Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
(2023)
Dossier: screen advertising introduction.
Alphaville (25).
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
(2023)
How long is a good story? Compressed narratives in British screen advertising since 1955.
Alphaville (25).
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
(2023)
Danny Kleinman interview.
Alphaville (25).
pp. 129-138.
ISSN 2009-4078
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
(2023)
Georgia Hudson: Interview.
Alphaville (25).
pp. 123-128.
ISSN 2009-4078
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
(2022)
The screen advertising production industry: SIC codes and screen industries mapping.
Media Industries, 9 (1).
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
(2020)
Conservation and curation: theoretical and practical issues in the making of a national collection of British music videos 1966–2016.
Alphaville: Journal of Film and Screen Media (19).
pp. 160-177.
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 and Smith, Justin
(2020)
Dancing and dreaming: “Fifty years of British music video” in Havana.
Alphaville: Journal of Film and Screen Media (19).
pp. 184-194.
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
(2020)
Interview: Carrie Sutton.
Alphaville: Journal of Film and Screen Media (19).
pp. 203-210.
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
(2020)
Interview: Kris P. Taylor.
Alphaville: Journal of Film and Screen Media (19).
pp. 195-202.
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
(2020)
Interview: Sophie Muller.
Alphaville: Journal of Film and Screen Media (19).
pp. 211-218.
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
(2019)
Introduction: hidden screen industries – British music video and absent bodies.
Journal of British Cinema and Television, 16 (4).
pp. 484-491.
ISSN 1743-4521
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
(2019)
The pioneers get shot: music video, independent production and cultural hierarchy in Britain.
Journal of British Cinema and Television, 16 (4).
pp. 545-570.
ISSN 1743-4521
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
(2017)
The dancing eyes of the director: choreographers, dance cultures, and film genres in British music video 1979–2016.
Music Sound and the Moving Image, 11 (1).
pp. 37-62.
ISSN 1753-0768
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 and Smith, Justin
(2017)
Fifty years of British music video: introduction.
Music Sound and the Moving Image, II (I).
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
(2017)
‘The first cut is the deepest’: excerpts from a focus group on editing music videos, with explanatory historical and theoretical notes.
Music Sound and the Moving Image, II (I).
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
(2015)
Not another article on the author! God and auteurs in moving image analysis: last call for a long overdue paradigm shift.
Music Sound and the Moving Image, 9 (2).
pp. 145-162.
ISSN 1753-0768
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
(2014)
The fine art of commercial freedom: British music videos and film culture.
Scope, 26.
ISSN 1465-9166
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
(2018)
Power to the people: fifty years of British music video 1966-2016.
UNSPECIFIED.
Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648
Dancing and dreaming: 50 years of British music video in Havana.
[Video]
(Unpublished)