Article

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) Bypassing the supercrip trope in documentary representations of blind visual artists. Disability Studies Quarterly, 38 (3). ISSN 1041-5718

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) Performativity on the margin: Pornography: The Musical (2003). Film Studies, 18 (1). ISSN 1469-0314

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) The benefits of content analysis for filmmakers. Studies in Australasian Cinema, 12 (2-3). pp. 150-161. ISSN 1750-3175

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Kramer, Mette (2018) A pragmatic framework for the cognitive study of documentary. Projections: The Journal for Movies and Mind, 12 (2). pp. 159-180. ISSN 1934-9688

Crewe, Jon ORCID: https://orcid.org/0000-0002-4108-1551 (2022) ‘Last night, locked in…’: narrative fiction and embedded filmmaking as a response to, and a reflection on the existential impact of domestic confinement during the COVID-19 lockdowns. Screenworks: The peer-reviewed online publication of practice research in screen media, 12 (1). ISSN 2514-3123

Fales, Ludovica (2015) Immersed into our clothes. Are wearable technologies a potential gateway to extra-virtual immersion? Cinergie. Il Cinema e le altre arti., 8. pp. 89-98. ISSN 2280-9481

Hillman, John ORCID: https://orcid.org/0000-0003-4251-1960 (2024) Becoming George. Transformations: Journal of Media, Culture & Technology (37). ISSN 1444-3775

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2010) Moving Pictures: Cinema and Its Obsolescence in Contemporary Art. Journal of Visual Culture, 8.

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Timothy Barker (2018) against transmission: media philosophy and the engineering of time. Film-Philosophy, 24 (1). pp. 75-77. ISSN 1466-4615

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2019) Straight to the source? Where adaptations, artworks, historical films, and novels connect. Adaptation, 12 (2). pp. 165-184. ISSN 1755-0645

Book Section

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) Introduction: Intersecting documentary and cognitive theory. In: Cognitive Theory and Documentary Film. Palgrave Macmillan, Cham, Switzerland. ISBN 9783319903316

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2017) Spectatorship and alternative portrayals of blindness. In: Documentary and Disability. Palgrave Macmillan, Basingstoke, UK, pp. 61-77. ISBN 9781137598943

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) A social cognition approach to stereotyping in documentary. In: Cognitive Theory and Documentary Film. Palgrave Macmillan, pp. 263-279. ISBN 9783319903323

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Hughes, Helen (2017) Introduction: The bricolage of documentary and disability. In: Documentary and Disability. Palgrave Macmillan, Oxford, UK, pp. 1-10. ISBN 978-1-137-59893-6

Cartmell, Deborah, Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 and Whelehan, Imelda (2018) A brief history of the Association of Adaptation Studies. In: Where is Adaptation? Mapping Cultures, Texts and Contexts. John Benjamins Publishing Company. ISBN 9789027201492

Fales, Ludovica (2014) Real time memories of a revolution: the '18 Days in Egypt' interactive platform as instant archive. In: Cinema and Art as Archive: Form, Medium, Memory. Cinema and Contemporary Art (1). Mimesis International, Sesto San Giovanni (MI), pp. 245-264. ISBN 9788857523552

Fales, Ludovica (2018) Tahrir Square: a space extended to the people watching it. In: Body Images in the Post-Cinematic Scenario: The Digitization of the Body. Post-Cinema & Digital Cultures. Mimesis International, Sesto San Giovanni (MI), Italy. ISBN 9788869771095

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2017) Perverting the explicit: Catherine Breillat’s visual vocabulary of desire. In: Tainted Love: Screening Sexual Perversities. I.B. Tauris, London, UK.

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Cinema as (in)visible object: looking, making and re-making. In: Theorizing Cinema Through Contemporary Art: Expanding Cinema. Amsterdam University Press, Amsterdam. ISBN 9789462989467

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2019) Fleming, adaptation, and the author biopic. In: A Companion to the Biopic. Wiley Blackwell, Oxford, pp. 233-246. ISBN 9781119554813

Conference or Workshop Item

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) Clashing Agencies – A Seeing Filmmaker Filming a Blind Painter. In: MeCCSA conference, January 2018, London.

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2017) Critical practice-led research in documentary. In: Creative Practice-Research Workshop, 7 July 2017, Bournemouth University, UK. (Unpublished)

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2017) Documentary and Disability. In: Visible Evidence Conference, August 2017, Buenos Aires.

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2016) Undoing blindness stereotypes through embodied experience in documentary. In: Embodied Methodologies – Practice Based Conference, 04-05 Nov 2016, Royal Holloway, UK. (Unpublished)

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2017) The bricolage of documentary and disability. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2017) A cognitive framework of documentary spectatorship. In: Film-Philosophy Conference, 3-6 July 2017, Lancaster University, UK. (Unpublished)

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Kramer, Mette (2017) Cognitive film studies and four approaches to documentary film. In: Society for Cognitive Studies of the Moving Images (SCSMI) Conference, 11-14 June 2017, Aalto University, Helsinki, Finland. (Unpublished)

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2018) Cinephilia falls to Earth: thinking the image after Daney. In: Changer, échanger: Serge Daney. Workshop 1 of Serge Daney and Queer Cinephilia (AHRC network), 27-28 Sept 2018, Paris (INHA). (Unpublished)

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2018) Species of spaces in the cinema of Philippe Garrel. In: Philippe Garrel, le temps incorporé/Embodied Time Université Paris 8 Nanterre (Institut d’ études avancées de Paris), 29-30 Nov 2018, Paris, France. (Unpublished)

Sholl, Robert (2018) Exhibiting the phantom: improvisations for an unmasking. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)

Arts Related non-text Outputs

Crewe, Jonathon ORCID: https://orcid.org/0000-0002-4108-1551, Nicholls, Marcus and Olsen, Dennis (2024) The impact of gender on the representation of characters aged over 50 in British films between 2021-22. [Arts Related non-text Outputs] (In Press)

Book

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2018) James Bond uncovered. Palgrave Macmillan, London, UK.

Thesis

Giuliani, Alice (2024) The Post-Cinematic, the Posthuman, and the Weird: Critical Conjunctions and Aesthetic Tendencies in 21st-Century Film. Doctoral thesis, University of West London.