Holub, J., Kastner, M., Tomiska, O. 2007. Delay effect on conversational quality in telecommunication networks: Do we mind?. Wireless Telecommunications Symposium WTS 2007, Pomona, California-USA.
Schuett, N. 2002. The Effects of Latency on Ensemble Performance. Undergraduate honors thesis - Stanford University.
Chafe C., Gurevich, M. 2004. Network time delay and ensemble accuracy: Effects of latency asymmetry, Proceedings of the AES 117th Convention (San Francisco, CA: Audio Engineering Society).
Lago, N and Kon, F. 2004. The Quest for Low Latency. In Proceedings of the International Computer Music Conference – ICMC 2004, Miami, USA.
Bartlette, C., Headlam, D., Bocko, M., Velikic, G. 2006. Effects of network latency on interactive musical performance. Music Perception 24, 49 – 62.
Barbosa, A. 2006. Computer-Supported Cooperative Work for Music Applications. PhD Thesis - Music technology Group; Pompeu Fabra University, Barcelona, Spain.
Farner, S., Solvang, A., Sæbo, A., Svensson, U. P. 2009. Ensemble hand-clapping experiments under the influence of delay and various acoustic environments. Journal of the Audio Engineering Society 57, 1028 – 1041.
Chafe, C., Cáceres, J-P., Gurevich, M. 2010. Effect of temporal separation on synchronization in rhythmic performance. Perception 39(7), 982 – 992.
Barbosa, A.; Cardoso, J.; Geiger, G. 2005. Network Latency Adaptive Tempo in the Public Sound Objects System – Proceedings of the International Conference on New Interfaces for Musical Expression (NIME 2005).
Stelkens, J. 2003. PeerSynth: A P2P Multi-User Software with new techniques for integrating latency in real time collaboration. Proceedings of the International Computer Music Conference (ICMC2003).
Spicer, M. 2004. AALIVENET: An agent based distributed interactive composition environment. Proceedings of the International Computer Music Conference (ICMC2004).
Bregman, Albert S. 1990. Auditory Scene Analysis: The Perceptual Organization of Sound. 94. Cambridge, MA: MIT Press.
Wright, M. 2008. The Shape of an Instant: Measuring and Modeling Perceptual Attack Time with Probability Density Functions (If a Tree Falls in the Forest, When Did 57 People Hear it Make a Sound?). Ph.D. Dissertation, Stanford University, 19 – 20.
Dixon, S., Widmer, G. 2005. MATCH: A Music Alignment Tool 6th International Conference on Music Information Retrieval, Chest – ISMIR 2005, London, England.
Dixon, S. 2005. Live Tracking of Musical Performances Using On-Line Time Warping, Simon Dixon, 8th International Conference on Digital Audio Effects – DAFx'05, Madrid, Spain.
Lists
Lists
ORCID: https://orcid.org/0000-0002-0161-7139
(2011)
The influence of perceptual attack times in networked music performance.
In: Audio Engineering Society 44th International Conference - Audio Networking, 18 - 20 November 2011, Sand Diego, USA.
