Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Kramer, Mette
(2018)
A pragmatic framework for the cognitive study of documentary.
Projections: The Journal for Movies and Mind, 12 (2).
pp. 159-180.
ISSN 1934-9688
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2018)
The benefits of content analysis for filmmakers.
Studies in Australasian Cinema, 12 (2-3).
pp. 150-161.
ISSN 1750-3175
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2018)
Performativity on the margin: Pornography: The Musical (2003).
Film Studies, 18 (1).
ISSN 1469-0314
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2018)
Introduction: Intersecting documentary and cognitive theory.
In:
Cognitive Theory and Documentary Film.
Palgrave Macmillan, Cham, Switzerland.
ISBN 9783319903316
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2018)
Bypassing the supercrip trope in documentary representations of blind visual artists.
Disability Studies Quarterly, 38 (3).
ISSN 1041-5718
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Kramer, Mette
(2018)
Cognitive theory and documentary film.
Palgrave Macmillan, Basingstoke, UK.
ISBN 9783319903316
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2018)
A social cognition approach to stereotyping in documentary.
In:
Cognitive Theory and Documentary Film.
Palgrave Macmillan, pp. 263-279.
ISBN 9783319903323
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2018)
June’s Patchwork.
[Video]
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2018)
The Terry Fragments.
[Video]
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2018)
Clashing Agencies – A Seeing Filmmaker Filming a Blind Painter.
In: MeCCSA conference, January 2018, London.
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Hughes, Helen
(2017)
Introduction: The bricolage of documentary and disability.
In:
Documentary and Disability.
Palgrave Macmillan, Oxford, UK, pp. 1-10.
ISBN 978-1-137-59893-6
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2017)
Spectatorship and alternative portrayals of blindness.
In:
Documentary and Disability.
Palgrave Macmillan, Basingstoke, UK, pp. 61-77.
ISBN 9781137598943
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2017)
Documentary and Disability.
In: Visible Evidence Conference, August 2017, Buenos Aires.
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Hughes, Helen
(2017)
Documentary and disability.
Palgrave Macmillan, Basingstoke, UK.
ISBN 9781137598936
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2017)
Critical practice-led research in documentary.
In: Creative Practice-Research Workshop, 7 July 2017, Bournemouth University, UK.
(Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2017)
A cognitive framework of documentary spectatorship.
In: Film-Philosophy Conference, 3-6 July 2017, Lancaster University, UK.
(Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2017)
The bricolage of documentary and disability.
In: UWL Research Conference 2017, 30 June 2017, London, UK.
(Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Kramer, Mette
(2017)
Cognitive film studies and four approaches to documentary film.
In: Society for Cognitive Studies of the Moving Images (SCSMI) Conference, 11-14 June 2017, Aalto University, Helsinki, Finland.
(Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2017)
Mediating subjectivity through materiality in documentary practice.
In:
Conditions of Mediation: Phenomenological Perspectives on Media.
Peter Lang, Oxford, UK, pp. 223-236.
ISBN 9781433137297
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2016)
Pornography: The Musical – performativity on the margin.
In: Sex and the Cinema Conference, 10-11 Dec 2016, Kent University, UK.
(Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2016)
Undoing blindness stereotypes through embodied experience in documentary.
In: Embodied Methodologies – Practice Based Conference, 04-05 Nov 2016, Royal Holloway, UK.
(Unpublished)
Ayisi, Florence and Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2016)
Zanzibar soccer dreams.
[Video]
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Ayisi, Florence
(2016)
Zanzibar community impact study.
[Artefact]
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2015)
Cognitive innovation in documentary film practice.
In: Off the Lip: Transdisciplinary Approaches to Cognitive Innovation, 7-11 Sept 2015, Plymouth, UK.
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2015)
Documentary film practice and the alterity of the disabled individual.
In: Disability and Disciplines: The International Conference on Educational, Cultural, and Disability Studies, 01-02 July 2015, Liverpool, UK.
(Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2015)
The documentary film "praxis" of cognitive film theory.
In: Society for Cognitive Studies of the Moving Images (SCSMI) Conference, 17-20 Sept 2015, London, UK.
(Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2015)
Focusing on the ordinary: alternative visions of disability.
In: Rethinking Disability on Screen, 14 May 2015, York, UK.
(Unpublished)
Ayisi, Florence and Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2014)
See me, know me – cultural expressions of Cameroonian women.
Stimulus Respond, Africa.
pp. 36-43.
ISSN 1746-8086
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2014)
An ethnophenomenographic approach to subjectivity.
In: Directions and Connections across Anthropology, 24 Jun 2014, London, UK.
(Unpublished)
Ayisi, Florence and Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2014)
Documentary practice and the resistance to cultural norms.
In: Football and Communities of Resistance Conference, 12 Jun 2014, Manchester, UK.
(Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2014)
'Documentary and (Dis)ability' symposium, University of Surrey, United Kingdom, 20 September 2013.
Discussion Paper.
Taylor & Francis.
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2014)
The domestication of disability stereotypes through film.
In: Domestic Imaginaries: Homes in Film, Literature and Popular Culture Symposium, 21 Jan 2014, Nottingham, UK.
(Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2013)
Blindness and the everyday: a documentary perspective.
In: Ordinary/Everyday/Quotidian Conference, 26-27 Sep 2013, University of York, UK.
(Unpublished)
Hughes, Helen and Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2013)
Symposium organisation: Documentary and (Dis)ability symposium.
UNSPECIFIED, University of Surrey.
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2013)
The representation of blindness in media.
In: Documentary and (Dis)ability Symposium, 20 Sep 2013, University of Surrey, UK.
(Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Ayisi, Florence
(2013)
The politics of representation and audience reception: alternatives visions of Africa.
Research in African Literatures, 44 (2).
pp. 125-141.
ISSN 0034-5210
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Ayisi, Florence
(2013)
Development through trans-national filmmaking.
In: Evidence-Based International Development Day, 23 May 2013, Llandrindod Wells, UK.
(Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2013)
Conceptualising practice-as-research in media through cross‐disciplinary approaches to audience reception.
In: Theorising Practice, Practicing Theory, 23 Apr 2013, University of Roehampton, UK.
Ayisi, Florence and Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2011)
A cognitive-hermeneutical approach to audience reception of 'Sisters in Law'.
In: Women and Film in Africa Conference: Overcoming Social Barriers, 19-20 Nov 2011, London, UK.
(Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2011)
The paratext in "Dexter".
In: Television Narratives Symposium, 28 May 2011, University of York, UK.
(Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2004)
How are film endings shaped by their socio-historical context? Part 2.
Image and Narrative, 5 (1).
ISSN 1780-678X
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2004)
How are film endings shaped by their socio-historical context? Part 1.
Image and Narrative, 4 (2).
ISSN 1780-678X
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818
(2004)
A touch of colour.
[Video]