Items where Subject is "Film and television"

Up a level
Export as [feed] RSS
Group by: Creators | Item Type
Jump to: A | B | C | D | H | M | N | P | S | Z
Number of items at this level: 100.

A

Amir Shahkarami, Sayed Najmedin (2013) The pre-production phase in the making of Iranian full-length animated films 1979-2012. Doctoral thesis, University of West London.

Athanasopoulou, K. (2005) Sweet salt. [Video]

Audissino, Emilio (2015) The 'Ancrage' effect of film on music in film-music concert pieces. In: Listening Cinematically, 25-26 June 2015, Royal Holloway, University of London. (Unpublished)

Audissino, Emilio (2013) Archival research and film music: the case of the Boston Pops Orchestra. Journal of Film Music, 6 (2). pp. 147-163. ISSN 1087-7142

Audissino, Emilio (2014) Bicycles, airplanes and Peter Pans: flying scenes in Steven Spielberg's films. CINEJ Cinema Journal, 3 (2). pp. 104-120. ISSN 2158-8724

Audissino, Emilio (2014) Building an emotive framework: the macro-emotive function of film music. In: Music for Audio-Visual Media Conference, 4-6 September 2014, University of Leeds, Leeds, U.K.,. (Unpublished)

Audissino, Emilio (2014) Creative energy without creative industry: Mario Bava. In: 9th NECS (European Network for Cinema and Media Studies) Conference, 19-21 June 2014, Milan, Italy. (Unpublished)

Audissino, Emilio (2014) Dubbing as a formal interference: reflections and examples. In: Media and translation: an interdisciplinary approach. Bloomsbury Academic, New York, pp. 97-118. ISBN 978-162-356-646-3

Audissino, Emilio (2015) Due note di credibilita. John Williams e Lo squalo [Two notes of credibility. John Williams and Jaws]. Cinergie (7). pp. 36-44. ISSN 2280-9481

Audissino, Emilio (2014) Film dubbing as adaptation and (forced?) assimilation. In: The Humanities 7th Annual Postgraduate Conference, 31 March 2014, University of Southampton, Southampton, U.K. (Unpublished)

Audissino, Emilio (2014) Film music and multimedia: an immersive experience and a throwback to the past. In: Jahrbuch Immersiver Medien 2014: sounds, music & soundscapes. Schüren Verlag, Marburg, Germany, pp. 46-56. ISBN 978-3-89472-896-0

Audissino, Emilio (2014) Golden Age 2.0: John Williams and the revival of the symphonic film score. In: Film in concert: film scores and their relation to classical concert music. VWH Verlag, Glücksstadt, Germany, pp. 109-124. ISBN 978-3-86488-060-5

Audissino, Emilio (2016) Gottfried Huppertz's metropolis: the acme of 'cinema music'. In: Today’s Sounds for Yesterday’s Films: Making Music for Silent Cinema. Palgrave Studies in Audio-Visual Culture . Palgrave Macmillan, Basingstoke, UK, pp. 45-63. ISBN 9781137466358

Audissino, Emilio (2013) Hollywood film music and ethnic diversity. In: Multicultural America: A Multimedia Encyclopedia. SAGE, Thousand Oaks, US, pp. 1101-1103. ISBN 978-145-221-683-6

Audissino, Emilio (2013) Il cinema è la morte al lavoro [Cinema is death at work]. In: Immagini della morte [Images of Death], 19 April 2013, University of Pisa, Italy.

Audissino, Emilio (2009) Il cinema, l'automobile e la morte al lavoro [Cinema, cars and death at work]. In: 10th International Conference 'Da Ulisse a... Il viaggio in auto: mito e attualità' [From Ulysses To... Car Travelling: Myth and Contemporaneity], 1-3 October 2009, University of Genoa, Imperia, Italy.

Audissino, Emilio (2011) Il cinema: arte e mercificazione. Il caso delle colonne sonore 'pop' [Cinema: Art and Commodity. The Case of The ''Pop'' Soundtracks]. In: International doctoral Summer School 'Arts and Media 2' organised by the University Sorbonne Nouvelle - Paris 3, 6-10 June 2011, San Servolo (Venice), Italy.

