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Athanasopoulou, Katerina (2004) Body remember. [Video]

Athanasopoulou, Katerina (2003) I sing the body electric. [Video]

Athanasopoulou, Katerina (2004) The clipper. [Video]

B

Baker, Gavin (2018) Pausing to (re)frame: using actioning and positive reflection in performative learning and teaching. In: Leap into Action: Critical Performative Pedagogies in Art & Design Education. Peter Lang, USA. (In Press)

Bandoni, Michael and Auricchio, Nino (2015) Funkshone 'The The Yard'. [Audio]

Barricelli, Barbara Rita, Varesano, Antonella, Carbi, Giuliana, Clemmensen, Torkil, Foresti, Gian Luca, Abdelnour-Nocera, Jose ORCID: https://orcid.org/0000-0001-7935-7368, Ćirić, Maja, van der Veer, Gerrit, Pittarello, Fabio, Nunes, Nuno Jardim, Bollini, Letizia and Verdeil, Alexandra (2021) Experiencing contemporary art at a distance. In: Human-Computer-Interaction – INTERACT 2021. Lecture Notes in Computer Science, 12936. Springer, pp. 344-347. ISBN 9783030856069

Bennett, Peter (2016) Going away. New Vistas, 2 (2). ISSN 2056-9688

Borg, Paul (2016) Abstrk beats. [Audio]

Bourbon, Andrew and McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) The creative negotiation of a trans-national recorded sound: Grupo Lokito as a Congolese-Latin collaboration case study. In: Art of Record Production Conference, 6-8 Nov 2015, Philadelphia, USA. (Unpublished)

Bourbon, Andrew and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) The ecological approach to mixing audio: agency, activity and environment in the process of audio staging. Journal on the Art of Record Production, 11. ISSN 1754-9892

C

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) Creating a rubato layer cake: performing and producing overdubs with expressive timing on a classical recording for 'solo' piano. Journal on the Art of Record Production, 11. ISSN 1754-9892

Carless, David and Douglas, Kitrina (2015) Narrating embodied experience: sharing stories of trauma and recovery. Sport Education & Society, 21 (1). pp. 47-61. ISSN 1357-3322

Casanova, Diogo ORCID: https://orcid.org/0000-0002-8586-0370 and Alsop, Graham (2019) The role of virtual learning environments in assessment and feedback in STEM. In: HESTEM2019, 03-04 Set 2019, Kingston, United Kingdom. (Unpublished)

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) Call Thou Upon My Name Unto Eternity, And It Shall Never Fail. [Video]

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Das Magische Theatre' at Chateau Papillon, St Moritz, Switzerland. [Show/Exhibition]

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127, Lawrence, Tim, Berry, Josephine and Leal, Ernesto (2018) Creativity, collectivity, convergence! New York city party culture 1970-83. UNSPECIFIED. (Unpublished)

Cole, Louise ORCID: https://orcid.org/0000-0002-2629-5973 (2004) Film Review of: Dance, girl, dance (1940) directed by Dorothy Arzner. Senses of Cinema (33). ISSN 1443-4059

Colson, Richard (2005) Richard Colson: 2 man exhibition of paintings at the New Grafton Gallery, London. [Show/Exhibition]

Colson, Richard (2006) Westminster and the Thames. [Show/Exhibition]

Cousins, Emily, Tischler, Victoria ORCID: https://orcid.org/0000-0002-0086-1906, Garabedian, Claire and Dening, Tom (2019) A taxonomy of arts interventions for people with dementia. The Gerontologist, 60 (1). pp. 124-134. ISSN 0016-9013

Crewe, Jonathon (2019) Under the Radar. [Arts Related non-text Outputs]

Crewe, Jonathon (2022) Under the Radar accompanied by 3 after-show panel discussions. [Arts Related non-text Outputs]

D

D'Andrea, Federica ORCID: https://orcid.org/0000-0002-1643-6162, Dening, Tom, Tischler, Victoria and Albert, Steven M (2022) Object handling for people with dementia: a scoping review and the development of intervention guidance. Innovation in Aging, 6 (5).

