|Up a level|
Bandoni, Michael and Auricchio, Nino (2015) Funkshone 'The The Yard'. [Audio]
Bennett, Peter (2016) Going away. New Vistas, 2 (2). ISSN 2056-9688
Borg, Paul (2016) Abstrk beats. [Audio]
Bourbon, Andrew and Mcguinness, Sara (2015) The creative negotiation of a trans-national recorded sound: Grupo Lokito as a Congolese-Latin collaboration case study. In: Art of Record Production Conference 6-8th November 2015 Philidelphia, 6-8 November 2015, Philidelphia.
Bourbon, Andrew and Zagorski-Thomas, Simon (2017) The ecological approach to mixing audio: agency, activity and environment in the process of audio staging. Journal on the Art of Record Production, 11. ISSN 1754-9892
Capulet, Emilie and Zagorski-Thomas, Simon (2017) Creating a rubato layer cake: performing and producing overdubs with expressive timing on a classical recording for 'solo' piano. Journal on the Art of Record Production, 11. ISSN 1754-9892
Cole, Louise (2004) Film Review of: Dance, girl, dance (1940) directed by Dorothy Arzner. Senses of Cinema (33). ISSN 1443-4059
Colson, Richard (2005) Richard Colson: 2 man exhibition of paintings at the New Grafton Gallery, London. [Show/Exhibition]
Colson, Richard (2006) Westminster and the Thames. [Show/Exhibition]
Davis, Paul (2007) Intentional computing. [Show/Exhibition]
Davis, Paul (2005) Utopia. [Show/Exhibition]
Davis, Paul and Arcangel, Cory (2006) BEIGE collective: Naptime and Rudy's cakewalk. [Show/Exhibition]
Dowd, Garin (2007) Abstract machines: Samuel Beckett and philosophy after Deleuze and Guattari. Faux titre . Editions Rodopi, Amsterdam and New York. ISBN 978-9042022065
Dowd, Garin (2015) Dislocations: framing and agency between cinema and architecture. In: University of Salford School of Arts and Media, December 9th 2016, University of Salford. (Unpublished)
Dowd, Garin (2013) France: 1928-1939. In: Samuel Beckett in context. Cambridge University Press, Cambridge, pp. 76-86. ISBN 9781107017030
Dowd, Garin (2010) Pedagogies of the image between Daney and Deleuze. New Review of Film and Television Studies, 8 (1). pp. 41-56. ISSN 1740-0309
Dowd, Garin (2009) Serge Daney: film, theory and philosophy. In: Film, theory and philosophy: The key thinkers. Acumen Press, London, pp. 122-133. ISBN 9781844651856
Dowd, Garin (2012) 'Stellar separation' or 'Abstract machine': Badiou and Deleuze on Beckett. In: Beckett re-membered: after the centenary. Cambridge Scholars, Newcastle Upon-Tyne, pp. 89-105. ISBN 978-1-4438-3500-8
Dowd, Garin (2008) Tools for thought. UNSPECIFIED.