Audissino, Emilio (2012) Italian doppiaggio - dubbing in Italy: some notes and (in)famous examples. Italian Americana, 30 (1). pp. 22-32. ISSN 0096-8846

Audissino, Emilio (2014) John Williams's film music. 'Jaws,' 'Star Wars,' 'Raiders of the Lost Ark,' and the return of the classical Hollywood music style. University of Wisconsin Press, Madison WI, USA. ISBN 9780299297343

Audissino, Emilio (2011) John Williams, Star wars and the canonization of Hollywood film music. In: Il canone cinematografico/The film canon. Forum, Udine, Italy, pp. 273-278. ISBN 978-88-8420-663-3

Audissino, Emilio (2010) John Williams, Star wars, and the canonization of Hollywood film music. In: 17th International Film Studies Conference 'Film Forum,', 16-18 March 2010, University of Udine, Italy,.

Audissino, Emilio (2012) John Williams, The Boston Pops Orchestra and film music in concert. In: Cinema, critique des images. Campanotto, Udine, Italy, pp. 230-235. ISBN 88-456-1288-6

Audissino, Emilio (2010) John Williams, The Boston Pops Orchestra and film music in concert. In: 12th International Doctoral Summer School 'Cinema and Contemporary Art 3', 28 June-9 July 2010, Sorbonne Nouvelle-Paris 3, Paris, France.

Audissino, Emilio (2010) L'infanzia nel cinema di Steven Spielberg [Childhood in Steven Spielberg's cinema]. Ennepilibri, Imperia, Italy. ISBN 9788879082952

Audissino, Emilio (2013) Motion picture. In: Multicultural America. A Multimedia Encyclopedia. SAGE, Thousand Oaks, CA, pp. 1492-1496. ISBN 978-145-221-683-6

Audissino, Emilio (2014) Orchestrating a prejudice: European misunderstanding of the use of orchestrators in Hollywood. In: MaMI (Music and the Moving Image) Conference,, 30 May-1 June 2014, New York University, Steinhardt School of Music, New York, U.S.A.. (Unpublished)

Audissino, Emilio (2014) When the score tells more: music and connotations in Raiders of the Lost Ark. In: 20th SERCIA Conference, 'Movies and Music: National and Transnational Approaches'., 18-20 September 2014, Radboud University, Nijmegen, Netherlands. (Unpublished)

Audissino, Emilio (2013) The aesthetic cost of marketing. The economical motivation of pop songs in films. In: Pratiques et esthétiques. Le coût et la gratuité. L'Harmattan, Paris, France, pp. 41-46. ISBN 978-2-336-29175-8

Audissino, Emilio (2010) The meaning of flight in Steven Spielberg's films. In: 11th International Conference 'Da Ulisse a... Il viaggio aereo tra fantasia e realtà [From Ulysses To... Air Travelling between Fantasy and Reality], 7-9 October 2010, University of Genoa, Imperia, Italy.

Audissino, Emilio (2011) Émigrés and Hollywood film music: the cases of Max Steiner's Casablanca and Erich Wolfgang Korngold's The adventures of Robin Hood. In: 12th International Conference 'Da Ulisse a... In viaggio verso le terre felici.' [From Ulysses To... Journeys to the Lands of Happiness], 6-8 October 2011, University of Genoa, Imperia, Italy.

Audissino, Emilio (2011) Émigrés and the political connotations of Hollywood music: two case studies. In: Doctoral workshop 'Migrazioni e Migranti' [Migrations and Migrants], 30 June 2011, University of Pisa, Italy.

Audissino, Emilio and Zacharopulous, Konstantinos (2017) John Williams and contemporary film music. In: Contemporary Film Music: Investigating Cinema Narratives and Composition. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137573742 (In Press)

Ayisi, Florence and Brylla, Catalin (2011) A Cognitive-hermeneutical Approach to Audience Reception of ‘Sisters in Law’. In: Women and Film in Africa Conference, 19 November 2011 to 20 November 2011, University of Westminster.

