Items where Subject is "Screen studies"

Up a level
Export as [feed] RSS
Group by: Creators | Item Type
Number of items at this level: 26.

Article

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) Bypassing the supercrip trope in documentary representations of blind visual artists. Disability Studies Quarterly, 38 (3). ISSN 1041-5718

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) The benefits of content analysis for filmmakers. Studies in Australasian Cinema, 12 (2-3). pp. 150-161. ISSN 1750-3175

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Kramer, Mette (2018) A pragmatic framework for the cognitive study of documentary. Projections: The Journal for Movies and Mind, 12 (2). pp. 159-180. ISSN 1934-9688

Caston, Emily (2014) The fine art of commercial freedom: British music videos and film culture. Scope, 26. ISSN 1465-9166

Fales, Ludovica (2015) Immersed into our clothes. Are wearable technologies a potential gateway to extra-virtual immersion? Cinergie. Il Cinema e le altre arti., 8. pp. 89-98. ISSN 2280-9481

Nardelli, Matilde (2020) Timothy Barker (2018) against transmission: media philosophy and the engineering of time. Film-Philosophy, 24 (1). pp. 75-77. ISSN 1466-4615

Book Section

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) Introduction: Intersecting documentary and cognitive theory. In: Cognitive Theory and Documentary Film. Palgrave Macmillan, Cham, Switzerland. ISBN 9783319903316

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2017) Spectatorship and alternative portrayals of blindness. In: Documentary and Disability. Palgrave Macmillan, Basingstoke, UK, pp. 61-77. ISBN 9781137598943

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) A social cognition approach to stereotyping in documentary. In: Cognitive Theory and Documentary Film. Palgrave Macmillan, pp. 263-279. ISBN 9783319903323

Fales, Ludovica (2018) Tahrir Square: a space extended to the people watching it. In: Body Images in the Post-Cinematic Scenario: The Digitization of the Body. Post-Cinema & Digital Cultures. Mimesis International, Sesto San Giovanni (MI), Italy. ISBN 9788869771095

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2017) Perverting the explicit: Catherine Breillat’s visual vocabulary of desire. In: Tainted Love: Screening Sexual Perversities. I.B. Tauris, London, UK.

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2018) Spectacular sex: in/visible pleasures and practices in visual media. In: Sites of the Non-eventual. Artwin Gallery, Moscow. (In Press)

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2019) Vampire, cannibal, iconoclast: displacing genitality and desecrating genre. In: Iconoclasm: The Making and Breaking of Images. McGill-Queen's University Press, Montreal. ISBN 9780773557369

Nardelli, Matilde (2020) ‘Cinema as (in)visible object: looking, making and re-making’. In: Expanding Cinema: Theorizing Cinema Through Contemporary Art, ed. by Jill Murphy and Laura Rascaroli. Amsterdam University Press, Amsterdam. (In Press)

Nardelli, Matilde (2017) Light and liminal: Marinella Pirelli’s expanded cinema. In: Italian Independent Cinema. Fairleigh Dickinson University Press, Madison, NJ. (In Press)

Nardelli, Matilde (2017) The small, the large and the moving: Bruno Munari and cinema. In: Bruno Munari: The Lightness of Art. Italian Modernities Series. Peter Lang, Oxford, UK, pp. 253-291. ISBN 9783034319379

Conference or Workshop Item

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2016) Pornography: The Musical – performativity on the margin. In: Sex and the Cinema Conference, 10-11 Dec 2016, Kent University, UK. (Unpublished)

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2017) A cognitive framework of documentary spectatorship. In: Film-Philosophy Conference, 3-6 July 2017, Lancaster University, UK. (Unpublished)

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Kramer, Mette (2017) Cognitive film studies and four approaches to documentary film. In: Society for Cognitive Studies of the Moving Images (SCSMI) Conference, 11-14 June 2017, Aalto University, Helsinki, Finland. (Unpublished)

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2018) Cinephilia falls to Earth: thinking the image after Daney. In: Changer, échanger: Serge Daney. Workshop 1 of Serge Daney and Queer Cinephilia (AHRC network), 27-28 Sept 2018, Paris (INHA). (Unpublished)

Sholl, Robert (2018) The unmasking scene: improvisation in context. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Book

Strong, Jeremy (2018) James Bond uncovered. Palgrave Macmillan, London, UK.

Performance

Sholl, Robert (2016) Improvisation to 'The unmasking scene for Rupert Julian's The Phantom of the Opera (1925)'. [Performance]

Sholl, Robert (2016) Improvisation to James Sibley Watson and Melville Webber's 'The Fall of the House of Usher' (1929, silent film). [Performance]

Video

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) June’s Patchwork. [Video]

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) The Terry Fragments. [Video]

This list was generated on Sat May 30 17:15:46 2020 UTC.

Menu