Article

Bakalka, Laura and Lelis, Catarina ORCID: https://orcid.org/0000-0003-4402-8876 (2018) Informing personal branding through self-assessed handwriting analysis: proposal of a supportive online platform. Visible Language, 52 (3). pp. 9-29. ISSN 0022-2224

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2010) Living life in pictures: isotype as modernist cultural practice. New Formations (70). ISSN 0950-2378

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2017) The floating face: Garbo, photography and death masks. Photographies, 10 (2). pp. 157-178. ISSN 1754-0763

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2020) The worlding of light and air: Dufaycolor and Selochrome in the 1930s. Visual Culture in Britain, 21 (2). pp. 177-198. ISSN 1471-4787

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2021) Family matters: in the bubble of the nuclear household. Architectural Review.

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2018) Desert/Oasis: interruption and continuation. Prospect VI, VI.

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2014) No end to the end: the desert as eschatology in late modernity. Tate Papers (22). ISSN 1753-9854

Robson, Deirdre ORCID: https://orcid.org/0000-0002-6763-0352 (2022) Gender and the market for modern art in the United States. New Vistas, 8 (1). pp. 41-46. ISSN 2056-967X

Robson, Deirdre ORCID: https://orcid.org/0000-0002-6763-0352 (2015) Industry: art angel? Pepsi-Cola's "Portrait of America" art annual as an early instance of corporate art sponsorship. Journal Of American Culture, 38 (4). pp. 329-342. ISSN 1542-734X

Stevenson, Lesley (2006) The subaltern speaks out. Art History, 29 (3). pp. 521-526. ISSN 0141-6790

Stevenson, Lesley (2007) A view from below: a still life at the Salon des Refusés. Burlington Magazine, 149 (1250). pp. 320-322. ISSN 0007-6287

Wallin, Rosemary and Stephens, Florian (2014) Maintaining authenticity: transferring patina from the real world to the digital to retain narrative value. Making Futures, 3. ISSN 2042-1664

Book Section

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2015) With and without walls: photographic reproduction and the art museum. In: Museum Media. The International Handbooks of Museum Studies, 3. Wiley-Blackwell, Oxford, UK, pp. 577-602. ISBN 9781118829059

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Cinema as (in)visible object: looking, making and re-making. In: Theorizing Cinema Through Contemporary Art: Expanding Cinema. Amsterdam University Press, Amsterdam. ISBN 9789462989467

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Light and liminal: Marinella Pirelli’s expanded cinema. In: Experimental and Independent Italian Cinema Legacies and Transformations into the Twenty-First Century. Fairleigh Dickinson University Press, Edinburgh. ISBN 9781474474047

Nardelli, Matilde (2015) Munari cinematico. In: Munari politecnico. Fare dell'arte con qualunque mezzo. Nomos, Varese, Italy. ISBN 978-88-98249-37-4

Nardelli, Matilde (2017) The small, the large and the moving: Bruno Munari and cinema. In: Bruno Munari: The Lightness of Art. Italian Modernities Series. Peter Lang, Oxford, UK, pp. 253-291. ISBN 9783034319379

Nardelli, Matilde, Antonello, Pierpaolo and Zanoletti, Margherita (2012) Introduction: Bruno Munari's lightness. In: Bruno Munari: The Lightness of Art. Peter Lang, Oxford, UK, pp. 1-24. ISBN 9781787079915

Stevenson, Lesley (2007) In search of the past: the case of still life. In: Inspiring Impressionism: The Impressionists and the Art of the Past. Yale University Press, Denver, USA, pp. 183-203. ISBN 9780300131321

Tischler, Victoria ORCID: https://orcid.org/0000-0002-0086-1906 (2015) Visual art and transformation. In: Health Humanties. Palgrave. ISBN 978-1-137-28260-6

Conference or Workshop Item

Charles, Monique ORCID: https://orcid.org/0000-0002-9634-0127 and Baker, Daniel (2016) Story lounge: Daniel Baker and Monique Charles. In: WMG Late: Rise Up, 1 Dec 2016, London, UK. (Unpublished)

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2006) Deathly constructions/Beckett's thanatographies. In: Beckett and Death, 3 Dec 2006, University of Northampton, UK. (Unpublished)

Garcia, Manuel and Cordeiro, Joao ORCID: https://orcid.org/0000-0002-0161-7139 (2015) A survey on graphic communication and publishing practices in the Portuguese independent music scene. In: KISMIF Conference 2014, 8-11 Julho 2014, Oporto, Portugal.

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2017) Holes: colonialism and negative space in modernist photography. In: The Left Conference - Photography and Film Criticism, 16-18 Nov 2017, Lisbon, Portugal. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2017) Image flow: photography on tap. In: Photographies: Critical Issues in Photography Today International Conference, 18-19 May 2017, London, UK. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2015) Of tennis courts and fireplaces: Neurath's internment on the Isle of Man and his politics of design. In: Politics, Democratic Education and Empowerment: The Case of Otto Neurath (1992-1945) Universität Wien / Institute Vienna Circle Symposium, 28 May 2015, Vienna, Austria. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2013) From a world in a box to a world without borders: art museums, media technologies and cosmopolitanism. In: Invited public lecture at the Museum Sztuki in Łódź, Poland, as part of their Universal Museum series, 21 Nov 2013, Łódź, Poland. (Unpublished)

Mikuriya, Junko Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2018) From photophania to photagogia: a journey in the history of light. In: International Day of Light Symposium, 16 May 2018, Chelsea College of Art, University of the Arts London. (Unpublished)

Robson, Deirdre ORCID: https://orcid.org/0000-0002-6763-0352 (2016) En/gendering the modern: MoMA and the making the market for modern art a "man's world". In: Visible Hands: Markets and the Marking of American Art, 22 January 2016, London, UK. (Unpublished)

Robson, Deirdre ORCID: https://orcid.org/0000-0002-6763-0352 (2016) The law of unintended consequences? US federal taxation and the market for modern art in the United States. In: Art Markets and Politics: State Control and Trade in Global Perspective, 11-Nov-2016, Berlin, Germany. (Unpublished)

Book

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X and Ruylova, Natasha, eds. (2015) Genre trajectories: identifying, mapping, projecting. Palgrave Macmillan. ISBN 9781137505477

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2015) Museum media. The International Handbooks of Museum Studies, 3. Wiley-Blackwell, Oxford, UK. ISBN 9781405198509

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Antonioni and the aesthetics of impurity: remaking the image in the 1960s. Edinburgh University Press, Edinburgh, UK. ISBN 9781474444040

Nardelli, Matilde, Antonello, Pierpaolo and Zanoletti, Margherita (2017) Bruno Munari: the lightness of art. Italian Modernitie Series. Peter Lang, Oxford, UK. ISBN 9781787079915

Show/Exhibition

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Das Magische Theatre' at Chateau Papillon, St Moritz, Switzerland. [Show/Exhibition]

De Commarque, Cyril and Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Artificialis' at the Saatchi Gallery, London, UK. [Show/Exhibition]

Video

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) Call Thou Upon My Name Unto Eternity, And It Shall Never Fail. [Video]