Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X and Toulson, E. Rob (2018) Interactive recorded music: past, present, and future. In: Audio Engineering Society Convention 145, 17-20 Oct 2018, New York City, US.

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Abstract

This Engineering Brief charts the story of user-interactivity with recorded music. Audio technologies and creative compositional techniques are discussed with particular regard to scenarios where creativity has driven the demand for technological advance, and vice-versa, where technical advance has enabled new creative-practice approaches. This is contextualized through discussion of relevant implementation in legacy systems, mobile applications, video games, artificial intelligence, and extended realities. In identifying seminal applications of music interactivity from the past and linking them to present capabilities and practices, future trajectories for interactive recorded-music are extrapolated.

Item Type:	Conference or Workshop Item (Paper)
Additional Information:	Project title: Commercialisation of Interactive Music
Subjects:	Music > Music/audio technology
Related URLs:	Organisation
Depositing User:	Justin Paterson
Date Deposited:	30 Oct 2018 12:51
Last Modified:	28 Aug 2021 07:26
URI:	https://repository.uwl.ac.uk/id/eprint/5575

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