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De Commarque, Cyril and Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Artificialis' at the Saatchi Gallery, London, UK. [Show/Exhibition]

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Garcia, Manuel and Cordeiro, Joao ORCID: https://orcid.org/0000-0002-0161-7139 (2015) A survey on graphic communication and publishing practices in the Portuguese independent music scene. In: KISMIF Conference 2014, 8-11 Julho 2014, Oporto, Portugal.

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Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2017) Holes: colonialism and negative space in modernist photography. In: The Left Conference - Photography and Film Criticism, 16-18 Nov 2017, Lisbon, Portugal. (Unpublished)

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Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2017) The floating face: Garbo, photography and death masks. Photographies, 10 (2). pp. 157-178. ISSN 1754-0763

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2020) The worlding of light and air: Dufaycolor and Selochrome in the 1930s. Visual Culture in Britain, 21 (2). pp. 177-198. ISSN 1471-4787

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Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2015) Museum media. The International Handbooks of Museum Studies, 3. Wiley-Blackwell, Oxford, UK. ISBN 9781405198509

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Mikuriya, Junko Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2018) From photophania to photagogia: a journey in the history of light. In: International Day of Light Symposium, 16 May 2018, Chelsea College of Art, University of the Arts London. (Unpublished)

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Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2018) Desert/Oasis: interruption and continuation. Prospect VI, VI.

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Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Light and liminal: Marinella Pirelli’s expanded cinema. In: Experimental and Independent Italian Cinema Legacies and Transformations into the Twenty-First Century. Fairleigh Dickinson University Press, Edinburgh. ISBN 9781474474047

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Nardelli, Matilde (2017) The small, the large and the moving: Bruno Munari and cinema. In: Bruno Munari: The Lightness of Art. Italian Modernities Series. Peter Lang, Oxford, UK, pp. 253-291. ISBN 9783034319379

Nardelli, Matilde, Antonello, Pierpaolo and Zanoletti, Margherita (2017) Bruno Munari: the lightness of art. Italian Modernitie Series. Peter Lang, Oxford, UK. ISBN 9781787079915

Nardelli, Matilde, Antonello, Pierpaolo and Zanoletti, Margherita (2012) Introduction: Bruno Munari's lightness. In: Bruno Munari: The Lightness of Art. Peter Lang, Oxford, UK, pp. 1-24. ISBN 9781787079915

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Robson, Deirdre ORCID: https://orcid.org/0000-0002-6763-0352 (2022) Gender and the market for modern art in the United States. New Vistas, 8 (1). pp. 41-46. ISSN 2056-967X

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Robson, Deirdre ORCID: https://orcid.org/0000-0002-6763-0352 (2016) The law of unintended consequences? US federal taxation and the market for modern art in the United States. In: Art Markets and Politics: State Control and Trade in Global Perspective, 11-Nov-2016, Berlin, Germany. (Unpublished)

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Stevenson, Lesley (2006) The subaltern speaks out. Art History, 29 (3). pp. 521-526. ISSN 0141-6790

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Stevenson, Lesley (2007) In search of the past: the case of still life. In: Inspiring Impressionism: The Impressionists and the Art of the Past. Yale University Press, Denver, USA, pp. 183-203. ISBN 9780300131321

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Tischler, Victoria ORCID: https://orcid.org/0000-0002-0086-1906 (2015) Visual art and transformation. In: Health Humanties. Palgrave. ISBN 978-1-137-28260-6

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Wallin, Rosemary and Stephens, Florian (2014) Maintaining authenticity: transferring patina from the real world to the digital to retain narrative value. Making Futures, 3. ISSN 2042-1664