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Ayisi, Florence and Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2014) See me, know me – cultural expressions of Cameroonian women. Stimulus Respond, Africa. pp. 36-43. ISSN 1746-8086

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Bennett, Peter (2016) Going away. New Vistas, 2 (2). ISSN 2056-9688

Bennett, Peter (2016) Going away: a photographic representation of the coast as a remembered place of childhood experience. New Vistas, 2 (2). pp. 6-11. ISSN 2056-9688

Bennett, Peter (2017) Cartographies. In: Urban Encounters 2017: Cartographies (Tate Gallery), 10-11 Nov 2017, London, UK. (Unpublished)

Bennett, Peter (2018) Cities of light. In: Cities of Light Conference (University of Paris V - Sorbonne), 4-6 May 2018, Paris, France. (Unpublished)

Bennett, Peter (2017) Exploring photography and the urban environment. In: Urban Photography: Making, Researching, Teaching (Photographers' Gallery), 13 Nov 2017, London, UK. (Unpublished)

Bennett, Peter (2016) Robert Frank’s later work: stories of displacement/ layers of time and place. In: UWL Staff Symposium 2016, 18 May 2016, London, UK. (Unpublished)

Bennett, Peter (2016) A construction of place in time. In: Urban Encounters Conference 2016 (Tate/Goldsmiths), 3-5 November 2016, London, UK. (Unpublished)

Bennett, Peter (2018) An ideal for living. [Artefact] (Unpublished)

Bennett, Peter (2017) An image of urban redevelopment. In: UWL Staff Research Symposium 2017, 3 May 2017, London, UK. (Unpublished)

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Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X and Rulyova, Natalia (2015) Introduction. In: Genre trajectories: identifying, mapping, projecting. Palgrave Macmillan, Basingstoke, UK, pp. 1-10. ISBN 9781137505477

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Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2017) Holes: colonialism and negative space in modernist photography. In: The Left Conference - Photography and Film Criticism, 16-18 Nov 2017, Lisbon, Portugal. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2018) Holes: colonialism and negative space in modernist photography. Wrong Wrong (12).

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2017) Image flow: photography on tap. In: Photographies: Critical Issues in Photography Today International Conference, 18-19 May 2017, London, UK. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2016) Unfixing the photographic image. New Vistas, 2 (2). pp. 28-32. ISSN 2056-9688

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2017) The floating face: Garbo, photography and death masks. Photographies, 10 (2). pp. 157-178. ISSN 1754-0763

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2020) The worlding of light and air: Dufaycolor and Selochrome in the 1930s. Visual Culture in Britain, 21 (2). pp. 177-198. ISSN 1471-4787

Henning, Michelle and Mikuriya, Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2021) Light sensitive material: an introduction. Photographies, 14 (3). pp. 381-394. ISSN 1754-0763

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2013) From a world in a box to a world without borders: art museums, media technologies and cosmopolitanism. In: Invited public lecture at the Museum Sztuki in Łódź, Poland, as part of their Universal Museum series, 21 Nov 2013, Łódź, Poland. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2018) Ilford photographic manufacturers: industry, innovation and sensory experience. In: Visiting Talk at De Montfort University Photographic History Research Centre, 5 Feb 2018, Leicester, UK. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2015) Museum media. The International Handbooks of Museum Studies, 3. Wiley-Blackwell, Oxford, UK. ISBN 9781405198509

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2018) Photography Sets The Image Free: Inaugural Professorial Lecture. In: Public Lecture Series, University of West London, 7 March 2018, London, UK. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2018) Photography: the unfettered image. Routledge, London, UK. ISBN 9781138782556

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2017) We are here but where are you? In: Urban Encounters 2017: Cartographies, 10-11 Nov 2017, London, UK. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2015) With and without walls: photographic reproduction and the art museum. In: Museum Media. The International Handbooks of Museum Studies, 3. Wiley-Blackwell, Oxford, UK, pp. 577-602. ISBN 9781118829059

Hudson, Carol (2014) The power of possessions. [Show/Exhibition]

Hudson, Carol (2016) The power of possessions: an investigation into the ontology of personal possessions in the context of death and bereavement through the practice of still-life photography. Doctoral thesis, University of West London.

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Mikuriya, Junko Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2024) "The Darkroom of the Soul". PhotoResearcher (41).

Mikuriya, Junko Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2018) From photophania to photagogia: a journey in the history of light. In: International Day of Light Symposium, 16 May 2018, Chelsea College of Art, University of the Arts London. (Unpublished)

Mikuriya, Junko Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2018) Three entries in the history of light. In: Cities of Light: Paris, 4 May 2018, University of Paris Sorbonne, Paris, France. (Unpublished)

Mikuriya, Junko Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2016) A history of light: the idea of photography. Bloomsbury Academic, London, UK. ISBN 9781474254175

Mikuriya, Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2017) "As beautiful as the chance encounter of a sewing machine and an umbrella": how to teach surrealism through photography. In: Urban Photography: Making, Researching, Teaching (Photographers' Gallery), 13 Nov 2017, London, UK. (Unpublished)

Mikuriya, Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2016) On thoughtography. In: Visual Noise: Wandering Artifacts and Aberrant Images International Conference, 17 June 2016, Berlin, Germany. (Unpublished)

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Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2011) Blow-Up and the Plurality of Photography. In: Antonioni: Centenary Essays. Bloomsbury, British Film Institute, London, pp. 185-205.

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2012) End(ur)ing Photography. Photographies, 5 (2). pp. 159-177.

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2012) Leafing through Cinema. In: Framing Film: Cinema and the Visual Arts. Intellect, Bristol, pp. 129-145. ISBN 9781841505077

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Antonioni and the aesthetics of impurity: remaking the image in the 1960s. Edinburgh University Press, Edinburgh, UK. ISBN 9781474444040

Nardelli, Matilde (2017) The small, the large and the moving: Bruno Munari and cinema. In: Bruno Munari: The Lightness of Art. Italian Modernities Series. Peter Lang, Oxford, UK, pp. 253-291. ISBN 9783034319379

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Parnell Johnson, Sukey (2018) Hagging the image: challenging the role of photographic images in contemporary narratives of ageing femaleness in Anglo American culture. Doctoral thesis, University of West London.

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Stevenson, Lesley (2014) The window in photographs [Review]. History of Photography, 38 (3). pp. 321-322. ISSN 0308-7298

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Wade, Ester (2013) [Light box pieces]. [Artefact]