Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2018)
Bypassing the supercrip trope in documentary representations of blind visual artists.
Disability Studies Quarterly, 38 (3).
ISSN 1041-5718
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2018)
Performativity on the margin: Pornography: The Musical (2003).
Film Studies, 18 (1).
ISSN 1469-0314
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2017)
Documentary and Disability.
In: Visible Evidence Conference, August 2017, Buenos Aires.
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2017)
The bricolage of documentary and disability.
In: UWL Research Conference 2017, 30 June 2017, London, UK.
(Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Hughes, Helen
(2017)
Introduction: The bricolage of documentary and disability.
In:
Documentary and Disability.
Palgrave Macmillan, Oxford, UK, pp. 1-10.
ISBN 978-1-137-59893-6
Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X and Rulyova, Natalia
(2015)
Introduction.
In:
Genre trajectories: identifying, mapping, projecting.
Palgrave Macmillan, Basingstoke, UK, pp. 1-10.
ISBN 9781137505477
Henderson, Jo (2013) Whatever happened to Vera? View, 2 (4). pp. 45-50. ISSN 2213-0969
Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227
(2018)
Holes: colonialism and negative space in modernist photography.
Wrong Wrong (12).
Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227
(2017)
Image flow: photography on tap.
In: Photographies: Critical Issues in Photography Today International Conference, 18-19 May 2017, London, UK.
(Unpublished)
Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227
(2017)
The floating face: Garbo, photography and death masks.
Photographies, 10 (2).
pp. 157-178.
ISSN 1754-0763
Henning, Michelle and Mikuriya, Theresa ORCID: https://orcid.org/0000-0001-6383-406X
(2021)
Light sensitive material: an introduction.
Photographies, 14 (3).
pp. 381-394.
ISSN 1754-0763
Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227
(2013)
From a world in a box to a world without borders: art museums, media technologies and cosmopolitanism.
In: Invited public lecture at the Museum Sztuki in Łódź, Poland, as part of their Universal Museum series, 21 Nov 2013, Łódź, Poland.
(Unpublished)
Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227
(2006)
Museums, media and cultural theory.
Open University Press, Maidenhead, UK.
ISBN 9780335214198
Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227
(2018)
Photography Sets The Image Free: Inaugural Professorial Lecture.
In: Public Lecture Series, University of West London, 7 March 2018, London, UK.
(Unpublished)
Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227
(2018)
Photography: the unfettered image.
Routledge, London, UK.
ISBN 9781138782556
Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227
(2017)
We are here but where are you?
In: Urban Encounters 2017: Cartographies, 10-11 Nov 2017, London, UK.
(Unpublished)
Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846
(2017)
After the future: n hypotheses of post-cyber feminism.
The Kathy Rae Huffman Archive Catalogue.
Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846
(2019)
Sapience + care: reason and responsibility in posthuman politics.
Angelaki: Journal of Theoretical Humanities, 24 (1).
pp. 67-80.
ISSN 0969-725X
Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846
(2016)
Technically female: women, machines, and hyperemployment.
Salvage (3).
Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846
(2020)
Gender is a workplace technology.
In:
On Care.
Ma Bibliothèque, London.
(In Press)
Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846
(2019)
Sexing the cyborg: technology, adaptation, and prosthetic gender.
In:
Insufficient Armour.
NERO, Milan.
(In Press)
Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846
(2018)
Spectacular sex: in/visible pleasures and practices in visual media.
In:
Sites of the Non-eventual.
Artwin Gallery, Moscow.
(In Press)
Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846
(2018)
Xenofeminism.
Theory Redux.
Polity, Cambridge, UK.
ISBN 9781509520626
Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 and Stardust, Zahra
(2018)
Sex work in a post-work imaginary: on abolitionism, careerism and respectability.
In:
New Feminist Studies: Twenty-first-century Critical Interventions.
Cambridge University Press.
(In Press)
Hine, Ben ORCID: https://orcid.org/0000-0001-9732-4631, Ivanovic, Katarina and England, Dawn
(2018)
From the sleeping princess to the world-saving daughter of the chief: examining young children's perceptions of 'old' versus 'new' Disney princess characters.
Social Sciences, 7 (9).
p. 161.
ISSN 2076-0760
Mikuriya, Junko Theresa ORCID: https://orcid.org/0000-0001-6383-406X
(2018)
From photophania to photagogia: a journey in the history of light.
In: International Day of Light Symposium, 16 May 2018, Chelsea College of Art, University of the Arts London.
(Unpublished)
Mikuriya, Junko Theresa ORCID: https://orcid.org/0000-0001-6383-406X
(2018)
Three entries in the history of light.
In: Cities of Light: Paris, 4 May 2018, University of Paris Sorbonne, Paris, France.
(Unpublished)
Mikuriya, Junko Theresa ORCID: https://orcid.org/0000-0001-6383-406X
(2016)
A history of light: the idea of photography.
Bloomsbury Academic, London, UK.
ISBN 9781474254175
Mikuriya, Theresa ORCID: https://orcid.org/0000-0001-6383-406X
(2016)
On thoughtography.
In: Visual Noise: Wandering Artifacts and Aberrant Images International Conference, 17 June 2016, Berlin, Germany.
(Unpublished)
Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024
(2022)
Like a mass image: Federico Fellini’s Le Tentazioni del Dottor Antonio, advertising and mimicry.
Italian Studies.
ISSN 0075-1634
Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024
(2020)
Antonioni and the aesthetics of impurity: remaking the image in the 1960s.
Edinburgh University Press, Edinburgh, UK.
ISBN 9781474444040
Nardelli, Matilde (2017) The small, the large and the moving: Bruno Munari and cinema. In: Bruno Munari: The Lightness of Art. Italian Modernities Series. Peter Lang, Oxford, UK, pp. 253-291. ISBN 9783034319379
Nardelli, Matilde, Antonello, Pierpaolo and Zanoletti, Margherita (2017) Bruno Munari: the lightness of art. Italian Modernitie Series. Peter Lang, Oxford, UK. ISBN 9781787079915
Nardelli, Matilde, Antonello, Pierpaolo and Zanoletti, Margherita (2012) Introduction: Bruno Munari's lightness. In: Bruno Munari: The Lightness of Art. Peter Lang, Oxford, UK, pp. 1-24. ISBN 9781787079915
Nicholls, Marcus (2021) The adaptive afterlife of texts: entropy and generative decay. Adaptation, 14 (3). pp. 313-334. ISSN 1755-0637
Olsen, Dennis (2022) The promotional window into society: advertising as indicator and influencer of socio-cultural trends. New Vistas, 8 (1). pp. 47-52. ISSN 2056-967X
Olsen, Dennis (2019) How it all began: a history of scholarship on the representation of older adults in German advertising. In: Proceedings of the 19th Biennial Conference on Historical Analysis and Research in Marketing (CHARM), 16-19 May 2019, Ottawa, Canada.
Sholl, Robert (2020) James Sibley Watson’s The Fall of The House of Usher: Surrealism—improvisation—complementary serendipities. Perspectives of New Music, 58 (1). pp. 23-69. ISSN 0031–6016
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2018)
James Bond uncovered.
Palgrave Macmillan, London, UK.