Paterson, Justin ORCID: https://orcid.org/0000-0001-7822-319X (2011) What constitutes innovation in music production? In: Proceedings of the 131st Audio Engineering Society Convention, 21-24 Oct 2011, New York City, USA.

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Abstract

Innovation has often been at the core of record production, yet as production has advanced from Fred Gaisberg through the techniques of Musique Concrète to the plethora of possibilities afforded by the present digital age, the opportunities for genuine innovation might now seem limited. This notion is explored by considering the ontology of production with reference to audio examples, forming a chronological thread that highlights pieces commonly perceived as landmark innovations, their technological backdrops, and the recurrence/evolution of effect & aesthetic through successive generations of technology, and ultimately a nexus. The perception, attribution and value of 'quality' is another factor, and whilst this is a separate subject in its own right, some discussion of this better contextualizes the topic.

Item Type:	Conference or Workshop Item (Paper)
Subjects:	Music Music > Record production
Depositing User:	Justin Paterson
Date Deposited:	13 May 2016 07:29
Last Modified:	28 Aug 2021 07:20
URI:	https://repository.uwl.ac.uk/id/eprint/2058

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