Ayisi, Florence and Brylla, Catalin (2014) Documentary Practice and the Resistance to Cultural Norms. In: Football and Communities of Resistance Conference, 12th June 2014, Manchester Metropolitan University.

Ayisi, Florence and Brylla, Catalin (2014) See me, know me – cultural expressions of Cameroonian women. Stimulus Respond – Africa (25). pp. 36-43. ISSN 1746-8086

Ayisi, Florence and Brylla, Catalin (2016) Zanzibar soccer dreams. [Video]

Ayisi, Florence and Brylla, Catalin (2013) The politics of representation and audience reception: alternatives visions of Africa. Research in African Literatures, 44 (2). pp. 125-141. ISSN 0034-5210

B

Brylla, Catalin (2013) Blindness and the Everyday: A Documentary Perspective. In: Ordinary/Everyday/Quotidian Conference, 26-27 September 2013, University of York.

Brylla, Catalin (2015) Cognitive innovation in documentary film practice. In: Off the Lip – Transdisciplinary Approaches to Cognitive Innovation Conference, September, 7th-11th, University of Plymouth.

Brylla, Catalin (2013) Conceptualising Practice-as-research in Media through cross‐disciplinary Approaches to Audience Reception. In: Theorising Practice, Practicing Theory, 23rd April 2013, University of Roehampton.

Brylla, Catalin (2015) Documentary Film "Praxis" and Cognitive Film Theory. In: Society for Cognitive Studies of the Moving Images (SCSMI) Conference, 17th-20th September, Birkbeck, University of London.

Brylla, Catalin (2014) Documentary and (dis)ability’ symposium, University of Surrey, United Kingdom, 20 September 2013. UNSPECIFIED. Taylor & Francis.

Brylla, Catalin (2015) Documentary film practice and the alterity of the disabled individual. In: Disability and Disciplines: The International Conference on Educational, Cultural, and Disability Studies, 1-2 July, Liverpool Hope University.

Brylla, Catalin (2014) The Domestication of Disability Stereotypes through Film. In: Domestic Imaginaries: Homes in Film, Literature and Popular Culture Symposium, 21 Jan 2014, University of Nottingham.

Brylla, Catalin (2014) An Ethnophenomenographic Approach to Subjectivity. In: Directions and Connections across Anthropology, 24 June 2014, University College London.

Brylla, Catalin (2015) Focusing on the Ordinary: Alternative Visions of Disability. In: Rethinking Disability on Screen Symposium, 14th May, University of York.

Brylla, Catalin (2004) How are film endings shaped by their socio-historical context? Part 1. Image and Narrative, 4 (2).

Brylla, Catalin (2004) How are film endings shaped by their socio-historical context? Part 2. Image and Narrative, 5 (1).

Brylla, Catalin (2011) The Paratext in "Dexter". In: TV Narratives Symposium, 28 May 2011, University of York.

Brylla, Catalin (2013) The Representation of Blindness in Media. In: Documentary and (Dis)ability Symposium, 20 September 2013, University of Surrey.

Brylla, Catalin (2016) A phenomenological approach to filmmaking practice. In: Conditions of mediation: phenomenological approaches to media, technology and communication. Peter Lang, Oxford, UK. (In Press)

Brylla, Catalin (2004) A touch of colour. [Video]

Brylla, Catalin and Ayisi, Florence (2013) Development through trans-national Filmmaking. In: Evidence-Based International Development Day, 23rd May 2013, Llandrindod Wells. (Unpublished)

Brylla, Catalin and Ayisi, Florence (2016) Zanzibar Community Impact Study. [Artefact]

C

Carr, Marcia (2016) Making the impossible possible: Feldenkrais and the impact upon the training of the actor/singer at London College of Music. In: The Feldenkrais Method in Music, Dance, Movement, and Creative Practice 'Making the Impossible Possible': The Feldenkrais Method in Music, Dance, Movement, and Creative Practice, 30th April 2016, The University of West London, West Hall, St Mary's Campus, Ealing. (Submitted)

