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Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2020) Interview: Carrie Sutton. Alphaville: Journal of Film and Screen Media (19). pp. 203-210.

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2020) Interview: Sophie Muller. Alphaville: Journal of Film and Screen Media (19). pp. 211-218.

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Ewald, Julie and Oliver, Paul G. ORCID: https://orcid.org/0000-0001-5551-5106 (2017) UK copyright and the limits of UK music sampling. Social Sciences Research Network.

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2018) Hip-hop pedagogy as production practice: reverse-engineering the sample-based aesthetic. Journal of Popular Music Education, 2 (3). pp. 45-63. ISSN 2397-6721

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2019) Sample magic: (Conjuring) phonographic ghosts and meta-illusions in contemporary hip-hop production. Popular Music, 39 (1). pp. 33-53. ISSN 0261-1430

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 and Skinner, Glenn (2021) Bass | the wider frontier: low-end stereo placement for headphone listening. Journal On The Art of Record Production, 12. pp. 87-103. ISSN 1754-9892

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2019) Boom bap ex machina: hip-hop aesthetics and the Akai MPC. In: Producing Music. Perspectives on Music Production. Routledge, New York. ISBN 9780415789219

Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2019) (Re)engineering the cultural object: sonic pasts in hip-hop’s future. In: Innovation In Music: Performance, Production, Technology and Business. Routledge, New York. ISBN 9781138498211

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Garcia, Manuel and Cordeiro, Joao ORCID: https://orcid.org/0000-0002-0161-7139 (2015) A survey on graphic communication and publishing practices in the Portuguese independent music scene. In: KISMIF Conference 2014, 8-11 Julho 2014, Oporto, Portugal.

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Hagan, Daniel (2017) Suppose they gave a festival and nobody came. In: Locating Imagination, 5-7 April 2017, Rotterdam, Netherlands. (Unpublished)

Henry, William Anthony (2018) In memory of Madiba: Mandela as a reggaematical cultural icon. In: 'Groundings between Brothers & Sisters. Continental and Transnational Africans in Dialogue’, Williams, E. (ed). Manchester University Press, Manchester, UK, pp. 1-22. (In Press)

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Oliver, Paul G. ORCID: https://orcid.org/0000-0001-5551-5106 (2010) The DIY artist: issues of sustainability within local music scenes. Management Decision, 48 (9). pp. 1422-1432. ISSN 0025-1747

Oliver, Paul G. ORCID: https://orcid.org/0000-0001-5551-5106, McLean, Rachel and Wainwright, David (2010) The myths of empowerment through information communication technologies: an exploration of the music industries and fan bases. Management Decision, 48 (9). pp. 1365-1377. ISSN 0025-1747

Oliver, Paul G. ORCID: https://orcid.org/0000-0001-5551-5106 (2009) Self-sufficiency and the DIY Artist: managing creative activities within local music scenes by adopting new technologies. VDM Verlag, Germany. ISBN 9783639183252

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Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2021) 3-D audio. Perspectives on Music Production. Routledge. ISBN 9781138590069

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) variPlay record of the day guest blog - BPI innovation hub. Discussion Paper. British Phonographic Industry, UK.

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Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) Directions in music by Miles Davis: using the ecological approach to perception and embodied cognition to analyse the creative use of recording technology in Bitches Brew. Technology and Culture, 59 (4). pp. 850-874. ISSN 0040-165X

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2012) Musical meaning and the musicology of record production. Beiträge zur Popularmusikforschung, 38. pp. 135-147.

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) Analysing the product of recorded musical activity. In: The Routledge Companion to Popular Music Analysis: Expanding Approaches. Routledge music companions. Routledge, Taylor and Francis, New York. ISBN 9781138683112

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2016) How is theoretical research meeting the challenges of pedagogy in the field of record production? In: Music, Technology and Education: Critical Perspectives. Routledge, Oxford, UK, pp. 67-84. ISBN 9781472426208

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) Timbre as text: the cognitive roots of intertextuality. In: The Pop Palimpsest: Intertextuality in Recorded Popular Music. University of Michigan Press, Ann Arbor, Michigan, USA, pp. 273-290. ISBN 9780472130672

Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2018) The spectromorphology of recorded popular music: the shaping of sonic cartoons through record production. In: The Relentless Pursuit of Tone: Timbre and Popular Music. Oxford University Press, New York, USA. ISBN 9780199985227