Davis, Paul (2007) Intentional computing. [Show/Exhibition]

Davis, Paul (2005) Utopia. [Show/Exhibition]

Davis, Paul and Arcangel, Cory (2006) BEIGE collective: Naptime and Rudy's cakewalk. [Show/Exhibition]

De Commarque, Cyril and Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Artificialis' at the Saatchi Gallery, London, UK. [Show/Exhibition]

Douglas, Kitrina and Carless, David (2018) Engaging with arts-based research: a story in three parts. Qualitative Research in Psychology, 15 (2-3). pp. 156-172. ISSN 1478-0887

Douglas, Kitrina, Carless, David, Milnes, Kate, Turner-Moore, Tamara, Tan, Jon and Laredo, Erika (2019) New technologies of representation, collaborative autoethnographies, and “taking it public”: an example from “facilitating communication on sexual topics in education”. Qualitative Inquiry, 25 (6). pp. 535-538. ISSN 1077-8004

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2010) Pedagogies of the image between Daney and Deleuze. New Review of Film and Television Studies, 8 (1). pp. 41-56. ISSN 1740-0309

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2008) Tools of thought. Radical Philosophy (152). pp. 63-64. ISSN 0300-211X

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2012) The proxemics of 'Neither'. Samuel Beckett Today/Aujourd'hui, 24. pp. 367-378. ISSN 0927-3131

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2007) Abstract machines: Samuel Beckett and philosophy after Deleuze and Guattari. Faux titre. Editions Rodopi, Amsterdam and New York. ISBN 9789042022065

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2015) Dislocations: framing and agency between cinema and architecture. In: University of Salford, School of Arts and Media, 09 Dec 2015, Manchester, UK. (Unpublished)

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2014) Felix Guattari's 'Cracks in the text' revisited. In: Schizocultures: Cracks in the Street, 17 May 2014, London, England. (Unpublished)

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2013) France: 1928-1939. In: Samuel Beckett in context. Cambridge University Press, Cambridge, pp. 76-86. ISBN 9781107017030

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2009) Serge Daney: film, theory and philosophy. In: Film, Theory and Philosophy: The Key Thinkers. Acumen Press, London, UK, pp. 122-133. ISBN 9781844651856

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2012) 'Stellar separation' or 'Abstract machine': Badiou and Deleuze on Beckett. In: Beckett re-membered: after the centenary. Cambridge Scholars, Newcastle Upon-Tyne, pp. 89-105. ISBN 978-1-4438-3500-8

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2017) The captive. In: Urban Encounters 2017: Cartographies, 10-11 Nov 2017, London, UK. (Unpublished)

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2014) The movement-image, the time-image and the paradoxes of literary and other modernisms. In: Understanding Deleuze, Understanding Modernism. Understanding Philosophy, Understanding Modernism. Bloomsbury Academic, London & New York, pp. 90-109. ISBN 9781623563493

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Fales, Ludovica (2018) Tahrir Square: a space extended to the people watching it. In: Body Images in the Post-Cinematic Scenario: The Digitization of the Body. Post-Cinema & Digital Cultures. Mimesis International, Sesto San Giovanni (MI), Italy. ISBN 9788869771095

Fleetwood-Smith, Rebecka, Tischler, Victoria and Robson, Deirdre ORCID: https://orcid.org/0000-0002-6763-0352 (2022) Aesthetics and dementia: exploring the role of everyday aesthetics in dementia care settings. Design for Health, 6 (1). pp. 91-113. ISSN 2473-5132

Fleetwood-Smith, Rebecka, Tischler, Victoria ORCID: https://orcid.org/0000-0002-0086-1906 and Robson, Deirdre ORCID: https://orcid.org/0000-0002-6763-0352 (2021) Using creative, sensory and embodied research methods when working with people with dementia: a method story. Arts & Health. ISSN 1753-3015

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Gardiner, Jeremy (2007) Along the Dorset coast. [Show/Exhibition]

Gardiner, Jeremy (2007) Arvor - Cornish coast. [Show/Exhibition]

Gardiner, Jeremy (2003) Purbeck light years. [Show/Exhibition]

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Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2017) Holes: colonialism and negative space in modernist photography. In: The Left Conference - Photography and Film Criticism, 16-18 Nov 2017, Lisbon, Portugal. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2018) Holes: colonialism and negative space in modernist photography. Wrong Wrong (12).

