Article

Audissino, Emilio (2013) Archival research and film music: the case of the Boston Pops Orchestra. Journal of Film Music, 6 (2). pp. 147-163. ISSN 1087-7142

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2014) The fine art of commercial freedom: British music videos and film culture. Scope, 26. ISSN 1465-9166

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 and Smith, Justin (2020) Dancing and dreaming: “Fifty years of British music video” in Havana. Alphaville: Journal of Film and Screen Media (19). pp. 184-194.

Challis, Ben, Kang, Angela, Rimmer, Rachel and Hildred, Mark (2017) Enabling active interaction with music and sound in multisensory environments. EAI Endorsed Transactions on Creative Technologies, 4 (11). e3. ISSN 2409-9708

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2019) Grime and spirit: on a hype! Open Cultural Studies, 3 (1). pp. 107-125. ISSN 2451-3474

Douglas, Kitrina (2022) Black is the night: masking and unmasking, social science research, and what a song might bring. International Review of Qualitative Research, 16 (1). p. 194084472211310. ISSN 1940-8447

Douglas, Kitrina and Carless, David (2021) Evoking embodied presence: these things, songwriting, filmmaking, and borrowing a performative trick from Bob Dylan. International Review of Qualitative Research, 14 (2). pp. 313-324. ISSN 1940-8447

Henson, David (2019) What do you mean, just speak it? LCME Magazine (4). pp. 4-7.

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2021) Improvising sabor: Cuban dance music in New York by Sue Miller. Ethnomusicology Forum. ISSN 1741-1912

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2024) Copla: A Spanish Caberet - A personal invitation to discover Copla. SCENE: Global Learning through Theatre and the Arts (1). pp. 20-25.

Sayer, Timothy (2013) Dynamic scores: extending the parameter space of live performance. Scene, 1 (2). pp. 247-256. ISSN 2044-3714

Sholl, Robert (2017) The Feldenkrais method. New Vistas, 3 (1). pp. 28-33. ISSN 2056-9688

Sholl, Robert (2019) Feldenkrais’s touch, Ephram’s laughter, Gould’s sensorium: listening and musical practice between thinking and doing. Journal of the Royal Musical Association, 144 (2). pp. 397-428. ISSN 0269-0403

Sholl, Robert (2019) Inscapes of musical listening: sensing/feeling/imagining. Naxos Musicology International.

Sholl, Robert (2020) James Sibley Watson’s The Fall of The House of Usher: Surrealism—improvisation—complementary serendipities. Perspectives of New Music, 58 (1). pp. 23-69. ISSN 0031–6016

Spagnolo, Simone (2018) Touch-less: wearable music and the score-theatre. Studies in Musical Theatre, 11 (2). pp. 147-164. ISSN 1750-3159

Swarbrick, Dana, Martin, Remy ORCID: https://orcid.org/0009-0001-3473-6249, Høffding, Simon, Nielsen, Nanette and Vuoskoski, Jonna (2024) Audience Musical Absorption: Exploring Attention and Affect in the Live Concert Setting. Music and Science. ISSN 2059-2043

Book Section

Capulet, Emilie (2021) Watch for the laughs! The music of graphic scores. In: Play for Health Across the Lifespan: Stories from the Seven Ages of Play. Routledge, Abingdon, UK. ISBN 9780367472887

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Norton, Charlie and Pratt, Daniel (2024) Performance Mapping and Control; Enhanced Musical Connections and a Strategy to Optimise Flow-State. In: Innovation in Music: Technology and Creativity. Innovation in Music. Routledge, Taylor and Francis, London, UK; New York, USA. ISBN 978–0–367–6 3337–0

Pipe, Liz (2019) "I see you baby...": expressive gesture and nonverbal communication in popular music performance education. In: The Bloomsbury Handbook of Popular Music Education: Perspectives and Practices. Bloomsbury Academic, London, UK. ISBN 9781350049413

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2019) Haydn in modern dress: applying experimental contemporary production techniques to the classical repertoire. In: The Art of Record Production: Creative Practice in the Studio. Ashgate Popular and Folk Music. Routledge Press, Abingdon, UK, pp. 185-201. (Submitted)

Conference or Workshop Item

Auricchio, Nino and Borg, Paul (2016) New modular synthesizers and performance practice. In: SAE 2nd Synthposium, 14 Nov 2016, Melbourne, Australia. (Unpublished)

Barbosa, Alvaro and Cordeiro, Joao ORCID: https://orcid.org/0000-0002-0161-7139 (2011) The influence of perceptual attack times in networked music performance. In: Audio Engineering Society 44th International Conference - Audio Networking, 18 - 20 November 2011, Sand Diego, USA.