Dowd, Garin (2014) The movement-image, the time-image and the paradoxes of literary and other modernisms. In: Understanding Deleuze, Understanding Modernism. Understanding Philosophy, Understanding Modernism . Bloomsbury Academic, London & New York, pp. 90-109. ISBN 9781623563493
Dowd, Garin (2012) The proxemics of 'Neither'. Samuel Beckett Today/Aujourd'hui, 24. pp. 367-378. ISSN 0927-3131
Gardiner, Jeremy (2007) Along the Dorset coast. [Show/Exhibition]
Gardiner, Jeremy (2007) Arvor - Cornish coast. [Show/Exhibition]
Gardiner, Jeremy (2003) Purbeck light years. [Show/Exhibition]
Henning, Michelle (2015) Otto Neurath. In: Blackwell Encyclopedia of Sociology. Wiley-Blackwell, Oxford, UK. ISBN 9781405124331
Henning, Michelle and Hyder, Rehan (2016) Bristol: urban space and underground music cultures. In: Ten Cities: Public Sphere, Urban Space. Spector, Goethe Institute, Leipzig, Germany. (In Press)
Henson, David (2016) Auditions: to be or not to be...: workshop, film (available on request), radio 4 broadcast and documentation - research findings regarding the importance of the audition for both institution and applica. In: Audition Workshop, 23rd April, 2016, London. (Unpublished)
Henson, David (2015) Dracula - direction of a new musical. [Performance] (Submitted)
Henson, David (2016) Jenny Saville (contemporary artist) states that ‘…destruction is fundamental to the process; without it, you never get anywhere interesting. But fundamental to that is knowing what you can excavate from the destruction’ [Cooke: 2012]. A practical workshop concerning the importance of dialogue, interrogation of text and how this creative process can empower a greater collaborative partnership between student and tutor in Higher Education. In: Teaching and Learning Conference 2016, 28th June 2016, University of West London. (Unpublished)
Henson, David (2007) Musical theatre: exploring the world through song. In: Musical theatre: exploring the world through song. LAMDA, London, pp. 54-95. ISBN 978-0-9557687-0-5
Henson, David (2016) 'Ordinary days' a new musical. [Performance]
Henson, David (2016) Seminar: Unlock the imaginary world of song within the reality of the performance space. In: Move It 2016, 18-20 March 2016, London, UK. (Unpublished)
Henson, David (2016) ‘Si canta come si parla’; let's talk: the world of musical theatre. In: Association of Teachers of Singing Conference, Saturday, October 30th 2016, St. Paul's, London. (Unpublished)
Henson, David (2016) Teaching creativity within musical theatre: ‘a star is born’ 8 times a week. In: IASPM UK and Ireland Biennial Conference: Popular Music: Creativity, Practice and Praxis, Thursday 8th September to Saturday 10th September, 2016, Brighton, Sussex. (Unpublished)
Henson, David (2016) You’re not the star yet!: An audition workshop. In: Audition Workshop, 12th October 2016, Manchester. (Unpublished)
Henson, David (2016) The phenomenon of ‘interruption’ a destructive or positive act of communication within the learning environment. In: Workshop for paper to be submitted to educational conference in June 2016, 23rd April, 2016, Oxford. (Unpublished)
Henson, David and Evans, Emma (2015) Pandemonium! The industrial revolution: empowered by the world of water and steam This performance was part of the 'Inside Out Festival' October 2015. [Show/Exhibition]
Henson, David and Pickering, Ken (2014) Musical theatre: a workbook. Palgrave Macmillan, London. ISBN 9781137331625
Henson, David and Pickering, Ken (2017) Musical theatre: a workbook for further study. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137605696
Hester, Helen (2014) Beyond explicit: pornography and the displacement of sex. State University of New York Press, New York, USA. ISBN 9781438449616
Hester, Helen (2008) 'Desiderio in search of a master’: desire and the quest for recognition. Forum: Postgraduate Journal of Culture and the Arts (6).
Hester, Helen (2013) Dirty books: pornography, censorship, and the naked word. Litro Magazine (25).
Hester, Helen (2013) No new pleasures: notes on Larry Clark’s ‘Impaled'. One + One: Filmmakers’ Journal (10). pp. 21-26.
Hester, Helen (2016) (Re)producing futures without reproductive futurity: xenofeminist ecologies. The Laboratory Planet, 5. pp. 10-11.
Hester, Helen (2014) Rethinking transgression: disgust, affect, and sexuality in Charlotte Roche's 'Wetlands'. Journal of Lesbian Studies, 17 (3 - 4).
Hester, Helen (2015) Synthetic genders and the limits of micropolitics. ...ment, 6.
Hester, Helen, Jones, Bethan and Taylor-Harman, Sarah (2015) Giffing a fuck: non-narrative pleasures in participatory porn cultures and female fandom. Porn Studies, 2 (4). pp. 356-366. ISSN 2326-8743
Hester, Helen and Walters, Caroline (2016) Theorizing fat sex. Sexualities, 8 (1). ISSN 1363-4607
Leigh, D. (2006) John Foxx: Cathedral oceans. [Video]
Long, Philip (2014) I believe in the power of punk. [Artefact]
Mcguinness, Sara (2015) Curious Knowledge Weekend, Kings Cross Quarter, London, September 2015 Day of open workshops and performances in Cuban music. In: Curious Knowledge Weekend, Kings Cross, 30 August 2015, London, UK. (Unpublished)
Mcguinness, Sara (2015) Dancing to the same beat. New Vistas, 1 (2). pp. 10-15. ISSN 2056-967X
Mcguinness, Sara (2015) Delivering music education in the Saharawi Refugee Camps. Forte Magazine, 2015 (1). p. 14.