Castells-Delgado, Antonio (2014) Life from Light. [Performance]

Castells-Delgado, Antonio (2013) Life from light. [Video]

Cole, Louise (2004) Film Review of: Dance, girl, dance (1940) directed by Dorothy Arzner. Senses of Cinema (33). ISSN 1443-4059

Cole, Louise (2005) Lost cinemas. [Performance] (Unpublished)

D

Devas, Angela (2005) How to be a hero: space, place and masculinity in The 39 Steps (Hitchcock, UK 1935). Journal of Gender Studies, 14 (1). pp. 45-54. ISSN 1465-3869

Dowd, Garin (2014) And the ship sails on. Radical Philosophy (184). pp. 46-49. ISSN 0300-211x

Dowd, Garin (2009) Apprenticeship, Philosophy, and the 'secret Pressures of the Work of Art' in Deleuze, Beckett, Proust and Ruiz; or Remaking the Recherche. In: Beckett's Proust/Deleuze's Proust. Palgrave Macmillan, Basingstoke, UK, pp. 89-103. ISBN 9780230201415

Dowd, Garin (2015) Dislocations: framing and agency between cinema and architecture. In: University of Salford School of Arts and Media, December 9th 2016, University of Salford. (Unpublished)

Dowd, Garin (2013) Image and representation in Bergson. In: Understanding Bergson, understanding modernism. Understanding philosophy, understanding modernism . Bloomsbury, London and New York, pp. 25-26. ISBN 9781441172211

Dowd, Garin (2003) Karaoke Beckett, or Jeremy Irons, mimicry and travesty in Ohio impromptu on film. Samuel Beckett Today/Aujourd'hui, 13 (1). pp. 169-182. ISSN 0927-3131

Dowd, Garin (2003) Leos Carax. French Film Directors . Manchester University Press, Manchester. ISBN 0719063159

Dowd, Garin (2006) Ohio impromptu, genre and Beckett on film. In: Genre Matters: Essays in Theory and Criticism. Intellect Books, Bristol, UK, pp. 69-84. ISBN 1841501077

Dowd, Garin (2010) "Our day will come": Histoire de Marie et Julien in the light of Les filles du feu. Australian Journal of French Studies, 47 (2). pp. 171-183. ISSN 0004-9468

Dowd, Garin (2009) Paris and its doubles: Deleuze/Rivette. Deleuze Studies, 3 (2). pp. 185-206. ISSN 1750-2241

Dowd, Garin (2010) Pedagogies of the image between Daney and Deleuze. New Review of Film and Television Studies, 8 (1). pp. 41-56. ISSN 1740-0309

Dowd, Garin (2011) Re-play: Conducts of time x 4 (interstitial pedagogies). In: The Future, November 2011, David Roberts Art Foundation. (Unpublished)

Dowd, Garin (2009) Serge Daney: film, theory and philosophy. In: Film, theory and philosophy: The key thinkers. Acumen Press, London, pp. 122-133. ISBN 9781844651856

Dowd, Garin (2014) Shot/reverse shot. Radical Philosophy (180). pp. 55-58. ISSN 0300-211X

Dowd, Garin (2014) The movement-image, the time-image and the paradoxes of literary and other modernisms. In: Understanding Deleuze, Understanding Modernism. Understanding Philosophy, Understanding Modernism . Bloomsbury Academic, London & New York, pp. 90-109. ISBN 9781623563493

Dowd, Garin (2015) The problem of the any-space-whatever between Deleuze's Cinema and Beckett's prose. In: Beckett and Deleuze. Palgrave Macmillan, Basingstoke UK. ISBN 9781137481139

H

Henning, Michelle (2015) Museum media. The International Handbooks of Museum Studies, 3 . Wiley-Blackwell, Oxford, UK. ISBN 9781405198509

Hester, Helen (2014) Beyond explicit: pornography and the displacement of sex. State University of New York Press, New York, USA. ISBN 9781438449616

Hester, Helen (2014) Exchanging bodily fluids: transubstantiations in contemporary pornography. Interalia: A Journal of Queer Studies (9). pp. 127-145. ISSN 1689-6637

Hester, Helen (2013) No new pleasures: notes on Larry Clark’s ‘Impaled'. One + One: Filmmakers’ Journal (10). pp. 21-26.