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2017) Image flow: photography on tap. In: Photographies: Critical Issues in Photography Today International Conference, 18-19 May 2017, London, UK. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2018) Image flow: photography on tap. Photographies, 11 (2-3). ISSN 1754-0763

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2015) Of tennis courts and fireplaces: Neurath's internment on the Isle of Man and his politics of design. In: Politics, Democratic Education and Empowerment: The Case of Otto Neurath (1992-1945) Universität Wien / Institute Vienna Circle Symposium, 28 May 2015, Vienna, Austria. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2018) Ilford photographic manufacturers: industry, innovation and sensory experience. In: Visiting Talk at De Montfort University Photographic History Research Centre, 5 Feb 2018, Leicester, UK. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2017) Making the cut: museums and media archaeology. In: Shifting Layers. New Perspectives in Media Archaeology Across Digital Media and Audiovisual Arts. Mimesis International. ISBN 9788869770258

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2015) Otto Neurath. In: Blackwell Encyclopedia of Sociology. Wiley-Blackwell, Oxford, UK. ISBN 9781405124331

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2018) Photography Sets The Image Free: Inaugural Professorial Lecture. In: Public Lecture Series, University of West London, 7 March 2018, London, UK. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2018) Photography: the unfettered image. Routledge, London, UK. ISBN 9781138782556

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2017) We are here but where are you? In: Urban Encounters 2017: Cartographies, 10-11 Nov 2017, London, UK. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 and Hyder, Rehan (2016) Bristol: urban space and underground music cultures. In: Ten Cities: Public Sphere, Urban Space. Spector, Goethe Institute, Leipzig, Germany. (In Press)

Henry, William Anthony (2018) Then and Now Exhibition by Made In Lewisham. [Show/Exhibition]

Henson, David (2016) Auditions: to be or not to be... In: Audition Workshop, 23 Apr 2016, London, UK. (Unpublished)

Henson, David (2015) Dracula - direction of a new musical. [Performance] (Submitted)

Henson, David (2016) Jenny Saville (contemporary artist) states that ‘…destruction is fundamental to the process; without it, you never get anywhere interesting. But fundamental to that is knowing what you can excavate from the destruction’ [Cooke: 2012]. A practical workshop concerning the importance of dialogue, interrogation of text and how this creative process can empower a greater collaborative partnership between student and tutor in Higher Education. In: Teaching and Learning Conference 2016, 28th June 2016, University of West London. (Unpublished)

Henson, David (2007) Musical theatre: exploring the world through song. In: Musical Theatre: Exploring the World Through Song. LAMDA, London, pp. 54-95. ISBN 9780955768705

Henson, David (2016) 'Ordinary days' a new musical. [Performance]

Henson, David (2016) Seminar: Unlock the imaginary world of song within the reality of the performance space. In: Move It 2016, 18-20 March 2016, London, UK. (Unpublished)

Henson, David (2016) 'Si canta come si parla'; let's talk: the world of musical theatre. In: Association of Teachers of Singing Conference, 30 Oct 2016, London, UK. (Unpublished)

Henson, David (2016) Teaching creativity within musical theatre: 'a star is born' 8 times a week. In: IASPM UK and Ireland Biennial Conference: Popular Music: Creativity, Practice and Praxis, 08-10 Sep 2016, Brighton, UK. (Unpublished)

Henson, David (2016) You're not the star yet!: An audition workshop. In: Audition Workshop, 12 Oct 2016, Manchester, UK. (Unpublished)

Henson, David (2016) The phenomenon of 'interruption' a destructive or positive act of communication within the learning environment. In: UNSPECIFIED, 23 Apr 2016, Oxford, UK. (Unpublished)

Henson, David and Evans, Emma (2015) Pandemonium! The industrial revolution: empowered by the world of water and steam. [Show/Exhibition]

Henson, David and Pickering, Ken (2014) Musical theatre: a workbook. Palgrave Macmillan, London. ISBN 9781137331625

Henson, David and Pickering, Ken (2017) Musical theatre: a workbook for further study. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137605696

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2008) 'Desiderio in search of a master': desire and the quest for recognition. Forum: Postgraduate Journal of Culture and the Arts (6). ISSN 1749-9771

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2013) Dirty books: pornography, censorship, and the naked word. Litro Magazine (25).

