Affron, Charles. Star Acting: Gish, Garbo, Davis. New York: E. P. Dutton, 1977.
Alloa, Emanuel. “Bare Exteriority.” Colloquy: Text, Theory, Critique 10 (2005): 69–82.
Apel, Dora. “Cultural Battlegrounds: Weimar Photographic Narratives of War.” New
German Critique 76 (1999): 49–84. doi:10.2307/488658
Balázs, Béla. Theory of the Film: Character and Growth of a New Art. Trans. Edith Bone. New
York: Dover, 1970.
Barthes, Roland. The Face of Garbo. 1955. Mythologies. London: Paladin, 1973. 56.
Barthes, Roland. Camera Lucida: Reflections on Photography. New York: Hill and Wang,
1981.
Bazin, André. “The Ontology of the Photographic Image.” Film Quarterly 13.4 (1960): 4–9.
doi:10.1525/fq.1960.13.4.04a00030
Benjamin, Walter. A Small History of Photography. 1931. Walter Benjamin. On
Photography. Ed. Esther Leslie. London: Reaktion Books, 2015.
Benkard, Ernst. The Undying Face. London: Hogarth Press, 1929.
Biernoff, Suzannah. “Flesh Poems: Henry Tonks and the Art of Surgery.” Visual Culture in
Britain 11.1 (2010): 25–47. doi:10.1080/14714780903509979
Brownlow, Kevin. “Annus Mirabilus: the Film in 1927.” Film History: An International Journal
17.2/3 (2005): 168–78. doi:10.2979/FIL.2005.17.2-3.168
Canetti, Elias. The Torch in My Ear. London: Granta Books, 2011.
Cheng, Joyce. “Mask, Mimicry, Metamorphosis: Roger Caillois, Walter Benjamin, and
Surrealism in the 1930s.” Modernism/Modernity 16.1 (2009): 61–86. doi:10.1353/
mod.0.0049
Doane, Mary Ann. “The Close-Up: Scale and Detail in the Cinema.” Differences: A Journal of
Feminist Cultural Studies 14.3 (2003): 89–111. doi:10.1215/10407391-14-3-89
Dowd, Garin. “‘All Out’: the Dismantling of the Face in Beckett’s Murphy.” The Journal of
Beckett Studies 16.1 & 2 (2006): 64–84.
Fischer, Lucy. “Greta Garbo and Silent Cinema: the Actress as Art Deco Icon.” Camera
Obscura 16.3 (2001): 82–111. doi:10.1215/02705346-16-3_48-83
Foster, Hal. Compulsive Beauty. Cambridge, MA: MIT Press, 1993.
Fritzsche, Peter. “The Archive.” History & Memory 17.1 (2005): 15–44. doi:10.1353/
ham.2005.0015
Hodgson, Francis. 6 May 2013. “Harlequin Without his Mask.” 28 Mar. 2016. www.
francishodgson.com
Hüppauf, Bernd. “Experiences of Modern Warfare and the Crisis of Representation.” New
German Critique 59 (1993): 41–76. doi:10.2307/488223
Kaplan, Louis. “Photograph/Death Mask: Jean-Luc Nancy’s Recasting of the Photographic
Image.” Journal of Visual Culture 9.1 (2010): 45–62. doi:10.1177/1470412909354255
Kracauer, Siegfried. Photography. 1927. The Past’s Threshold: Essays on Photography.
Chicago: University of Chicago Press, 2014a. 27–46.
Kracauer, Siegfried. A Note on Portrait Photography. 1933. The Past’s Threshold: Essays on
Photography. Chicago: University of Chicago Press, 2014b. 59–62.
Krauss, Rosalind. “The Photographic Conditions of Surrealism.” October 19 (1981): 3–34.
doi:10.2307/778652
Lubin, David M. “Masks, Mutilation and Modernity: Anna Coleman Ladd and the First
World War.” Archives of American Art Journal 47.3/4 (2008): 4–15. doi:10.1086/
aaa.47.3_4.25435155
Lyford, Amy. “The Aesthetics of Dismemberment: Surrealism and the Musée Du Val-De-
Grâce in 1917.” Cultural Critique 46 (2000): 45–79. doi:10.2307/1354408
Malraux, André. Sketch for a Psychology of Cinema. 1940. Reflections on Art. Ed. Suzanne
Langer. Oxford: Oxford University Press, 1958.
Malraux, André. Museum Without Walls. London: Secker and Warburg, 1967.
Morrison, Paul. “Garbo Laughs!.” Modernist Cultures 2.2 (2006): 153–69. doi:10.3366/
E2041102209000252
Muir, Robin. Greta Garbo: The World’s Most Photographed. London: National Portrait
Gallery, 2005.
Mulvey, Laura. Visual Pleasure and Narrative Cinema. Visual and Other Pleasures. London:
Macmillan, 1989.
Nancy, Jean-Luc. The Ground of the Image. New York: Fordham University Press, 2005.
Pepper, Terrence, and John. Kobal. The Man Who Shot Garbo: the Hollywood Photographs of
Clarence Sinclair Bull. New York: Simon & Schuster, 1989.
Rifkin, Steven J. “André Bazin’s “Ontology of the Photographic Image”: Representation,
Desire and Presence.” Doctoral Thesis, Ottowa, Ontario: Carleton University,
2011.
Saliot, Anne-Gaëlle. The Drowned Muse: Casting the Unknown Woman across the Tides of
Modernity. Oxford: Oxford University Press, 2015.
Schickel, Richard. Afterword. Ed. Antoni Gronowicz. Garbo: Her Story. New York: Simon
& Schuster, 1990.
Schmölders, Claudia. Hitler’s Face: the Biography of an Image. Philadelphia: University of
Pennysylvania Press, 2009.
Shields, David S. The Still: American Silent Motion Picture Photography. Chicago: University of
Chicago Press, 2013.
Sontag, Susan. On Photography. London: Penguin Books, 1977.
Sontag, Susan. Regarding the Pain of Others. New York: Picador, 2002.
Szaloky, Melinda. “‘As You Desire Me’: Reading ‘The Divine Garbo’ through Movement,
Silence and the Sublime.” Film History: An International Journal 18.2 (2006): 196–208.
doi:10.2979/FIL.2006.18.2.196
Vieira, Mark A. Greta Garbo: A Cinematic Legacy. New York: Harry N. Abrams, 2005.
Wen, Xianghui. “The Withdrawal of Touch in Close Encounter: the Tactility of Facial
Close-Ups in Ingmar Bergman’s Films.” Journal of Scandinavian Cinema 4.1 (2014):
15–27. doi:10.1386/jsca.4.1.15_1