Hughes, Helen and Brylla, Catalin (2017) Documentary and disability. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137598936 (In Press)

Hughes, Helen and Brylla, Catalin (2013) Symposium Organisation: Documentary and (Dis)ability Symposium. UNSPECIFIED, University of Surrey.

M

Milne, Mike (2016) The transformation of television sport: new methods, new rules. Palgrave Global Media Policy and Business . Palgrave Macmillan, Basingstoke, UK. ISBN 978113755104

Myers, Pamela (2015) Cannes Lions 2015: the judges verdicts. Campaign Magazine.

Myers, Pamela (2015) From bladder stones to brand sound. New Vistas, 1 (2). pp. 22-25. ISSN 2056-967X

Myers, Pamela (2014) How a painful operation inspired the 18th century equivalent of a horror movie soundtrack. The Conversation.

Myers, Pamela (2015) Radio and television programme development, innovation and production in the UK. In: Radio & Television Programme Development, Innovation and Production in the UK, July 2015, The University of Westminster.

N

Nardelli, Matilde (2014) No end to the end: the desert as eschatology in late modernity. Tate Papers (22). ISSN 1753-9854

P

Penn, Louise (2016) Formula sleuthing from four just men. In: Playboys, Spies and Private Eyes. Hidden Tiger. (In Press)

S

Stevenson, Lesley, Dowd, Garin and Strong, Jeremy (2006) Genre matters: essays in theory and criticism. Intellect Books, Bristol, UK. ISBN 1841501077

Strong, Jeremy (2006) Crew, squads, sevens, elevens and dozens: the team film genre. Kinema: a Journal of Audio-Visual Media, 26. pp. 39-54. ISSN 1192-6252

Strong, Jeremy (1997) The Mimetic Fallacy: Why Adaptations Disappoint. Trasvases Culturales: Literatura, cine, traduccion 2. Vitoria-Gasteiz; Universidad del Pais Vasco,, 2. pp. 351-359.

Strong, Jeremy (2011) Reconstructing the rose or how joining the dots (generally) makes the picture. Literature/Film Quarterly, 39 (4). pp. 297-305. ISSN 0090-4260

Strong, Jeremy (2013) Sweetening Jane: equivalence through genre, and the problem of class in Austen adaptations. In: Global Jane Austen: Pleasure, Passion, and Possessiveness in the Jane Austen Community. Palgrave MacMillan. ISBN 9781137034434

Strong, Jeremy (2013) Talking teams: dialogue and the team film formula. In: Film Dialogue. Columbia University Press/Wallflower.

Strong, Jeremy (2008) Team films in adaptation: remembered stories and forgotten books. Adaptation: The Journal of Literature on Screen Studies, 1 (1). pp. 44-57.

Strong, Jeremy (2006) "Tess, Jude", and the Problem of Adapting Hardy. Literature/Film Quarterly, 34 (3). pp. 195-203. ISSN 0090-4260

Strong, Jeremy (2015) Time, tide and narrative: adapting chronology in Master and commander: the far side of the world. Coriolis: An Interdisciplinary Journal of Maritime Studies, 5 (2). pp. 1-19. ISSN 2163-8381

Strong, Jeremy (2015) The 'Wandering Jew': history, fiction and adaptation. New Vistas, 1 (1). pp. 24-31. ISSN 2056-9688

Z

Zubillaga, Luciano (2013) Cosas por venir. [Video]

Zubillaga, Luciano (2008) Music for a missing film. [Video]

This list was generated on Tue Apr 25 14:44:45 2017 UTC.

Menu