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2013) No new pleasures: notes on Larry Clark's 'Impaled'. One+One: Filmmakers’ Journal (10). pp. 21-26.

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2016) (Re)producing futures without reproductive futurity: xenofeminist ecologies. The Laboratory Planet, 5. pp. 10-11.

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2014) Rethinking transgression: disgust, affect, and sexuality in Charlotte Roche's 'Wetlands'. Journal of Lesbian Studies, 17 (3-4). pp. 240-252. ISSN 1089-4160

Hester, Helen (2024) Sight Beyond Site: From Knowing Your Place to Placing Your Knowing. In: Practices of Imagination, Placings of Imaginaries. De Gruyter. (In Press)

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2024) Space Agency: Automation, Autonomy, and Acid Astronautics. Kulturwissenschaftliche Zeitschrift (KWZ), 2023 (4).

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2015) Synthetic genders and the limits of micropolitics. ...ment, 6.

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846, Jones, Bethan and Taylor-Harman, Sarah (2015) Giffing a fuck: non-narrative pleasures in participatory porn cultures and female fandom. Porn Studies, 2 (4). pp. 356-366. ISSN 2326-8743

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 and Walters, Caroline (2016) Theorizing fat sex. Sexualities, 8 (1). ISSN 1363-4607

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2014) Beyond explicit: pornography and the displacement of sex. State University of New York Press, New York, USA. ISBN 9781438449616

Huddie, Paul (2015) British military recruitment in Ireland during the Crimean war, 1854-56. British Journal for Military History, 2 (1). pp. 34-55. ISSN 2057-0422

K

Keating, Frank, Cole, Laura ORCID: https://orcid.org/0000-0001-7194-5616 and Grant, Robert (2020) An evaluation of group reminiscence arts sessions for people with dementia living in care homes. Dementia, 19 (3). pp. 805-821. ISSN 1471-3012

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Leigh, D. (2006) John Foxx: Cathedral oceans. [Video]

Long, Philip (2014) I believe in the power of punk. [Artefact]

M

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Curious Knowledge Weekend, Kings Cross Quarter, London, September 2015 Day of open workshops and performances in Cuban music. In: Curious Knowledge Weekend, Kings Cross, 30 August 2015, London, UK. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Dancing to the same beat. New Vistas, 1 (2). pp. 10-15. ISSN 2056-967X

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Delivering music education in the Saharawi Refugee Camps. Forte Magazine, London College of Music Exams.

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) From Ndombolo to Scooby-Doo: Congolese musicians in the UK re-create home whilst finding their own voice. In: 31st European Seminar in Ethnomusicology, 16-20 Sept 2015, Limerick, Ireland. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2012) GRUPO LOKITO: a practice-based investigation into contemporary links between Congolese and Cuban popular music. Doctoral thesis, School of Oriental and African Studies.

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito at the Rugby World Cup, Olympic Park, Stratford, London. 24,26 Sept 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito live at African Utopia Festival, South Bank Centre, London. 12 September 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito live at Vamos Festival, Leeds, Yorkshire. 1 August 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito live at West Dean Chili Fiesta, West Sussex. 6 August 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Grupo Lokito live at the International Eisteddfod, Llangollen, North Wales. 11 July 2015. [Performance]

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2015) Interview on "An evening with Rosilio", Radio Progreso, Cuba. UNSPECIFIED. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2014) Making music for freedom. Western Sahara Review, 3. pp. 19-21.