Mcguinness, Sara (2015) From Ndombolo to Scooby-Doo: Congolese musicians in the UK re-create home whilst finding their own voice. In: 31st European Seminar in Ethnomusicology, 16th-20th September 2015, Limerick, Ireland.
Mcguinness, Sara (2012) GRUPO LOKITO: a practice-based investigation into contemporary links between Congolese and Cuban popular music. Doctoral thesis, School of Oriental and African Studies.
Mcguinness, Sara (2015) Grupo Lokito at the Rugby World Cup, Olympic Park, Stratford, London. 24,26 Sept 2015. [Performance]
Mcguinness, Sara (2015) Grupo Lokito live at African Utopia Festival, South Bank Centre, London. 12 September 2015. [Performance]
Mcguinness, Sara (2015) Grupo Lokito live at Vamos Festival, Leeds, Yorkshire. 1 August 2015. [Performance]
Mcguinness, Sara (2015) Grupo Lokito live at West Dean Chili Fiesta, West Sussex. 6 August 2015. [Performance]
Mcguinness, Sara (2015) Grupo Lokito live at the International Eisteddfod, Llangollen, North Wales. 11 July 2015. [Performance]
Mcguinness, Sara (2015) Interview on "An evening with Rosilio", Radio Progreso, Cuba. UNSPECIFIED. (Unpublished)
Mcguinness, Sara (2014) Making music for freedom. Western Sahara Review, 3. pp. 19-21.
Mcguinness, Sara (2016) Transatlantic beats: common ground in Congolese and Cuban dance music. In: British Forum for Ethnomusicology Annual Conference 2016, 14-17 April 2016, Chatham, Kent.
Mcguinness, Sara, Ndelo, Jose Hendrix and Alegria, Elpidio (2010) Esengo Ya Ko Bina! By Grupo Lokito. [Audio]
Mikuriya, Junko Theresa (2016) A history of light: the idea of photography. Bloomsbury Academic, London, UK. ISBN 9781474254175
Myers, Pamela (2015) Cannes Lions 2015: the judges verdicts. Campaign Magazine.
Myers, Pamela (2015) Radio and television programme development, innovation and production in the UK. In: Radio & Television Programme Development, Innovation and Production in the UK, July 2015, The University of Westminster.
Osbon, David (2016) Austrian premiere of Cello sonata. [Performance]
Osbon, David (2016) Cello sonata world premiere. [Performance]
Osbon, David (2013) Classic shock. UNSPECIFIED.
Osbon, David (2016) Five Hommages by David Osbon. [Performance]
Osbon, David (2016) Hemisphaera project. [Performance]
Osbon, David (2016) Performance of 5 hommages. [Performance]
Osbon, David (2016) Sonata for cello and piano. [Audio]
Osbon, David (2016) Transmedia intertextuality - Does it work in performance? Follow the Sun as a proof of concept project. International Journal of Music and Performing Arts, 4 (1). pp. 21-24. ISSN 2374-2690
Osbon, David (2014) Violin concerto. [Audio]
Osbon, David, Russell, Nino and Broder, Jonathan (2016) Follow the Sun 1st interlude/pause. [Video]
Osbon, David, Russell, Nino and Broder, Jonathan (2016) Follow the Sun interlude/pause 3. [Video]
Parham, John (2006) Academic values: why environmentalists loathe the media. Interdisciplinary Studies in Literature and Environment, 13 (1). pp. 113-133. ISSN 1076-0962
Paterson, Justin (2011) Drum and percussion programming. In: Proceedings of the 131st Audio Engineering Society Convention, 13-16 October 2011, New York City, US. (Unpublished)
Pott, Francis (2017) Cantus Maris. [Performance]
Pott, Francis (2016) Toccata for piano solo. [Composition]
Robson, Deirdre (2016) En/gendering the modern: MoMA and the making the market for modern art a "man's world". In: Visible Hands: Markets and the Marking of American Art, 22 January 2016, London, UK. (Unpublished)
Schechner, Alan (2003) Jesus. [Show/Exhibition]
Schechner, Alan (2002) Self-portrait at Buchenwald: it's the real thing. [Show/Exhibition]
Schechner, Alan (2004) Six million. [Show/Exhibition]
Schechner, Alan (2005) The legacy of abused children / Dialogue of equals. [Show/Exhibition]
Sholl, Robert (2014) “How do you like your counterpoint, sir?”: music pedagogy beyond therapy. In: EUROMAC 2014, 17-20 September 2014, Leuven, Holland. (Unpublished)
Strong, Jeremy (1997) The Mimetic Fallacy: Why Adaptations Disappoint. Trasvases Culturales: Literatura, cine, traduccion 2. Vitoria-Gasteiz; Universidad del Pais Vasco,, 2. pp. 351-359.
