Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 and Skinner, Glenn (2021) Bass | the wider frontier: low-end stereo placement for headphone listening. Journal On The Art of Record Production, 12. pp. 87-103. ISSN 1754-9892

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Abstract

The placement of low-end spectra in popular mixes has ranged from dogmatic centrality to extreme staging, but current developments in production workflows, stylistic evolution and increasingly personalised modes of consumption have resulted in alternative—if less polarised—approaches to low- end production. The authors question how contemporary practitioners ‘sculpt’ bass in their mixes, the strategies that are deployed to secure translation, and the relationship between innovation in the bass spectrum and sensible mix architecture. The aim is to investigate the aesthetic and pragmatic causality behind the phenomenon, but also to examine and theorise on the creative possibilities for future bass staging.

Item Type:	Article
Additional Information:	Exarchos, M. & Skinner, G. (2019). Bass | The Wider Frontier: Low-end Stereo Placement for Headphone Listening. In Gullö, J.O., Rambarran, S., & Isakoff, K., (Eds.), Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 87-103). Stockholm: Royal College of Music (KMH) & Art of Record Production.
Subjects:	Music Music > Music/audio technology Music > Musicology > Popular music Music > Record production
Related URLs:	Publisher
Depositing User:	Michail Exarchos
Date Deposited:	14 Jun 2018 22:38
Last Modified:	04 Nov 2024 12:01
URI:	https://repository.uwl.ac.uk/id/eprint/5154

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