Items where Subject is "Screen studies"

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UWL Subject Taxonomy (43)
- Film and television (43)
  - Screen studies (43)

Group by: Creators | Item Type

Number of items at this level: 43.

Article

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) Bypassing the supercrip trope in documentary representations of blind visual artists. Disability Studies Quarterly, 38 (3). ISSN 1041-5718

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) The benefits of content analysis for filmmakers. Studies in Australasian Cinema, 12 (2-3). pp. 150-161. ISSN 1750-3175

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Kramer, Mette (2018) A pragmatic framework for the cognitive study of documentary. Projections: The Journal for Movies and Mind, 12 (2). pp. 159-180. ISSN 1934-9688

Burgess, Zoe (2024) ‘Taken by my wife’ – Challenging the Amateur/professional binary in Wessex Film and Sound Archive’s (WFSA) Early Films (1895-1922). Open Screens, 6 (3).

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2023) Dossier: screen advertising introduction. Alphaville (25).

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2024) Hidden screen industries: the ‘Known unknown’ in screen history. Open Screens, 6 (3). pp. 2-10.

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2023) How long is a good story? Compressed narratives in British screen advertising since 1955. Alphaville (25).

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2020) Interview: Carrie Sutton. Alphaville: Journal of Film and Screen Media (19). pp. 203-210.

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2020) Interview: Sophie Muller. Alphaville: Journal of Film and Screen Media (19). pp. 211-218.

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2024) The Moving Picture Company: innovators and early adopters of british video post-production. Open Screens, 6 (3). pp. 1-25.

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2014) The fine art of commercial freedom: British music videos and film culture. Scope, 26. ISSN 1465-9166

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2022) The screen advertising production industry: SIC codes and screen industries mapping. Media Industries, 9 (1).

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 and Smith, Justin (2020) Dancing and dreaming: “Fifty years of British music video” in Havana. Alphaville: Journal of Film and Screen Media (19). pp. 184-194.

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 and Uhlirova, Marketa (2024) Fashion film and the art and archaeology of screen promotion. Open Screens, 6 (3). pp. 1-18.

Fales, Ludovica (2015) Immersed into our clothes. Are wearable technologies a potential gateway to extra-virtual immersion? Cinergie. Il Cinema e le altre arti., 8. pp. 89-98. ISSN 2280-9481

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2022) Like a mass image: Federico Fellini’s Le Tentazioni del Dottor Antonio, advertising and mimicry. Italian Studies. ISSN 0075-1634

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2010) Some reflections on Antonioni, sound and the silence of La notte. The Soundtrack, 3 (1). pp. 11-23. ISSN 1751-4193

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Timothy Barker (2018) against transmission: media philosophy and the engineering of time. Film-Philosophy, 24 (1). pp. 75-77. ISSN 1466-4615

Saward, Angela (2024) Medicine on film: a British case history. Open Screens, 6 (3). pp. 1-22.

Book Chapter or Section

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) Introduction: Intersecting documentary and cognitive theory. In: Cognitive Theory and Documentary Film. Palgrave Macmillan, Cham, Switzerland. ISBN 9783319903316

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2017) Spectatorship and alternative portrayals of blindness. In: Documentary and Disability. Palgrave Macmillan, Basingstoke, UK, pp. 61-77. ISBN 9781137598943

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) A social cognition approach to stereotyping in documentary. In: Cognitive Theory and Documentary Film. Palgrave Macmillan, pp. 263-279. ISBN 9783319903323

Fales, Ludovica (2018) Tahrir Square: a space extended to the people watching it. In: Body Images in the Post-Cinematic Scenario: The Digitization of the Body. Post-Cinema & Digital Cultures. Mimesis International, Sesto San Giovanni (MI), Italy. ISBN 9788869771095

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2017) Perverting the explicit: Catherine Breillat’s visual vocabulary of desire. In: Tainted Love: Screening Sexual Perversities. I.B. Tauris, London, UK.

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2018) Spectacular sex: in/visible pleasures and practices in visual media. In: Sites of the Non-eventual. Artwin Gallery, Moscow. (In Press)

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2019) Vampire, cannibal, iconoclast: displacing genitality and desecrating genre. In: Iconoclasm: The Making and Breaking of Images. McGill-Queen's University Press, Montreal. ISBN 9780773557369

Lohneis, Paul (2023) 'Darling Men, Lover Boys and Rogues:' Connie Sachs, Molly Doran and the Precarity of of Institutional Memory in John le Carré's Tinker, Tailor, Soldier, Spy and Mick Herron's Dead Lions. In: Sexuality and Gender in Fictions of Espionage: Spying Undercover(s). Bloomsbury, London. ISBN 9781350271371

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2012) Leafing through Cinema. In: Framing Film: Cinema and the Visual Arts. Intellect, Bristol, pp. 129-145. ISBN 9781841505077

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Cinema as (in)visible object: looking, making and re-making. In: Theorizing Cinema Through Contemporary Art: Expanding Cinema. Amsterdam University Press, Amsterdam. ISBN 9789462989467

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Light and liminal: Marinella Pirelli’s expanded cinema. In: Experimental and Independent Italian Cinema Legacies and Transformations into the Twenty-First Century. Fairleigh Dickinson University Press, Edinburgh. ISBN 9781474474047

Nardelli, Matilde (2017) The small, the large and the moving: Bruno Munari and cinema. In: Bruno Munari: The Lightness of Art. Italian Modernities Series. Peter Lang, Oxford, UK, pp. 253-291. ISBN 9783034319379

Conference or Workshop Item

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2016) Pornography: The Musical – performativity on the margin. In: Sex and the Cinema Conference, 10-11 Dec 2016, Kent University, UK. (Unpublished)

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2017) A cognitive framework of documentary spectatorship. In: Film-Philosophy Conference, 3-6 July 2017, Lancaster University, UK. (Unpublished)

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Kramer, Mette (2017) Cognitive film studies and four approaches to documentary film. In: Society for Cognitive Studies of the Moving Images (SCSMI) Conference, 11-14 June 2017, Aalto University, Helsinki, Finland. (Unpublished)

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2018) Cinephilia falls to Earth: thinking the image after Daney. In: Changer, échanger: Serge Daney. Workshop 1 of Serge Daney and Queer Cinephilia (AHRC network), 27-28 Sept 2018, Paris (INHA). (Unpublished)

Sholl, Robert (2018) The unmasking scene: improvisation in context. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)