Article

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Wanderley, Marcelo (2023) Feeling the future — haptic audio: editorial. Arts, 12 (4).

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Kadel, Oliver (2023) Audio for extended realities: a case-study informed exposition. Convergence: The International Journal of Research Into New Media Technologies. ISSN 1354-8565

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, Rob and Hepworth-Sawyer, Russell (2019) User-influenced/machine-controlled playback: the variPlay music app format for interactive recorded music. Arts, 8 (3). p. 112. ISSN 2076-0752

Campbell, William, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and van der Linde, Ian (2017) Listener preferences for alternative dynamic-range-compressed audio configurations. Journal of the Audio Engineering Society, 65 (7/8). pp. 540-551. ISSN 1549-4950

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2008) Cutting tracks, making CDs: a comparative study of audio time-correction techniques in the desktop age. Journal on the Art of Record Production (4). ISSN 1754-9892

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2007) Phase experiments in multi-microphone recordings: a practical exploration. Journal of the Art of Record Production (1). ISSN 1754-9892

Book Section

Haguel, Rotem and Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2024) Listening as Contemplation: A reflexive thematic analysis of listening to modular-based compositions. In: Innovation in Music: Innovation Pathways. Innovation in Music:. Routledge, Abingdon and New York. ISBN 9781032500515 (In Press)

Norton, Charlie, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Pratt, Daniel (2024) A Radiological Adventure: The Sonification of the Apocalypse. In: Innovation in Music: Innovation Pathways. Innovation in Music:. Routledge, Abingdon and New York. ISBN 9781032500515 (In Press)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Visser, Andy (2024) Toward Haptic Audio in Extended Reality. In: Routledge Handbook of Immersive Arts & Media. Routledge Handooks. Routledge, Abingdon and New York. (In Press)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Norton, Charlie and Pratt, Daniel (2024) Performance Mapping and Control; Enhanced Musical Connections and a Strategy to Optimise Flow-State. In: Innovation in Music: Technology and Creativity. Innovation in Music. Routledge, Taylor and Francis, London, UK; New York, USA. ISBN 978–0–367–6 3337–0

Haguel, Rotem and Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2023) Thoughts on Developing a Contemplative Modular System. In: TBC. Innovation in Music:. Routledge, Abingdon and New York. (Submitted)

Llewellyn, Gareth and Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2021) Towards 6DOF: 3D Audio for virtual, augmented and mixed realities. In: 3-D Audio. Perspectives on Music Production. Routledge, NYC, USA. ISBN 9781138590069

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2019) Transforming digital music: investigating interactive playback. In: Reimagining & performing data. University of Glasgow, Glasgow, UK, pp. 41-43. ISBN 9781527242937

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Llewellyn, Gareth (2019) Producing 3-D audio. In: Producing Music. Perspectives on Music Production. Routledge, Taylor and Francis, London & New York. ISBN 9780415789219

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2016) Mixing in the box. In: Mixing Music. Perspectives On Music Production. Routledge, New York, USA, pp. 77-93. ISBN 9781138218734

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2015) Interactive digital music: enhancing listener engagement with commercial music. In: Innovation in Music II. KES Transactions on Innovation in Music, 2. Future Technology Press, Shoreham-by-Sea, UK, pp. 193-209. ISBN 9781911108047

Toulson, Rob, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Campbell, William (2014) Evaluating harmonic and intermodulation distortion of mixed signals processed with dynamic range compression. In: Innovation in music 2013. Future Technology Press, Shoreham-by-Sea, UK, pp. 224-246. ISBN 978-0-9561516-8-1

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2014) Wavefondler — a multi-touch interface for iPad to control audio on a host computer via a visualization of the waveform. In: Innovation in music 2013. Future Technology Press, Shoreham-by-Sea, UK, pp. 67-78. ISBN 978-0-9561516-8-1

Campbell, William, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2014) A quantitative evaluation of signal masking in summed and compressed audio. In: Innovation in music. Future Technology Press, Shoreham-by-Sea, UK, 20 - 31. ISBN 9780956151681

Conference or Workshop Item

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Visser, Andy (2024) Feel the future – Touching Sound. In: Innovation in Music conference, 14-16 Jun 2024, Oslo, Norway. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Sholl, Robert, Visser, Andy and McCready, Anna (2024) Les ombres du Fântome: Improvisation, recording, production and the collective imagination in artistic research. In: Royal Musical Association 150 Conference, 11-13 September 2024, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Sholl, Robert (2024) Les ombres du Fântome: Improvisation, recording, production and the collective imagination in artistic research. In: Royal Musical Association Organ Conference, 6 September 2024, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Visser, Andy (2024) Feel the future – Touching Sound. In: UWL TEDx event, 8 March 2024, London, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Sholl, Robert, Visser, Andy, Exarchos, Michail and McCready, Anna (2022) ‘In the Torture Chamber’: improvisation, recording, production and the collective imagination in artistic research. In: European Platform for Artistic Research in Music - EPARM 2022, 7-9 April 2022, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Visser, Andy (2022) HAPPIE project: haptic authoring pipeline for the production of immersive experiences. In: Innovation in Music conference, 17-19 Jun 2022, Stockholm, Sweden. (Unpublished)

