Article

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) Bypassing the supercrip trope in documentary representations of blind visual artists. Disability Studies Quarterly, 38 (3). ISSN 1041-5718

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2018) Performativity on the margin: Pornography: The Musical (2003). Film Studies, 18 (1). ISSN 1469-0314

Henderson, Jo (2013) Whatever happened to Vera? View, 2 (4). pp. 45-50. ISSN 2213-0969

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2018) Holes: colonialism and negative space in modernist photography. Wrong Wrong (12).

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2017) The floating face: Garbo, photography and death masks. Photographies, 10 (2). pp. 157-178. ISSN 1754-0763

Henning, Michelle and Mikuriya, Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2021) Light sensitive material: an introduction. Photographies, 14 (3). pp. 381-394. ISSN 1754-0763

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2017) After the future: n hypotheses of post-cyber feminism. The Kathy Rae Huffman Archive Catalogue.

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2019) Sapience + care: reason and responsibility in posthuman politics. Angelaki: Journal of Theoretical Humanities, 24 (1). pp. 67-80. ISSN 0969-725X

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2016) Technically female: women, machines, and hyperemployment. Salvage (3).

Hine, Ben ORCID: https://orcid.org/0000-0001-9732-4631, Ivanovic, Katarina and England, Dawn (2018) From the sleeping princess to the world-saving daughter of the chief: examining young children's perceptions of 'old' versus 'new' Disney princess characters. Social Sciences, 7 (9). p. 161. ISSN 2076-0760

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2022) Like a mass image: Federico Fellini’s Le Tentazioni del Dottor Antonio, advertising and mimicry. Italian Studies. ISSN 0075-1634

Nicholls, Marcus (2021) The adaptive afterlife of texts: entropy and generative decay. Adaptation, 14 (3). pp. 313-334. ISSN 1755-0637

Olsen, Dennis (2022) The promotional window into society: advertising as indicator and influencer of socio-cultural trends. New Vistas, 8 (1). pp. 47-52. ISSN 2056-967X

Sholl, Robert (2020) James Sibley Watson’s The Fall of The House of Usher: Surrealism—improvisation—complementary serendipities. Perspectives of New Music, 58 (1). pp. 23-69. ISSN 0031–6016

Book Section

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Hughes, Helen (2017) Introduction: The bricolage of documentary and disability. In: Documentary and Disability. Palgrave Macmillan, Oxford, UK, pp. 1-10. ISBN 978-1-137-59893-6

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X and Rulyova, Natalia (2015) Introduction. In: Genre trajectories: identifying, mapping, projecting. Palgrave Macmillan, Basingstoke, UK, pp. 1-10. ISBN 9781137505477

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2020) Gender is a workplace technology. In: On Care. Ma Bibliothèque, London. (In Press)

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2019) Sexing the cyborg: technology, adaptation, and prosthetic gender. In: Insufficient Armour. NERO, Milan. (In Press)

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2018) Spectacular sex: in/visible pleasures and practices in visual media. In: Sites of the Non-eventual. Artwin Gallery, Moscow. (In Press)

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 and Stardust, Zahra (2018) Sex work in a post-work imaginary: on abolitionism, careerism and respectability. In: New Feminist Studies: Twenty-first-century Critical Interventions. Cambridge University Press. (In Press)

Nardelli, Matilde (2017) The small, the large and the moving: Bruno Munari and cinema. In: Bruno Munari: The Lightness of Art. Italian Modernities Series. Peter Lang, Oxford, UK, pp. 253-291. ISBN 9783034319379

Nardelli, Matilde, Antonello, Pierpaolo and Zanoletti, Margherita (2012) Introduction: Bruno Munari's lightness. In: Bruno Munari: The Lightness of Art. Peter Lang, Oxford, UK, pp. 1-24. ISBN 9781787079915

Conference or Workshop Item

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2017) Documentary and Disability. In: Visible Evidence Conference, August 2017, Buenos Aires.

Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2017) The bricolage of documentary and disability. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2017) Image flow: photography on tap. In: Photographies: Critical Issues in Photography Today International Conference, 18-19 May 2017, London, UK. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2013) From a world in a box to a world without borders: art museums, media technologies and cosmopolitanism. In: Invited public lecture at the Museum Sztuki in Łódź, Poland, as part of their Universal Museum series, 21 Nov 2013, Łódź, Poland. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2018) Photography Sets The Image Free: Inaugural Professorial Lecture. In: Public Lecture Series, University of West London, 7 March 2018, London, UK. (Unpublished)

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2017) We are here but where are you? In: Urban Encounters 2017: Cartographies, 10-11 Nov 2017, London, UK. (Unpublished)

Mikuriya, Junko Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2018) From photophania to photagogia: a journey in the history of light. In: International Day of Light Symposium, 16 May 2018, Chelsea College of Art, University of the Arts London. (Unpublished)

Mikuriya, Junko Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2018) Three entries in the history of light. In: Cities of Light: Paris, 4 May 2018, University of Paris Sorbonne, Paris, France. (Unpublished)

Mikuriya, Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2016) On thoughtography. In: Visual Noise: Wandering Artifacts and Aberrant Images International Conference, 17 June 2016, Berlin, Germany. (Unpublished)

Olsen, Dennis (2019) How it all began: a history of scholarship on the representation of older adults in German advertising. In: Proceedings of the 19th Biennial Conference on Historical Analysis and Research in Marketing (CHARM), 16-19 May 2019, Ottawa, Canada.

Book

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2006) Museums, media and cultural theory. Open University Press, Maidenhead, UK. ISBN 9780335214198

Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2018) Photography: the unfettered image. Routledge, London, UK. ISBN 9781138782556

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2018) Xenofeminism. Theory Redux. Polity, Cambridge, UK. ISBN 9781509520626

Mikuriya, Junko Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2016) A history of light: the idea of photography. Bloomsbury Academic, London, UK. ISBN 9781474254175

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Antonioni and the aesthetics of impurity: remaking the image in the 1960s. Edinburgh University Press, Edinburgh, UK. ISBN 9781474444040

Nardelli, Matilde, Antonello, Pierpaolo and Zanoletti, Margherita (2017) Bruno Munari: the lightness of art. Italian Modernitie Series. Peter Lang, Oxford, UK. ISBN 9781787079915

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2018) James Bond uncovered. Palgrave Macmillan, London, UK.