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Antoniou, Alexandros ORCID: https://orcid.org/0000-0002-4249-0939 (2010) 'Lady Chatterley's Lover' on both sides of the Atlantic: resolving issues of literary merit through the judicial process. In: 1st Graduate Student Conference in Comparative Literature, 02 Jun 2010, London. (Unpublished)

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Barnett, Ronald (2016) A will to write. New Vistas, 2 (1). pp. 4-9. ISSN 2056-9688

Blake, Charles (2018) Orpheus and the vanishing note. Angelaki, 23 (3). pp. 178-193. ISSN 1469-2899

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Capulet, Emilie (2019) 'Perspectives on authenticity in the representation of classical music in contemporary fiction'. In: Representing 'Classical Music' in the Twenty-First Century Network Event, 2 Sep 2019, Exeter University.

Capulet, Emilie (2013) Through the looking-glass: transmediality in musicalized narratives of the Modernist period. In: Transmediality and Transculturality. Winter Verlag, Heidelberg.

Carr, Marcia (2016) Making the impossible possible: Feldenkrais and the impact upon the training of the actor/singer at London College of Music. In: 'Making the Impossible Possible': The Feldenkrais Method in Music, Dance, Movement, and Creative Practice, 30 Apr 2016, London, UK. (Unpublished)

Cole, Louise ORCID: https://orcid.org/0000-0002-2629-5973 (2000) Jewelled tree. Spout Publications, Leeds. ISBN 978-1899114610

Cole, Louise ORCID: https://orcid.org/0000-0002-2629-5973 (2004) [Various poems]. UNSPECIFIED.

Crewe, Jonathon ORCID: https://orcid.org/0000-0002-4108-1551 (2020) Another London, another point of view: the use of defamiliarisation to elicit empathy in the reader for the white working-class protagonist in another London and their ‘real-world’ equivalents. New Writing: The International Journal for the Practice and Theory of Creative Writing, 17 (3). pp. 272-283. ISSN 1479-0726

Crewe, Jonathon ORCID: https://orcid.org/0000-0002-4108-1551 (2021) The construction of (white) working-class identity in narrative literary texts and its contribution to socio-cultural and politico-financial inequality. Journal for Cultural Research, 25 (3). pp. 237-251. ISSN 1479-7585

Crewe, Jonathon ORCID: https://orcid.org/0000-0002-4108-1551 (2018) Surrey new writers festival: writing for film and television. In: Surrey New Writers Festival 2018, 2 Jun 2018, Guildford.

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Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2006) "All out": the dismantling of the face in Murphy. The Journal of Beckett Studies, 16 (1-2). pp. 64-84. ISSN 0309-5207

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (1999) "Glisser dans le vide": Blanchot, Thomas l'obscur and the space of literature. Angelaki, 4 (3). pp. 153-169. ISSN 0969-725X

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2010) "Our day will come": Histoire de Marie et Julien in the light of Les filles du feu. Australian Journal of French Studies, 47 (2). pp. 171-183. ISSN 0004-9468

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2008) Prolegomena to a critique of excavatory reason: reply to Matthew Feldman. Samuel Beckett Today/Aujourd'hui, 20. pp. 375-388. ISSN 0927-3131

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2018) Regimes of language and light in J. S. Le Fanu's 'Green Tea'. Textual Practice, 33 (7). pp. 1155-1178. ISSN 0950-236X

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2008) Watt's ways: addenda, borders and courses. Samuel Beckett Today/Aujourd'hui, 19. pp. 75-85. ISSN 9789062023932

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2012) The proxemics of 'Neither'. Samuel Beckett Today/Aujourd'hui, 24. pp. 367-378. ISSN 0927-3131

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2007) Abstract machines: Samuel Beckett and philosophy after Deleuze and Guattari. Faux titre. Editions Rodopi, Amsterdam and New York. ISBN 9789042022065

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2018) Addressing Beckett's holes. In: Corresponding with Beckett: Epistolarity in Literary Research, June 1-2 2018, London, UK (Senate House). (Unpublished)

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2009) Apprenticeship, Philosophy, and the 'secret Pressures of the Work of Art' in Deleuze, Beckett, Proust and Ruiz; or Remaking the Recherche. In: Beckett's Proust/Deleuze's Proust. Palgrave Macmillan, Basingstoke, UK, pp. 89-103. ISBN 9780230201415

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2017) Beckett l'épistolier ou "l'homme-à-la-bêche": The Letters of Samuel Beckett, vol. 2, "1941-1956". In: La Violence dans l'œuvre de Samuel Beckett entre langage et corps. Samuel Beckett. Lettres modernes Minard, Paris, France, pp. 349-371. ISBN 9782812450235

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2012) Beckettian pain, in the flesh: singularity, community and 'the work'. In: Samuel Beckett and Pain. Faux titre (372). Rodopi, Amsterdam and New York, pp. 67-91. ISBN 9789042035232

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2006) Deathly constructions/Beckett's thanatographies. In: Beckett and Death, 3 Dec 2006, University of Northampton, UK. (Unpublished)

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2014) Felix Guattari's 'Cracks in the text' revisited. In: Schizocultures: Cracks in the Street, 17 May 2014, London, England. (Unpublished)

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2013) France: 1928-1939. In: Samuel Beckett in context. Cambridge University Press, Cambridge, pp. 76-86. ISBN 9781107017030

