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Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 and Uhlirova, Marketa (2024) Fashion film and the art and archaeology of screen promotion. Open Screens, 6 (3). pp. 1-18.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Are you grime or part-time?! Reviewing race and ‘realness’ in Britain’s grime scene. In: Relating Worlds of Racism: Dehumanisation, Belonging, and the Normativity of European Whiteness. Palgrave Macmillan, Springer, Basingstoke, Hampshire, pp. 299-327. ISBN 9783319789897

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) Grime's gigabytes: the digital space connected to place. In: Crossing Borders: Marginality and opportunity in contemporary British urban youth culture, 17 Aug 2017, Cambridge, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2017) Reggae remix = grime time: recontextualising cultural aurality through new soundscapes. In: Reggae Research Network, hosted by Liverpool University, 18-19 May 2017, Liverpool, UK. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) Retheorising genre: musicological discourse analysis (MDA) through the lens of grime, Afrobeats, UK funky/tribal house and grimy garage. In: Second international symposium on African musics - African music in the Twenty-first century: challenges and directions: University of Ghana, Legon, 09-12 Aug 2018, Ghana. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2016) Young Thug - devil in a blue dress? GRM Daily, United Kingdom.

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2016) The politics of grime. In: Black History Month: The Politics of Grime, 17 Oct 2016, Leeds University Student Union. (Unpublished)

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127, Long, Paulette, Cross, Sandra and Mohamad, Munira (2017) Women on record. In: The Reggae Research Network conference: Reggae Futures Day 2: Bass Culture, 2-3 Nov 2017, London, UK. (Unpublished)

Crewe, Jonathon ORCID: https://orcid.org/0000-0002-4108-1551 (2021) The construction of (white) working-class identity in narrative literary texts and its contribution to socio-cultural and politico-financial inequality. Journal for Cultural Research, 25 (3). pp. 237-251. ISSN 1479-7585

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Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2018) Cinephilia falls to Earth: thinking the image after Daney. In: Changer, échanger: Serge Daney. Workshop 1 of Serge Daney and Queer Cinephilia (AHRC network), 27-28 Sept 2018, Paris (INHA). (Unpublished)

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Fales, Ludovica (2018) Tahrir Square: a space extended to the people watching it. In: Body Images in the Post-Cinematic Scenario: The Digitization of the Body. Post-Cinema & Digital Cultures. Mimesis International, Sesto San Giovanni (MI), Italy. ISBN 9788869771095

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Garcia, Manuel and Cordeiro, Joao ORCID: https://orcid.org/0000-0002-0161-7139 (2015) A survey on graphic communication and publishing practices in the Portuguese independent music scene. In: KISMIF Conference 2014, 8-11 Julho 2014, Oporto, Portugal.

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Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2018) Image flow: photography on tap. Photographies, 11 (2-3). ISSN 1754-0763

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2010) Living life in pictures: isotype as modernist cultural practice. New Formations (70). ISSN 0950-2378

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2019) Of tennis courts and fireplaces: Neurath's internment on the Isle of Man and his politics of design. In: Neurath Reconsidered: New Sources and Perspectives. Boston Studies in the Philosophy and History of Science, 336. Springer, pp. 413-434. ISBN 9783030021283

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2017) The floating face: Garbo, photography and death masks. Photographies, 10 (2). pp. 157-178. ISSN 1754-0763

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2020) The worlding of light and air: Dufaycolor and Selochrome in the 1930s. Visual Culture in Britain, 21 (2). pp. 177-198. ISSN 1471-4787

Henning, Michelle and Mikuriya, Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2021) Light sensitive material: an introduction. Photographies, 14 (3). pp. 381-394. ISSN 1754-0763

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2006) Museums, media and cultural theory. Open University Press, Maidenhead, UK. ISBN 9780335214198

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2018) Photography: the unfettered image. Routledge, London, UK. ISBN 9781138782556

Henry, William Anthony (2018) Then and Now Exhibition by Made In Lewisham. [Show/Exhibition]

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2018) Care under capitalism: the crisis of “women's work”. IPPR Progressive Review, 24 (4). ISSN 2573-2331

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 and Srnicek, Nick (2020) Love’s labours lost: post-work and social reproduction. Electra magazine (10).