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235 (2016) Transatlantic beats: common ground in Congolese and Cuban dance music. In: British Forum for Ethnomusicology Annual Conference 2016, 14-17 Apr 2016, Chatham, UK. (Unpublished)

McGuinness, Sara ORCID: https://orcid.org/0000-0003-1888-2235, Ndelo, Jose Hendrix and Alegria, Elpidio (2010) Esengo Ya Ko Bina! By Grupo Lokito. [Audio]

Mikuriya, Junko Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2016) A history of light: the idea of photography. Bloomsbury Academic, London, UK. ISBN 9781474254175

Mikuriya, Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2017) "As beautiful as the chance encounter of a sewing machine and an umbrella": how to teach surrealism through photography. In: Urban Photography: Making, Researching, Teaching (Photographers' Gallery), 13 Nov 2017, London, UK. (Unpublished)

Mikuriya, Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2016) On thoughtography. In: Visual Noise: Wandering Artifacts and Aberrant Images International Conference, 17 June 2016, Berlin, Germany. (Unpublished)

Myers, Pamela (2015) Cannes Lions 2015: the judges verdicts. Campaign Magazine.

Myers, Pamela (2015) Radio and television programme development, innovation and production in the UK. In: Radio & Television Programme Development, Innovation and Production in the UK, July 2015, London, UK. (Unpublished)

N

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2012) End(ur)ing Photography. Photographies, 5 (2). pp. 159-177.

Newman, Andrew, Baber, Michael, O'Brien, Dave, Goulding, Anna, Jones, Catrin Hedd, Howson, Teri, Jones, Carys, Parkinson, Clive, Taylor, Katherine, Tischler, Victoria ORCID: https://orcid.org/0000-0002-0086-1906 and Windle, Gill (2016) Carrying out research across the arts and humanities and social sciences: developing the methodology for Dementia and Imagination. Cultural Trends, 25 (4). pp. 218-232. ISSN 0954-8963

Nickeas, Sophie (2018) Arts interventions and the desistance process: agency through art among female offenders during incarceration and upon release. Doctoral thesis, University of West London.

O

Olsen, Dennis A., Crewe, Jonathon and Nicholls, Marcus (2023) Screening older age. Project Report. UNSPECIFIED.

Osbon, David (2016) Transmedia intertextuality - Does it work in performance? Follow the Sun as a proof of concept project. International Journal of Music and Performing Arts, 4 (1). pp. 21-24. ISSN 2374-2690

Osbon, David (2016) Austrian premiere of Cello sonata. [Performance]

Osbon, David (2016) Cello sonata world premiere. [Performance]

Osbon, David (2013) Classic shock. UNSPECIFIED.

Osbon, David (2016) Five Hommages by David Osbon. [Performance]

Osbon, David (2016) Hemisphaera project. [Performance]

Osbon, David (2016) Performance of 5 hommages. [Performance]

Osbon, David (2016) Sonata for cello and piano. [Audio]

Osbon, David (2014) Violin concerto. [Audio]

Osbon, David, Russell, Nino and Broder, Jonathan (2016) Follow the Sun 1st interlude/pause. [Video]

Osbon, David, Russell, Nino and Broder, Jonathan (2016) Follow the Sun interlude/pause 3. [Video]

Ottewill, Jim and Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 (2018) 10 things we learned about UK grime with Dr Monique Charles. The Institute of Contemporary Music Performance.

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Parham, John (2006) Academic values: why environmentalists loathe the media. Interdisciplinary Studies in Literature and Environment, 13 (1). pp. 113-133. ISSN 1076-0962

Parnell Johnson, Sukey (2018) Hagging the image: challenging the role of photographic images in contemporary narratives of ageing femaleness in Anglo American culture. Doctoral thesis, University of West London.

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2011) Drum and percussion programming. In: Proceedings of the 131st Audio Engineering Society Convention, 13-16 Oct 2011, New York City, USA. (Unpublished)

Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, Rob (2017) Get inside the music. [Show/Exhibition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2017) Cantus Maris. [Composition]

Pott, Francis ORCID: https://orcid.org/0000-0003-4913-6622 (2016) Toccata for piano solo. [Composition]

R

Robson, Deirdre ORCID: https://orcid.org/0000-0002-6763-0352 (2019) A law of "unintended" consequences? United States federal taxation and the market for modern art in the United States. Journal of Art Market Studies, 3 (1). pp. 1-16.

