Barthes, R. (1977) Image, Music, Text (tr. S. Heath). London: Fontana.
Corrigan, T. (2017) ‘Defining Adaptation’ in The Oxford Handbook of Adaptation Studies (ed. T. Leitch). Oxford: Oxford University Press.
Curtis, B. (2008) Dark Places: The Haunted House in Film. London: Reaktion.
Elliott, K. (2003) Rethinking the Novel/Film Debate. Cambridge: Cambridge University Press.
Ermarth, E. (2001) ‘Agency in the Discursive Condition’ in History and Theory, Vol. 40, No. 4, pp. 34-58.
Ferguson, K. L. (2016) ‘Quantum Haunting.’ Available at: https://vimeo.com/152032713
Fisher, M. (2006) Home is Where the Haunt Is: The Shining’s Hauntology in k-punk. Available at: http://k-punk.abstractdynamics.org/archives/007252.html
Fisher, M. (2012) ‘What is Hauntology’ in Film Quarterly, Vol. 66, No. 1, pp. 16 – 24.
Geraghty, C. (2008) Now a Major Motion Picture. Plymouth: Rowman & Littlefield.
Grizzaffi, C. (2020) ‘Poeticizing the Academy: Poetic Approaches to the Scholarly Audiovisual Essay’ in The Cine-Files, Issue 15. Available at: http://www.thecine-files.com/poeticizing-the-academy/
Grant, C. (2016). ‘The audiovisual essay as performative research’ in NECSUS: European Journal of Media Studies. Vol. 5. 10.25969/mediarep/3370.
Grant, C. (2019) ‘The Haunting of the Headless Woman.’ Available at: https://vimeo.com/301095918
Hutcheon, L. (2006) A Theory of Adaptation. London: Routledge.
Jorgens, J. (1991) Shakespeare on Film. Lanham: University Press of America.
Pellow, K. (1995) Films as Critiques of Novels. Lewiston: Mellen Press.
Pietrzak-Franger, M. (2012) ‘Conversing with Ghosts, or The Ethics of Adaptation’ in Adaptation and Cultural Appropriation: Literature, Film, and the Arts (ed. Nicklas & Lindner). Berlin: de Gruyter. pp. 70-88.
Sinyard, N. (1986) Filming Literature: The Art of Screen Adaptation. London: Routledge.
The Shining (1980) [Film] Directed by Stanley Kubrick. USA: Warner Bros.
Wagner, G. (1975) The Novel and the Cinema. Rutherford: Fairleigh Dickinson University Press.