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2016) From Murphy’s "microcosmopolitans" to Castro’s "micro-mensajes": metropolitan, national and ontological dislocations - with screening of Castro and interview with the director. In: London Beckett Seminar, 9 Dec 2016, London, England. (Unpublished)

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2013) Image and representation in Bergson. In: Understanding Bergson, understanding modernism. Understanding philosophy, understanding modernism. Bloomsbury, London and New York, pp. 25-26. ISBN 9781441172211

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2015) Is critique et clinique schizoanalytic?: schizoanalysis and Deleuze’s critical and clinical project. In: Deleuze and the Schizoanalysis of Literature. Schizoanalytic Applications. Bloomsbury Academic, London, UK, pp. 119-136. ISBN 9781472529633

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2006) Ohio impromptu, genre and Beckett on film. In: Genre Matters: Essays in Theory and Criticism. Intellect Books, Bristol, UK, pp. 69-84. ISBN 9781841501079

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2015) Philosophy's broken mirror: genre theory and the strange place of poetry and the poem from Plato to Badiou. In: Genre Trajectories: Identifying, Mapping, Projecting. Palgrave Macmillan, Basingstoke, UK, pp. 11-28. ISBN 9781137505477

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2011) Re-play: Conducts of time x 4 (interstitial pedagogies). In: The Future, Nov 2011, David Roberts Art Foundation. (Unpublished)

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2012) 'Stellar separation' or 'Abstract machine': Badiou and Deleuze on Beckett. In: Beckett re-membered: after the centenary. Cambridge Scholars, Newcastle Upon-Tyne, pp. 89-105. ISBN 978-1-4438-3500-8

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2014) The movement-image, the time-image and the paradoxes of literary and other modernisms. In: Understanding Deleuze, Understanding Modernism. Understanding Philosophy, Understanding Modernism. Bloomsbury Academic, London & New York, pp. 90-109. ISBN 9781623563493

Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2015) The problem of the any-space-whatever between Deleuze's Cinema and Beckett's prose. In: Beckett and Deleuze. Palgrave Macmillan, Basingstoke UK, pp. 152-168. ISBN 9781137481139

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Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2013) Dirty books: pornography, censorship, and the naked word. Litro Magazine (25).

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2014) Rethinking transgression: disgust, affect, and sexuality in Charlotte Roche's 'Wetlands'. Journal of Lesbian Studies, 17 (3-4). pp. 240-252. ISSN 1089-4160

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2014) Beyond explicit: pornography and the displacement of sex. State University of New York Press, New York, USA. ISBN 9781438449616

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Mikuriya, Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2021) Becoming Plant: a supplement to Roger Caillois' compendium of 'le fantastique naturel'. Antennae: The Journal of Nature in Visual Culture (53). pp. 100-111. ISSN 1756-9575

Mikuriya, Theresa ORCID: https://orcid.org/0000-0001-6383-406X (2017) "As beautiful as the chance encounter of a sewing machine and an umbrella": how to teach surrealism through photography. In: Urban Photography: Making, Researching, Teaching (Photographers' Gallery), 13 Nov 2017, London, UK. (Unpublished)

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Nicholls, Marcus (2018) Examining adaptation studies in and through the Decadent aesthetics of J. - K. Huysmans’ À Rebours. Doctoral thesis, University of West London.

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Parham, John (2003) Green Man Hopkins: Gerard Manley Hopkins and Victorian ecological criticism. Nineteenth-Century Contexts, 25 (3). pp. 257-276. ISSN 0890-5495

Parham, John (2002) The environmental tradition in English literature. Ashgate, Farnham, UK, pp. 1-238. ISBN 9780754603023

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Stevenson, Lesley, Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X and Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2006) Genre matters: essays in theory and criticism. Intellect Books, Bristol, UK. ISBN 1841501077

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2020) Character adaptations: recurrence and return. Adaptation, 14 (1). pp. 109-135. ISSN 1755-0637

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2015) Killing the pig. The Victorian, 3 (3). pp. 1-18. ISSN 2309-091X

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2011) Reconstructing the rose or how joining the dots (generally) makes the picture. Literature/Film Quarterly, 39 (4). pp. 297-305. ISSN 0090-4260

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2019) Straight to the source? Where adaptations, artworks, historical films, and novels connect. Adaptation, 12 (2). pp. 165-184. ISSN 1755-0645

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2008) Team films in adaptation: remembered stories and forgotten books. Adaptation, 1 (1). pp. 44-57. ISSN 1755-0637

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2015) Time, tide and narrative: adapting chronology in Master and Commander: The Far Side of the World. Coriolis: An Interdisciplinary Journal of Maritime Studies, 5 (2). pp. 1-19. ISSN 2163-8381

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2019) Adapting Pagnol and Provence. In: French Literature on Screen. Manchester University Press, Manchester, UK. ISBN 9781784995171

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2013) Mean business. Kindle. ISBN 9781782800798

Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2013) Sweetening Jane: equivalence through genre, and the problem of class in Austen adaptations. In: Global Jane Austen: Pleasure, Passion, and Possessiveness in the Jane Austen Community. Palgrave Macmillan, Basingstoke, UK, pp. 83-102. ISBN 9781137034434

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Tischler, Victoria ORCID: https://orcid.org/0000-0002-0086-1906 (2015) Dr Junkie. The Doctor Addict in Bulgakov’s Morphine: What are the Lessons for Contemporary Medical Practice? Journal of Medical Humanities, 36 (4). pp. 359-368. ISSN 1041-3545