolage of documentary and disability. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2017) A cognitive framework of documentary spectatorship. In: Film-Philosophy Conference, 3-6 July 2017, Lancaster University, UK. (Unpublished)

Brylla, Catalin ORCID: 0000-0003-0602-5818 (2018) A social cognition approach to stereotyping in documentary. In: Cognitive Theory and Documentary Film. Palgrave Macmillan, pp. 263-280. ISBN 978-3-319-90332-3

Brylla, Catalin ORCID: 0000-0003-0602-5818 and Hughes, Helen (2017) Introduction: The bricolage of documentary and disability. In: Documentary and Disability. Palgrave Macmillan, Oxford, UK, pp. 1-10. ISBN 978-1-137-59893-6

Brylla, Catalin ORCID: 0000-0003-0602-5818 and Kramer, Mette (2017) Cognitive film studies and four approaches to documentary film. In: Society for Cognitive Studies of the Moving Images (SCSMI) Conference, 11-14 June 2017, Aalto University, Helsinki, Finland. (Unpublished)

Brylla, Catalin ORCID: 0000-0003-0602-5818 and Kramer, Mette (2018) A pragmatic framework for the cognitive study of documentary. Projections: The Journal for Movies and Mind, 12 (2). pp. 159-180. ISSN 1934-9688

C

Cartmell, Deborah, Strong, Jeremy and Whelehan, Imelda (2018) A brief history of the Association of Adaptation Studies. In: Where is Adaptation? Mapping Cultures, Texts and Contexts. John Benjamins Publishing Company. ISBN 9789027201492

D

Dowd, Garin ORCID: 0000-0001-6435-640X (2018) Cinephilia falls to Earth: thinking the image after Daney. In: Changer, échanger: Serge Daney. Workshop 1 of Serge Daney and Queer Cinephilia (AHRC network), 27-28 Sept 2018, Paris (INHA). (Unpublished)

F

Fales, Ludovica (2015) Immersed into our clothes. Are wearable technologies a potential gateway to extra-virtual immersion? Cinergie. Il Cinema e le altre arti., 8. pp. 89-98. ISSN 2280-9481

Fales, Ludovica (2014) Real time memories of a revolution: the '18 Days in Egypt' interactive platform as instant archive. In: Cinema and Art as Archive: Form, Medium, Memory. Cinema and Contemporary Art (1). Mimesis International, Sesto San Giovanni (MI), pp. 245-264. ISBN 9788857523552

Fales, Ludovica (2018) Tahrir Square: a space extended to the people watching it. In: Body Images in the Post-Cinematic Scenario: The Digitization of the Body. Post-Cinema & Digital Cultures. Mimesis International, Sesto San Giovanni (MI), Italy. ISBN 9788869771095

H

Hester, Helen (2017) Perverting the explicit: Catherine Breillat’s visual vocabulary of desire. In: Tainted Love: Screening Sexual Perversities. I.B. Tauris, London, UK.

S

Sholl, Robert (2018) Exhibiting the phantom: improvisations for an unmasking. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Strong, Jeremy (2018) James Bond uncovered. Palgrave Macmillan, London, UK.

This list was generated on Wed Dec 19 12:11:56 2018 UTC.

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