Norton, Charlie, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Pratt, Daniel (2022) Musical connections and enhanced performance control; a strategy to reduce complexity. In: Innovation in Music conference, 17-19 Jun 2022, Stockholm, Sweden. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Visser, Andy (2021) HAPPIE: the haptic audio-production pipeline. In: Conference of New Interfaces for Musical Expression, 1-4 June 2021, Shanghai, China. (Submitted)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Kadel, Oliver (2019) Immersive audio post-production for 360° video: workflow case studies. In: Audio Engineering Society Conference: 2019 AES International Conference on Immersive and Interactive Audio, 27-29 March 2019, York, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) Get inside the music: connecting artists and audiences through interactive apps. In: Audio Engineering Society Convention 145, 17-20 Oct 2018, New York City, US.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) Interactive recorded music: past, present, and future. In: Audio Engineering Society Convention 145, 17-20 Oct 2018, New York City, US.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, E. Rob and Hepworth-Sawyer, Russ (2018) Mastering music for multi-stem and interactive applications. In: AES UK Mastering Conference 2018, 22-23 Sept 2018, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) The interactive album app. In: 4th Workshop on Intelligent Music Production, 14 Sept 2018, Huddersfield, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) variPlay: the next generation of interactive music. In: BPI Innovation Hub, 11 Sept 2018, London, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) Live-market evaluation of interactive music apps. In: IASPM: Crosstown Traffic: Popular Music Theory and Practice, 3-5 Sept 2018, Huddersfield, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2017) Listener preferences for alternative dynamic-range-compressed audio configurations. In: Cambridge Hearing Group, 05 Nov 2017, University of Cambridge, UK. (Unpublished)

Toulson, Rob and Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2016) A new interactive music format for enhancing listener engagement with recorded music. In: 11th Art of Record Production Conference, 2-4 Dec 2016, Aalborg, Denmark. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2016) The interactive album app. In: Music Interaction Design (MiXD) symposium, 16 Mar 2016, Birmingham, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2015) An app for interactive music playback. In: Music Tech Fest, 18-21 Sept 2015, Ljubjana, Slovenia. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2015) MTF research network. In: Music Tech Fest, 29 May - 1 June 2015, Umeå, Sweden. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2015) An app for interactive music playback. In: Music Interaction Design Symposium, 16 Mar 2016, Birmingham, UK. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2014) Contemporary approaches to programming drums. In: Proceedings of the 137th Audio Engineering Society Convention, 10-13 Oct 2014, Los Angeles, USA. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2013) The art of drum programming. In: Proceedings of the 135th Audio Engineering Society Convention, 17-20 October 2013, New York City, US. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2013) Drum programming. In: Proceedings of the 134th Audio Engineering Society Convention, 3-6 May 2013, Rome, Italy. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2013) Free improv - the hard way. In: Proceedings of the 134th Audio Engineering Society Convention, 4-7 May 2013, Rome, Italy.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2012) Drum and percussion programming. In: Proceedings of the 132nd Audio Engineering Society Convention, 27-30 April 2012, Budapest, Hungary. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2012) What is the worth of pre-DSP 'traditional' production values in the contemporary manipulation-oriented context? In: Proceedings of the 132nd Audio Engineering Society Convention, 27-30 April 2012, Budapest, Hungary.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2011) Drum and percussion programming. In: Proceedings of the 131st Audio Engineering Society Convention, 13-16 Oct 2011, New York City, USA. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2011) What constitutes innovation in music production? In: Proceedings of the 131st Audio Engineering Society Convention, 21-24 Oct 2011, New York City, USA.

Mycroft, Josh and Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2011) Activity flow in music equalization: the cognitive and creative implications of interface design. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2011) Creative abuse in time stretching. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2011) The preset is dead; long live the preset. In: Proceedings of the 130th Audio Engineering Society Convention, 13-16 May 2011, London, UK.

Campbell, William, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2010) The effect of dynamic range compression on the psychoacoustic quality and loudness of commercial music. In: Proceedings of the Internoise 2010 Conference, 13-16 June 2010, Lisbon, Portugal.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2007) "Set phasors to stun": an algorithm to improve phase coherence on transients in multi-microphone recordings. In: Proceedings of the International Congress on Acoustics 2007, 02-07 Sep 2007, Madrid, Spain.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2006) "Killing spillage": an algorithm to reduce microphone spillage and improve phase coherence. In: Proceedings of the 2nd Art of Record Production Conference, 8-10 September 2006, Edinburgh, UK.

Arts Related non-text Outputs

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Sholl, Robert, Norton, Charlie and McCready, Anna (2024) Switched on Messiaen: what affordances might CEMIs offer to deliver an alternative sonic manifestation of the stymied aspirations of the proto-spectralist movement? [Arts Related non-text Outputs]

Book

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2021) 3-D audio. Perspectives on Music Production. Routledge. ISBN 9781138590069

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2015) The drum programming handbook: the complete guide to creating great rythm tracks. Backbeat Books, London, UK. ISBN 9781480392878

Thesis

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2015) A study, exploration and development of the interaction of music production techniques in a contemporary desktop setting. Doctoral thesis, University of West London.

Report

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) variPlay record of the day guest blog - BPI innovation hub. Discussion Paper. British Phonographic Industry, UK.

Other

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2019) A History of music and technology. BBC World Service, UK.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, Rob, Lexer, Sebastian and Webster, Tim (2015) Red Planet EP. Apple Inc..

Artefact

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2020) Quanta / Signal / Noise. [Artefact]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, E.Rob and Ofenbach, (band) (2019) Ofenbach variPlay. [Artefact]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Toulson, E.Rob and Sariñana, Ximena (2018) Ximena sariñana variPlay. [Artefact]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E.Rob (2018) Plan. [Artefact]

Audio

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Sholl, Robert (2024) Les Ombres du Fantôme. [Audio]

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2015) Something Jaggy. [Audio]

Show/Exhibition

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2017) Get inside the music. [Show/Exhibition]