Robson, Deirdre ORCID: https://orcid.org/0000-0002-6763-0352 (2022) Gender and the market for modern art in the United States. New Vistas, 8 (1). pp. 41-46. ISSN 2056-967X
Preview |
PDF
newvistas-199-robson.pdf - Published Version Available under License Creative Commons Attribution. Download (1MB) | Preview |
Abstract
Between the inter-war years and 1960s, there was a radical shift in the art market status of modern art in the United States. This was not simply a matter of time. This article argues that there was a re-gendering of the discourse of art patronage in America, with modern art being re-presented—as never before—to the potential collector as being if not masculine then ‘not feminine’. It is argued that the Museum of Modern Art, New York, explicitly set out to re-gender collecting discourse as part of its overall aim of enhancing the status of modern art in America.
Item Type: | Article |
---|---|
Identifier: | 10.36828/newvistas.199 |
Keywords: | gender, discourse, Museum of Modern Art, art patronage, art collecting |
Subjects: | Arts > Cultural history Arts > Gallery and museum Arts > Art and design history |
Related URLs: | |
Depositing User: | Deirdre Robson |
Date Deposited: | 07 Jun 2022 10:29 |
Last Modified: | 06 Feb 2024 16:10 |
URI: | https://repository.uwl.ac.uk/id/eprint/9148 |
Downloads
Downloads per month over past year
Actions (login required)
View Item |