Acland, Charles (ed) (2003) Residual Media, Minneapolis: University of Minnesota Press.
Alberro, Alexander (2013). "A Messier Coherence: Inventing Abstraction at the Museum of Modern Art" in Modernism/modernity. 20(2), 371-381.
Baxandall, Michael (1972) Painting and Experience in Fifteenth Century Italy. Oxford: Oxford University Press.
Baxandall, Michael (1991)“Exhibiting Intention: Some Preconditions of the Visual Display of Culturally Purposeful Objects” in Ivan Karp and Steven D. Lavine (eds) Exhibiting Cultures Washington, DC: Smithsonian Institution Press.
Benjamin, Walter (2002) “The Storyteller: Observations on the Works of Nikolai Leskov,” (1936) In Selected Writings Volume 3: 1935-1938, edited by Howard Eiland and Michael W. Jennings, Cambridge MA: Harvard University Press.
Benjamin, Walter (2002) “The Work of Art in the Age of Its Technological Reproducibility, Second Version,” (1936). In Selected Writings, Volume 3: 1935-1938, edited by Howard Eiland and Michael W. Jennings, Cambridge MA: Harvard University Press.
Benjamin, Walter (2003) “On Some Motifs in Baudelaire,” in Howard Eiland and Michael W. Jennings (eds) Selected Writings, Volume 4 1938-1940, Cambridge MA: Harvard University Press.
Benjamin, Walter (2003) “The Paris of the Second Empire in Baudelaire” in Howard Eiland and Michael W. Jennings (eds) Selected Writings, Volume 4 1938-1940, Cambridge MA: Harvard University Press, 3–98.
Bennett, Tony (1995) The Birth of the Museum: History, Theory, Politics, London: Routledge.
Connolly Maeve (2014) TV Museum: Contemporary Art and .he Age of Television, Bristol: Intellect.
Connolly, Maeve (2015) “The Museum as TV Producer: Televisual Form in Curating, Commissioning, and Public Programming” in Henning, Michelle (ed). Museum Media. Vol. 3 of the International Handbooks of Museum Studies. General editors Sharon Macdonald and Helen Rees-Leahy, Oxford: Wiley-Blackwell, 2015.
Ernst, Wolfgang (2000) “Archi(ve)textures of Museology,” in Museums and Memory, ed. Susan A. Crane Stanford: Stanford University Press.
Ernst, Wolfgang (2005) “Let There be Irony: Cultural History and Media Archaeology in Parallel Lines,” in Art History, 28:5.
Ernst, Wolfgang (2011) “Media Archaeography: Method and Machine Versus History and Narrative of Media”, in Erkki Huhtamo and Jussi Parikka (eds) Media Archaeology: Approaches, Applications and Implications, University of California Press.
Fisher, Philip (1993) Making and Effacing Art: Modern American Art in a Culture of Museum, Harvard : Harvard University Press.
Flusser, Vilém (2013). Towards a philosophy of photography. London: Reaktion Books.
Foucault, Michel (1972) The Archaeology of Knowledge and The Discourse on Language, New York: Pantheon Books.
Haraway, Donna (1989), Primate Visions: Gender, Race and Nature in the World of Modern Science, London: Routledge.
Henning, Michelle (2006) Museums, Media and Cultural Theory Maidenhead: Open University Press.
Henning, Michelle (2011) “Neurath’s Whale” in Samuel J.M.M. Alberti (ed) The Afterlives of Animals: A Museum Menagerie, Charlottesville: University of Virginia Press.
Henning, Michelle (2015) “Museums and Media Archaeology: An Interview with Wolfgang Ernst,” in Henning, Michelle (ed). Museum Media. Vol. 3 of the International Handbooks of Museum Studies. General editors Sharon Macdonald and Helen Rees-Leahy, Oxford: Wiley-Blackwell, 2015.
Hertz, Garnet and Parikka, Jussi (2012) “Zombie Media: Circuit Bending Media Archaeology into an Art Method”, Leonardo, 45: 5, 424-430.
Hoskins, Andrew and Holdsworth, Amy (2015), “Media Archaeology of/in the Museum” 
in Henning, Michelle (ed). Museum Media. Vol. 3 of the International Handbooks of Museum Studies. General editors Sharon Macdonald and Helen Rees-Leahy, Oxford: Wiley-Blackwell, 2015.
Johnston, John, “Introduction” to Kittler, Friedrich A. (1997), Literature, Media, Information Systems: Essays, London: Routledge.
Kirshenblatt-Gimblett, Barbara (1998) Destination Culture: Tourism, Museums and Heritage, Berkeley: University of California Press.
Kittler, Friedrich (1999) Gramophone, Film, Typewriter, Standford: Stanford University Press.
Latour, Bruno (2012). We Have Never Been Modern. Cambridge MA: Harvard University Press.
NECSUS: European Journal of Media Studies, special issue on “Waste”, Autumn 2013.
Parikka, Jussi (2013) What is Media Archaeology? Cambridge: Polity.
Shanks, Michael; Plath, David; Rathje, William L (2004) “The Perfume of Garbage: Modernity and the Archaeological”, In Modernism / Modernity, 11:1, 61–83.
Siegert, Bernhard (2015) Cultural Techniques: Grids, Filters, Doors and Other Articulations of the Real, New York: Fordham University Press.
Wasson, Haidee (2015) “The Elastic Museum: Cinema Within and Beyond” in Henning, Michelle (ed). Museum Media. Vol. 3 of the International Handbooks of Museum Studies. General editors Sharon Macdonald and Helen Rees-Leahy, Oxford: Wiley-Blackwell, 2015.
Winthrop Young, Geoffrey (2013) Kittler and the Media, Cambridge: Polity.