Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2009) Paris and its doubles: Deleuze/Rivette. Deleuze Studies, 3 (2). pp. 185-206. ISSN 1750-2241

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Abstract

This essay sets out from the premise that the films of Jacques Rivette merit sustained reconsideration in the framework provided by Deleuze’s Cinema 2: The Time-Image. Rivette’s approach to what his own first feature-length film, Paris nous appartient, identifies a paradox of location-dislocation in respect of the city of Paris. On this basis the article seeks to add to the readings undertaken by Deleuze himself and, in the light of Rivette’s cine-thinking, to examine in tandem films to which Deleuze directly responded, such as Pont du nord, and later post-Deleuze renegotiations of the city such as Secret Défense.

Item Type:	Article
Identifier:	10.3366/E1750224109000580
Subjects:	Film and television Philosophy
Depositing User:	Garin Dowd
Date Deposited:	01 Dec 2014 16:49
Last Modified:	04 Nov 2024 12:21
URI:	https://repository.uwl.ac.uk/id/eprint/1005

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