Article

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2023) Dossier: screen advertising introduction. Alphaville (25).

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2023) How long is a good story? Compressed narratives in British screen advertising since 1955. Alphaville (25).

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2023) Danny Kleinman interview. Alphaville (25). pp. 129-138. ISSN 2009-4078

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2023) Georgia Hudson: Interview. Alphaville (25). pp. 123-128. ISSN 2009-4078

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2022) The screen advertising production industry: SIC codes and screen industries mapping. Media Industries, 9 (1).

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2020) Conservation and curation: theoretical and practical issues in the making of a national collection of British music videos 1966–2016. Alphaville: Journal of Film and Screen Media (19). pp. 160-177.

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 and Smith, Justin (2020) Dancing and dreaming: “Fifty years of British music video” in Havana. Alphaville: Journal of Film and Screen Media (19). pp. 184-194.

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2020) Interview: Carrie Sutton. Alphaville: Journal of Film and Screen Media (19). pp. 203-210.

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2020) Interview: Kris P. Taylor. Alphaville: Journal of Film and Screen Media (19). pp. 195-202.

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2020) Interview: Sophie Muller. Alphaville: Journal of Film and Screen Media (19). pp. 211-218.

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2019) Introduction: hidden screen industries – British music video and absent bodies. Journal of British Cinema and Television, 16 (4). pp. 484-491. ISSN 1743-4521

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2019) The pioneers get shot: music video, independent production and cultural hierarchy in Britain. Journal of British Cinema and Television, 16 (4). pp. 545-570. ISSN 1743-4521

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2017) The dancing eyes of the director: choreographers, dance cultures, and film genres in British music video 1979–2016. Music Sound and the Moving Image, 11 (1). pp. 37-62. ISSN 1753-0768

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 and Smith, Justin (2017) Fifty years of British music video: introduction. Music Sound and the Moving Image, II (I).

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2017) ‘The first cut is the deepest’: excerpts from a focus group on editing music videos, with explanatory historical and theoretical notes. Music Sound and the Moving Image, II (I).

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2015) Not another article on the author! God and auteurs in moving image analysis: last call for a long overdue paradigm shift. Music Sound and the Moving Image, 9 (2). pp. 145-162. ISSN 1753-0768

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2014) The fine art of commercial freedom: British music videos and film culture. Scope, 26. ISSN 1465-9166

Other

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 (2018) Power to the people: fifty years of British music video 1966-2016. UNSPECIFIED.

Video

Caston, Emily ORCID: https://orcid.org/0000-0001-8618-5648 Dancing and dreaming: 50 years of British music video in Havana. [Video] (Unpublished)