Capulet, Emilie (2021) La musique pour piano d'Henri Tomasi: partitions inédites, travail éditorial et pratiques pianistiques / Henri Tomasi's solo piano music:unpublished manuscripts, editorial work and performance practices. In: Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)

Capulet, Emilie (2021) Le paradigme cinématographique dans la musique pour piano d'Henri Tomasi / The piano music of Henri Tomasi and the cinematic paradigm. In: Colloque International Henri Tomasi, Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)

Capulet, Emilie (2021) The art of teaching the piano. In: Online Piano Workshop, 25 April 2021, Nicosia, Cyprus.

Capulet, Emilie (2019) The music of Henri Tomasi (1901-1971) and the cinematic paradigm. In: The Music of Henri Tomasi (1901-1971) and the Cinematic Paradigm, 11 July 2019, London.

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) The AHRC funded 'Classical Music Hyper-Production & Practice-As-Research' project: shaping the London College of Music's Research Agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) The AHRC funded ‘Classical Music Hyper-Production & Practice-As-Research’ project: shaping the London College Of Music’s research agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2019) Black Atlantic live performance practice. In: Sound System Outernational 5 - Sounds in the City, 04-07 Apr 2019, Napoli, Italy. (Unpublished)

Cordeiro, Joao ORCID: https://orcid.org/0000-0002-0161-7139 (2014) FuXi: a fish-driven instrument for real-time music performance. In: Proceeding INTER-FACE: 2nd International Conference on Live Interfaces 2014, 22-23 November 2014, Lisbon, Portugal.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X, Sholl, Robert, Visser, Andy, Exarchos, Michail and McCready, Anna (2022) ‘In the Torture Chamber’: improvisation, recording, production and the collective imagination in artistic research. In: European Platform for Artistic Research in Music - EPARM 2022, 7-9 April 2022, London, UK. (Unpublished)

Sayer, Timothy (2014) Non-thinking music making: a proposed methodology to emancipate improvisation. In: 9th Conference on Interdisciplinary Musicology – CIM14, 03-06 Dec 2014, Staatliches Institut für Musikforschung, Berlin, Germany.

Sholl, Robert (2014) Educating Isaac. In: Educating Isaac, 27 April 2014, BBC Radio on iPlayer.

Sholl, Robert (2018) Exhibiting the phantom: improvisations for an unmasking. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Sholl, Robert (2017) James Sibley Watson’s the fall of the house of usher: improvisation – images - complementary serendipities. In: Research Events Royal Academy of Music, 29 September 2017, Royal Academy of Music - Duke's Hall. (Unpublished)

Sholl, Robert (2017) Messiaen and Pärt. In: Monastic Musicians Conference, 3 October 2017, Belmont Abbey Hereford. (Unpublished)

Arts Related non-text Outputs

Crewe, Jonathon ORCID: https://orcid.org/0000-0002-4108-1551 (2024) Ordnance. [Arts Related non-text Outputs]

Sholl, Robert (2024) Organ improvisation for the unmasking scene for The Phantom of the Opera (1925). [Arts Related non-text Outputs]

Book

Hepworth-Sawyer, Russell, Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob, eds. (2021) Innovation in music: future possibilities. Routledge, Taylor and Francis, Focal Press, London, New York. ISBN 9780367363352

Totoli, Alessandra and Spagnolo, Simone (2015) Vocalisations with movement (Vocalizzi con movimento). Edizioni Casa Musicale Cav. Quinto Fabio, Salerno (Italy), Salerno, italy.

Thesis

Kubiak, Agata (2019) Creativity in new music for strings: under which circumstances does creative change occur in different types of performer-composer collaborations. Doctoral thesis, University of West London.

Moralis, Christos (2019) Live popular Electronic music ‘performable recordings’. Doctoral thesis, Univeristy of West London.

