Hip-hop time machine - re-imagining the ‘phonographic’ in sample-based hip-hop record production: research design for contemporary forms of creative audio practice

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Exarchos, Michail ORCID: https://orcid.org/0000-0003-1045-3540 (2019) Hip-hop time machine - re-imagining the ‘phonographic’ in sample-based hip-hop record production: research design for contemporary forms of creative audio practice. New Vistas, 4 (2). pp. 22-27. ISSN 2056-967X

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Abstract

The article embarks on a two-fold investigation, examining the aesthetic implications of sample-based record production using re-imagined phonographic sources, and exploring applied research design for contemporary forms of music-making. Challenging traditional models of musicological analysis, the author demonstrates how multi-methods research leverages the study of ‘meta’ genres of creative practice.

Item Type:	Article
Keywords:	Record Production, Musicology, Sample-based, Hip-hop, Practice
Subjects:	Music Music > Musicology Music > Record production
Related URLs:	Publisher
Depositing User:	Michail Exarchos
Date Deposited:	04 Dec 2018 14:01
Last Modified:	04 Nov 2024 12:00
URI:	https://repository.uwl.ac.uk/id/eprint/5642