Strong, Jeremy (2015) The 'Wandering Jew': history, fiction and adaptation. New Vistas, 1 (1). pp. 24-31. ISSN 2056-9688
Tischler, Victoria (2017) 'It takes me into another dimension': an evaluation of mental health-themed exhibitions in outdoor urban areas. Arts and Health. ISSN 1753-3015
Zagorski-Thomas, Simon (2014) Bath Spa invited research seminar. In: Guest Research Lecture, 8th Jan 2014, Bath Spa University. (Unpublished)
Zagorski-Thomas, Simon (2015) Developing the formal structures of artistic practice-as-research. New Vistas, 1 (2). pp. 28-32. ISSN 2056-967X
Zagorski-Thomas, Simon (2014) How could musicology help me become a better record producer?: tensions between the vocational and the theoretical in music pedagogy. In: SEMPRE Music Education & Technology Conference, 3 - 4 April 2014, London, UK.
Zagorski-Thomas, Simon (2014) Invited speaker at Sonic Signatures Symposium. In: Sonic Signatures Symposium, 9 - 11th April 2014, Aalborg, Denmark. (Unpublished)
Zagorski-Thomas, Simon (2014) Keynote speech for Huddersfield University's Popular Music Studies Research Centre. In: Keynote Speech at the Popular Music Studies Research Centre launch, 15th Jan 2014, Huddersfield, UK. (Unpublished)
Zagorski-Thomas, Simon (2014) Performance in the studio: an educational workshop. In: Performance Studies Network Conference, 17th - 20th July 2014, Cambridge, UK. (Unpublished)
Zagorski-Thomas, Simon (2014) Pop Akademie Mannhein annual visiting professorial lecture. In: Annual Visiting Professorial Lecture, 14th October 2014, Baden-Wuerttemberg, Germany. (Unpublished)
Zagorski-Thomas, Simon (2014) SOAS guest lecture. In: Guest Lecture, 14th Jan 2014, SOAS, University of London. (Unpublished)
Zagorski-Thomas, Simon (2014) Sex on fire: a case study of how different forms of graphic representation can influence analysis. In: EuroMAC (European Music Analysis Conference), 17- 21 September 2014, Leuven, Belgium. (Unpublished)
Zagorski-Thomas, Simon (2015) An analysis of space, gesture and interaction in Kings of Leon's 'Sex On fire' (2008). In: Song Interpretation in 21st-Century Pop Music. Ashgate Popular and Folk Music Series . Ashgate, Farnham, UK, pp. 115-132. ISBN 9781472428004
Zagorski-Thomas, Simon (2016) The influence of recording technology and practice on popular music performance in the recording studio in Poland between 1960 and 1989. Polish Sociological Review, 2016 (196). ISSN 1231-1413
Zagorski-Thomas, Simon (2014) The musicology of record production book tour (1). In: The Musicology of Record Production Book Tour, 15th October 2014, Berlin, Germany. (Unpublished)
Zagorski-Thomas, Simon (2014) The musicology of record production book tour (2). In: The Musicology of Record Production Book Tour, 16th October 2014, Dalarna, Sweden. (Unpublished)
Zagorski-Thomas, Simon (2014) The musicology of record production book tour (3). In: The Musicology of Record Production Book Tour, 17th October 2014, Stockholm, Sweden. (Unpublished)
Zagorski-Thomas, Simon (2014) The musicology of record production book tour (4). In: The Musicology of Record Production Book Tour, 20th October 2014, Copenhagen, Denmark. (Unpublished)