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2020) Material hegemony now: domestic realism and financial capitalism. In: A New Society. Canadian Centre for Architecture, Montreal. (In Press)

Huddie, Paul (2015) British military recruitment in Ireland during the Crimean war, 1854-56. British Journal for Military History, 2 (1). pp. 34-55. ISSN 2057-0422

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Ke, Lijia (2009) Relating tradition to innovation within the Chinese arts: the application of digital technique to visual art. Doctoral thesis, Thames Valley University.

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Meynell, Anthony ORCID: https://orcid.org/0000-0003-1302-7563 (2020) From West London to the world, the British Mod phenomenon. In: 15th IASPM UK and Ireland Biennial Conference: London Calling, 19-31 Jun 2020, London.

Mikuriya, Junko Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2018) From photophania to photagogia: a journey in the history of light. In: International Day of Light Symposium, 16 May 2018, Chelsea College of Art, University of the Arts London. (Unpublished)

Mikuriya, Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2021) Becoming Plant: a supplement to Roger Caillois' compendium of 'le fantastique naturel'. Antennae: The Journal of Nature in Visual Culture (53). pp. 100-111. ISSN 1756-9575

Mikuriya, Junko Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2018) Three entries in the history of light. In: Cities of Light: Paris, 4 May 2018, University of Paris Sorbonne, Paris, France. (Unpublished)

Mikuriya, Junko Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2016) A history of light: the idea of photography. Bloomsbury Academic, London, UK. ISBN 9781474254175

Minhas, Rashid ORCID: https://orcid.org/0000-0002-1479-0985 and Frumkin, Lara (2023) A Review of Cultural and Ethnic Bias in Investigative Decision-making: Selected Cases. Journal of Ethnicity in Criminal Justice, 21 (3).

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Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2018) Desert/Oasis: interruption and continuation. Prospect VI, VI.

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2022) Like a mass image: Federico Fellini’s Le Tentazioni del Dottor Antonio, advertising and mimicry. Italian Studies. ISSN 0075-1634

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2010) Moving Pictures: Cinema and Its Obsolescence in Contemporary Art. Journal of Visual Culture, 8.

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Timothy Barker (2018) against transmission: media philosophy and the engineering of time. Film-Philosophy, 24 (1). pp. 75-77. ISSN 1466-4615

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Antonioni and the aesthetics of impurity: remaking the image in the 1960s. Edinburgh University Press, Edinburgh, UK. ISBN 9781474444040

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Cinema as (in)visible object: looking, making and re-making. In: Theorizing Cinema Through Contemporary Art: Expanding Cinema. Amsterdam University Press, Amsterdam. ISBN 9789462989467

Nardelli, Matilde (2017) The small, the large and the moving: Bruno Munari and cinema. In: Bruno Munari: The Lightness of Art. Italian Modernities Series. Peter Lang, Oxford, UK, pp. 253-291. ISBN 9783034319379

Nardelli, Matilde, Antonello, Pierpaolo and Zanoletti, Margherita (2017) Bruno Munari: the lightness of art. Italian Modernitie Series. Peter Lang, Oxford, UK. ISBN 9781787079915

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Robson, Deirdre ORCID: https://orcid.org/0000-0002-6763-0352 (2022) Gender and the market for modern art in the United States. New Vistas, 8 (1). pp. 41-46. ISSN 2056-967X

Robson, Deirdre ORCID: https://orcid.org/0000-0002-6763-0352 (2015) Industry: art angel? Pepsi-Cola's "Portrait of America" art annual as an early instance of corporate art sponsorship. Journal Of American Culture, 38 (4). pp. 329-342. ISSN 1542-734X

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Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2019) Adapting Pagnol and Provence. In: French Literature on Screen. Manchester University Press, Manchester, UK. ISBN 9781784995171

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2018) Foraging. In: The Routledge Handbook of Landscape and Food. Routledge, London, UK, pp. 73-80. ISBN 9781138125155