Robson, Deirdre ORCID: https://orcid.org/0000-0002-6763-0352 (2016) En/gendering the modern: MoMA and the making the market for modern art a "man's world". In: Visible Hands: Markets and the Marking of American Art, 22 January 2016, London, UK. (Unpublished)

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Schechner, Alan (2003) Jesus. [Show/Exhibition]

Schechner, Alan (2002) Self-portrait at Buchenwald: it's the real thing. [Show/Exhibition]

Schechner, Alan (2004) Six million. [Show/Exhibition]

Schechner, Alan (2005) The legacy of abused children / Dialogue of equals. [Show/Exhibition]

Sholl, Robert (2014) "How do you like your counterpoint, sir?": music pedagogy beyond therapy. In: EUROMAC 2014, 17-20 Sep 2014, Leuven, Belgium. (Unpublished)

Spagnolo, Simone (2019) Interdisciplinarity in the performing arts: contemporary perspectives. Studies in Theatre and Performance. pp. 1-2. ISSN 1468-2761

Spagnolo, Simone (2018) Touch-less: wearable music and the score-theatre. Studies in Musical Theatre, 11 (2). pp. 147-164. ISSN 1750-3159

Spagnolo, Simone (2018) De-lirious marks: on the rationality of marking and irrationality of the arts. In: Assessment Symposium, 3 Mar 2018, Cambridge, UK. (Unpublished)

Spagnolo, Simone (2015) Each tale chases another: metaphorical representations, non-linearity and openness of narrative structure in Italian opera from post-WWII to It makes no difference. Doctoral thesis, Trinity Laban Conservatoire / City University.

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2015) The 'Wandering Jew': history, fiction and adaptation. New Vistas, 1 (1). pp. 24-31. ISSN 2056-9688

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (1997) The mimetic fallacy: why adaptations disappoint. In: Trasvases Culturales: Literatura, Cine, Traduccion 2. Universidad del Pais Vasco, Lejona, Spain, pp. 351-359. ISBN 8460094138

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Tischler, Victoria ORCID: https://orcid.org/0000-0002-0086-1906 (2017) 'It takes me into another dimension': an evaluation of mental health-themed exhibitions in outdoor urban areas. Arts and Health, 10 (1). pp. 1-16. ISSN 1753-3015

Tischler, Victoria ORCID: https://orcid.org/0000-0002-0086-1906 (2014) Silenced: The impact of mental health themed artwork in a workplace setting. Journal of Applied Arts & Health, 3 (1). pp. 363-368.

Tischler, Victoria ORCID: https://orcid.org/0000-0002-0086-1906, Schneider, Justine, Morgner, Christian, Crawford, Paul, Dening, Tom, Brooker, Dawn, Garabedian, Claire, Myers, Tanya, Early, Fergus, Shaughnessy, Nicola, Innes, Anthea, Duncan, Kate, Prashar, Arti, McDermott, Orii, Coaten, Richard, Eland, Derek and Harvey, Kevin (2019) Stronger together: learning from an interdisciplinary dementia, arts and wellbeing network (DA&WN). Arts and Health, 11 (3). pp. 272-277. ISSN 1753-3015

Tischler, Victoria ORCID: https://orcid.org/0000-0002-0086-1906 (2018) Since 7:20 am on the 24th June 2016 I haven’t felt well. In: Hysteria: After Affects, 22 April 2018, Kings College London.

Tischler, Victoria ORCID: https://orcid.org/0000-0002-0086-1906 (2015) Visual art and transformation. In: Health Humanties. Palgrave. ISBN 978-1-137-28260-6

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Wade, Eti (2012) Jocasta. Studies in the Maternal, 4 (1). p. 1. ISSN 1759-0434

Wade, Ester (2013) [Light box pieces]. [Artefact]

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