Pipe, Liz (2018) The role of gesture and non-verbal communication in popular music performance, and its application to curriculum and pedagogy. Doctoral thesis, University of West London.

Stanbury, Christopher (2017) Playing the changes: rediscovering the lexicon of electronic organ performance practice from 1943 to 2015. Doctoral thesis, University of West London.

Other

Ottewill, Jim and Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) 10 things we learned about UK grime with Dr Monique Charles. The Institute of Contemporary Music Performance.

Sholl, Robert (2018) Arvo Pärt, passio and spirituality. UNSPECIFIED.

Audio

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X [STUDIO ALBUM]. [Audio]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) Hhumann X at LSO St Luke's [LIVE ALBUM]. [Audio]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Francis Pott: Organ Works. [Audio]

Sayer, Timothy, Tetkov, Kordian, Lord, Matthew and Lee, Stewart (2018) Bristol Fashion. [Audio]

Composition

Spagnolo, Simone and Trischitta, Giordano (2018) Polymath. [Composition]

Show/Exhibition

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Das Magische Theatre' at Chateau Papillon, St Moritz, Switzerland. [Show/Exhibition]

De Commarque, Cyril and Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Artificialis' at the Saatchi Gallery, London, UK. [Show/Exhibition]

Sholl, Robert (2020) 150: The complete symphonies of Louis Vierne with major organ works of Charles Tournemire (and chamber music). A series for 150th anniversaries of these composers’ births. Arundel Cathedral. [Show/Exhibition]

Performance

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2018) Hhumann X at LSO St Luke's, London, UK. [Performance]

Osbon, David (2017) Nelson overture. [Performance]

Osbon, David (2019) Poster from world premiere performance. [Performance]

Osbon, David (2019) Poster of performance in Louisville, Kentucky. [Performance]

Osbon, David (2019) Poster of performance in Valletri, Italy. [Performance]

Osbon, David (2017) Sonata for cello and piano. [Performance]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) La Chiesa del Sole. [Performance]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Laudes. [Performance]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Prelude and Fugue on 'Iste Confessor' [= No.1 of 'Three Hymn Tune Fantasias', 2013]. 25'00". [Performance]

Sholl, Robert and Ledoux, Caroline (2023) Arrival of Count Orlok from Nosferatu (1922), piano improvisation by Robert Sholl. [Performance]

Sholl, Robert and Ledoux, Caroline (2023) The Skeleton Dance (Walt Disney, 1929), piano improvisation by Robert Sholl. [Performance]

Sholl, Robert and ledoux, Caroline (2023) Georges Méliès, Un Homme de tête (1898): piano improvisation by Robert Sholl. [Performance]

Sholl, Robert (2016) Improvisation to 'The unmasking scene for Rupert Julian's The Phantom of the Opera (1925)'. [Performance]

Sholl, Robert (2016) Improvisation to James Sibley Watson and Melville Webber's 'The Fall of the House of Usher' (1929, silent film). [Performance]

Sholl, Robert (2017) International Recital Series: recital at St John's Smith Square, London. [Performance] (Unpublished)

Sholl, Robert (2016) Olivier Messiaen complete organ works 4. [Performance] (Unpublished)

Sholl, Robert (2016) Olivier Messiaen complete organ works 5. [Performance] (Unpublished)

Sholl, Robert (2017) Olivier Messiaen complete organ works 6. [Performance] (Unpublished)

Sholl, Robert (2017) Olivier Messiaen complete organ works 7. [Performance] (Unpublished)

Sholl, Robert (2017) Recital at the Cathedral of Notre-Dame de Paris. [Performance] (Unpublished)

Sholl, Robert (2015) Westminster Abbey organ recital 6 December 2015. [Performance] (Unpublished)

Video

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2016) Video of the performance of '2045: The Year Man Becomes Immortal' at Cowdray Park on the 9th of July 2016. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2016) Video of the performance of '2045: The Year Man Becomes Immortal?' at St. James's Piccadilly on the 6th of July 2016. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 and Duchlevova, Tereza (2019) Hhumann X at LSO St Luke's [VIDEO]. [Video]

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 Dancing and dreaming: 50 years of British music video in Havana. [Video] (Unpublished)