Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 and Bowerman, Sue
(2024)
"Audio, Empathy and Neurodiversity". An Interview with Professor Jeremy Strong.
New Vistas, 10 (1).
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 and Hendry, Natasha
(2024)
‘A re-imagined Music Curriculum’: Jeremy Strong interviews PhD candidate Natasha Hendry.
New Vistas, 10 (1).
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2024)
Continuation and Desperation in Contemporary Multi-Season Television Drama.
Adaptation, 17 (2).
pp. 191-211.
ISSN 1755-0637
Olsen, Dennis and Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2023)
The Joy of Guests: a podcast journey. An interview with Jeremy Strong.
New Vistas, 9 (1).
pp. 18-21.
ISSN 2056-967X
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2020)
Character adaptations: recurrence and return.
Adaptation, 14 (1).
pp. 109-135.
ISSN 1755-0637
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2020)
How to make a 'Colourful World'.
New Vistas, 6 (1).
pp. 16-19.
ISSN 2056-9688
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2019)
Introduction.
Adaptation, 12 (2).
pp. 67-68.
ISSN 1755-0637
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2019)
Straight to the source? Where adaptations, artworks, historical films, and novels connect.
Adaptation, 12 (2).
pp. 165-184.
ISSN 1755-0645
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2016)
What's in a snack?
New Vistas, 2 (1).
pp. 26-27.
ISSN 2056-9688
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2015)
Killing the pig.
The Victorian, 3 (3).
pp. 1-18.
ISSN 2309-091X
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2015)
Time, tide and narrative: adapting chronology in Master and Commander: The Far Side of the World.
Coriolis: An Interdisciplinary Journal of Maritime Studies, 5 (2).
pp. 1-19.
ISSN 2163-8381
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2015)
The 'Wandering Jew': history, fiction and adaptation.
New Vistas, 1 (1).
pp. 24-31.
ISSN 2056-9688
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2013)
James Bond: international man of gastronomy.
Journal of European Popular Culture, 4 (2).
pp. 155-172.
ISSN 2040-6134
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2011)
Reconstructing the rose or how joining the dots (generally) makes the picture.
Literature/Film Quarterly, 39 (4).
pp. 297-305.
ISSN 0090-4260
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2008)
Team films in adaptation: remembered stories and forgotten books.
Adaptation, 1 (1).
pp. 44-57.
ISSN 1755-0637
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2006)
The modern offal eaters.
Gastronomica, 6 (2).
pp. 30-39.
ISSN 1529-3262
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2006)
Crews, squads, sevens, elevens and dozens: the team film genre.
Kinema: a Journal of Audio-Visual Media, 26.
pp. 39-54.
ISSN 1192-6252
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2006)
Tess, Jude, and the Problem of Adapting Hardy.
Literature/Film Quarterly, 34 (3).
pp. 195-203.
ISSN 0090-4260
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2003)
The language of bodybuilding.
Paragraph, 26 (1-2).
pp. 163-175.
ISSN 0264-8334
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2020)
'Pride and Prejudice and Permutations'.
In:
Adapting the Canon: Translation, Visualisation, Interpretation.
Legenda, Cambridge, UK.
ISBN 9781781887080
(In Press)
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2020)
Adapting Pagnol and Provence.
In:
Intercultural Screen Adaptation: British and Global Case Studies.
Edinburgh University Press, pp. 11-25.
ISBN 9781474452038
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2019)
Fleming, adaptation, and the author biopic.
In:
A Companion to the Biopic.
Wiley Blackwell, Oxford, pp. 233-246.
ISBN 9781119554813
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2019)
Adapting Pagnol and Provence.
In:
French Literature on Screen.
Manchester University Press, Manchester, UK.
ISBN 9781784995171
Cartmell, Deborah, Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 and Whelehan, Imelda
(2018)
A brief history of the Association of Adaptation Studies.
In:
Where is Adaptation? Mapping Cultures, Texts and Contexts.
John Benjamins Publishing Company.
ISBN 9789027201492
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2018)
Foraging.
In:
The Routledge Handbook of Landscape and Food.
Routledge, London, UK, pp. 73-80.
ISBN 9781138125155
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2013)
Sweetening Jane: equivalence through genre, and the problem of class in Austen adaptations.
In:
Global Jane Austen: Pleasure, Passion, and Possessiveness in the Jane Austen Community.
Palgrave Macmillan, Basingstoke, UK, pp. 83-102.
ISBN 9781137034434
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2013)
Talking teams: dialogue and the team film formula.
In:
Film Dialogue.
Columbia University Press, New York, USA, pp. 70-84.
ISBN 9780231165631
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(1997)
The mimetic fallacy: why adaptations disappoint.
In:
Trasvases Culturales: Literatura, Cine, Traduccion 2.
Universidad del Pais Vasco, Lejona, Spain, pp. 351-359.
ISBN 8460094138
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2018)
James Bond uncovered.
Palgrave Macmillan, London, UK.
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2013)
Mean business.
Kindle.
ISBN 9781782800798
Stevenson, Lesley, Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X and Strong, Jeremy
ORCID: https://orcid.org/0000-0003-4618-3327
(2006)
Genre matters: essays in theory and criticism.
Intellect Books, Bristol, UK.
ISBN 1841501077
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2014)
Rabbits are not the only meat, so why the fury over Jeanette Winterson's fluffy meal?
The Conversation.
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327
(2014)
BBC America's Fleming and the trouble with author biopics.
The Conversation.